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Ottoman Eurasia in Early Modern German Literature: Cultural Translations (Francisci, Happel, Speer)
by Gerhild Scholz WilliamsEven a casual perusal of seventeenth-century European print production makes clear that the Turk was on everyone’s mind. Europe’s confrontation of and interaction with the Ottoman Empire in the face of what appeared to be a relentless Ottoman expansion spurred news delivery and literary production in multiple genres, from novels and sermons to calendars and artistic representations. The trans-European conversation stimulated by these media, most importantly the regularly delivered news reports, not only kept the public informed but provided the basis for literary conversations among many seventeenth-century writers, three of whom form the center of this inquiry: Daniel Speer (1636-1707), Eberhard Werner Happel (1647-1690), and Erasmus Francisci (1626-1694). The expansion of the Ottoman Empire during the sixteenth and seventeenth centuries offers the opportunity to view these writers' texts in the context of Europe and from a more narrowly defined Ottoman Eurasian perspective. Ottoman Eurasia in Early Modern German Literature: Cultural Translations (Francisci, Happel, Speer) explores the variety of cultural and commercial conversations between Europe and Ottoman Eurasia as they negotiated their competing economic and hegemonic interests. Brought about by travel, trade, diplomacy, and wars, these conversations were, by definition, “cross-cultural” and diverse. They eroded the antagonism of “us and them,” the notion of the European center and the Ottoman periphery that has historically shaped the view of European-Ottoman interactions.
Ouida and Victorian Popular Culture (The\nineteenth Century Ser.)
by Andrew King'Ouida,' the pseudonym of Louise Ramé (1839-1908), was one of the most productive, widely-circulated and adapted of Victorian popular novelists, with a readership that ranged from Vernon Lee, Oscar Wilde and Ruskin to the nameless newspaper readers and subscribers to lending libraries. Examining the range and variety of Ouida’s literary output, which includes journalism as well as fiction, reveals her to be both a literary seismometer, sensitive to the enormous shifts in taste and publication practices of the second half of the nineteenth century, and a fierce protector of her independent vision. This collection offers a radically new view of Ouida, helping us thereby to rethink our perceptions of popular women writers in general, theatrical adaptation of their fiction, and their engagements with imperialism, nationalism and cosmopolitanism. The volume's usefulness to scholars is enhanced by new bibliographies of Ouida's fiction and journalism as well as of British stage adaptations of her work.
Our 50 States
by Lynne Cheney Robin Preiss Glasser"As I've traveled our great country, I have been struck again and again by its beauty and variety and reminded of how rich our history is. Travel a few miles in any direction, and you'll encounter an amazing story that helps explain all the multitude of ways our country came to be." -- Lynne Cheney Lynne Cheney and Robin Preiss Glasser, creators of the bestselling America: A Patriotic Primer and A is for Abigail: An Almanac of Amazing American Women, take you on an unforgettable tour of America -- from the Everglades of Florida to the grasslands of Kentucky to the Sierra Mountains of California. Listening to her grandchildren's enthusiastic account of all they saw and did on a family road trip inspired Lynne Cheney to collaborate with Robin Preiss Glasser and create Our 50 States -- the greatest family vacation imaginable. Pack your bags and celebrate our diverse heritage state by state and sea to shining sea in this treasure trove of America's people, places, and history. A scholar of American history, Mrs. Cheney has drawn on a lifetime of study and travel for Our 50 States. Robin Preiss Glasser has brought her inimitable wit and exuberance to every illustration. Together they have created a joyful book that reminds us how fortunate we are to call America our home.
Our Accustomed Discourse on the Antique: Cesare Gonzaga & Gerolamo Garimberto, Two Renaissance Collectors of Greco-Roman Art
by Clifford M. BrownFirst Published in 1993. Including a guide to the collecting of this historical data in the latter part of the sixteenth century, betwen 1550 and 1575 this work includes the relationship between Cesare Gonzago and Gerolamo Garimberto and their evaluations on antiquities and archaelogical advisings.
Our Bodies, Ourselves and the Work of Writing
by Susan WellsWells (English, Temple U. ) has written an engaging study of the women and process behind the groundbreaking work, Our bodies ourselves, both its first 1973 edition and the 1984 revision. Produced by the Boston Women's Health Book Collective, Our bodies, ourselves was a revolutionary work, one which was written collectively. Wells presents a detailed chronological account of the conferences and meetings that led to the assignment of topics, the tussles with the publisher to maintain their voice, and later, their focus on the issue of the medicalization of women, in part as this was formulated by Brandeis sociologist Kenneth Zola. This is a superb, in-depth case study of an important organization of American feminism and its influential voice. Annotation ©2010 Book News, Inc. , Portland, OR (booknews. com)
Our Body of Work: Embodied Administration and Teaching
by Melissa Nicolas Anna SicariOur Body of Work invites administrators and teachers to consider how physical bodies inform everyday work and labor as well as research and administrative practices in writing programs. Combining academic and personal essays from a wide array of voices, it opens a meaningful discussion about the physicality of bodily experiences in the academy. Open exchanges enable complex and nuanced conversations about intersectionality and how racism, sexism, classism, and ableism (among other “isms”) create systems of power. Contributors examine how these conversations are framed around work, practices, policies, and research and identify ways to create inclusive, embodied practices in writing programs and classrooms. The collection is organized to maximize representation in the areas of race, gender, identity, ability, and class by featuring scholarly chapters followed by narratively focused interchapters that respond to and engage with the scholarly work. The honest and emotionally powerful stories in Our Body of Work expose problematic and normalizing policies, practices, and procedures and offer diverse theories and methodologies that provide multiple paths for individuals to follow to make the academy more inclusive and welcoming for all bodies. It will be an important resource for researchers, as well a valuable addition to graduate and undergraduate syllabi on embodiment, writing instruction/pedagogy, and WPA work. Contributors: Dena Arendall, Janel Atlas, Hayat Bedaiwi, Elizabeth Boquet, Lauren Brentnell, Triauna Carey, Denise Comer, Joshua Daniel, Michael Faris, Rebecca Gerdes-McClain, Morgan Gross, Nabila Hijazi, Jacquelyn Hoermann-Elliott, Maureen Johnson, Jasmine Kar Tang, Elitza Kotzeva, Michelle LaFrance, Jasmine Lee, Lynn C. Lewis, Mary Lourdes Silva, Rita Malenczyk, Anna Rita Napoleone, Julie Prebel, Rebecca Rodriguez Carey, Ryan Skinnell, Trixie Smith, Stacey Waite, Kelsey Walker, Shannon Walters, Isaac Wang, Jennie Young
Our Brain and the News: The Psychophysiological Impact of Journalism
by Isabel NeryThis book explores the impact of news and literary journalism on human cognition and emotion. Providing an innovative analysis of psycho-physiological measures, including emotional response, perception of pain, and changes in heartbeat, Nery seeks to understand how readers react to journalistic texts. There is a growing enthusiasm in the search for understanding the processing of information, with some already arguing for the establishment of the neuroscience of communication as a new discipline. By combing neuroscience methods with communication research studies, specifically journalistic research and theory, Nery offers us a unique way of exploring and thinking about news, literary journalism, and the brain.
Our California
by Pam Muñoz Ryan"Our California" is a lively tour of author Pam Munoz Ryan's home state. Spirited poems celebrate California's major cities and regions. Backmatter includes state symbols and additional information about each place.
Our Changing World-View: Ten Lectures on Recent Movements of Thought in Science, Economics, Education, Literature and Philosophy
by Jan Christian Smuts John Patrick Dalton Robert Broom John Frederick Phillips Ian D MacCrone John Young Greig Theodorus Johannes Haarhof Cecil Sydney Richards Sally Herbert Frankel Reinhold Frederick HoernléJohannesburg was still a brash mining town, better known for the production of wealth than knowledge, and the University of the Witwatersrand a mere ten years old when, in 1932, these ten lectures were delivered under the auspices of the University Philosophical Society. They portrayed the ideas of the university’s leading academics of the day, and the programme of lectures reveals a studied effort to introduce an element of bipartisan political representation between English and Afrikaner in South Africa by including Wits’ first principal, Jan Hofmeyr, and politician, D.F. Malan, as discussion chairs. Yet, no black intellectuals were represented and, indeed, the politics of racial segregation bursts through the text only in a few of the contributions. For the most part, race is alluded to only in passing.As Saul Dubow explains in his new introduction to this re-issue of the lectures, Our Changing World-View was an occasion for Wits’ leading faculty members to position the young university as a mature institution with a leadership role in public affairs. Above all, it was a means to project the university as a research as well as a teaching institution, led by a vigorous and ambitious cohort of liberal-minded intellectuals. That all were male and white will be immediately apparent to readers of this reissued volume. Ranging from economics, psychology, a spurious rebuttal of evolution to a substantial revisionist history and the perils of the ‘machine age’, this book is a sombre reflection of intellectual history and the academy’s role in promulgating political and social divisions in South Africa.
Our Conrad: Constituting American Modernity
by Peter Lancelot MalliosOur Conrad is about the American reception of Joseph Conrad and its crucial role in the formation of American modernism. Although Conrad did not visit the country until a year before his death, his fiction served as both foil and mirror to America's conception of itself and its place in the world. Peter Mallios reveals the historical and political factors that made Conrad's work valuable to a range of prominent figures--including Fitzgerald, Faulkner, Richard Wright, Woodrow Wilson, and Theodore and Edith Roosevelt-and explores regional differences in Conrad's reception. He proves that foreign-authored writing can be as integral a part of United States culture as that of any native. Arguing that an individual writer's apparent (national, gendered, racial, political) identity is not always a good predictor of the diversity of voices and dialogues to which he gives rise, this exercise in transnational comparativism participates in post-Americanist efforts to render American Studies less insular and parochial.
Our Deep Gossip: Conversations with Gay Writers on Poetry and Desire
by Christopher HennessyFrom Walt Whitman forward, a century and a half of radical experimentation and bold speech by gay and lesbian poets has deeply influenced the American poetic voice. In "Our Deep Gossip," Christopher Hennessy interviews eight gay men who are celebrated American poets and writers: Edward Field, John Ashbery, Richard Howard, Aaron Shurin, Dennis Cooper, Cyrus Cassells, Wayne Koestenbaum, and Kazim Ali. The interviews showcase the complex ways art and life intertwine, as the poets speak about their early lives, the friends and communities that shaped their work, the histories of gay writers before them, how sex and desire connect with artistic production, what coming out means to a writer, and much more. While the conversations here cover almost every conceivable topic of interest to readers of poetry and poets themselves, the book is an especially important, poignant, far-reaching, and enduring document of what it means to be a gay artist in twentieth- and early twenty-first-century America.
Our Emily Dickinsons: American Women Poets and the Intimacies of Difference
by Vivian R. PollakFor Vivian R. Pollak, Emily Dickinson's work is an extended meditation on the risks of social, psychological, and aesthetic difference that would be taken up by the generations of women poets who followed her. She situates Dickinson's originality in relation to her nineteenth-century audiences, including poet, novelist, and Indian rights activist Helen Hunt Jackson and her controversial first editor, Mabel Loomis Todd, and traces the emergence of competing versions of a brilliant but troubled Dickinson in the twentieth century, especially in the writings of Marianne Moore, Sylvia Plath, and Elizabeth Bishop.Pollak reveals the wide range of emotions exhibited by women poets toward Dickinson's achievement and chronicles how their attitudes toward her changed over time. She contends, however, that they consistently use Dickinson to clarify personal and professional battles of their own. Reading poems, letters, diaries, journals, interviews, drafts of published and unpublished work, and other historically specific primary sources, Pollak tracks nineteenth- and twentieth-century women poets' ambivalence toward a literary tradition that overvalued lyric's inwardness and undervalued the power of social connection.Our Emily Dickinsons places Dickinson's life and work within the context of larger debates about gender, sexuality, and literary authority in America and complicates the connections between creative expression, authorial biography, audience reception, and literary genealogy.
Our Endless and Proper Work: Starting (and Sticking To) Your Writing Practice
by Ron Hogan&“The most thoughtful, engaging, encouraging book I&’ve ever read about how hard it is to be a writer and why you should do it anyway.&” ―New York Times bestselling author Sarah Knight of the No Fucks Given guides Writer and editorial consultant Ron Hogan helps readers develop an ongoing writing practice as an end in and of itself, not a means to publication. Many people pick up the guitar without eyeing a career as a professional musician, or start painting without caring if they get a gallery. But with writing the assumption seems to be that the goal must be to get published. Why? Why is it acceptable to attain technical proficiency at &“Stairway to Heaven&” or plein air watercolors as a hobby, while writing is expected to earn its keep? In Our Endless and Proper Work, Ron Hogan argues writing should be an end in itself. The founder of the literary site Beatrice, and creator of the popular newsletter &“Destroy Your Safe and Happy Lives,&” Hogan offers concrete steps to help writers develop ongoing creative practice in chapters such as &“Reclaiming Your Time for Writing&” and &“Finding Your Groove.&” Sprinkled throughout are adorable illustrations by &“Positive Doodles&” creator Emm Roy. This concise, inspirational book encourages all people to take up writing because it can help you become a happier, more whole and engaged person. &“An accessible book that packs an impressive amount of wisdom and pragmatic advice into each chapter.&” ―Mason Currey, author of Daily Rituals: How Artists Work &“Ron Hogan offers practical tips . . . alongside what is ultimately a philosophy of how to make a mindful and joyful adventure of one's life.&” ―Raechel Anne Jolie, author of Rust Belt Femme
Our Environment class 2 - MIE
by Aruna Ankiah-Gangadeen Seema Goburdhun"Our Environment" is a vibrant big book designed for Grade 2 English sessions, authored by Dr. Aruna Ankiah-Gangadeen and Dr. Seema Goburdhun, featuring illustrations by Kunal Sumbhoo. The book celebrates the diverse natural landscapes of Mauritius, engaging young learners with picturesque descriptions of prominent mountains like Le Pouce, Lion, Signal, Le Morne, and Pieter Both, along with other notable geographical features such as Candos Hill, Macchabee forest, and Grand River South East. Through vivid imagery and simple text, the book introduces students to the rich environmental elements of the island, fostering awareness and appreciation for their surroundings. The interactive sessions encompass pre-reading discussions, focused readings with vocabulary reinforcement, and post-reading activities aimed at enhancing comprehension and encouraging creativity. Seamlessly integrated with the curriculum, this big book serves as an educational tool to instill a sense of pride and belonging while nurturing English language skills among young learners within the context of their local environment.
Our Exodus: Leon Uris and the Americanization of Israel’s Founding Story
by M. M. SilverExamines the phenomenon of Exodus and its influence on post-World War II understandings of Israel's beginnings.
Our Fatal Magic (Strange Attractor Press)
by Tai ShaniFeminist science fiction that anticipates a post-patriarchal future. Our Fatal Magic is a collection of feminist science fiction by contemporary artist Tai Shani. Foregrounding explorations of sensation, experience, and interiority, these twelve fantastical prose vignettes refract their ideas through a series of curious characters, from Medieval Mystics to Cubes of Flesh, from Sirens to Neanderthal Hermaphrodites. Drawing on the speculative narrative strategies pioneered by writers like Marge Piercy, Octavia Butler and others, Our Fatal Magic metabolizes new and necessary fictions from feminist and queer theory to propose an erotic, often violent space of critique in which gender constructs are destabilized, alternative histories imagined, and post-patriarchal futures proposed.
Our Festivals class 2 - MIE
by Aruna Ankiah-Gangadeen Seema Goburdhun"Our Festivals" is an illuminating big book crafted for Grade 2 English sessions, co-authored by Dr. Aruna Ankiah-Gangadeen and Dr. Seema Goburdhun, with illustrations by Kunal Sumbhoo and Kamla Ernest. The book vividly explores the cultural tapestry of Mauritius through its diverse celebrations. It introduces young learners to the essence of various festivals like Christmas, Divali, Eid, the Spring festival, Cavadee, Ugadi, and Ganesh Chaturthi, offering glimpses into the traditions and customs associated with each occasion. Through simple yet engaging descriptions and colorful illustrations, the book invites children to delve into the festive spirit, emphasizing the significance of rituals, prayers, new attire, sharing of treats, and gathering with family during these special times. Integrated into literacy sessions, the book fosters cultural awareness, language development, and understanding among students, encouraging participation through pre, during, and post-reading activities tailored to reinforce comprehension and creative expression. This educational resource not only enriches English language skills but also instills pride and appreciation for the rich tapestry of festivals within Mauritius' multicultural landscape.
Our Four Walls, Grade 2
by Carlynn Trout Phyllis HarrisAn intermediate level, leveled reader's book.
Our Henry James in Fiction, Film, and Popular Culture (Routledge Studies in Twentieth-Century Literature #1)
by John Carlos RoweOur Henry James in Fiction, Film, and Popular Culture addresses the interesting revival of Henry James’s works in Anglo-American film adaptations and contemporary fiction from the 1960s to the present. James’s fiction is generally considered difficult and part of high culture, more appropriate for classroom study than popular appreciation. However, this volume focuses on the adaptation of his novels into films, challenging us to understand James’s popular reputation today on both sides of the Atlantic. The book offers two explanations for his persistent influence: James’s literary ambiguity and his reliance on popular culture. “Part I: His Times” considers James’s reliance on sentimental literature and theatrical melodrama in Daisy Miller, Guy Domville, The Awkward Age, and several of his lesser known short stories. “Part II: Our Times” focuses on how James’s considerations of changing gender roles and sexual identities have influenced Hollywood representations of emancipated women in Hitchcock’s Rear Window and Peter Bogdanovich’s The Last Picture Show, among others. Recent fiction by authors including James Baldwin and Leslie Marmon Silko also treat Jamesian notions of gender and sexuality while considering his part in contemporary debates about globalization and cosmopolitanism. Both a study of James’s works and a broad range of contemporary film and fiction, Our Henry James in Fiction, Film, and Popular Culture demonstrates the continuing relevance of Henry James to our multimedia, interdisciplinary, globalized culture.
Our Hero
by Tom De HavenSince his first appearance in Action Comics Number One, published in late spring of 1938, Superman has represented the essence of American heroism. "Faster than a speeding bullet, more powerful than a locomotive, and able to leap tall buildings in a single bound," the Man of Steel has thrilled audiences across the globe, yet as life-long "Superman Guy" Tom De Haven argues in this highly entertaining book, his story is uniquely American. Created by Jerry Siegel and Joe Shuster in the midst of the Great Depression, Superman is both a transcendent figure and, when posing as his alter-ego, reporter Clark Kent, a humble working-class citizen. An orphan and an immigrant, he shares a personal history with the many Americans who came to this country in search of a better life, and his amazing feats represent the wildest realization of the American dream. As De Haven reveals through behind-the-scenes vignettes, personal anecdotes, and lively interpretations of more than 70 years of comic books, radio programs, TV shows, and Hollywood films, Superman's legacy seems, like the Man of Steel himself, to be utterly invincible.
Our Intellectual Strength and Weakness: 'English-Canadian Literature' and 'French-Canadian Literature'
by Thomas Guthrie Marquis Clara Thomas Douglas Lochhead John George Bourinot Camille RoyThese three works, displaying marked differences in purpose, tone, and effect, are all classics of Canadian literary and cultural criticism.John George Bourinot was a man of letters, an Imperialist, and a biculturalist, who was confident of his knowledge of the Canadian identity and felt it to be his public mission to align reality with his own personal vision. Writing in 1893 to the élite represented by the members of the Royal Society, he described his work as 'a monograph on the intellectual development of the Dominion,' describing 'the progress of culture in a country still struggling with the difficulties of the material development of half a continent.'Two decades later, Thomas Guthrie Marquis and Camille Roy wrote what were, in contrast, specialized assignments, contributions to the compendium history, Canada and Its Provinces (1913). Addressing a far larger audience, and treating a vastly enlarged body of Canadian literature, their work comes much closer to contemporary scholarship, with greater clarity, organization, and sheer bulk of information, but with the loss of some of the charm and assurance of Bourinot's wide sweep. In further contrast to Bourinot's determined biculturalism and will to unity, Roy and Marquis' essays display vivid differences in the emotional allegiances and convictions of the founding cultures. Marquis starts by asking the question, 'Has Canada a voice of her own in literature distinct from that of England?'; Roy treats French-Canadian literature in its Roman Catholic contexts.
Our Joyce: From Outcast to Icon (Literary Modernism)
by Joseph KellyJames Joyce began his literary career as an Irishman writing to protest the deplorable conditions of his native country. Today, he is an icon in a field known as "Joyce studies." Our Joyce explores this amazing transformation of a literary reputation, offering a frank look into how and for whose benefit literary reputations are constructed. Joseph Kelly looks at five defining moments in Joyce's reputation. Before 1914, when Joyce was most in control of his own reputation, he considered himself an Irish writer speaking to the Dublin middle classes. When T. S. Eliot and Ezra Pound began promoting Joyce in 1914, however, they initiated a cult of genius that transformed Joyce into a prototype of the "egoist," a writer talking only to other writers. This view served the purposes of Morris Ernst in the 1930s, when he defended Ulysses against obscenity charges by arguing that geniuses were incapable of obscenity and that they wrote only for elite readers. That view of Joyce solidified in Richard Ellmann's award-winning 1950s biography, which portrayed Joyce as a self-centered genius who cared little for his readers and less for the world at war around him. The biography, in turn, led to Joyce's canonization by the academy, where a "Joyce industry" now flourishes within English departments.
Our Lady Cinema: How and Why I went into the Photo-play World and What I Found There (Routledge Library Editions: Cinema)
by Harry FurnissThis charming classic of film literature was originally published in 1914 and hence represents an early attempt to catalogue the allure of cinema and how the motion picture industry began. This tale of life in the early days of cinema will be of interest to film historians and anyone interested in that period of history. The book outlines the actors, the producers, the studios and the audiences as well as the advertising and regulation at the time with often amusing stories and facts along with the author’s own drawings. Overall this serves as a fascinating introduction to the making of early films, which at the time was a great mystery to most people.
Our Laundry, Our Town: My Chinese American Life from Flushing to the Downtown Stage and Beyond
by Alvin EngWith humor and grace, the memoir of a first-generation Chinese American in New York City.Our Laundry, Our Town is a memoir that decodes and processes the fractured urban oracle bones of Alvin Eng’s upbringing in Flushing, Queens, in the 1970s. Back then, his family was one of the few immigrant Chinese families in a far-flung neighborhood in New York City. His parents had an arranged marriage and ran a Chinese hand laundry. From behind the counter of his parents’ laundry and within the confines of a household that was rooted in a different century and culture, he sought to reconcile this insular home life with the turbulent yet inspiring street life that was all around them––from the faux martial arts of TV’s Kung Fu to the burgeoning underworld of the punk rock scene.In the 1970s, NYC, like most of the world, was in the throes of regenerating itself in the wake of major social and cultural changes resulting from the counterculture and civil rights movements. And by the 1980s, Flushing had become NYC’s second Chinatown. But Eng remained one of the neighborhood’s few Chinese citizens who did not speak fluent Chinese. Finding his way in the downtown theater and performance world of Manhattan, he discovered the under-chronicled Chinese influence on Thornton Wilder’s foundational Americana drama, Our Town. This discovery became the unlikely catalyst for a psyche-healing pilgrimage to Hong Kong and Guangzhou, China—his ancestral home in southern China—that led to writing and performing his successful autobiographical monologue, The Last Emperor of Flushing. Learning to tell his own story on stages around the world was what proudly made him whole.As cities, classrooms, cultures, and communities the world over continue to re-examine the parameters of diversity, equity, and inclusion, Our Laundry, Our Town will reverberate with a broad readership.