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Orientalism and Literature (Cambridge Critical Concepts)
by Geoffrey P. NashOrientalism and Literature discusses a key critical concept in literary studies and how it assists our reading of literature. It reviews the concept's evolution: how it has been explored, imagined and narrated in literature. Part I considers Orientalism's origins and its geographical and multidisciplinary scope, then considers the major genres and trends Orientalism inspired in the literary-critical field such as the eighteenth-century Oriental tale, reading the Bible, and Victorian Oriental fiction. Part II recaptures specific aspects of Edward Said's Orientalism: the multidisciplinary contexts and scholarly discussions it has inspired (such as colonial discourse, race, resistance, feminism and travel writing). Part III deliberates upon recent and possible future applications of Orientalism, probing its currency and effectiveness in the twenty-first century, the role it has played and continues to play in the operation of power, and how in new forms, neo-Orientalism and Islamophobia, it feeds into various genres, from migrant writing to journalism.
Orientalism and Reverse Orientalism in Literature and Film: Beyond East and West (Routledge Interdisciplinary Perspectives on Literature)
by Sharmani Patricia Gabriel Bernard WilsonAcknowledging the significance of Edward Said’s Orientalism for contemporary discourse, the contributors to this volume deconstruct, rearrange, and challenge elements of his thesis, looking at the new conditions and opportunities offered by globalization. What can a renewed or reconceptualized Orientalism teach us about the force and limits of our racial imaginary, specifically in relation to various national contexts? In what ways, for example, considering our greater cross-cultural interaction, have clichés and stereotypes undergone a metamorphosis in contemporary societies and cultures? Theoretically, and empirically, this book offers an expansive range of contexts, comprising the insights, analytical positions, and perspectives of a transnational team of scholars of comparative literature and literary and cultural studies based in Australia, Hong Kong, Japan, Malaysia, USA, Singapore, Taiwan, and Turkey. Working with, through and beyond Orientalism, they examine a variety of cultural texts, including the novel, short story, poetry, film, graphic memoir, social thought, and life writing. Making connections across centuries and continents, they articulate cultural representation and discourse through multiple approaches including critical content analysis, historical contextualization, postcolonial theory, gender theory, performativity, intertextuality, and intersectionality. Given its unique approach, this book will be essential reading for scholars of literary theory, film studies and Asian studies, as well as for those with a general interest in postcolonial literature and film.
Orientalism and the Figure of the Jew
by Jeffrey S. LibrettOrientalism and the Figure of the Jew proposes a new way of understanding modern Orientalism. Tracing a path of modern Orientalist thought in German across crucial writings from the late eighteenth to the mid–twentieth centuries, Librett argues that Orientalism and anti-Judaism are inextricably entangled.Librett suggests, further, that the Western assertion of “material” power, in terms of which Orientalism is often read, is overdetermined by a “spiritual” weakness: an anxiety about the absence of absolute foundations and values that coincides with Western modernity itself. The modern West, he shows, posits an Oriental origin as a fetish to fill the absent place of lacking foundations. This fetish is appropriated as Western through a quasi-secularized application of Christian typology. Further, the Western appropriation of the “good” Orient always leaves behind the remainder of the “bad,” inassimilable Orient.The book traces variations on this theme through historicist and idealist texts of the nineteenth century and then shows how high modernists like Buber, Kafka, Mann, and Freud place this historicist narrative in question. The book concludes with the outlines of a cultural historiography that would distance itself from the metaphysics of historicism, confronting instead its underlying anxieties.
Orientalist Poetics: The Islamic Middle East in Nineteenth-Century English and French Poetry (The Nineteenth Century Series)
by Emily A. HaddadOrientalist Poetics is the only book on literary orientalism that spans the nineteenth century in both England and France with particular attention to poetry and poetics. It convincingly demonstrates orientalism's centrality to the evolution of poetry and poetics in both nations, and provides a singularly comprehensive and definitive analysis of the aesthetic impact of orientalism on nineteenth-century poetry. Because it examines the poetry of the entire century across both national literatures, the book is in a unique position to articulate the essential part orientalism plays in major developments of nineteenth-century poetics. Through probing discussions of an array of prominent nineteenth-century poets-including Shelley, Southey, Byron, Hugo, Musset, Leconte de Lisle, Wordsworth, Hemans, Gautier, Tennyson, Arnold and Wilde-Emily A. Haddad reveals how orientalism functions as a diffuse avant-garde, a crucial medium for the cultivation and refinement of a broad range of experimental positions on poetry and poetics. Haddad argues that while orientalist poems are often viewed mainly as artefacts of European attitudes towards the East and imperialism, poetic representations of the Islamic Orient also provide an indispensable matrix for the reexamination of such aesthetically fundamental issues as the purpose of poetry, the value of mimesis, and the relationship between nature and art. Orientalist Poetics effectively bridges the gap between the analysis of poetics and the analysis of orientalism. In showing that major poetic developments have roots in orientalism, Haddad's book offers a valuable and innovative revisionist view of nineteenth-century literary history.
Orientation in European Romanticism: The Art of Falling Upwards (Cambridge Studies in Romanticism #137)
by Paul HamiltonExploring the experiments in individual and national self-consciousness conducted during the Romantic period, this essential comparative study of European literature, philosophy and politics makes original and often surprising connections and contrasts to reveal how personal and social identities were re-orientated and disorientated from the French Revolution onwards. Reviving a contested moment in the history of aesthetic theory, this study shows how the growing awareness of irresolution in Kant's third Kritik allowed Romantic writers to put the aesthetic to radical uses not envisaged by its parent philosophy. It also recounts how they would go on to force philosophy to revise received notions of authority, empowering women and subordinated ethnic groups to re-orientate existing hierarchies. The sheer range and variety of writers covered is testament both to the breadth of writing that Kant's philosophy so rashly legitimated and to the wider importance of philosophy to the understanding of Romantic literature.
Origin Narratives: The Stories We Tell Children About Immigration and International Adoption (Children's Literature and Culture)
by Macarena Garcia-GonzalezThe first of its kind, this volume unpacks the cultural construction of transnational adoption and migration by examining a sample of recent children’s books that address the subject. Of all European countries, Spain is the nation where immigration and transnational adoption have increased most steeply from the early 1990s onward. Origin Narratives: The Stories We Tell Children About Immigration and International Adoption sheds light on the way contemporary Spanish society and its institutions re-define national identity and the framework of cultural, political and ethnic values, by looking at how these ideas are being transmitted to younger generations negotiating a more heterogeneous environment. This study collates representations of diversity, migration, and (colonial) otherness in the texts, as well as their reception by the adult mediators, through reviews, paratexts, and opinions collected from interviews and participant observation. In this new work, author Macarena Garcia Gonzalez argues that many of the texts at the wider societal discourse of multiculturalism, which have been warped into a pedagogical synthesis, underwrite the very racism they seek to combat. Comparing transnational adoption with discourses about immigration works as a new approach to the question of multiculturalism and makes a valuable contribution to an array of disciplines.
Origin and Ellipsis in the Writing of Hilary Mantel: An Elliptical Dialogue with the Thinking of Jacques Derrida (Routledge Studies in Contemporary Literature)
by Eileen PollardOrigin and Ellipsis in the Writing of Hilary Mantel provokes a re-engagement with Derrida’s thinking in contemporary literature, with particular emphasis on the philosopher’s preoccupation with the process of writing. This is the first book-length study of Mantel’s writing, not just in terms of Derrida’s thought, but through any critical perspective or lens to date.
Origin of Kibosh: Routledge Studies in Etymology
by Gerald Cohen Stephen Goranson Matthew LittleThis is an etymological study of the origins of the word kibosh, which has long been one of the great mysteries of the English language. Unconvincing derivations have been suggested from Yiddish to Gaelic and Italian, and thus far consensus among lexicographers has leaned toward referencing the word as ‘origin unknown’. In this study, the authors present convincing and important new evidence in favour of the derivation of kibosh from the word for a fearsome Middle Eastern whip, known as the kurbash. This monograph is one of the most significant etymological works directed at a single phrase. It is the gold standard on deep-drill, focused and exhaustive single-word lexicography and will be of interest to lexicographers and linguists in the relevant fields.
Origin of the German Trauerspiel
by Walter BenjaminFocusing on the 17th-century play of mourning, Walter Benjamin identifies allegory as the constitutive trope of modernity, bespeaking a haunted, bedeviled world of mutability and eternal transience. In this rigorous elegant translation, history as trauerspiel is the condition as well as subject of modern allegory in its inscription of the abyssal.
Original Sin: A Cultural History
by Alan Jacobs“[A]n engaging and lucid work by a sophisticated Evangelical from the American South. . . . For all its American bias, Alan Jacobs’s highly readably ORIGINAL SIN might fill one of the gaps in the post-Christian memory banks.” — Times Literary Supplement (London)“One wouldn’t expect a book about original sin to be entertaining, but Jacobs makes it so with deft prose and a touch of humor.” — Christian Century“Jacobs is a superb writer whose work is beginning to get the wider notice it has long deserved.” — Books & Culture ("Top Ten Books of the Year")Alan Jacobs presents an engagingly written, eminently humane, and insightful account of an all-important subject that is both timeless and timely. — George Marsden, author of Jonathan Edwards: A Life“Alan Jacobs’ cultural history of the controversies that Saint Augustine’s concept gave birth to is fascinating, entertaining, wonderfully researched, and thoroughly even-tempered, giving even the most disagreeable voices their say. Original Sin may well become the definitive book on the subject.” — Ron Hansen , Author of Exiles and A Stay Against ConfusionI do not believe in original sin. I do believe in Alan Jacobs. He is one the smartest and wittiest writers around on matters involving religion, and ORIGINAL SIN is a gem. — Alan Wolfe, Boisi Center for Religion and American Public Life, Boston CollegeIn this brilliant account, Wheaton College literature professor Jacobs traces the idea of original sin from the Bible to the present day. . . . In his hands these abstruse theological disputes are utterly engrossing. — Publishers Weekly, starred review“With extraordinary erudition and just enough lightness of touch to leaven the lump, Alan Jacobs traces the tangled ways that we have tried to think about human cussedness. — Frederick Buechner, author of Secrets in the DarkReplete with examples drawn from a number of different cultural expressions, including literature, film, and philosophy, [Original Sin] is intended to introduce a broad genearl audience to the complexity of explaining how human beings act evilly toward one another. — Library JournalA brilliantly illuminating, deeply thought-provoking intellectual journey. — Booklist“A strangely entertaining cultural survey . . . ” — The Wall Street JournalJacobs’s discussion is terrifically worthwhile for exposing how the idea of “evil,” as enunciated iwthin the doctrine, undergoes permutations and translations over time — BN.comSplendid...a book endeavoring to help us say and do something about the sin which so easily ensares. Strikingly, Jacobs argues that the ‘confraternity’ of humanity is best grounded not in our being made in the image of God but in our being made sinful in Adam. Truly a revolutionary thought—that the roots of our common humanity might be found, not in our dignity or even our potential, but in our depravity.” — Books & Culture“A deep pool of wisdom . . . an expression of what’s wrong with all of us. Jacobs’ prose often sings . . . Careful when you open this book--it could keep you up at nights.” — Christianity Today“Follows the history of thinking about original sin from Augustine to ‘Hellboy’ and rewards the curious reader with unique knowledge (of good and evil) on every page.” — Beliefnet (Best Religious Book of the Year)“Jacobs’s flowing prose keeps the book moving at a nice pace.” — Weekly Standard
Originality and Intellectual Property in the French and English Enlightenment (Routledge Studies in Eighteenth-Century Literature #6)
by Reginald McGinnisAre legal concepts of intellectual property and copyright related to artistic notions of invention and originality? Do literary and legal scholars have anything to learn from each other, or should the legal debate be viewed as separate from questions of aesthetics? Bridging what are usually perceived as two distinct areas of inquiry, this interdisciplinary volume begins with a reflection on the "origins" of literary and legal questions in the Enlightenment to consider their ramifications in the post-Enlightenment and contemporary world. Tying in to the growing scholarly interest in connections between law and literature, on the one hand, and to the contemporary interrogation of "originality" and "authorship," on the other hand, the present volume furthers research in the field by providing a dense study of the legal and historical context to re-examine our current assumptions about supposed earlier Enlightenment and Romantic ideals of individual authorship and originality.
Originality, Imitation, and Plagiarism: Teaching Writing in the Digital Age
by Martha Vicinus Caroline EisnerThis collection is a timely intervention in national debates about what constitutes original or plagiarized writing in the digital age. Somewhat ironically, the Internet makes it both easier to copy and easier to detect copying. The essays in this volume explore the complex issues of originality, imitation, and plagiarism, particularly as they concern students, scholars, professional writers, and readers, while also addressing a range of related issues, including copyright conventions and the ownership of original work, the appropriate dissemination of innovative ideas, and the authority and role of the writer/author. Throughout these essays, the contributors grapple with their desire to encourage and maintain free access to copyrighted material for noncommercial purposes while also respecting the reasonable desires of authors to maintain control over their own work. Both novice and experienced teachers of writing will learn from the contributors' practical suggestions about how to fashion unique assignments, teach about proper attribution, and increase students' involvement in their own writing. This is an anthology for anyone interested in how scholars and students can navigate the sea of intellectual information that characterizes the digital/information age.
Origins and Traditions of Organizational Communication: A Comprehensive Introduction to the Field
by Anne M. NicoteraOrigins and Traditions of Organizational Communication provides a sophisticated overview of the fundamentals of organizational communication as a field of study, examining the field’s foundations and providing an assessment of the field to date, explaining and demonstrating a communicational approach to the study of organization. It provides a set of literature reviews on focused topics written by experts in each area, and links organizational communication theory and research to practice. In reviewing foundational management theory, the book analyzes how early to mid-20th-century management theories shaped contemporary organizations, providing students both with background knowledge of these foundational theories and an understanding of their influence on our thinking and our organizational world. Written at an accessible level for early graduate students, yet still sophisticated enough for doctoral students, the book is ideal for students and teachers of organizational communication and communication history. Downloadable ancillary materials include chapter PowerPoints and a set of instructors' materials containing chapter abstracts, glossaries, discussion questions, annotated supplementary readings lists, and practitioners' corners.
Origins of Human Communication (Jean Nicod Lectures)
by Michael TomaselloA leading expert on evolution and communication presents an empirically based theory of the evolutionary origins of human communication that challenges the dominant Chomskian view. Human communication is grounded in fundamentally cooperative, even shared, intentions. In this original and provocative account of the evolutionary origins of human communication, Michael Tomasello connects the fundamentally cooperative structure of human communication (initially discovered by Paul Grice) to the especially cooperative structure of human (as opposed to other primate) social interaction. Tomasello argues that human cooperative communication rests on a psychological infrastructure of shared intentionality (joint attention, common ground), evolved originally for collaboration and culture more generally. The basic motives of the infrastructure are helping and sharing: humans communicate to request help, inform others of things helpfully, and share attitudes as a way of bonding within the cultural group. These cooperative motives each created different functional pressures for conventionalizing grammatical constructions. Requesting help in the immediate you-and-me and here-and-now, for example, required very little grammar, but informing and sharing required increasingly complex grammatical devices. Drawing on empirical research into gestural and vocal communication by great apes and human infants (much of it conducted by his own research team), Tomasello argues further that humans' cooperative communication emerged first in the natural gestures of pointing and pantomiming. Conventional communication, first gestural and then vocal, evolved only after humans already possessed these natural gestures and their shared intentionality infrastructure along with skills of cultural learning for creating and passing along jointly understood communicative conventions. Challenging the Chomskian view that linguistic knowledge is innate, Tomasello proposes instead that the most fundamental aspects of uniquely human communication are biological adaptations for cooperative social interaction in general and that the purely linguistic dimensions of human communication are cultural conventions and constructions created by and passed along within particular cultural groups.
Origins of Mathematical Words: A Comprehensive Dictionary of Latin, Greek, and Arabic Roots
by Anthony Lo BelloThe most comprehensive math root dictionary ever published.Outstanding Academic Title, ChoiceDo you ever wonder about the origins of mathematical terms such as ergodic, biholomorphic, and strophoid? Here Anthony Lo Bello explains the roots of these and better-known words like asymmetric, gradient, and average. He provides Greek, Latin, and Arabic text in its original form to enhance each explanation. This sophisticated, one-of-a-kind reference for mathematicians and word lovers is based on decades of the author's painstaking research and work.Origins of Mathematical Words supplies definitions for words such as conchoid (a shell-shaped curve derived from the Greek noun for "mussel") and zenith (Arabic for "way overhead"), as well as approximation (from the Latin proximus, meaning "nearest"). These and hundreds of other terms wait to be discovered within the pages of this mathematical and etymological treasure chest.
Origins of Modern Japanese Literature
by Brett De Bary K¯ojin KarataniSince its publication in Japan ten years ago, the Origins of Modern Japanese Literature has become a landmark book, playing a pivotal role in defining discussions of modernity in that country. Against a history of relative inattention on the part of Western translators to modern Asian critical theory, this first English publication is sure to have a profound effect on current cultural criticism in the West. It is both the boldest critique of modern Japanese literary history to appear in the post-war era and a major theoretical intervention, which calls into question the idea of modernity that informs Western consciousness.In a sweeping reinterpretation of nineteenth-and twentieth-century Japanese literature, Karatani Kojin forces a reconsideration of the very assumptions underlying our concepts of modernity. In his analysis, such familiar terms as origin, modern, literature, and the state reveal themselves to be ideological constructs. Karatani weaves many separate strands into an argument that exposes what has been hidden in both Japanese and Western accounts of the development of modern culture. Among these strands are: the "discovery" of landscape in painting and literature and its relation to the inwardness of individual consciousness; the similar "discovery" in Japanese drama of the naked face as another kind of landscape produced by interiority; the challenge to the dominance of Chinese characters in writing; the emergence of confessional literature as an outgrowth of the repression of sexuality and the body; the conversion of the samurai class to Christianity; the mythologizing of tuberculosis, cancer, and illness in general as a producer of meaning; and the "discovery" of "the child" as an independent category of human being.A work that will be important beyond the confines of literary studies, Karatani's analysis challenges basic Western presumptions of theoretical centrality and originality and disturbs the binary opposition of the "West" to its so-called "other." Origins of Modern Japanese Literature should be read by all those with an interest in the development of cultural concepts and in the interrelating factors that have determined modernity.
Origins of Predicates: Evidence from Plains Cree (Outstanding Dissertations in Linguistics)
by Tomio HiroseThis book offers a new perspective on natural language predicates by analyzing data from the Plains Cree language. Contrary to traditional understanding, Cree verbal complexes are syntactic constructs composed of morphemes as syntactic objects that are subject to structurally defined constraints, such as c-command. Tomio Hirose illustrates this in his study of vP syntax, event semantics, morphology-syntax mappings, unaccusativity, noun incorporation, and valency-reducing phenomena.
Origins of The Wheel of Time: The Legends and Mythologies that Inspired Robert Jordan (Wheel of Time)
by Michael Livingston“Jordan has come to dominate the world Tolkien began to reveal.” —The New York Times on The Wheel of Time® seriesExplore never-before-seen insights into the Wheel of Time, including:- A brand-new, redrawn world map by Ellisa Mitchell using change requests discovered in Robert Jordan's unpublished notes- An alternate scene from an early draft of The Eye of the World- The long-awaited backstory of Nakomi- 8 page, full color photo insertTake a deep dive into the real-world history and mythology that inspired the world of Robert Jordan's The Wheel of Time®. Origins of The Wheel of Time is written by Michael Livingston, Secretary-General of the United States Commission on Military History and professor of medieval literature at The Citadel, with a Foreword by Harriet McDougal, Robert Jordan's editor, widow, and executor of his estate.This companion to the internationally bestselling series will delve into the creation of Robert Jordan’s masterpiece, drawing from interviews and an unprecedented examination of his unpublished notes. Michael Livingston tells the behind-the-scenes story of who Jordan was, how he worked, and why he holds such an important place in modern literature.The second part of the book is a glossary to the “real world” in The Wheel of Time. King Arthur is in The Wheel of Time. Merlin, too. But so are Alexander the Great and the Apollo Space Program, the Norse gods and Napoleon’s greatest defeat—and so much more.Origins of The Wheel of Time will provide exciting knowledge and insights to both new and longtime fans looking to either expand their understanding of the series or unearth the real-life influences that Jordan utilized in his world building—all in one, accessible text.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Origins: A Short Etymological Dictionary of Modern English (Routledge Revivals: The Selected Works Of Eric Partridge Ser.)
by Eric PartridgeThis etymological dictionary gives the origins of some 20,000 items from the modern English vocabulary, discussing them in groups that make clear the connections between words derived by a variety of routes from originally common stock. As well as giving the answers to questions about the derivation of individual words, it is a fascinating book to browse through, and includes extensive lists of prefixes, suffixes, and elements used in the creation of new vocabulary.
Orlando (SparkNotes Literature Guide Series)
by SparkNotesOrlando (SparkNotes Literature Guide) by Virginia Woolf Making the reading experience fun! Created by Harvard students for students everywhere, SparkNotes is a new breed of study guide: smarter, better, faster. Geared to what today's students need to know, SparkNotes provides: *Chapter-by-chapter analysis *Explanations of key themes, motifs, and symbols *A review quiz and essay topicsLively and accessible, these guides are perfect for late-night studying and writing papers
Orlando Furioso: A New Verse Translation
by Ludovico Ariosto David R. SlavittWith this lively new verse translation, Slavitt introduces readers to Ariosto's now neglected masterpiece poem whose impact on Western literature can scarcely be exaggerated. It was a major influence on Spenser's Faerie Queene. William Shakespeare borrowed one of its plots. Voltaire called it the equal of the Iliad, the Odyssey, and Don Quixote combined.
Ornament and Silence
by Kennedy FraserIn these fourteen essays, Fraser focuses on women in love affairs, friendships, marriages, and families; in relation to one another and to the talented men who so often rendered them invisible. In Ornament and Silence we see Virginia Woolf, haunted and eventually destroyed by the sexual secrets of her childhood. We meet Flaubert's theatrically importunate mistress, Louise Colet, the one woman who could briefly slip past the master's misogyny. Fraser offers vibrant portraits of the Russian novelist Nina Berberova and the English naturalist Miriam Rothschild. And here is Fraser herself, learning her craft at The New Yorker, tending her English garden and--on every page--delighting us with the manifold felicities of her prose."A wonderfully idiosyncratic set of essays on women famous and unknown whose public and private lives Fraser examines with great feeling and exactitude...insight, intelligence, and grace."--Newsday"Subtlety, fluency, candor, an agile sensate intellect--Kennedy Fraser brings all these gifts to bear on a subject that is not always contemplated so untendentiously, with such independence of mind, and from such a generous and worldly point of view."--Phillip Roth
Ornithophonia: Vogellieder in deutschsprachiger Lyrik und Vokalmusik (1837–1909) (Cultural Animal Studies #25)
by Kathrin LangDieses Buch rekonstruiert die mehr-als-menschliche Dimension des Lieds im späten neunzehnten und frühen zwanzigsten Jahrhundert. Untersucht wird die Darstellung von Vogelgesang in deutschsprachiger Lyrik, Vokalmusik und ornithologischen Schriften. Dabei wird ein gleichberechtigt literatur- und musikwissenschaftlicher Ansatz verfolgt. Die ‚ornithophone Analyse&‘ dokumentiert, wie eng sich Aspekte der Anthropologie, Ästhetik und Ökologie im Lied verbinden. Neben der Frage nach der historischen Beziehung zwischen Menschen und Vögeln steht dabei auch ein anthropozentrisches Weltbild zur Diskussion.
Oroonoko
by Aphra BehnAphra Behn, the poet, playwright, novelist and political satirist was the first truly professional woman writer in English. This selection, edited and introduced by Professor Janet Todd, demonstrates the full sophistication and vitality of Aphra Behn's genius. It contains the plays The Rover and The Widow, Ranter (the first English play to be set in the American colonies) together with Love Letters to a Gentleman, a choice of poems and two short novels - The Fair Jilt and Oroonoko - which are among the most innovative prose writings of the seventeenth century.
Oroonoko: Adaptations and Offshoots
by Susan B. IwanisziwWith the aim of examining the postcolonial applications of Aphra Behn's re-entry into the literary canon, the editor presents this edition as a collection representing the nexus of very specific articulations of literary, cultural, and political tropes produced by various writers and adapters from 1695 through 1999. The volume begins with a general introduction. It then presents seven 18th-century versions of the play and one poem, ending with 'Biyi Bandele's late 20th-century drama. All texts are supplemented by original paratextual commentary, if that is known, and prefaced by a brief editorial commentary setting out pertinent biographical, bibliographical, theatrical, and historical context not covered in the general introduction. The tradition of stage adaptations of Oroonoko, most of them keyed to Southerne's drama rather than to Behn's initial novella, clearly shows the responsiveness of this series to studies of authorship, gender, genre and theatricality, class, race, and, especially, the British response to the Atlantic slave trade, and, thus, to the enduring relevance of these plays in modern literary and historical scholarship.