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Paper, Materiality and the Archived Page (New Directions in Book History)
by Maryanne DeverThe emergence of digital technologies in the realm of archives has enlivened our understandings of archival materialities and lent a new intensity to our engagements with the archived page by prompting us to consider the potential of paper and the page in ways that we have hitherto largely ignored. Paper, Materiality and the Archived Page responds to this provocation by setting out an approach or an orientation to ‘thinking through paper’. Critically, it questions what work the archived page does if it is more than an invisible or transparent support to text. Three exemplary case studies are offered on the letters of Greta Garbo, the messy archival remains of Australian writer Eve Langley and the letters and manuscripts of English poet Valentine Ackland. Together they demonstrate how approaches grounded in concerns with materiality and matter can shift how we understand archival research and what we accept as archival ‘evidence’. They also reveal the emergent capacities of the paper page.
Paper: An Elegy
by Ian SansomLet us suppose for a moment that paper were to disappear. Would anything be lost? Everything would be lost. aper surrounds us. Not only as books, letters and diaries, but as beer mats and birth certificates, board games and business cards, fireworks and flypaper, photographs and playing cards, tickets and tea bags. We are paper people. But the age of paper is coming to an end. E-books regularly outsell physical books. E-tickets replace the paper variety. Archives are digitized. The world we know was made from paper, and yet everywhere we look, paper is beginning to disappear. As we enter a world beyond paper, Ian Sansom explores the paradoxes of the greatest of man-made materials and shows how some kinds of paper, and the ghosts and shadows of paper, will always be with us. Paper: An Elegy is a history of paper in all its forms and functions. Both a cultural study and a series of personal reflections on the meaning of paper, this book is a timely meditation on the very paper it is printed on.
Paperback Crush: The Totally Radical History of '80s and '90s Teen Fiction
by Gabrielle MossA hilarious and nostalgic trip through the history of paperback pre-teen series of the 80s and 90s.Every twenty- or thirty-something woman knows these books. The pink covers, the flimsy paper, the zillion volumes in the series that kept you reading for your entire adolescence. Spurred by the commercial success of Sweet Valley High and The Babysitters Club, these were not the serious-issue YA novels of the 1970s, nor were they the blockbuster books of the Harry Potter and Twilight ilk. They were cheap, short, and utterly beloved. PAPERBACK CRUSH dives in deep to this golden age with affection, history, and a little bit of snark. Readers will discover (and fondly remember) girl-centric series on everything from correspondence (Pen Pals and Dear Diary) to sports (The Pink Parrots, Cheerleaders, and The Gymnasts) to a newspaper at an all-girls Orthodox Jewish middle school (The B.Y. Times) to a literal teen angel (Teen Angels: Heaven Can Wait, where an enterprising guardian angel named Cisco has to earn her wings "by helping the world's sexist rock star.") Some were blatant ripoffs of the successful series (looking at you, Sleepover Friends and The Girls of Canby Hall), some were sick-lit tearjerkers à la Love Story (Abby, My Love) and some were just plain perplexing (Uncle Vampire??) But all of them represent that time gone by of girl-power and endless sessions of sustained silent reading.In six hilarious chapters (Friendship, Love, School, Family, Jobs, Terror, and Tragedy), Bustle Features Editor Gabrielle Moss takes the reader on a nostalgic tour of teen book covers of yore, digging deep into the history of the genre as well as the stories behind the best-known series.
Paperbacks from Hell: The Twisted History of '70s and '80s Horror Fiction
by Grady HendrixTake a tour through the horror paperback novels of the 1970s and ’80s . . . if you dare. Page through dozens and dozens of amazing book covers featuring well-dressed skeletons, evil dolls, and knife-wielding killer crabs! Read shocking plot summaries that invoke devil worship, satanic children, and haunted real estate! Horror author and vintage paperback book collector Grady Hendrix offers killer commentary and witty insight on these trashy thrillers that tried so hard to be the next Exorcist or Rosemary’s Baby. It’s an affectionate, nostalgic, and unflinchingly funny celebration of the horror fiction boom of two iconic decades, complete with story summaries and artist and author profiles. You’ll find familiar authors, like V. C. Andrews and R. L. Stine, and many more who’ve faded into obscurity. Plus recommendations for which of these forgotten treasures are well worth your reading time and which should stay buried.
Papers and Journals: A Selection
by Soren KierkegaardOne of the greatest thinkers of the nineteenth century, Søren Kierkegaard often expressed himself through pseudonyms and disguises. Taken from his personal writings, these private reflections reveal the development of his own thought and personality, from his time as a young student to the deep later internal conflict that formed the basis for his masterpiece of duality Either/Or and beyond. Expressing his beliefs with a freedom not seen in works he published during his lifetime, Kierkegaard here rejects for the first time his father's conventional Christianity and forges the revolutionary idea of the "leap of faith" required for true religious belief. A combination of theoretical argument, vivid natural description and sharply honed wit, the Papers and Journals reveal to the full the passionate integrity of his lifelong efforts "to find a truth which is truth for me." <p><p> For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Papyrus: The No 1 International Bestseller
by Irene Vallejo'A literary phenomenon.' - Times Literary SupplementLong before books were mass produced, those made of reeds from along the Nile were worth fighting and dying for. Journeying along the battlefields of Alexander the Great, beneath the eruptions of Mount Vesuvius, at Cleopatra's palaces and the scene of Hypatia's murder, award-winning author Irene Vallejo chronicles the excitement of literary culture in the ancient world, and the heroic efforts that ensured this impressive tradition would continue.Weaved throughout are fascinating stories about the spies, scribes, illuminators, librarians, booksellers, authors, and statesmen whose rich and sometimes complicated engagement with the written word bears remarkable similarities to the world today: Aristophanes and the censorship of the humourists, Sappho and the empowerment of women's voices, Seneca and the problem of a post-truth world.Vallejo takes us to mountainous landscapes and the roaring sea, to the capitals where culture flourished and the furthest reaches where knowledge found refuge in chaotic times. In this sweeping tour of the history of books, the wonder of the ancient world comes alive and along the way we discover the singular power of the written word.
Papyrus: The No 1 International Bestseller
by Irene VallejoAn enthralling journey through the history of books and libraries in the ancient world and those who have helped preserve their rich literary traditions.Long before books were mass produced, those made of reeds from along the Nile were worth fighting and dying for. Journeying along the battlefields of Alexander the Great, beneath the eruptions of Mount Vesuvius, at Cleopatra's palaces and the scene of Hypatia's murder, award-winning author Irene Vallejo chronicles the excitement of literary culture in the ancient world, and the heroic efforts that ensured this impressive tradition would continue.Weaved throughout are fascinating stories about the spies, scribes, illuminators, librarians, booksellers, authors, and statesmen whose rich and sometimes complicated engagement with the written word bears remarkable similarities to the world today: Aristophanes and the censorship of the humourists, Sappho and the empowerment of women's voices, Seneca and the problem of a post-truth world.Vallejo takes us to mountainous landscapes and the roaring sea, to the capitals where culture flourished and the furthest reaches where knowledge found refuge in chaotic times. In this sweeping tour of the history of books, the wonder of the ancient world comes alive and along the way we discover the singular power of the written word.(P) 2022 Hodder & Stoughton Limited
Para qué escribir
by María Jimena DuzanUna recopilación de las mejores columnas de una de las mejores periodistas del país. Por más de una década la revista Semana ha publicado las columnas, entrevistas y crónicas de María Jimena Duzán. En estas ha quedado un registro de la realidad política del país, de los líderes y las fuerzas que compiten por el poder, así como de escandalosas formas de corrupción y graves atentados a la democracia; en sus investigaciones, Duzán elabora los grandes temas que ocupan el interés colectivo en un momento en que la sociedad ve pasar ante sí hechos que marcan el rumbo de su historia, como fueron desactivar una guerra y la vuelta de los gobiernos de derecha en el continente. En esta selección de sus mejores textos para la revista, María Jimena Duzán pone en perspectiva el oficio de periodista y su migración a las redes sociales. Su capacidad para escudriñar los fondos del poder junto a un gran talento para la investigación y el análisis de la coyuntura, la han convertido en una de las columnistas.
Parables of Coercion: Conversion and Knowledge at the End of Islamic Spain
by Seth KimmelIn the sixteenth and seventeenth centuries, competing scholarly communities sought to define a Spain that was, at least officially, entirely Christian, even if many suspected that newer converts from Islam and Judaism were Christian in name only. Unlike previous books on conversion in early modern Spain, however, Parables of Coercion focuses not on the experience of the converts themselves, but rather on how questions surrounding conversion drove religious reform and scholarly innovation. In its careful examination of how Spanish authors transformed the history of scholarship through debate about forced religious conversion, Parables of Coercion makes us rethink what we mean by tolerance and intolerance, and shows that debates about forced conversion and assimilation were also disputes over the methods and practices that demarcated one scholarly discipline from another.
Parables: Imagine Life God's Way (New Community Bible Study Series)
by John OrtbergSix-session small group studies to build true community within the church and among the worldParables: Jesus, the wisest man who ever lived, had much to say about God, the human heart, the future, life, anger, love, and everything that mattered. Digging into the treasure trove of the wisdom and truth hidden in his parables will stretch minds, feed souls, pierce hearts, and shape his followers into true disciples.
Paradigm Structure and Predictability in Latin Inflection: An Entropy-based Approach (Studies in Morphology #6)
by Matteo PellegriniLatin paradigms are almost proverbially known, and they have often been used as a test case for different theoretical approaches to morphological complexity. This book analyses them in a completely word-based perspective, using a recently developed information-theoretic methodology, making entropy-based techniques of analysis available to a wider readership. By doing so, it shows the relevance of traditional notions like principal parts, giving them a more principled, data-driven formulation. Furthermore, it suggests enhancements to the standard information-theoretic methodology, allowing to account for the role of external factors – like gender and derivational information – in improving predictability between inflected word forms. This book is useful to morphologists, that will see ideas and techniques taken from the current debate on morphological theory tested on complex phenomena of a language as renowned as Latin. It is also helpful for scholars working in both Latin and Romance linguistics: the former will find a freely available lexical resource and a novel description of Latin paradigms, that can be exploited by the latter to draw a comparison with recent analyses of the inflectional morphology of several Romance languages.
Paradigms and Fairy Tales: Volume 1
by Julienne FordThis book is an introduction to the epistemology and practice of social science. It provides an exposition and critique of the ideology and practice of social science, and an examination of the professional social scientist as a manipulator of ideas and appearances.
Paradigms and Fairy Tales: Volume 2
by Julienne FordThis book is an introduction to the epistemology and practice of social science. It provides an exposition and critique of the ideology and practice of social science, and an examination of the professional social scientist as a manipulator of ideas and appearances.
Paradigms for a Metaphorology
by Robert Savage Hans Blumenberg"Paradigms for a Metaphorology may be read as a kind of beginner's guide to Blumenberg, a programmatic introduction to his vast and multifaceted oeuvre. Its brevity makes it an ideal point of entry for readers daunted by the sheer bulk of Blumenberg's later writings, or distracted by their profusion of historical detail. Paradigms expresses many of Blumenberg's key ideas with a directness, concision, and clarity he would rarely match elsewhere. What is more, because it served as a beginner's guide for its author as well, allowing him to undertake an initial survey of problems that would preoccupy him for the remainder of his life, it has the additional advantage that it can offer us a glimpse into what might be called the ‛genesis of the Blumenbergian world.’"-from the Afterword by Robert SavageWhat role do metaphors play in philosophical language? Are they impediments to clear thinking and clear expression, rhetorical flourishes that may well help to make philosophy more accessible to a lay audience, but that ought ideally to be eradicated in the interests of terminological exactness? Or can the images used by philosophers tell us more about the hopes and cares, attitudes and indifferences that regulate an epoch than their carefully elaborated systems of thought?In Paradigms for a Metaphorology, originally published in 1960 and here made available for the first time in English translation, Hans Blumenberg (1920-1996) approaches these questions by examining the relationship between metaphors and concepts. Blumenberg argues for the existence of "absolute metaphors" that cannot be translated back into conceptual language. These metaphors answer the supposedly naïve, theoretically unanswerable questions whose relevance lies quite simply in the fact that they cannot be brushed aside, since we do not pose them ourselves but find them already posed in the ground of our existence. They leap into a void that concepts are unable to fill.An afterword by the translator, Robert Savage, positions the book in the intellectual context of its time and explains its continuing importance for work in the history of ideas.
Paradise (MAXNotes Literature Guides)
by David GracerREA's MAXnotes for Toni Morrison's Paradise MAXnotes offer a fresh look at masterpieces of literature, presented in a lively and interesting fashion. Written by literary experts who currently teach the subject, MAXnotes will enhance your understanding and enjoyment of the work. MAXnotes are designed to stimulate independent thought about the literary work by raising various issues and thought-provoking ideas and questions. MAXnotes cover the essentials of what one should know about each work, including an overall summary, character lists, an explanation and discussion of the plot, the work's historical context, illustrations to convey the mood of the work, and a biography of the author. Each chapter is individually summarized and analyzed, and has study questions and answers.
Paradise Discourse, Imperialism, and Globalization: Exploiting Eden (Routledge Research in Postcolonial Literatures)
by Sharae DeckardThis comparative study, the first of its kind, discusses paradise discourse in a wide range of writing from Mexico, Zanzibar, and Sri Lanka, including novels by authors such as Malcolm Lowry, Leonard Woolf, Juan Rulfo, Wilson Harris, Abdulrazak Gurnah, and Romesh Gunesekera. Tracing dialectical tropes of paradise across the "long modernity" of the capitalist world-system, Deckard reads literature from postcolonial nations in context with colonial discourse in order to demonstrate how paradise begins as a topos motivating European exploration and colonization, shifts into an ideological myth justifying imperial exploitation, and finally becomes a literary motif used by contemporary writers to critique neocolonial representations and conditions in the age of globalization. Combining a range of critical perspectives—cultural materialist, ecocritical, and postcolonial—the volume opens up a deeper understanding of the relation between paradise discourse and the destructive dynamics of plantation, tourism, and global capital. Deckard uncovers literature from East Africa and South Asia which has been previously overlooked in mainstream postcolonial criticism, and gestures to how the utopian dimensions of the paradise myth might be reclaimed to promote cultural resistance.
Paradise Lost (MAXNotes Literature Guides)
by Corinna RuthREA's MAXnotes for John Milton's Paradise Lost MAXnotes offer a fresh look at masterpieces of literature, presented in a lively and interesting fashion. Written by literary experts who currently teach the subject, MAXnotes will enhance your understanding and enjoyment of the work. MAXnotes are designed to stimulate independent thought about the literary work by raising various issues and thought-provoking ideas and questions. MAXnotes cover the essentials of what one should know about each work, including an overall summary, character lists, an explanation and discussion of the plot, the work's historical context, illustrations to convey the mood of the work, and a biography of the author. Each chapter is individually summarized and analyzed, and has study questions and answers.
Paradise Lost (Routledge Library Editions: Milton #4)
by G. K. HunterFirst published in 1980. Paradise Lost was once a favourite text for family reading; today it is confined to the educational system, which treats it as an object to be investigated rather than a subject that demands response. Professor Hunter writes inevitably for an audience of literary students, but he invites them to consider Paradise Lost as a text that must be enjoyed before it can be explained. He understands the need to explain complexities, but is mainly concerned with the onward flow of our engagement with an ancient poem. Milton’s narrative technique is explored as a system which both encourages and frustrates our native sense of story. His poetic power is shown to grow from our assent to its brilliant evocation of "as if" fictions. Milton is a master of audience manipulation, of dramatic tension and intellectual paradox. These characteristics are described in the context of the task the poem sets itself to tell the untellable and describe what no man has ever seen. The power of Milton’s art is traced through his rehandling of Homer and Virgil and in his daringly individual fidelity to scripture. Professor Hunter does not try to smooth away the contradictions inherent in Milton’s ambition to write an English classical Christian epic. He rather stresses the contradictions as cues to a properly alert reading. And this is what the book aims at above all a response to Paradise Lost which is alert to poetry and unintimidated by scholarship.
Paradise Lost (SparkNotes Literature Guide Series)
by SparkNotesParadise Lost (SparkNotes Literature Guide) by John Milton Making the reading experience fun! Created by Harvard students for students everywhere, SparkNotes is a new breed of study guide: smarter, better, faster. Geared to what today's students need to know, SparkNotes provides: *Chapter-by-chapter analysis *Explanations of key themes, motifs, and symbols *A review quiz and essay topicsLively and accessible, these guides are perfect for late-night studying and writing papers
Paradise Lost and the Classical Epic (Routledge Library Editions: Milton #2)
by Francis C. BlessingtonThis study, first published in 1979, explores the idea that all spheres of action - hell, heaven, and earth - of the classical epic is relevant to all parts of Paradise Lost. The author also examines the structure, style, and the narrator of the text. This title will be of great interest to students of Milton and English Literature.
Paradise Lost and the Cosmological Revolution
by Dennis DanielsonThis volume brings John Milton's Paradise Lost into dialogue with the challenges of cosmology and the world of Galileo, whom Milton met and admired: a universe encompassing space travel, an earth that participates vibrantly in the cosmic dance, and stars that are "world[s] / Of destined habitation. " Milton's bold depiction of our universe as merely a small part of a larger multiverse allows the removal of hell from the center of the earth to a location in the primordial abyss. In this wide-ranging work, Dennis Danielson lucidly unfolds early modern cosmological debates, engaging not only Galileo but also Copernicus, Tycho, Kepler, and the English Copernicans, thus placing Milton at a rich crossroads of epic poetry and the history of science.
Paradise Lost and the Making of English Literary Criticism (Routledge Studies in Renaissance Literature and Culture)
by David A. HarperParadise Lost and the Making of English Literary Criticism identifies the early reception of Paradise Lost as a site of contest over the place of literature in political and religious controversy. Milton’s earliest readers and critics (Dryden, Addison, Dennis, Hume, and Bentley) confronted a poem and author at odds with prevailing culture and the revanchist conservatism of the restored monarchy. Grappling with the epic required navigating Milton’s reputation as a “fanatick” who had called in print for Charles I’s execution, inveighed openly against monarchy on the eve of Charles II’s return, and held heretical views on the trinity, baptism, and divorce. Harper argues that foundational figures in English literary criticism rose to this challenge by innovating new ways of reading: producing creative (and subversive) rewritings of Paradise Lost, articulating new theories of the sublime, explaining the poem in the first substantial body of annotations for an English vernacular text, and by pioneering early forms of textual criticism and editing.
Paradise Lost: A Biography (Lives of Great Religious Books)
by Alan JacobsThe life and times of Milton&’s epic poem about Satan&’s revolt against God and humanity&’s expulsion from paradiseJohn Milton&’s Paradise Lost has secured its place in the pantheon of epic poems, but unlike almost all other works in the pantheon, it is intimately associated with religious doctrine and its implications for how we live our lives. For more than three centuries, it has been a flashpoint for arguments not just about Christianity but also about governance, rebellion and obedience, sexual politics, and what makes poetry great. Alan Jacobs tells the story of Milton&’s enduring poem, shedding light on its composition and reception and explaining why it resonates so powerfully with us today.Composed through dictation after Milton went blind in 1652, Paradise Lost centers on an ancient biblical answer to the eternal question of how evil came into the world. It has proved impossible to disentangle the defense or critique of the poem from attitudes toward Christianity itself. Does Christian theology entail monarchy or democracy? Are relations between the sexes thwarted by pompous and tyrannical men or by vain and disobedient women? Jacobs traces how generations of readers have grappled with these and other questions, along the way revealing how Milton&’s poem influenced novelists like Mary Shelley and Philip Pullman and has served as the inspiration for paintings, operas, comic books, and video games.An essential companion to Milton&’s poetic masterpiece, this book shows why Paradise Lost continues to serve as a mirror reflecting our own complex attitudes about power and authority, justice and revolt, and sin and salvation.
Paradiso
by DanteHaving plunged to the uttermost depths of Hell and climbed the Mount of Purgatory in parts one and two of the Divine Comedy, Dante ascends to Heaven in this third and final part, continuing his soul’s search for God, guided by his beloved Beatrice. As he progresses through the spheres of Paradise he grows in understanding, until he finally experiences divine love in the radiant presence of the deity. Examining eternal questions of faith, desire and enlightenment, Dante exercised all his learning and wit, wrath and tenderness in his creation of one of the greatest of all Christian allegories.
Paradiso: Poema Di Dante (1787) (Dover Thrift Editions: Poetry)
by Dante AlighieriThe last great literary work of the Middle Ages and the first important book of the Renaissance, Dante's Divine Comedy culminates in this third and final section, Paradiso. The 14th-century allegory portrays a medieval perspective on the afterlife, tracing the poet's voyage across three realms — Hell, Purgatory, and Paradise — to investigate the concepts of sin, guilt, and redemption. Expressed in sublime verse, the trilogy concludes with this challenging and rewarding venture into the dwelling place of God, angels, and the souls of the faithful.Guided by Beatrice, the incarnation of beatific love, Dante undergoes an intellectual journey from doubt to faith. Beatrice instructs the poet in scholastic theology as they pass through the nine spheres of Paradise to the Empyrean, a realm of pure light in which the redeemed experience the bliss of God's immediate presence. This edition features the renowned translation by American poet Henry Wadsworth Longfellow and serves as a companion volume to the Dover editions of Inferno and Purgatorio.