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Our Magnificent Bastard Tongue: The Untold History of English
by John McwhorterDrawing on innovative genetic and linguistic research as well as a collection of details about the origins of English words and syntax patterns, this book demonstrates the illogical, maddening nature of English.
Our Magnificent Bastard Tongue: The Untold History of English
by John McwhorterA survey of the quirks and quandaries of the English language, focusing on our strange and wonderful grammarWhy do we say "I am reading a catalog" instead of "I read a catalog"? Why do we say "do" at all?<P><P> Is the way we speak a reflection of our cultural values? Delving into these provocative topics and more, Our Magnificent Bastard Language distills hundreds of years of fascinating lore into one lively history.Covering such turning points as the little-known Celtic and Welsh influences on English, the impact of the Viking raids and the Norman Conquest, and the Germanic invasions that started it all during the fifth century ad, John McWhorter narrates this colorful evolution with vigor. Drawing on revolutionary genetic and linguistic research as well as a cache of remarkable trivia about the origins of English words and syntax patterns, Our Magnificent Bastard Tongue ultimately demonstrates the arbitrary, maddening nature of English-- and its ironic simplicity due to its role as a streamlined lingua franca during the early formation of Britain. This is the book that language aficionados worldwide have been waiting for (and no, it's not a sin to end a sentence with a preposition).
Our Media, Not Theirs (The Democratic Struggle Against Corporate Media)
by Robert W. Mcchesney John NicholsMcChesney and Nichols provide much evidence that we may be in 'the early stages of a serious social movement,' for which democratization of the media will be a central focus of discussion, activism, and reconstruction. They make a powerful case in support of these priorities, and suggest paths that can be followed to lay these foundations for recovering rights, and carrying forward the endless struggle for freedom and justice.
Our Mom Has Cancer
by Abigail Ackermann Adrienne AckermannWhen Mom's hair started to fall out, the girls helped her shave it off and an aunt had a hat party.These were the kind of moments which helped them make it through the year of Mom's treatment--surgery, chemotherapy and radiation.
Our Naked Frailties: Sensational Art and Meaning in Macbeth
by Paul A. JorgensenThis title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1971.
Our Roots Are Deep with Passion
by Lee Gutkind Joanna Clapps HermanThoughtful, poignant, and hilarious personal essays collected by the editors of Creative Nonfiction explore the meanings of Italian-American identity. In the twenty-one nonfiction narratives collected in Our Roots Are Deep with Passion, established and emerging writers with family ties to Italy reflect on the ways that their lives have been accented with uniquely Italian-American flavors. Several of the essays breathe new life into the time-honored theme of family--Louise DeSalvo honors her grandfather, nick-named "the drunk" because he spent his life of hard work drinking wine instead of water, and James Vescovi portrays the close of the stormy relationship between his father and grandmother. Other stories tackle the mystical side of Italian-American life, like Laura Valeri's account of a summer vacation séance in Sardinia that goes eerily awry. And elsewhere, Stephanie Susnjara charts the history of garlic in society and her kitchen, and Gina Barreca offers an unabashed confession of congenital jealousy.Lee Gutkind, founding editor of Creative Nonfiction, the nation's premier nonfiction prose literary journal, and Joanna Clapps Herman have brought together artful essays by novelists, scholars, critics, and memoirists from across the country. The pieces are as varied as their authors, but all explore the unique intersections of language, tradition, cuisine, and culture that characterize the diverse experience of Americans of Italian heritage.
Our Savage Art: Poetry and the Civil Tongue
by William LoganThe most notorious poet-critic of his generation, William Logan has defined our view of poets good and bad, interesting and banal, for more than three decades. Featured in the New York Times Book Review, the Times Literary Supplement, and the New Criterion, among other journals, Logan's eloquent, passionate prose never fails to provoke readers and poets, reminding us of the value and vitality of the critic's savage art.Like The Undiscovered Country: Poetry in the Age of Tin, which won the National Book Critics Circle Award in Criticism, Our Savage Art features the corrosive wit and darkly discriminating critiques that have become the trademarks of Logan's style. Opening with a defense of the critical eye, this collection features essays on Robert Lowell's correspondence, Elizabeth Bishop's unfinished poems, the inflated reputation of Hart Crane, the loss of the New Critics, and a damning-and already highly controversial-indictment of an edition of Robert Frost's notebooks. Logan also includes essays on Derek Walcott and Geoffrey Hill, two crucial figures in the divided world of contemporary poetry, and an attempt to rescue the reputation of the nineteenth-century poet John Townsend Trowbridge. Short reviews consider John Ashbery, Anne Carson, Billy Collins, Rita Dove, Louise Glück, Jorie Graham, Robert Hass, Seamus Heaney, and dozens of others. Though he might be called a cobra with manners, Logan is a fervent advocate for poetry, and Our Savage Art continues to raise the standard of what the critic can do.
Our Scene is London: Ben Jonson's City and the Space of the Author (Studies in Major Literary Authors)
by James D. MardockIn this thought-provoking study Mardock looks at Ben Jonson's epigrams, prose, and verse satire in order to focus on Jonson's theatrical appropriations of London space both in and out of the playhouse. Through this critical analysis, the author argues that the strategies of authorial definition that Jonson pursued throughout his career as a poet and playwright were in large part determined by two intersecting factors: first, his complicated relationship with London's physical places and its institutional topography, and secondly--challenging commonplace assumptions about Jonson's anti-theatricality--the distinctly theatrical model of spatial practice that he brought to bear on his representation of the urban experience. Although much criticism has focused on Jonson's role in the emergence of modern definitions of authorship, most has focused on the material contexts of the book trade, on the politics of Jonson's patronage, or on Jonson's self-construction as a neoclassical and primarily textual poet. Mardock engages with all these considerations, but with a focus on the dramatic practices of urban space--a growing concern among scholars of early-modern drama--as a consistent factor in Jonson's authorial claims.
Our School Science Fair
by Kama Einhorn David BergsteinThe fun and excitement of English and Language Arts learning continues in Grade 2 of Reading Street. This comprehensive and dynamic curriculum for homeschooling is geared toward young children who have some foundational English and Language Arts knowledge and are ready to strengthen their skills. Comprised of engaging activities, challenging content and weekly quizzes, Reading Street: Grade 2 is the next step in your child's path toward becoming a lifelong learner and reader. As with all Reading Street products, the Grade 2 system is formatted to help students meet certain age-appropriate goals. After completing this English and Language Arts homeschool program, your child should be able to: Read and comprehend two-syllable words. Identify common prefixes (such as pre-, un-, or re-) and suffixes (such as -able, -ad and -er). Correct mistakes made when reading out loud. Read books with two or more chapters. Understand the structure of stores (i. e. beginning, middle and end). Start selecting reading materials based on his/her own interests. Identify the "who," "what," "when," "where," "why" and "how" of the text. While the goals of second Grade English and Language Arts are numerous, Reading Street will help you craft engrossing lessons. Your child will garner important English and Language Arts skills while completing a workbook, reading stories and poems, and taking assessments. Planning these lessons will be easier than ever, as all Reading Street systems are broken down into weekly Big Ideas. All the work your child does on a given week is formulated around that single concept for an organized and challenging curriculum. With six easy-to-follow units, Reading Street: Grade 2 is the perfect tool for homeschooling parents. Your child will enjoy the reading selections and activities, and you'll love to see your student growing into a knowledgeable individual. We're confident that this product is the right one for you. For more information on the specific materials found in Grade 2 of Reading Street, check out the Features and Benefits page.
Our Stories
by Marion Dane BauerPresents a selection of short fiction written by students in grades four through twelve followed by Bauer's comments on each, detailing what works well and making suggestions for improvements.
Our Story Begins: Your Favorite Authors and Illustrators Share Fun, Inspiring, and Occasionally Ridiculous Things They Wrote and Drew as Kids
by Linda Sue Park Phyllis Reynolds Naylor Gordon Korman Gail Carson Levine Eric Rohmann Peter Lerangis Grace Lin Kathi Appelt Chris Grabenstein Marla Frazee Brian Selznick Yuyi Morales Candace Fleming Ashley Bryan Chris Gall Rita Williams-Garcia Cynthia Leitich Smith Tom Angleberger Dan Santat Jarrett J. Krosoczka Elissa Brent Weissman Thanhha Lai R. J. Palacio Tim Federle Kwame Alexander Alex GinoFrom award-winning author Elissa Brent Weissman comes a collection of quirky, smart, and vulnerable childhood works by some of today’s foremost children’s authors and illustrators—revealing young talent, the storytellers they would one day become, and the creativity they inspire today.Everyone’s story begins somewhere… For Linda Sue Park, it was a trip to the ocean, a brand-new typewriter, and a little creative license. For Jarrett J. Krosoczka, it was a third grade writing assignment that ignited a creative fire in a kid who liked to draw. For Kwame Alexander, it was a loving poem composed for Mother’s Day—and perfected through draft after discarded draft. For others, it was a teacher, a parent, a beloved book, a word of encouragement. It was trying, and failing, and trying again. It was a love of words, and pictures, and stories. Your story is beginning, too. Where will it go?
Our Town (SparkNotes Literature Guide Series)
by Thornton Wilder SparkNotesOur Town (SparkNotes Literature Guide) by Thornton Wilder Making the reading experience fun! Created by Harvard students for students everywhere, SparkNotes is a new breed of study guide: smarter, better, faster. Geared to what today's students need to know, SparkNotes provide: *Chapter-by-chapter analysis *Explanations of key themes, motifs, and symbols *A review quiz and essay topics Lively and accessible, these guides are perfect for late-night studying and writing papers
Our Vampires, Ourselves
by Nina AuerbachThis &“vigorous, witty look at the undead as cultural icons in 19th- and 20th-century England and America&” examines the many meanings of the vampire myth (Kirkus Reviews). From Byron&’s Lord Ruthven to Anne Rice&’s Lestat to the black bisexual heroine of Jewelle Gomez&’s The Gilda Stories, vampires have taken many forms, capturing and recapturing our imaginations for centuries. In Our Vampires, Ourselves, Nina Auerbach explores the rich history of this literary and cultural phenomenon to illuminate how every age embraces the vampire it needs—and gets the vampire it deserves. Working with a wide range of texts, as well as movies and television, Auerbach follows the evolution of the vampire from 19th century England to 20th century America. Using the mercurial figure as a lens for viewing the last two hundred years of Anglo-American cultural history, &“this seductive work offers profound insights into many of the urgent concerns of our time&” (Wendy Doniger, The Nation).
Our Voices: Essays in Culture, Ethnicity, and Communication
by Alberto Gonzalez Marsha Houston Victoria ChenOur Voices: Essays in Culture, Ethnicity, and Communication examines intercultural communication through an array of cultural and personal perspectives, with each of its contributors writing a first-person account of his or her experiences in the real world. While most readings are collections of scholarly essays that describe intercultural communication, Our Voices presents short, student-oriented readings chosen with an eye toward engaging the reader. Collectively, the readings tacklethe key areas of communication - rhetoric, mass communication, and interpersonal communication - using a uniquely expansive and humanist perspective that provides a voice to otherwise marginalized members of society. Praised by students for its abundance of short, first-person narratives, Our Voices traverses topics as diverse as queer identity, racial discourse in the United States, "survival mechanisms" in Jamaican speech, and codes of communication in nontraditional families. Empowering and educating students in equal measure, Our Voices is an ideal reader for any intercultural communication course.
Our War Paint Is Writers' Ink: Anishinaabe Literary Transnationalism (SUNY series, Native Traces)
by Adam SpryFor the Anishinaabeg—the indigenous peoples of the Great Lakes—literary writing has long been an important means of asserting their continued existence as a nation, with its own culture, history, and sovereignty. At the same time, literature has also offered American writers a way to make the Anishinaabe Nation disappear, often by relegating it to a distant past. In this book, Adam Spry puts these two traditions in conversation with one another, showing how novels, poetry, and drama have been the ground upon which Anishinaabeg and Americans have clashed as representatives of two nations contentiously occupying the same land. Focusing on moments of contact, appropriation, and exchange, Spry examines a diverse range of texts in order to reveal a complex historical network of Native and non-Native writers who read and adapted each other's work across the boundaries of nation, culture, and time.By reconceiving the relationship between the United States and the Anishinaabeg as one of transnational exchange, Our War Paint Is Writers' Ink offers a new methodology for the study of Native American literatures, capable of addressing a long history of mutual cultural influence while simultaneously arguing for the legitimacy, and continued necessity, of indigenous nationhood. In addition, the author reexamines several critical assumptions—about authenticity, identity, and nationhood itself—that have become common wisdom in both Native American and US literary studies.
Our Woman in Havana: Reporting Castro’s Cuba
by Sarah RainsfordGraham Greene saw the Castros rise; Sarah Rainsford watched them leave. From the street where Wormold, the hapless hero of Greene&’s Our Man in Havana, plied his trade, BBC foreign correspondent Rainsford reports on Fidel&’s reshaping of a nation, and what the future holds for ordinary Cubans now that he and his brother Raul are no longer in power. Through tales of literary ghosts and forgotten reporters, believers in the revolution and dissidents, entrepreneurs optimistic about the new Cuba and the disillusioned still looking for a way out, Our Woman in Havana paints an enthralling picture of this enigmatic country as it enters a new era.
Our Woman in Kabul
by Irris MaklerOne of the first journalists into Afghanistan after the September 11 attacks, Irris Makler set out to cover a war and discovered a story about women caught in the crossfire.
Ourselves: Why We Are Who We Are
by Frank SmithThis book delves into how we come to terms with ourselves, with other people, and with the world in general. It is about how we come to be what we are, and to think the way we do. It is a book about influences on this process. A particular influence to which Smith gives central consideration is language, not just in terms of the communicative networks in which it engages us--the “information” that presents itself to us--but in the largely unsuspected framework for thought that lies within language itself. He also considers deeply the role of technology. This is a book of description, not of explanations--these are two quite different intellectual territories. Smith writes about what can be observed, not philosophized about. Thus he does not discuss the inner workings of the human brain. His claim is that what he is interested in--thinking, learning, understanding, remembering--have never been found in the brain. The aim is to describe the scope and limits for how we can be seen to think, learn, understand, and remember--but not to “explain” such behavior by recourse to hypothetical inner entities. Ourselves speaks especially to educators. It outlines the possibilities and limitations inherent in all of us. It delineates who we are, but also stresses that no two people are the same, that what we become depends on our journeys in life and the people we encounter on the way. The formal part of learning that is called education is particularly sensitive to the role of people who organize critical experiences for us, our teachers. The brief summaries at the end of each chapter reinforce and highlight points that are of particular relevance to teachers. Researchers, professionals, and graduate students across the fields of literacy education, psychology of reading, learning theory, human learning, educational psychology, and psycholinguistics will find this book compelling.
Out Front: How Women Can Become Engaging, Memorable, and Fearless Speakers
by Deborah ShamesYour Voice Is Your Power—Now Make It Heard More than ever before, the business, entertainment, and political landscapes are ripe for women to accomplish their goals. Women are entering law, medical, and graduate schools in equal numbers to men. But it's still a challenge to make it to the top. Developing excellent communication and public speaking skills gives women the ability to rise to their full potential, seize every opportunity, and realize their aspirations. Whether pitching for new business, delivering a talk at a conference, raising money for a non-profit, or communicating one-on-one with coworkers, women can become effective, powerful communicators when they speak with authenticity and confidence. Deborah Shames, a veteran speaker and master trainer with 18 years of experience coaching high-level executives and celebrities, invites women to step up and be heard. Noting the perfection syndrome and negative self-talk that plague many women, Deborah delivers a how-to for battling these demons and identifies women's special talents—from high emotional intelligence and leadership skills to storytelling. She guides readers in the mechanics of communicating efficiently and constructing successful presentations, even with pressing deadlines. Out Front is the definitive book for every woman who wants to engage an audience and expand her influence, whatever the venue or challenge.
Out There: Mavericks of Black Literature
by Darryl PinckneyWith this appreciation of three very different black writers, novelist Darryl Pinckney reminds us that marginal or neglected literary figures have a lot to tell us about the history of a people who are always "outsiders. " Born in Jamaica in 1883, J. A. Rogers was an early member of the Harlem Renaissance--a newspaper columnist, historian of Negro achievement, polemicist against white supremacy, and amateur sociologist of interracial sex as evidenced in his massive three-volume work Sex and Race. Vincent O. Carter, who came of age in 1920's Kansas City, wrote The Bern Book, an exploration of being black in a Swiss rather than an American setting. Caryl Phillips, a son of the generation of black Caribbeans who returned to Great Britain after the Second World War, has explored the psychology of migration in fiction and nonfiction that include The Final Passage, Higher Ground, and The Nature of Blood. Pinckney's essays on these writers, drawn from his Alain Locke Lectures at Harvard University, give us a rich understanding of what it has meant to be "children of the diaspora" over the past century.
Out for Lunch (Fountas & Pinnell LLI Green #Level F, Lesson 84)
by Anna KeyesFountas and Pinnell Leveled Literacy Intervention Green System -- 1st Grade
Out in the Center: Public Controversies and Private Struggles
by Michele Eodice Allia Abdullah-Matta Nancy Alvarez Hadi Banat Tammy S. Conard-Salvo Talisha Haltiwanger Morrison Rochell Isaac Sami Korgan Ella Leviyeva Alexandria Lockett Anna Rita Napoleone Beth A. Towle Elizabeth Weaver Tim ZmudkaOut in the Center explores the personal struggles of tutors, faculty, and administrators in writing center communities as they negotiate the interplay between public controversies and features of their own intersectional identities. These essays address how race, ethnicity, gender, sexuality, class, faith, multilingualism, and learning differences, along with their intersections, challenge those who inhabit writing centers and engage in their conversations. A diverse group of contributors interweaves personal experience with writing center theory and critical race theory, as well as theories on the politics and performance of identity. In doing so, Out in the Center extends upon the writing center corpus to disrupt and reimagine conventional approaches to writing center theory and practice. Out in the Center proposes that practitioners benefit from engaging in dialogue about identity to better navigate writing center work—work that informs the local and carries forth a social and cultural impact that stretches well beyond academic institutions. Contributors: Allia Abdullah-Matta, Nancy Alvarez, Hadi Banat, Tammy S. Conard-Salvo, Michele Eodice, Rochell Isaac, Sami Korgan, Ella Leviyeva, Alexandria Lockett, Talisha Haltiwanger Morrison, Anna Rita Napoleone, Beth A. Towle, Elizabeth Weaver, Tim Zmudka
Out of Africa (SparkNotes Literature Guide Series)
by SparkNotesOut of Africa (SparkNotes Literature Guide) by Isak Dinesen Making the reading experience fun! Created by Harvard students for students everywhere, SparkNotes is a new breed of study guide: smarter, better, faster. Geared to what today's students need to know, SparkNotes provides: *Chapter-by-chapter analysis *Explanations of key themes, motifs, and symbols *A review quiz and essay topicsLively and accessible, these guides are perfect for late-night studying and writing papers
Out of Brownsville: Encounters with Nobel Laureates and Other Jewish Writers
by Jules ChametzkyIn this collection of literary portraits, Jules Chametzky shares his recollections of more than forty notable Jewish writers, from Alfred Kazin to Isaac Bashevis Singer, Grace Paley, Saul Bellow, Irving Howe, Cynthia Ozick, Leslie Fiedler, Tillie Olsen, Adrienne Rich, Allen Ginsberg, Joseph Brodsky, and Amos Oz--to name a few. Also included are cameo appearances by non-Jewish authors, such as James Baldwin, Amiri Baraka, and Jose Yglesias. Not only do these various writers emerge as interesting and often complicated human beings, but Chametzky reveals himself to be a warm and gracious storyteller.
Out of Character: Modernism, Vitalism, Psychic Life
by Omri Moses"Characters" are those fictive beings in novels whose coherent patterns of behavior make them credible as people. "Character" is also used to refer to the capacity#151;or incapacity#151;of individuals to sustain core principles. When characters are inconsistent, they risk coming across as dangerous or immoral, not to mention unconvincing. But what is behind our culture's esteem for unwavering consistency? Out of Character examines literary characters who defy our culture's models of personal integrity. It argues that modernist writers Henry James, Gertrude Stein, and T. S. Eliot drew inspiration from vitalism as a way of reinventing the means of depicting people in fiction and poetry. Rather than regarding a rigid character as something that inoculates us against the shifting tides of circumstance, these writers insist on the ethical necessity of forming improvisational, dynamic social relationships. Charting the literary impact of William James, Charles Darwin, Friedrich Nietzsche, and, in particular, Henri Bergson, this book contends that vitalist understandings of psychology, affect, and perception led to new situational and relational definitions of selfhood. As Moses demonstrates, the modernists stirred by these vital life lessons give us a sense of what psychic life looks like at its most intricate, complex, and unpredictable.