- Table View
- List View
Overhauling Learning for Multilingual Students: An Approach for Achieving Pedagogical Justice
by Jeff ZwiersAdopt a strengths-based, justice-centered approach to teaching multilinguals Offering educators a path to pedagogical justice for multilingual learners, Overhauling Learning for Multilingual Students outlines a comprehensive alternative model for instruction and assessment. With an emphasis on engaging multilingual learners in authentic communication and promoting student agency and creativity, this book is an urgent call-to-action for educators at all levels to value and leverage the many assets that multilingual students bring to every classroom. The book outlines six dimensions of pedagogical justice and offers practical strategies to implement a learner-centered approach that will help all students thrive. Additional features include: An assets-based framework designed to help multilingual learners learn and grow Guidance for shifting instructional strategies away from remediation and test preparation toward an engaging, justice-centered approach Activities to to help students collaboratively build up unique and important ideas (claims and concepts) across disciplines Written by scholar, practitioner, and best-selling author, Jeff Zwiers, Overhauling Learning for Multilingual Students supports educators to de-think and rethink traditional one-size-fits-all approaches to teaching and assessing multilingual learners.
Overhauling Learning for Multilingual Students: An Approach for Achieving Pedagogical Justice
by Jeff ZwiersAdopt a strengths-based, justice-centered approach to teaching multilinguals Offering educators a path to pedagogical justice for multilingual learners, Overhauling Learning for Multilingual Students outlines a comprehensive alternative model for instruction and assessment. With an emphasis on engaging multilingual learners in authentic communication and promoting student agency and creativity, this book is an urgent call-to-action for educators at all levels to value and leverage the many assets that multilingual students bring to every classroom. The book outlines six dimensions of pedagogical justice and offers practical strategies to implement a learner-centered approach that will help all students thrive. Additional features include: An assets-based framework designed to help multilingual learners learn and grow Guidance for shifting instructional strategies away from remediation and test preparation toward an engaging, justice-centered approach Activities to to help students collaboratively build up unique and important ideas (claims and concepts) across disciplines Written by scholar, practitioner, and best-selling author, Jeff Zwiers, Overhauling Learning for Multilingual Students supports educators to de-think and rethink traditional one-size-fits-all approaches to teaching and assessing multilingual learners.
Overheard Voices: Address and Subjectivity in Postmodern American Poetry (Literary Criticism and Cultural Theory)
by Ann KenistonOverheard Voices examines poetic address and in particular apostrophe (the address of absent or inanimate others) in the work of four post-World War II American poets, with a focus on loss, desire, figuration, audience, and subjectivity. By approaching these crucial issues from an unexpected angle--through a study of the seldom-examined lyric "you"--Overheard Voices offers new insight into both contemporary lyric and the lyric genre more generally. The book offers detailed readings of Sylvia Plath, James Merrill, Louise Glück, and Frank Bidart.
Overhearing the Gospel
by Fred B. CraddockWhen originally published in 1978, Overhearing the Gospel introduced "narrative preaching" and forever changed the shape of contemporary preaching. Now a new generation of preachers can learn from the master himself in this revised and expanded edition of Craddock's groundbreaking method.
Overlooking Conventions: The Trouble With Linguistic Pragmatism (Perspectives in Pragmatics, Philosophy & Psychology #29)
by Michael DevittThis book criticizes the methodology of the recent semantics-pragmatics debate in the theory of language and proposes an alternative. It applies this methodology to argue for a traditional view against a group of “contextualists” and “pragmatists”, including Sperber and Wilson, Bach, Carston, Recanati, Neale, and many others. The author disagrees with these theorists who hold that the meaning of the sentence in an utterance never, or hardly ever, yields its literal truth-conditional content, even after disambiguation and reference fixing; it needs to be pragmatically supplemented in context.The standard methodology of this debate is to consult intuitions. The book argues that theories should be tested against linguistic usage. Theoretical distinctions, however intuitive, need to be scientifically motivated. Also we should not be guided by Grice’s “Modified Occam’s Razor”, Ruhl’s “Monosemantic Bias”, or other such strategies for “meaning denialism”. From this novel perspective, the striking examples of context relativity that motivate contextualists and pragmatists typically exemplify semantic rather than pragmatic properties. In particular, polysemous phenomena should typically be treated as semantic ambiguity. The author argues that conventions have been overlooked, that there’s no extensive “semantic underdetermination” and that the new theoretical framework of “truth-conditional pragmatics” is a mistake.
Overlooking Damage: Art, Display, and Loss in Times of Crisis
by Jonah SiegelWhat does it mean to look? How does looking relate to damage? These are the fundamental questions addressed in Overlooking Damage. From the Roman triumph to the iconoclasm of ISIS and the Taliban to the aerial views of looted landscapes and destroyed temples visible on Google, the relationship between beauty and violence is far more intimate than we sometimes acknowledge. Jonah Siegel makes the daring argument that a thoughtful reaction to images of damage need not stop at melancholy, but can lead us to a new reckoning. Would the objects we admire be more beautiful if they were not injured or displaced, if they did not remind us of unbearable violence? Siegel takes up writers from the time of the French Revolution to today who have reacted to the depredations of revolutionary iconoclasm, imperial looting, and industrial capitalism, and proposes that in these authors we may find resources with which to navigate our contemporary situation. Deftly bringing the methods of literary studies to bear on important debates in the study of heritage, archaeology, and visual culture, Overlooking Damage reflects on the ways in which concepts of beauty intersect with periods of epochal violence in an attempt to resist the separation of broken things from the worlds in which they have come to be embedded.
Overseas Economic Relations and Statehood in Europe, 1860s–1970s: Shaping the World, Making the Nation (Routledge Studies in Modern History)
by Gerold KrozewskiDrawing on official, archival, and published sources, this book explores how the formative history of the European nation-state was embedded within economic globalization and associated with conceptions of the world overseas. With a particular focus on France, Germany, Italy, and Britain, this research investigates how overseas relationships shaped state governance. The argument departs from conventional histories by linking together the analysis of economic relationships and political cultures, examining the ways in which state agency formed in different areas such as national economy building, the organization of overseas raw material and food supplies, labour, migration, and national identity. Spanning over a century, the book discusses the changing role of overseas colonies in European national development. Once a means to complete economic liberalization, colonies were then envisaged as tools of crisis management before, in the mid-twentieth century, complementarities in imperial-colonial economies shifted away from empire. This volume covers neglected aspects of the transnational history of European nation-states and is an ideal resource for students and researchers interested in the ties between Europe, Africa, and Asia, as well as connections between political, economic, and social relations and their conceptualizations.
Overtones of Opera in American Literature from Whitman to Wharton
by Carmen Trammell SkaggsIn this captivating work, Carmen Trammell Skaggs examines the discourse of opera -- both the art form and the social institution -- in nineteenth- and early twentieth-century American literature. Through the lens of opera, she maintains, major American writers -- including Walt Whitman, Edgar Allan Poe, Louisa May Alcott, Kate Chopin, Willa Cather, Henry James, and Edith Wharton -- captured the transformations of a rapidly changing American literary landscape. Although they turned to opera for different reasons, they all saw a twofold function in the art form: a means of expressing a private aesthetic experience and a space in which to perform highly ritualized social functions.Skaggs opens with an exploration of Whitman, who believed that the opera singer infuses ordinary speech with an element of the divine. Through his poetry, he sought to transform these sacred intonations into vehicles of an artistic transcendence that could be experienced by his audience. Skaggs then turns to Poe and Alcott, who frequently imitated the excesses of opera in their fiction, flamboyantly enjoying the element of the absurd. Using opera as a setting in their work allowed them to explore the fallibility of human sensibility, especially our susceptibility to deception.Chopin and Cather, Skaggs shows, empowered their heroines with a voice, a medium for artistic transcendence, but they were also influenced by the growing popularity of Wagnerian opera -- and of the idea that only through a sublimation of life can transfiguration of the soul occur. The true artist, they believed, inevitably lived a solitary life, sacrificing all for art. In the diva, for instance, Cather saw the ideal embodiment of the female artist. On the other hand, James and Wharton, Skaggs explains, recognized the opera box as the ideal setting for social considerations of class, codes, and customs in many of their stories and novels. Past literary critics have employed musical terminology to evoke what opera historian Herbert Lindenberger describes as a "nonverbal dimension beyond what we ordinarily take to be the realm of literature," but many of these same scholars warily embraced an operatic approach. After all, the "operatic" often suggests artificiality and extravagance -- qualities usually seen as negative in writing. Despite the undisputed canonical status of many of the works Skaggs explores, at least a few of them might also be described in similarly operatic (and disparaging) terms. The critical discourse of opera, however, offers an ideal vehicle for opening these texts in a new way.Unveiling a heretofore seldom-noticed connection between the rise of opera in America and the flowering of American literature, Skaggs's noteworthy study will inform and enlighten literary scholars, musicologists, and lovers of both opera and literature.
Overwhelmed: Literature, Aesthetics, and the Nineteenth-Century Information Revolution
by Professor Maurice S. LeeAn engaging look at how debates over the fate of literature in our digital age are powerfully conditioned by the nineteenth century's information revolutionWhat happens to literature during an information revolution? How do readers and writers adapt to proliferating data and texts? These questions appear uniquely urgent today in a world of information overload, big data, and the digital humanities. But as Maurice Lee shows in Overwhelmed, these concerns are not new—they also mattered in the nineteenth century, as the rapid expansion of print created new relationships between literature and information.Exploring four key areas—reading, searching, counting, and testing—in which nineteenth-century British and American literary practices engaged developing information technologies, Overwhelmed delves into a diverse range of writings, from canonical works by Coleridge, Emerson, Charlotte Brontë, Hawthorne, and Dickens to lesser-known texts such as popular adventure novels, standardized literature tests, antiquarian journals, and early statistical literary criticism. In doing so, Lee presents a new argument: rather than being at odds, as generations of critics have viewed them, literature and information in the nineteenth century were entangled in surprisingly collaborative ways.An unexpected, historically grounded look at how a previous information age offers new ways to think about the anxieties and opportunities of our own, Overwhelmed illuminates today’s debates about the digital humanities, the crisis in the humanities, and the future of literature.
Ovid (Routledge Revivals)
by J. W. BinnsOvid, Rome’s most cynical and worldly love poet, has not until recently been highly regarded among Latin poets. Now, however, his reputation is growing, and this volume is an important contribution to the re-establishment of Ovid’s claims to critical attention. This collection of essays ranges over a wide variety of themes and works: Ovid’s development of the Elegiac tradition handed down to him from Propertius, Catullus and Tibullus; the often disparaged and neglected Heroides; the poetry of Ovid’s miserable exile by the Black Sea; the poetic diction of the Metamorphoses, Ovid’s lengthy mythological epic which codified classical myth and legend, and has strong claims to be considered, with the exception of Virgil’s Aeneid, Rome’s greatest epic poem; humour and the blending of the didactic and elegiac traditions in the Ars Amatoria and Remedia Amoris. Finally, Ovid’s incomparable influence in the Middle Ages and sixteenth century is examined.
Ovid and Hesiod
by Ioannis ZiogasThe influence on Ovid of Hesiod, the most important archaic Greek poet after Homer, has been underestimated. Yet, as this book shows, a profound engagement with Hesiod's themes is central to Ovid's poetic world. As a poet who praised women instead of men and opted for stylistic delicacy instead of epic grandeur, Hesiod is always contrasted with Homer. Ovid revives this epic rivalry by setting the Hesiodic character of his Metamorphoses against the Homeric character of Virgil's Aeneid. Dr Ziogas explores not only Ovid's intertextual engagement with Hesiod's works but also his dialogue with the rich scholarly, philosophical and literary tradition of Hesiodic reception. An important contribution to the study of Ovid and the wider poetry of the Augustan age, the book also forms an excellent case study in how the reception of previous traditions can become the driving force of poetic creation.
Ovid and Masculinity in English Renaissance Literature
by John S. Garrison, Goran StanivukovicOvid transformed English Renaissance literary ideas about love, erotic desire, embodiment, and gender more than any other classical poet. Ovidian concepts of femininity have been well served by modern criticism, but Ovid's impact on masculinity in Renaissance literature remains underexamined. This volume explores how English Renaissance writers shifted away from Virgilian heroic figures to embrace romantic ideals of courtship, civility, and friendship. Ovid's writing about masculinity, love, and desire shaped discourses of masculinity across a wide range of literary texts of the sixteenth and seventeenth centuries, including poetry, prose fiction, and drama. The book covers all major works by Ovid, in addition to Italian humanists Angelo Poliziano and Natale Conti, canonical writers such as William Shakespeare, Christopher Marlowe, Ben Jonson, Edmund Spenser, Philip Sidney, and John Milton, and lesser-known writers such as Wynkyn de Worde, Michael Drayton, Thomas Lodge, Richard Johnson, Robert Greene, John Marston, Thomas Heywood, and Francis Beaumont. Individual essays examine emasculation, abjection, pacifism, female masculinity, boys' masculinity, parody, hospitality, and protean Jewish masculinity. Ovid and Masculinity in English Renaissance Literature demonstrates how Ovid's poetry gave vigour and vitality to male voices in English literature - how his works inspired English writers to reimagine the male authorial voice, the male body, desire, and love in fresh terms.
Ovid and the Cultural Politics of Translation in Early Modern England (Studies in European Cultural Transition)
by Liz Oakley-BrownIn Ovid and the Cultural Politics of Early Modern England, Liz Oakley-Brown considers English versions of the Metamorphoses - a poem concerned with translation and transformation on a multiplicity of levels - as important sites of social and historical difference from the fifteenth to the early eighteenth centuries. Through the exploration of a range of canonical and marginal texts, from Shakespeare's Titus Andronicus to women's embroideries of Ovidian myths, Oakley-Brown argues that translation is central to the construction of national and gendered identities.
Ovid and the Liberty of Speech in Shakespeare's England
by Heather JamesThe range of poetic invention that occurred in Renaissance English literature was vast, from the lyric eroticism of the late sixteenth century to the rise of libertinism in the late seventeenth century. Heather James argues that Ovid, as the poet-philosopher of literary innovation and free speech, was the galvanizing force behind this extraordinary level of poetic creativity. Moving beyond mere topicality, she identifies the ingenuity, novelty and audacity of the period's poetry as the political inverse of censorship culture. Considering Spenser, Marlowe, Shakespeare, Jonson, Milton and Wharton among many others, the book explains how free speech was extended into the growing domain of English letters, and thereby presents a new model of the relationship between early modern poetry and political philosophy.
Ovid's Early Poetry
by Thea S. ThorsenOvid is one of the greatest poets in the Classical tradition and Western literature. This book represents the most comprehensive study to date of his early output as a unified literary production. Firstly, the book proposes new ways of organising this part of Ovid's poetic career, the chronology of which is notoriously difficult to establish. Next, by combining textual criticism with issues relating to manuscript transmission, the book decisively counters arguments levelled against the authenticity of Heroides 15, which consequently allows for a revaluation of Ovid's early output. Furthermore, by focusing on the literary device of allusion, the book stresses the importance of Ovid's single Heroides 1-15 in relationship with his Amores I-III, Ars amatoria I-III and Remedia amoris. Finally, the book identifies three kinds of Ovidian poetics that are found in his early poetry and that point towards the works of myth and exile that followed in his later career.
Ovid's Revisions
by Francesca K. A. MartelliA striking feature of Ovid's literary career derives from the processes of revision to which he subjects the works and collections that make up his oeuvre. From the epigram prefacing the Amores, to the editorial notices built into the book-frames of the Epistulae Ex Ponto, Ovid repeatedly invites us to consider the transformative horizons that these editorial interventions open up for his individual works, and which also affect the shape of his career and authorial identity. Francesca K. A. Martelli plots the vicissitudes of Ovid's distinctive career-long habit, considering how it transforms the relationship between text, oeuvre and authorial voice, and how it relates to the revisory practices at work in the wider cultural and political matrix of Ovid's day. This fascinating study will be of great interest to students and scholars of classical literature, and to any literary critic interested in revision as a mode of authorial self-fashioning.
Ovid's Tragic Heroines: Gender Abjection and Generic Code-Switching
by Jessica A. WesterholdOvid's Tragic Heroines expands our understanding of Ovid's incorporation of Greek generic codes and the tragic heroines, Phaedra and Medea, while offering a new perspective on the Roman poet's persistent interest in these two characters and their paradigms. Ovid presents these two Attic tragic heroines as symbols of different passions that are defined by the specific combination of their gender and generic provenance. Their failure to be understood and their subsequent punishment are constructed as the result of their female "nature," and are generically marked as "tragic." Ovid's masculine poetic voice, by contrast, is given free rein to oscillate and play with poetic possibilities. Jessica A. Westerhold focuses on select passages from the poems Ars Amatoria, Heroides, and Metamorphoses. Building on existing scholarship, she analyzes the dynamic nature of generic categories and codes in Ovid's poetry, especially the interplay of elegy and epic. Further, her analysis of Ovid's reception applies the idea of the abject to elucidate Ovid's process of constructing gender and genre in his poetry. Ovid's Tragic Heroines incorporates established theories of the performativity of sex, gender, and kinship roles to understand the continued maintenance of the normative and abject subject positions Ovid's poetry creates. The resulting analysis reveals how Ovid's Phaedras and Medeas offer alternatives both to traditional gender roles and to material appropriate to a poem's genre, ultimately using the tragic code to introduce a new perspective to epic and elegy.
Ovid: Amores, Metamorphoses Selection
by Ovid Laurie Haight Keenan Charbra Adams Jestin Phyllis B. Katz Bridget Dean Laurel DraperNIMAC-sourced textbook
Ovid: Dichter Des Exils (Blackwell Introductions to the Classical World #31)
by Katharina VolkThis book provides a unique and accessible introduction to the complete works of Ovid. Using a thematic approach, Volk lays out what we know about Ovid's life, presents the author's works within their poetic genres, and discusses central Ovidian themes. The first general introduction to Ovid written in English in over 20 years, offering the very latest Ovidian scholarship Discusses the complete works of Ovid Accessible writing and a thematic approach make this text ideal for a broad audience A current revival in Ovid makes this timely edition highly valuable
Ovid: The Classical Heritage (Routledge Revivals)
by William S. AndersonOvid: The Classical Heritage, first published in 1995, contains a diverse collection of reflections, ranging from the first century, through the Middle Ages, to the twentieth, on a poet who has been adored and reviled in equal measure. With the entire notion of ‘Western culture’ under duress, the need to establish continuity from antiquity to modernity is as pressing as ever. Each essay, selected by Professor Anderson, indicates an Ovidian theme or perspective which remains relevant to our self-understanding today. An enormous range of topics is investigated, in a variety of modes and styles: contemporary reaction, reception by Medieval Schoolmen, Ovid’s influence on Chaucer, and his importance for the ‘New Mythologists’. Overall, Ovid: The Classical Heritage offers a rich selection of essays, which cumulatively demonstrate the continuing importance and fascination of this great Roman poet.
Ovidian Bibliofictions and the Tudor Book: Metamorphosing Classical Heroines in Late Medieval and Renaissance England (Material Readings in Early Modern Culture)
by Lindsay Ann ReidOvidian Bibliofictions and the Tudor Book examines the historical and the fictionalized reception of Ovid’s poetry in the literature and books of Tudor England. It does so through the study of a particular set of Ovidian narratives-namely, those concerning the protean heroines of the Heroides and Metamorphoses. In the late medieval and Renaissance eras, Ovid’s poetry stimulated the vernacular imaginations of authors ranging from Geoffrey Chaucer and John Gower to Isabella Whitney, William Shakespeare, and Michael Drayton. Ovid’s English protégés replicated and expanded upon the Roman poet’s distinctive and frequently remarked ’bookishness’ in their own adaptations of his works. Focusing on the postclassical discourses that Ovid’s poetry stimulated, Ovidian Bibliofictions and the Tudor Book engages with vibrant current debates about the book as material object as it explores the Ovidian-inspired mythologies and bibliographical aetiologies that informed the sixteenth-century creation, reproduction, and representation of books. Further, author Lindsay Ann Reid’s discussions of Ovidianism provide alternative models for thinking about the dynamics of reception, adaptation, and imitatio. While there is a sizeable body of published work on Ovid and Chaucer as well as on the ubiquitous Ovidianism of the 1590s, there has been comparatively little scholarship on Ovid’s reception between these two eras. Ovidian Bibliofictions and the Tudor Book begins to fill this gap between the ages of Chaucer and Shakespeare by dedicating attention to the literature of the early Tudor era. In so doing, this book also contributes to current discussions surrounding medieval/Renaissance periodization.
Ovidian Myth and Sexual Deviance in Early Modern English Literature
by Sarah CarterCarter explores early modern culture's reception of Ovid through the manipulation of Ovidian myth by Shakespeare, Middleton, Heywood, Marlowe and Marston. With a focus on sexual violence, homosexuality, incest and idolatry, Carter analyses how depictions of mythology represent radical ideas concerning gender and sexuality.
Owen Barfield’s Poetry, Drama, and Fiction: Rider on Pegasus (Routledge Studies in Twentieth-Century Literature)
by Jeffrey HipolitoOwen Barfield influenced a diverse range of writers that includes T. S. Eliot, J. R. R. Tolkien, W. H. Auden, Howard Nemerov, and Saul Bellow, and Owen Barfield's Poetry, Drama, and Fiction is the first book to comprehensively explore and assess the literary career of the "fourth Inkling," Owen Barfield. It examines his major poems, plays, and novels, with special attention both to his development over a seventy-year literary career and to the manifold ways in which his work responds with power, originality, and insight to modernist London, the nuclear age, and the dawning era of environmental crisis. With this volume, it is now possible to place into clear view the full career and achievement of Owen Barfield, who has been called the British Heidegger, the first and last Inkling, and the last Romantic.
Owls Are Good At Keeping Secrets: An Unusual Alphabet
by Sara O'LearyFrom the author of the beloved This Is Sadie comes a delightful book of curious, little-known stories about animals -- one for each letter of the alphabet!Did you know that chipmunks love to stay up past their bedtime? Or that dragons cry at happy endings? I bet you'd never have guessed that iguanas sometimes get homesick at sleepovers.Sara O'Leary pulls back the curtain on the animal world and gives us absolutely charming little one-line "facts" about an animal for each letter of the alphabet. Kids will love to see their own quirks reflected in these adorably-rendered creatures, and perhaps will be comforted to know that, just like them, narwhals can be perfectly happy all on their own and quail also get tired of being told to be quiet.This is more than just an alphabet book -- it is a charming, hilarious and touching look at the diversity of personalities in the world, worth many, many re-reads.
Owls are Good at Keeping Secrets: An Unusual Alphabet
by Sara O'LearyA delightful book of curious, little-known "facts" about animals--one for each letter of the alphabet!Did you know that chipmunks love to stay up past their bedtime? Or that dragons cry at happy endings? I bet you'd never have guessed that iguanas sometimes get homesick at sleepovers.Sara O'Leary pulls back the curtain on the animal world and gives us an absolutely charming little one-line "fact" about one animal for each letter of the alphabet. Kids will love to see their own quirks reflected in these adorably rendered creatures, and perhaps will be comforted to know that--just like them--narwhals can be perfectly happy all on their own and quail also get tired of being told to be quiet.This is more than just an alphabet book. It's a charming, hilarious, and touching look at the diversity of personalities in the world--worth many, many rereads.