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Performing the Past: A Study of Israeli Settlement Museums (Everyday Communication Series)
by Tamar KatrielA nostalgic interest in the past is a well-recognized feature of fast-changing, contemporary societies. It finds its expression in a variety of history-making practices of which the establishment of local heritage museums is a major manifestation in many parts of the world today. Katriel develops a communication-centered perspective on the study of heritage museums and -- by extension -- other tourist sites, highlighting the role of discourse in these institutionalized, yet vernacular contexts of cultural production, social legitimation, and identity formation. Descriptive and critical in orientation, this book combines a close analysis of museum discourse with an exploration of such larger issues as: * the socio-cultural role of museums as arenas for the production of collective memory, * the ideological and performative constraints that shape museum presentations, * the interfacing of verbal and visual codes of communication in the context of material displays, * the dialectical interplay of the local and the global in contemporary life, and * the interpenetration of the personal and the communal in vernacular processes of narrative production. Of interest to scholars in communication, linguistics, anthropology, history, museum studies, tourism, intercultural communication, middle eastern studies, or those with interests in narratives, material culture, and ethnography.
Performing the Politics of Translation in Modern Japan: Staging the Resistance (Routledge Studies in the Modern History of Asia)
by Aragorn QuinnPerforming the Politics of Translation in Modern Japan sheds new light on the adoption of concepts that motivated political theatres of resistance for nearly a century and even now underpin the collective understanding of the Japanese nation. Grounded in the aftermath of the Meiji Restoration in 1868 and analyzing its legacy on stage, this book tells the story of the crucial role that performance and specifically embodied memory played in the changing understanding of the imported Western concepts of "liberty" (jiyū) and "revolution" (kakumei). Tracing the role of the post-Restoration movement itself as an important touchstone for later performances, it examines two key moments of political crisis. The first of these is the Proletarian Theatre Movement of the 1920s and '30s, in which the post-Restoration years were important for theorizing the Japanese communist revolution. The second is in the postwar years when Rights Movement theatre and thought again featured as a vehicle for understanding the present through the past. As such, this book presents the translation of "liberty" and "revolution", not through a one-to-one correspondence model, but rather as a many-to-many relationship. In doing so, it presents a century of evolution in the dramaturgy of resistance in Japan. This book will be useful to students and scholars of Japanese history, society and culture, as well as literature and translation studies alike.
Performing the Socialist State: Modern Chinese Theater and Film Culture
by Xiaomei ChenPerforming the Socialist State offers an innovative account of the origins, evolution, and legacies of key trends in twentieth-century Chinese theater. Instead of seeing the Republican, high socialist, and postsocialist periods as radically distinct, it identifies key continuities in theatrical practices and shared aspirations for the social role and artistic achievements of performance across eras.Xiaomei Chen focuses on the long and remarkable careers of three founders of modern Chinese theater and film, Tian Han, Hong Shen, and Ouyang Yuqian, and their legacy, which helped shape theater cultures into the twenty-first century. They introduced Western plays and theories, adapted traditional Chinese operas, and helped develop a tradition of leftist theater in the Republican period that paved the way for the construction of a socialist canon after 1949. Chen investigates how their visions for a free, democratic China fared in the initial years after the founding of the People’s Republic, briefly thriving only to founder as artists had to adapt to the Communist Party’s demand to produce ideologically correct works. Bridging the faith play and “antiparty plays” of the 1950s, the “red classics” of the 1960s, and their reincarnations in the postsocialist period, she considers the transformations of the depictions of women, peasants, soldiers, scientists, and revolutionary history in plays, operas, and films and examines how the market economy, collective memories, star culture, social networks, and state sponsorship affected dramatic productions.Countering the view that state interference stifles artistic imagination, Chen argues that theater professionals have skillfully navigated shifting ruling ideologies to create works that are politically acceptable yet aesthetically ingenious. Emphasizing the power, dynamics, and complexities of Chinese performance cultures, Performing the Socialist State has implications spanning global theater, comparative literature, political and social histories, and Chinese cultural studies.
Performing the Wound: Practicing a Feminist Theatre of Becoming (Routledge Advances in Theatre & Performance Studies)
by Niki TulkThis book offers a matrixial, feminist-centered analysis of trauma and performance, through examining the work of three artists: Ann Hamilton, Renée Green, and Cecilia Vicuña. Each artist engages in a multi-media, or “combination” performance practice; this includes the use of site, embodied performance, material elements, film, and writing. Each case study involves traumatic content, including the legacy of slavery, child sexual abuse and environmental degradation; each artist constructs an aesthetic milieu that invites rather than immerses—this allows an audience to have agency, as well as multiple pathways into their engagement with the art. The author Niki Tulk suggests that these works facilitate an audience-performance relationship based on the concept of ethical witnessing/wit(h)nessing, in which viewers are not positioned as voyeurs, nor made to risk re-traumatization by being forced to view traumatic events re-played on stage. This approach also allows agency to the art itself, in that an ethical space is created where the art is not objectified or looked at—but joined with. Foundational to this investigation are the writings of Bracha L. Ettinger, Jill Bennett and Diana Taylor—particularly Ettinger’s concepts of the matrixial, carriance and border-linking. These artists and scholars present a capacity to expand and articulate answers to questions regarding how to make performance that remains compelling and truthful to the trauma experience, but not re-traumatizing. This study will be of great interest to students and scholars of performance studies, art history, visual arts, feminist studies, theatre, film, performance art, postcolonialism, rhetoric and writing.
Perfume on the Page in Nineteenth-Century France (University of Toronto Romance Series)
by Cheryl KruegerDespite long-standing assertions that languages, including French and English, cannot sufficiently communicate the experience of smell, much of France’s nineteenth-century literature has gained praise for its memorable evocation of odours. As French perfume was industrialized, democratized, cosmeticized, and feminized in the nineteenth century, stories of fragrant scent trails aligned perfume with toxic behaviour and viewed a woman’s scent as something alluring, but also something to be controlled. Drawing on a wealth of resources, Perfume on the Page in Nineteenth-Century France explores how fiction and related writing on olfaction meet, permeate, and illuminate one another. The book examines medical tracts, letters, manuscripts, posters, print advertisements, magazine articles, perfume manuals, etiquette books, interviews, and encounters with fragrant materials themselves. Cheryl Krueger explores how the olfactory language of a novel or poem conveys the distinctiveness of a text, its unique relationship to language, its style, and its ways of engaging the reader: its signature scent. Shedding light on the French perfume culture that we know today, Perfume on the Page in Nineteenth-Century France follows the scent trails that ultimately challenge us to read perfume and literature in new ways.
Pericles (SparkNotes Literature Guide Series)
by SparkNotesPericles (SparkNotes Literature Guide) by William Shakespeare Making the reading experience fun! Created by Harvard students for students everywhere, SparkNotes is a new breed of study guide: smarter, better, faster. Geared to what today's students need to know, SparkNotes provides: *Chapter-by-chapter analysis *Explanations of key themes, motifs, and symbols *A review quiz and essay topicsLively and accessible, these guides are perfect for late-night studying and writing papers
Pericles: Critical Essays (Shakespeare Criticism #Vol. 23)
by David SkeelePericles: Critical Essays brings together the most essential critical essays and theatrical reviews of Shakespeare's play from the late 17th century to the present, providing a representative gathering of critical opinion of Pericles over the centuries. David Skeele's introduction identifies the critical issues and problems the play has raised, cites and evaluates significant critical works, and gives readers a guide to research on the play.
Pericles: With The Story Of The Prince Of Tyre... . (Dover Thrift Editions)
by William ShakespeareThis romantic drama portrays the travails of a wandering prince and the redemptive powers of a daughter's love. Driven from one end of the Mediterranean to another by the winds of fate, Pericles endures loss and heartbreak before his odyssey ends in a miraculous reunion. Shipwreck, famine, and other disasters punctuate this wondrous tale, in which a knight in rusty armor fights for his true love and a princess kidnapped by pirates retains her honor by setting a virtuous example for her captors.Prologues delivered in the character of medieval English poet John Gower introduce each act of this unusual play, whose authorship has long been disputed. Written late in Shakespeare's career, Pericles was enormously popular in the seventeenth century and was the first of the playwright's dramas to be staged after the Restoration. The play fell into neglect until recent years, and now its charms are being rediscovered by modern audiences.
Pericles: With The Story Of The Prince Of Tyre... . (The Pelican Shakespeare)
by William ShakespeareThe acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With definitive texts and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Peril and Protection in British Courtship Novels: A Study in Continuity and Change (Among the Victorians and Modernists)
by Geri Giebel ChavisPeril and Protection in British Courtship Novels: A Study in Continuity and Change explores the use and context of danger/safety language in British courtship novels published between 1719 and 1920. The term "courtship novel" encompasses works focusing on both female and male protagonists’ journeys toward marriage, as well as those reflecting the intertwined nature of comic courtship and tragic seduction scenarios. Through careful tracking of peril and protection terms and imagery within the works of widely-read, influential authors, Professor Chavis provides a fresh view of the complex ways that the British novel has both maintained the status quo and embodied cultural change. Lucid discussions of each novel, arranged in chronological order, shed new light on major characters’ preoccupations, values, internal struggles, and inter-actional styles and demonstrate the ways in which gender ideology and social norms governing male-female relationships were not only perpetuated but also challenged and satirized during the course of the British novel’s development. Blending close textual analysis with historical/cultural and feminist criticism, this multi-faceted study invites readers to look with both a microscopic lens at the nuances of figurative and literal language and a telescopic lens at the ways in which modifications to views of masculinity and femininity and interactions within the courtship arena inform the novel genre’s evolution.
Perilous Escapades: Dimensions of Popular Adventure Fiction
by Gary HoppenstandAdventure fiction is one of the easiest narrative forms to recognize but one of the hardest to define because of its overlap with many other genres. This collection of essays attempts to characterize adventure fiction through the exploration of key elements--such as larger-than-life characters and imperialistic ideas--in the genre's 19th- and 20th-century British and American works like The Scarlet Pimpernel by Orczy and Captain Blood by Sabatini. The author explores the cultural and literary impact of such works, presenting forgotten classics in a new light.
Perilous Passages
by Julie A. ChappellOn December 27, 1934, the American scholar Hope Emily Allen announced in The Times the reappearance of a late medieval manuscript called The Book of Margery Kempe. Perilous Passages: The Book of Margery Kempe, 1534-1934 explores the various paths by which this late medieval manuscript made its way out of a monastery in Yorkshire during Henry VIII's religious reformation to the home of a family of deep English and Catholic roots in the twentieth century. Julie A. Chappell reveals new evidence that implicates the Carthusians as conscious preservers of this manuscript between 1534 and 1537 and significantly furthers our understanding of the ways in which the unique autobiography of Margery Kempe, lay woman turned mystic and visionary, was interpreted. Most importantly, this fascinating study bridges the gaps in our understanding of the transmission of texts from the medieval past to the present.
Perilous Passions: Ethics and Emotion in Early Modern Spain (Toronto Iberic #87)
by Hilaire KallendorfCan feelings be wrong? Scientists agree that emotions contain both a cognitive and a physiological component. The cognitive part can be modified, while the physiological response is largely involuntary. In religious terms, the answer is clear in its legislation of heart motives: love your enemies, lust is equivalent to adultery, hate is the same thing as murder. In Perilous Passions, Hilaire Kallendorf draws on early modern Spanish theatre to reveal how emotions have always been understood as central to ethics. Starting with a treatise on emotion, On the Passions of the Soul by Juan Luis Vives (1493–1540), Kallendorf uses pairs of opposing emotions – love/hatred, desire/aversion, joy/sorrow, hope/despair, and courage/fear – to explore how they are depicted in Golden Age plays. The book pinpoints and probes intersections of feelings with morality. It asks: Do emotions bear positive or negative ethical overtones? Which emotions are more conducive to virtue? Are passions perceived as perilous in early modern Spain, in agreement with Neostoic principles? Or does the Catholic liturgy’s emphasis on involving the corporeal senses in worship mean that bodily sensations, including feelings, are accorded pride of place – especially in drama? In asking these questions, Perilous Passions argues for the significance of theatre in emotional education.
Perilous Realms
by Marjorie J. BurnsJ.R.R. Tolkien (1892-1973) is increasingly recognized as the most influential writer of the twentieth century. Sales of his books remain exceptionally high, and Middle-earth fan clubs flourish around the world. The massive success of the film versions made of The Lord of the Rings, and released between 2001 and 2003, have only added to his popularity.Throughout his life, Tolkien was acutely aware of the power of myth in shaping society; so much so, that one of his earliest ambitions as a writer was to create a mythology for England. The Middle-earth of The Lord of the Rings and The Hobbit was to serve as a stand-in for Britain and North-western Europe and is strongly based on a variety of influential literatures and beliefs, particularly the Celtic and Norse. Perilous Realms is the first book to focus consistently on the ways in which Tolkien balances these two ancient cultures and unites them in a single literature. Renowned Tolkien scholar Marjorie Burns also investigates the ways Tolkien reconciled other oppositions, including paganism and Christianity, good and evil, home and wayside, war and peace, embellishment and simplicity, hierarchy and the common man.Even those who do not know Beowulf or the Arthurian tales or northern European mythology come away from The Lord of the Rings with a feeling for Britain's historical and literary past. Those who recognize the sources behind Tolkien - and the skill with which he combines these sources - gain far more. Perilous Realms gives this advantage to all readers and provides new discoveries, including material from obscure, little-known Celtic texts and a likely new source for the name 'hobbit.' It is truly essential reading for Tolkien fans.
Perils of Protection: Shipwrecks, Orphans, and Children's Rights (Children's Literature Association Series)
by Susan HoneymanWinner of the Children’s Literature Association’s 2020 Honor Book AwardUnrecognized in the United States and resisted in many wealthy, industrialized nations, children’s rights to participation and self-determination are easily disregarded in the name of protection. In literature, the needs of children are often obscured by protectionist narratives, which redirect attention to parents by mythologizing the supposed innocence, victimization, and vulnerability of children rather than potential agency.In Perils of Protection: Shipwrecks, Orphans, and Children's Rights, author Susan Honeyman traces how the best of intentions to protect children can nonetheless hurt them when leaving them unprepared to act on their own behalf. Honeyman utilizes literary parallels and discursive analysis to highlight the unchecked protectionism that has left minors increasingly isolated in dwindling social units and vulnerable to multiple injustices made possible by eroded or unrecognized participatory rights.Each chapter centers on a perilous pattern in a different context: “women and children first” rescue hierarchies, geographic restriction, abandonment, censorship, and illness. Analysis from adventures real and fictionalized will offer the reader high jinx and heroism at sea, the rush of risk, finding new families, resisting censorship through discovering shared political identity, and breaking the pretenses of sentimentality.
Periodical Famines: Irish Memories in Transatlantic News Media, 1845–1919 (Irish Culture, Memory, Place)
by Lindsay JanssenLong recognized as Ireland's greatest demographic disaster in recent history, the Great Famine of 1845–1851 has shaped Irish identities around the world. From the monuments erected to commemorate its victims to the political rhetoric involving it to the novels, poems, songs, and films that it continues to inspire, the Famine remains a crucial part of Irish memory. Famine memories have also reached across history and national borders to establish links with cultural groups who were not directly connected to the Irish diaspora.Periodical Famines reveals how, within the transatlantic Irish periodical market between 1845 and 1910, Irish, Irish American, and Irish Canadian newspapers and magazines acted as carriers and shapers of cultural identities. Lindsay Janssen argues that famine memory was deployed transhistorically to help represent other crucial events in the Irish past, and periodicals used Famine recollections transnationally to give new meaning to events outside of Ireland, such as labor issues in the United States and the Second Boer War. Moving beyond individual writings to interrogate how different texts printed within a periodical issue influenced each other and affected audiences' attitudes to Irish hunger and distress, Janssen's cotextual approach reveals the intricate and sometimes divergent paths that Famine memory traveled through in the decades during and after its onset.Drawing upon a substantial corpus of creative and nonfiction periodical publications (including nearly 600 works of poetry and prose fiction), Periodical Famines is a thorough analysis of transatlantic Irish periodical culture during and after the Great Famine, demonstrating how periodicals' transmission of famine memories shaped global cultures.
Periodicals in Latin America: Interdisciplinary Approaches to Serialized Print Culture (Reframing Media, Technology, and Culture in Latin/o America)
by Claire Lindsay Maria Chiara D'ArgenioExploring how Latin American print culture has informed global exchange The first volume in English to focus on Latin American serialized print culture, Periodicals in Latin America assembles research on a diverse range of publications, including avant-garde reviews, comics, specialized journals, mass-market magazines, and political periodicals, from the late nineteenth century to the present day. In this book, scholars from a variety of disciplines examine both celebrated and little-known periodicals to demonstrate how publications supported emerging movements such as Indigenismo and feminism; undermined hegemonic conceptions of statehood and national identity; and questioned ideas about the relationship between the visual, literary, and political. Bringing Latin American print culture together with research and theories from the largely Anglophone field of periodical studies, this volume contests readings that discount the region’s periodicals, situating Latin America as a contributor to—not just a recipient of—global exchanges. Contributors also challenge the idea that periodicals are only useful for the insights they can offer into history, championing close attention to their material and materiality. The writers in this book reflect on the unique qualities and divergences of the region’s periodicals from those of other parts of the world and the need for different approaches to studying them. The volume bridges and brings into dialogue new research on print serials and their readers in the Spanish-, Portuguese-, and English-speaking worlds. Contributors: Joanna Crow | María del Pilar Blanco | José Chávarry | Jorge Catalá | Isabella Cosse | M. Paula Bontempo | Sandra Szir | Camilla Sutherland | Luis Rebaza-Soraluz | Claire Lindsay | Valentino Gianuzzi | Sofía Mercader | Rielle Navitski | Luz Ainaí Morales Pino | Maria Chiara D’Argenio A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez
Periodismo escrito con sangre
by Javier Valdez CárdenasPeriodismo escrito con sangre es un homenaje al periodista ejecutado por decir la verdad, por dar voz a los desposeídos, a quienes tienen en el rostro la herida viva, ardiente, ocasionada por el crimen organizado y la indiferencia o complicidad de las autoridades. Selección, prólogo y notas: César Ramos. El 15 de mayo de 2017 fue asesinado en Culiacán el periodista Javier Valdez Cárdenas, autor de una serie de libros excepcionales para entender el fenómeno del narco y el voraz crecimiento de la delincuencia organizada en México. Periodista valiente y puntual, crítico hasta el extremo con la realidad de nuestro país, su trabajo logró reconocimiento internacional y, sobre todo, por una pluma vibrante, conmovedora, profundamente humana. Se recogen en este libro trabajos de sus libros Miss Narco, Los morros del narco, Levantones, Con una granada enla boca, Huérfanos del narco y Narcoperiodismo. Hay un denominador común en las crónicas, investigaciones y reportajes de Valdez Cárdenas: su acercamiento intenso al ser humano, a las madres muertas en vida por no saber de sus hijos; al adicto que mira derrumbarse toda ilusión en un escenario de violencia impasible; a la víctima del levantón, del ejercicio terrible del sicario; al policía baleado; al niño despojado de toda esperanza en una casa donde se come desgracia; a las jóvenes que cambiaron la ilusión por el infierno del narco, el glamour por la ejecución feroz en un baldío. Queda claro que Javier Valdez Cárdenas vive ahora en sus escritos y justo, imprescindible, es leer su trabajo periodístico porque esa voz no será apagada jamás por ningún balazo.
Peripheral Actors in Journalism: Deviating from the Norm? (Routledge Focus on Journalism Studies)
by Aljosha Karim SchapalsThis book addresses the transformative role that so-called peripheral actors in journalism – emerging outlets diverging from the norms fiercely held by mainstream media outlets – play in today’s news ecosystem. The author charts the rise to prominence of these actors, outlining how they have successfully managed to challenge the authority held by mainstream, legacy outlets, whose claims to be the “storytellers of our time” no longer exclusively pertain to them. Beginning by identifying these peripheral actors specifically, the book then considers whether what they do is “journalism” as traditionally conceived, what their motivations are, and why their role is important in light of journalism’s democratic function in holding power to account. Ultimately, it is argued that, despite the perceived role of peripheral actors as “deviant”, they still demonstrate a surprising degree of ideological continuity in the face of industrial disruption. Drawing on research from Australia, Germany, and the United Kingdom, Peripheral Actors in Journalism is an insightful resource for journalism and media scholars with an interest in alternative media sources.
Peripheral Desires: The German Discovery of Sex (Haney Foundation Series)
by Robert Deam TobinIn Peripheral Desires, Robert Deam Tobin charts the emergence, from the 1830s through the early twentieth century, of a new vocabulary and science of human sexuality in the writings of literary authors, politicians, and members of the medical establishment in German-speaking central Europe—and observes how consistently these writers, thinkers, and scientists associated the new nonnormative sexualities with places away from the German metropoles of Berlin and Vienna.In the writings of Aimée Duc and Lou Andreas-Salomé, Switzerland figured as a place for women in particular to escape the sexual confines of Germany. The sexual ethnologies of Ferdinand Karsch-Haack and the popular novels of Karl May linked nonnormative sexualities with the colonies and, in particular, with German Samoa. Same-sex desire was perhaps the most centrifugal sexuality of all, as so-called Greek love migrated to numerous places and peoples: a curious connection between homosexuality and Hungarian nationalism emerged in the writings of Adalbert Stifter and Karl Maria Kerbeny; Arnold Zweig built on a long and extremely well-developed gradation of associating homosexuality with Jewishness, projecting the entire question of same-sex desire onto the physical territory of Palestine; and Thomas Mann, of course, famously associated male-male desire with the fantastically liminal city of Venice, lying between land and sea, Europe and the Orient.As Germany—and German-speaking Europe—became a fertile ground for homosexual subcultures in the nineteenth and early twentieth centuries, what factors helped construct the sexuality that emerged? Peripheral Desires examines how and why the political, scientific and literary culture of the region produced the modern vocabulary of sexuality.
Peripheral Visions for Writing Centers
by Jackie Grutsch McKinneyPeripheral Visions for Writing Centers aims to inspire a re-conception and re-envisioning of the boundaries of writing center work. Moving beyond the grand narrative of the writing center—that it is solely a comfortable, yet iconoclastic place where all students go to get one-to-one tutoring on their writing—McKinney shines light on other representations of writing center work. McKinney argues that this grand narrative neglects the extent to which writing center work is theoretically and pedagogically complex, with ever-changing work and conditions, and results in a straitjacket for writing center scholars, practitioners, students, and outsiders alike. Peripheral Visions for Writing Centers makes the case for a broader narrative of writing center work that recognizes and theorizes the various spaces of writing center labor, allows for professionalization of administrators, and sees tutoring as just one way to perform writing center work. McKinney explores possibilities that lie outside the grand narrative, allowing scholars and practitioners to open the field to a fuller, richer, and more realistic representation of their material labor and intellectual work.
Peripheral Visions for Writing Centers
by Jackie Grutsch MckinneyPeripheral Visions for Writing Centers aims to inspire a re-conception and re-envisioning of the boundaries of writing center work. Moving beyond the grand narrative of the writing center--that it is a solely comfortable, yet iconoclastic place where all students go to get one-on-one tutoring on their writing--Grutsch McKinney shines light on other representations of writing center work.Grutsch McKinney argues that this grand narrative neglects the extent to which writing center work is theoretically and pedagogically complex, with ever-changing work and conditions, and results in a straitjacket for writing center scholars, practitioners, students, and outsiders alike. Peripheral Visions for Writing Centers makes the case for a broader narrative of writing center work that recognizes and theorizes the various spaces of writing center labor, allows for professionalization of administrators, and sees tutoring as just one way to perform writing center work. Grutsch McKinney explores possibilities that lie outside the grand narrative, allowing scholars and practitioners to open the field to a fuller, richer, and more realistic representation of their material labor and intellectual work.
Perky Otter: Vowel Combination Er (Let's Read Together ®)
by Barbara deRubertisLet&’s Read Together books merge rhyme and vowel sounds in delightfully zany stories kids will want to read again and again. Each of the 15 books in this classic series by award-winning author/educator Barbara deRubertis will give your child a jumpstart on reading success."Story lines are silly and inventive, and recall Dr. Seuss&’s Cat in the Hat for the building of rhythm and rhyming words." —School Library JournalPerky Otter and busy Bert the Beaver learn that they have a few things in common after all. (This easy-to-read story features the "er" vowel combination.)
Permanent Revolution: Essays
by Gail ScottWith a Foreword by Zoe Whittall."A writer may do as she pleases with her epoch. Except ignore it," says Gail Scott. Permanent Revolution traces her seminal investigation of prose experiment to the present, including a recreation of the iconic text Spaces Like Stairs, in a collection of essays relating the matter of writing to ongoing social upheaval. "Where there is no emergency there is likely no real experiment," she writes.In conversation with other writers across the continent identified with current queer/feminist avant-garde trajectories, including l’écriture-au féminin moment in Québec, and queer continental New Narrative, Permanent Revolution is an evolutionary snapshot of contemporaneous Fe-male ground-breaking prose.With Permanent Revolution, Scott interrogates her era, twice. Belonging in the canon alongside Maggie Nelson, Lydia Davis and Renee Gladman, Gail Scott is an important feminist thinker of our time.Praise for Permanent Revolution:"Permanent Revolution is written in the gap between what a novel could have been and what is possible now, and that's a kind of grammar. Reading these essays, I felt the part of me that never writes, but longs to, come back to life for a few moments and/or forever." —Bhanu Kapil"I can still remember the thrill of first entering the space of Gail Scott's novel, My Paris, a diary written all in present participles, the way I stumbled along the sentences as if around a city. In these essays we get to travel through Scott's thinking through narrative, gender and queer aesthetics, from philosophizing her own experiments in prose to being in conversation with the écriture feminine of friends, from Nicole Brossard's Mauve Desert to New Narrative. She also writes through her literary foremothers, from Kathy Acker through the trilogy of the "masturbating French dykes" (ha!) (Irigaray, Cixous, Wittig) to Marguerite Duras. It was Duras's nonfiction I thought about when reading Permanent Revolution—profound and poetic, enacting the urgency of literature amidst the emergencies of now." —Kate Zambreno, author of Heroines and Drifts
Permanent Revolution: The Reformation and the Illiberal Roots of Liberalism
by James SimpsonHow did the English Reformation, with its illiberal, intolerant beginnings, lay the groundwork for the Enlightenment—free will, liberty of conscience, religious toleration, constitutionalism, and all the rest? In his provocative rewriting of the history of liberalism, James Simpson uncovers its unexpected debt to Protestant evangelicalism.