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Project Management for Book Publishers: The Programs and Workflows Behind Making Books and Digital Products
by John RodzvillaProject Management for Book Publishers provides readers with a solid understanding of efficient processes and workflows for content creation, product development, and the marketing and distribution of both physical and digital products.Digital has brought more data, more training, and more accountability to the publishing process. But it has also shone light on how systems designed initially around print-first publications are ill-equipped to support an industry of now would-be digital media companies. This book addresses some of the major challenges for publishing houses facing this reality, including how to create a digital-aware workflow, implementing quality assurance procedures, and using different management systems to develop an efficient workflow. Beginning by explaining project and product management practices used throughout technology and media companies, it then delves into when and how these principles can be applied to the publishing workflow. Topics covered include Waterfall and Agile Project Management, Scrum methodology, Kanban framework, ebook and audio formats, metadata, quality assurance, crowdfunding, in-app monetization, ONIX, and accessibility. Readers will consider not just how to contend with online platforms that allow authors to publish with the click of a button, and audiences accustomed to accessing content across multiple platforms and formats, but also challenges arising from factors such as the data-driven acquisitions model in libraries, the downward spiral of sales in college bookstores, the call for accessibility, and the need for fluid content systems that can work with different publishing databases and software.Written for publishing professionals at all levels, this book will also help advanced students of Publishing and Book Studies navigate best practices for project management in the modern publishing landscape.
Project-Based Language Learning with Technology: Learner Collaboration in an EFL Classroom in Japan (Routledge Studies in Applied Linguistics)
by Michael ThomasThis book highlights the ways in which insights from technology-mediated project-based language learning research can contribute to our understanding of both learner interaction in specific cultural contexts but also of the role of technology in language learning more generally. The volume situates the discussion within the context of the development of the field, from task-based to project-based language learning, and how these have been shaped over time by the evolution of new technologies. Using the case study of EFL learners in a Japanese classroom, the book adopts a multimodal approach to unpack this phenomena at work by examining learner collaboration in project-based work in a real-world setting. The volume provides a valuable contribution to the ongoing debate about the effective integration of digital technologies in the classroom and will be of particular interest to students and scholars in applied linguistics, computer-assisted language learning, task-based language teaching, and TESOL.
Projecting the Adjective: The Syntax and Semantics of Gradability and Comparison (Outstanding Dissertations in Linguistics)
by Christopher KennedyFirst Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Projections
by Jared GardnerWhen Art Spiegelman's Maus won the Pulitzer Prize in 1992, it marked a new era for comics. Comics are now taken seriously by the same academic and cultural institutions that long dismissed the form. And the visibility of comics continues to increase, with alternative cartoonists now published by major presses and more comics-based films arriving on the screen each year. Projections argues that the seemingly sudden visibility of comics is no accident. Beginning with the parallel development of narrative comics at the turn of the 20th century, comics have long been a form that invites—indeed requires—readers to help shape the stories being told. Today, with the rise of interactive media, the creative techniques and the reading practices comics have been experimenting with for a century are now in universal demand. Recounting the history of comics from the nineteenth-century rise of sequential comics to the newspaper strip, through comic books and underground comix, to the graphic novel and webcomics, Gardner shows why they offer the best models for rethinking storytelling in the twenty-first century. In the process, he reminds us of some beloved characters from our past and present, including Happy Hooligan, Krazy Kat, Crypt Keeper, and Mr. Natural.
Projections of Power: Framing News, Public Opinion, and U.S. Foreign Policy
by Robert M. EntmanTo succeed in foreign policy, U.S. presidents have to sell their versions or framings of political events to the news media and to the public. But since the end of the Cold War, journalists have increasingly resisted presidential views, even offering their own spin on events. What, then, determines whether the media will accept or reject the White House perspective? And what consequences does this new media environment have for policymaking and public opinion? To answer these questions, Robert M. Entman develops a powerful new model of how media framing works -- a model that allows him to explain why the media cheered American victories over small-time dictators in Grenada and Panama but barely noticed the success of far more difficult missions in Haiti and Kosovo. Discussing the practical implications of his model, Entman also suggests ways to more effectively encourage the exchange of ideas between the government and the media and between the media and the public. His book will be an essential guide for political scientists, students of the media, and anyone interested in the increasingly influential role of the media in foreign policy.
Projects in Linguistics and Language Studies
by Alison Wray Aileen BloomerProjects in Linguistics and Language Studies, Third Edition, is your essential guide when embarking on a research project in linguistics or English language.It is clearly divided into the subject areas that most appeal to you as a student: psycholinguistics; first- and second-language acquisition; structure and meaning; sociolinguistics; language and gender; accents and dialects; and the history of English. New chapters on researching computer-mediated communication (CMC) and on preparing and delivering oral presentations are also included.It offers practical advice on - identifying a topic - making background reading more effective - planning and designing a project - collecting and analysing data - writing up and presenting findings.With over 350 project ideas that you can use directly or adapt to suit different contexts and interests, and with chapters on how to reference effectively and how to avoid plagiarism, this third edition of Projects in Linguistics and Language Studies is a reference guide that you will use again and again during your studies.
Prolegomena to Any Future Metaphysics (SparkNotes Philosophy Guide)
by SparkNotesProlegomena to Any Future Metaphysics (SparkNotes Philosophy Guide) Making the reading experience fun! SparkNotes Philosophy Guides are one-stop guides to the great works of philosophy–masterpieces that stand at the foundations of Western thought. Inside each Philosophy Guide you&’ll find insightful overviews of great philosophical works of the Western world.
Prolegomenon to a Theory of Argument Structure
by Kenneth L. Hale Samuel Jay KeyserThis work is the culmination of an eighteen-year collaboration between Ken Hale and Samuel Jay Keyser on the study of the syntax of lexical items. It examines the hypothesis that the behavior of lexical items may be explained in terms of a very small number of very simple principles. In particular, a lexical item is assumed to project a syntactic configuration defined over just two relations, complement and specifier, where these configurations are constrained to preclude iteration and to permit only binary branching. The work examines this hypothesis by methodically looking at a variety of constructions in English and other languages.
Proletpen
by Amelia Glaser David WeintraubIn the original with English translation on facing pages, Glaser (Judaic studies, U. of Pennsylvania) presents Yiddish poetry written by American proletarian writers who identified politically and poetically with the American Left from the 1920s to the early 1950s. McCarthy-era political correctness drove the poets and their work from the burgeoning Yiddish canon. Annotation ©2006 Book News, Inc. , Portland, OR (booknews. com)
Prolific Ground: Landscape and British Women's Writing, 1690–1790 (Transits: Literature, Thought & Culture, 1650-1850)
by Nicolle JordanLand ownership—and engagement with land more generally—constituted a crucial dimension of female independence in eighteenth-century Britain. Because political citizenship was restricted to male property owners, women could not wield political power in the way propertied men did. Given its foundational sociopolitical function, land necessarily generated copious writing that vested it with considerable aesthetic and economic value. This book, then, situates these issues in relation to the historical transformation of landscape under emergent capitalism. The women writers featured herein—including Jane Barker, Anne Finch, Sarah Scott, and Elizabeth Montagu—participated in this transformation by celebrating female estate stewardship and evaluating the estate stewardship of men. By asserting their authority in such matters, these writers acquired a degree of independence and self-determination that otherwise proved elusive.
Prolific Moment: Theory and Practice of Mindfulness for Writing
by Alexandria PearyProlific Moment: Theory and Practice of Mindfulness for Writing foregrounds the present in all activities of composing, offering a new perspective on the rhetorical situation and the writing process. A focus on the present casts light on standard writing components—audience, invention, and revision—while bringing forth often overlooked nuances of the writing experience—intrapersonal rhetoric, the preverbal, and preconception. This pedagogy of mindful writing can alleviate the suffering of writing blocks that comes from mindless, future-oriented rhetorics. Much is lost with a misplaced present moment because students forfeit rewarding writing experiences for stress, frustration, boredom, fear, and shortchanged invention. Writing becomes a very different experience if students think of it more consistently as part of a discrete now. Peary examines mindfulness as a metacognitive practice and turns to foundational Buddhist concepts of no-self, emptiness, impermanence, and detachment for methods for observing the moment in the writing classroom. This volume is a fantastic resource for future and current instructors and scholars of composition, rhetoric, and writing studies.
Prologues and Epilogues of Restoration Theater: Gender and Comedy, Performance and Print
by Diana SolomonOften perceived as merely formulaic or historical documents, dramatic prologues and epilogues – players’ comic, poetic bids for the audience’s good opinion – became essential parts of Restoration theater, appearing in over 90 percent of performed and printed plays between 1660 and 1714. Their popularity coincided with the rise of the English actress, and Prologues and Epilogues of Restoration Theater unites these elements in the first book-length study on the subject. It finds that these paratexts provided the first sanctioned space for actresses in Britain to voice ideas in public, communicate directly with other women, and perform comedy – arguably the most powerful type of speech, and one that enabled interrogation of misogynist social practices. This book provides a taxonomy of prologues and epilogues with a corresponding appendix, and demonstrates through case studies of Anne Bracegirdle and Anne Oldfield how the study of prologues and epilogues enriches Restoration theater scholarship. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Prologues to Ancient and Medieval History: A Reader (Readings in Medieval Civilizations and Cultures #17)
by Justin LakeThe purpose of a prologue in the ancient and medieval world was to define the subject of the work, explain the author's motives and methodology, and obtain the reader's approval of his position. This volume brings together for the first time the most important historical prologues of the European tradition for a period of almost two millennia. The volume consists of more than 80 historical prologues and prefatory epistles from the fifth century BC to the fourteenth century. Each individual prologue is preceded by a brief introduction that provides basic information and context about the author and his work and directs the reader's attention to important ideas and themes. Taken together, they help to bridge the gap that separates the ancient and medieval world from our own.
Prologues to Shakespeare's Theatre: Performance and Liminality in Early Modern Drama
by Douglas Bruster Robert WeimannThis eye-opening study draws attention to the largely neglected form of the early modern prologue. Reading the prologue in performed as well as printed contexts, Douglas Bruster and Robert Weimann take us beyond concepts of stability and autonomy in dramatic beginnings to reveal the crucial cultural functions performed by the prologue in Elizabethan England.While its most basic task is to seize the attention of a noisy audience, the prologue's more significant threshold position is used to usher spectators and actors through a rite of passage. Engaging competing claims, expectations and offerings, the prologue introduces, authorizes and, critically, straddles the worlds of the actual theatrical event and the 'counterfeit' world on stage. In this way, prologues occupy a unique and powerful position between two orders of cultural practice and perception.Close readings of prologues by Shakespeare and his contemporaries, including Marlowe, Peele and Lyly, demonstrate the prologue's role in representing both the world in the play and playing in the world. Through their detailed examination of this remarkable form and its functions, the authors provide a fascinating perspective on early modern drama, a perspective that enriches our knowledge of the plays' socio-cultural context and their mode of theatrical address and action.
Promenades: A Travers Le Monde Francophone
by James G. MitchellWelcome to PROMENADES, Third Edition, a unique introductory French program from Vista Higher Learning. In French, the word promenades means strolls. The major strands in PROMENADES, Second Edition, are strolls planned to help you learn French and explore the cultures of the French-speaking world in the most user-friendly way possible. In light of this goal, here are some of the features you will encounter in PROMENADES, Third Edition.
Promenades: A Travers le Monde Francophone
by Cherie Mitschke Cheryl Tano James G. MitchellWelcome to PROMENADES, Second Edition, a unique introductory French program from Vista Higher Learning. In French, the word promenades means strolls. The major strands in PROMENADES, Second Edition, are strolls planned to help you learn French and explore the cultures of the French-speaking world in the most user-friendly way possible. In light of this goal, here are some of the fea¬tures you will encounter in PROMENADES, Second Edition.
Promesa cumplida
by Fernando de Trazegnies Granda"Este libro contiene ciertamente una novela. Pero esa novela no se llama Promesa cumplida ni tampoco ha sido escrita por quien aparece como autor del libro. En realidad, se trata de una novela, o romance de caballería, difundida en el S. XV, pero cuyos orígenes como historia contada oralmente se remontan al S. XIV". La Historia de Gillion de Trazegnies es un romance de caballería difundido en el S. XV, cuyo origen se remonta a la tradición oral del S.XIV, tal como ocurre con los cantares de gesta donde se narran las grandes hazañas de personajes épicos. El noble y valeroso Gillion de Trazegnies es uno de estos personajes que, a la manera de Mío Cid y Odiseo, debe cumplir la promesa del retorno a pesar de los infortunios y batallas que suceden a lo largo de una travesía entre Europa, Medio Oriente y el norte de África. Fernando de Trazegnies Granda traduce por primera vez al español esta novela medieval anónima escrita originalmente en francés antiguo, además de añadir comentarios, capítulos explicativos y un apéndice de notas históricas que brindan mayores detalles al lector contemporáneo sobre los personajes, valores, lugares, vestimentas, armas y otros aspectos de la época.
Prometeo
by Luis García MonteroEL NUEVO LIBRO DE LUIS GARCÍA MONTERO UN MITO CON PLENA VIGENCIA, EL DEL DESAFÍO A LOS DIOSES.UN CANTO DE ESPERANZA EN EL SER HUMANO. «Es uno de los pocos destinados a la letra grande de la historia de la literatura».José-Carlos Mainer «Admiro mucho su capacidad de seguir batallando, de no rendirse en la lucha por cambiar las cosas sin haber caído en la rabia, el resentimiento, la frustración».Juan Diego Botto «Se acercó hasta la hoguera, sostuvo la mirada contra el fuego y afirmó lentamente, una vez más: esperemos aún, sigamos todavía». Vivimos tiempos, como afirma Luis García Montero en este libro, en los que la conciencia del presente nos devuelve a la historia del pasado para fortalecernos en el deseo de resistencia. Y es éste el motivo que ha llevado al autor, a lo largo de los últimos años, a reflexionar desde el ensayo, la poesía y el teatro sobre la actualidad política y social del mito de Prometeo, ese titán que osó enfrentarse a los dioses y les robó el fuego para entregárselo a los mortales y regalarles con él la libertad. Esta obra reúne los textos de García Montero centrados en la figura rebelde de Prometeo. La pieza central —llevada a la escena por José Carlos Plaza en 2019 en el Festival de Teatro Clásico de Mérida— propone un diálogo intergeneracional entre dos Prometeos: el joven, que duda del acierto de su rebelión dado el castigo que trajo consigo, y el anciano, que desde su experiencia le muestra el triunfo que conlleva siempre buscar el bien común. En definitiva, Prometeo es un canto esperanzador sobre la humanidad, una lúcida reflexión en torno al poder de la solidaridad, la justicia y la libertad. Aquí, el mito, transformado a la luz de esta existencia convulsa e hiperconectada en la que estamos inmersos, sigue alentándonos hoy a sentarnos juntos alrededor del fuego para contarnos nuestro propio pasado y discutir sobre el futuro que merecemos. La crítica ha dicho:«Es uno de los pocos destinados a la letra grande de la historia de la literatura».José-Carlos Mainer «Parece capaz de contarnos, y de qué manera, lo que habíamos olvidado que sabíamos de nosotros mismos».Joaquín Sabina «Tono sostenido, poderosa nostalgia, emoción delicada que no alza la voz, poesía escueta, ceñida...».Octavio Paz «Admiro mucho su capacidad de seguir batallando, de no rendirse en la lucha por cambiar las cosas sin haber caído en la rabia, el resentimiento, la frustración».Juan Diego Botto «El mayor referente poético de España, cabeza de generación».Carmen Rengel, El HuffPost «García Montero ha defendido unos objetivos de invariable lucidez y ha logrado que su poesía remita con rigor minucioso a sus ideas estéticas. Y eso lo ha aproximado a lo que suele identificarse con un joven maestro».José Manuel Caballero Bonald «Siempre ha optado por ser testigo de su tiempo y su poesía ha sido el reflejo de sus inquietudes».Carmen Sigüenza, Agencia EFE
Prometeo encadenado
by EsquiloLa envidia, el incesto, la rebeldía, la arrogancia, la voluntad del hombre y sus límites, el parricidio o los celos se encuentran entre los temas abordados por Sófocles, Eurípides y Esquilo, los tres más grandes dramaturgos de la Grecia clásica. Los personajes representan a quienes violentan el orden natural del Universo, según la visión griega, y el castigo que reciben por su falta. Durante la antigüedad clásica, el teatro era uno de los medios para educar a la gente acerca de los dioses, de la moral, de la política y de las costumbres que se debían seguir para mantener en armonía el curso de los acontecimientos. Las historias que te ofrecemos fueron creadas para entretener al público y para enseñarles que sus actos tienen consecuencias.
Prometheus Bound (SparkNotes Literature Guide Series)
by SparkNotesPrometheus Bound (SparkNotes Literature Guide) by Aeschylus Making the reading experience fun! Created by Harvard students for students everywhere, SparkNotes is a new breed of study guide: smarter, better, faster. Geared to what today's students need to know, SparkNotes provides: *Chapter-by-chapter analysis *Explanations of key themes, motifs, and symbols *A review quiz and essay topicsLively and accessible, these guides are perfect for late-night studying and writing papers
Prometheus Bound and Other Plays: The Persians / Prometheus Bound / Seven Against Thebes / The Suppliants (The\complete Greek Tragedies Ser.)
by AeschylusAeschylus (525–456 BC) brought a new grandeur and epic sweep to the drama of classical Athens, raising it to the status of high art. In Prometheus Bound the defiant Titan Prometheus is brutally punished by Zeus for daring to improve the state of wretchedness and servitude in which mankind is kept. The Suppliants tells the story of the fifty daughters of Danaus who must flee to escape enforced marriages, while Seven Against Thebes shows the inexorable downfall of the last members of the cursed family of Oedipus. And The Persians, the only Greek tragedy to deal with events from recent Athenian history, depicts the aftermath of the defeat of Persia in the battle of Salamis, with a sympathetic portrayal of its disgraced King Xerxes.Philip Vellacott’s evocative translation is accompanied by an introduction, with individual discussions of the plays, and their sources in history and mythology.
Prometheus in the Nineteenth Century: From Myth to Symbol
by Caroline Corbeau-Parsons"On Zeus' order, Prometheus was chained to Mount Caucasus where, every day, he was to endure his liver being devoured by a bird of prey - his punishment for bringing fire to mankind. Through the impulse of Goethe, his fortune went through radical changes: the Titan, originally perceived as a trickster, was established both as a creator and a rebel freed from guilt, and he became a mask for the Romantic artist. This cross-disciplinary study, encompassing literature, the history of art, and music, examines the constitution of the Prometheus myth and the revolution it underwent in 19th-century Europe. It leads to the Symbolist period - which witnessed the coronation of the Titan as a prism for the total work of art - and aims to re-establish the importance of Prometheus amongst other major Symbolist figures such as Orpheus."
Prometheus: Archetypal Image of Human Existence (Mythos: The Princeton/Bollingen Series in World Mythology #132)
by Carl KerényiPrometheus the god stole fire from heaven and bestowed it on humans. In punishment, Zeus chained him to a rock, where an eagle clawed unceasingly at his liver, until Herakles freed him. For the Greeks, the myth of Prometheus's release reflected a primordial law of existence and the fate of humankind. Carl Kerényi examines the story of Prometheus and the very process of mythmaking as a reflection of the archetypal function and seeks to discover how this primitive tale was invested with a universal fatality, first in the Greek imagination, and then in the Western tradition of Romantic poetry. Kerényi traces the evolving myth from Hesiod and Aeschylus, and in its epic treatment by Goethe and Shelley; he moves on to consider the myth from the perspective of Jungian psychology, as the archetype of human daring signifying the transformation of suffering into the mystery of the sacrifice.
Prominence and Locality in Grammar: The Syntax and Semantics of Wh-Questions and Reflexives (Routledge Studies in Chinese Linguistics)
by Jianhua HuThis book challenges the current consensus on the analysis of wh-questions and reflexives from the perspective of the syntax-semantics interface. An integrated approach incorporating analyses of the interaction between different levels of linguistic knowledge is proposed. It argues that the derivation and interpretation of wh-questions and reflexives are not purely syntactic in nature but are regulated by principles operating at the syntax-semantics interface. Two general principles underlying our knowledge of language and cognition are proposed in this work. One is the Principle of Locality, and the other is the Principle of Prominence. It shows that although wh-quantification and reflexivization belong to two different domains of study in generative grammar, their derivation and interpretation are basically constrained by the complex interaction between prominence and locality in grammar. The first part of the book discusses how wh-questions are formed and interpreted in Chinese and English and shows that the formation and interpretation of wh-questions are constrained by the interaction between prominence and locality. It is shown that in wh-interpretation prominence is used to define the set generators so as to licence other wh-words in the pair-list reading in multiple wh-questions. It also discusses wh-island effects in English and Chinese, and unlike previous claims made in the literature (cf. Huang 1982a, 1982b), it argues that the so-called wh-island effects in English are also observed in Chinese. The second part of the book investigates the role that prominence and locality play in reflexive binding. It is shown that in reflexive binding, the binding domain of the reflexive is defined by prominence. It proposes a unified account for both the noncontrastive compound reflexive and the bare reflexive in Chinese and shows that they are constrained by the same reflexive binding condition proposed in this work, though they employ different definitions of the most prominent NPs to determine their binding domains. Prominence and Locality in Grammar: The Syntax and Semantics of Wh-Quesitons and Reflexives is an important theoretical contribution to the syntax-semantics interface studies and can serve as a valuable text for graduate students and scholars in the field of Chinese, linguistics, and cognitive science.
Prominent Feature Extraction for Sentiment Analysis
by Basant Agarwal Namita MittalThe objective of this monograph is to improve the performance of the sentiment analysis model by incorporating the semantic, syntactic and common-sense knowledge. This book proposes a novel semantic concept extraction approach that uses dependency relations between words to extract the features from the text. Proposed approach combines the semantic and common-sense knowledge for the better understanding of the text. In addition, the book aims to extract prominent features from the unstructured text by eliminating the noisy, irrelevant and redundant features. Readers will also discover a proposed method for efficient dimensionality reduction to alleviate the data sparseness problem being faced by machine learning model. Authors pay attention to the four main findings of the book : -Performance of the sentiment analysis can be improved by reducing the redundancy among the features. Experimental results show that minimum Redundancy Maximum Relevance (mRMR) feature selection technique improves the performance of the sentiment analysis by eliminating the redundant features. - Boolean Multinomial Naive Bayes (BMNB) machine learning algorithm with mRMR feature selection technique performs better than Support Vector Machine (SVM) classifier for sentiment analysis. - The problem of data sparseness is alleviated by semantic clustering of features, which in turn improves the performance of the sentiment analysis. - Semantic relations among the words in the text have useful cues for sentiment analysis. Common-sense knowledge in form of ConceptNet ontology acquires knowledge, which provides a better understanding of the text that improves the performance of the sentiment analysis.