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The Politics of Form
by Sarah Copland and Greta OlsonThis volume enacts a project we term ‘a politics of form’, working to politicise the formal analysis of narrative in novels, life narratives, documentaries, dramas, short prose works and multimodal texts while retaining the form specificity that is distinctive of narratology. The introduction offers an overview of how to perform narrative analysis in conjunction with ideological critique, while the chapters unite the formal analysis of texts with readings that uncover how structures of social power are expressed in, as well as challenged by, aesthetic forms. The contributors address the need to develop sustained political analysis of aesthetic and narrative forms, and they articulate methods for performing such analysis while reflecting on the politics of the work they undertake. By establishing criteria to describe the politicised use of narrative forms, and by historicising narratological concepts, the volume bridges theoretical gaps between narratology, critical theory and cultural analysis, resulting in the refinement of existing narratological models. This book was originally published as a special issue of the European Journal of English Studies.
The Politics of Gender in Anthony Trollope's Novels: New Readings for the Twenty-First Century (The Nineteenth Century Series)
by Deborah Denenholz MorseBringing together established critics and exciting new voices, The Politics of Gender in Anthony Trollope's Novels offers original readings of Trollope that recognize and repay his importance as source material for scholars working in diverse fields of literary and cultural studies. As the editors observe in their provocative introduction, Trollope more than any of his contemporaries is studied by scholars from disciplines outside literary studies. The contributors here draw together work from economics, colonialism and ethnicity, gender studies, new historicism, liberalism, legal studies, and politics that convincingly argues for the eminence of Trollope's writings as a vehicle for the theoretical explorations of Victorian culture that currently predominate. The essays variously examine imperial and postcolonial themes in the context of economic, cultural, aesthetic, and demographic influences; show how gender-sensitive readings expose Trollope's critique of capitalism's influence; address Trollope and sexuality in the context of queer studies, the law, archetypal constructions, and classical feminism; and offer new approaches to narrative theory through examination of Victorian understandings of male and female psychology. Regenia Gagnier's concluding chapter revisits the collection's critical strands and reflects on the implications for future studies of Trollope.
The Politics of Grace in Early Modern Literature
by Deni KasaThis book tells the story of how early modern poets used the theological concept of grace to reimagine their political communities. The Protestant belief that salvation was due to sola gratia, or grace alone, was originally meant to inspire religious reform. But, as Deni Kasa shows, poets of the period used grace to interrogate the most important political problems of their time, from empire and gender to civil war and poetic authority. Kasa examines how four writers—John Milton, Edmund Spenser, Aemilia Lanyer, and Abraham Cowley—used the promise of grace to develop idealized imagined communities, and not always egalitarian ones. Kasa analyzes the uses of grace to make new space for individual and collective agency in the period, but also to validate domination and inequality, with poets and the educated elite inserted as mediators between the gift of grace and the rest of the people. Offering a literary history of politics in a pre-secular age, Kasa shows that early modern poets mapped salvation onto the most important conflicts of their time in ways missed by literary critics and historians of political thought. Grace, Kasa demonstrates, was an important means of expression and a way to imagine impossible political ideals.
The politics of Harry Potter
by Bethany BarrattThis political analysis of Harry Potter uses the beloved wizarding world to introduce readers to the equally murky and intimidating world of politics. Rowling's work provides us with entries into all of the most important political questions in history, from terrorism and human rights to the classic foundations of political thought.
The Politics of Humiliation in the Novels of J.M. Coetzee (Studies in Major Literary Authors)
by Hania A.M. NashefIn this volume, Nashef looks at J.M. Coetzee's concern with universal suffering and the inevitable humiliation of the human being as manifest in his novels. Though several theorists have referred to the theme of human degradation in Coetzee’s work, no detailed study has been made of this area of concern especially with respect to how pervasive it is across Coetzee’s literary output to date. This study examines what J.M. Coetzee's novels portray as the circumstances that contribute to the humiliation of the individual--namely the abuse of language, master and slave interplay, aging and senseless waiting--and how these conditions can lead to the alienation and marginalization of the individual.
The Politics of Humour
by Patrick Merziger Martina KesselThe period between the First World War and the fall of the Berlin Wall is often characterized as the age of extremes--while this era witnessed unprecedented violence and loss of human life, it also saw a surge in humorous entertainment in both democratic and authoritarian societies. The Politics of Humour examines how works such as satirical magazines and comedy films were used both to reaffirm group identity and to exclude those who did not belong.The essays in this collection analyse the political and social context of comedy in Europe and the United States, exploring topics ranging from the shifting targets of ethnic jokes to the incorporation of humour into wartime broadcasting and the uses of satire as a means of resistance. Comedy continues to define the nature of group membership today, and The Politics of Humour offers an intriguing look at how entertainment helped everyday people make sense of the turmoil of the twentieth century.
The Politics of Identity in Irish Drama: W.B. Yeats, Augusta Gregory and J.M. Synge (Literary Criticism and Cultural Theory)
by George CusackThis study examines the early dramatic works of Yeats, Synge, and Gregory in the context of late colonial Ireland’s unique socio-political landscape. By contextualizing each author’s work within the artistic and political discourses of their time, Cusack demonstrates the complex negotiation of nationalism, class, and gender identities undertaken by these three authors in the years leading up to Ireland’s revolution against England. Furthermore, by focusing on plays written by each author in the context of the ongoing debates over Irish national identity that were taking place throughout Irish public life in this period, Cusack examines in more depth than previous studies the ways Yeats, Gregory, and Synge adapted conventional dramatic and linguistic forms to accommodate the conflicting claims of Irish nationalism. In so doing, he demonstrates the contribution these authors made not only to the development of Irish nationalism but also to modern and postcolonial literature as we understand them today.
The Politics of Interweaving Performance Cultures: Beyond Postcolonialism (Routledge Advances in Theatre & Performance Studies #33)
by Erika Fischer-Lichte Torsten Jost Saskya Iris JainThis book provides a timely intervention in the fields of performance studies and theatre history, and to larger issues of global cultural exchange. The authors offer a provocative argument for rethinking the scholarly assessment of how diverse performative cultures interact, how they are interwoven, and how they are dependent upon each other. While the term ‘intercultural theatre’ as a concept points back to postcolonialism and its contradictions, The Politics of Interweaving Performance Cultures explores global developments in the performing arts that cannot adequately be explained and understood using postcolonial theory. The authors challenge the dichotomy ‘the West and the rest’ – where Western cultures are ‘universal’ and non-Western cultures are ‘particular’ – as well as ideas of national culture and cultural ownership. This volume uses international case studies to explore the politics of globalization, looking at new paternalistic forms of exchange and the new inequalities emerging from it. These case studies are guided by the principle that processes of interweaving performance cultures are, in fact, political processes. The authors explore the inextricability of the aesthetic and the political, whereby aesthetics cannot be perceived as opposite to the political; rather, the aesthetic is the political. Helen Gilbert’s essay ‘Let the Games Begin: Pageants, Protests, Indigeneity (1968–2010)’won the 2015 Marlis Thiersch Prize for best essay from the Australasian Drama, Theatre and Performance Studies Association.
The Politics of Irony in American Modernism
by Matthew StrattonShortlisted for the 2015 Modernist Studies Association Book Prize This book shows how American literary culture in the first half of the twentieth century saw “irony” emerge as a term to describe intersections between aesthetic and political practices. Against conventional associations of irony with political withdrawal, Stratton shows how the term circulated widely in literary and popular culture to describe politically engaged forms of writing. It is a critical commonplace to acknowledge the difficulty of defining irony before stipulating a particular definition as a stable point of departure for literary, cultural, and political analysis. This book, by contrast, is the first to derive definitions of “irony” inductively, showing how writers employed it as a keyword both before and in opposition to the institutionalization of New Criticism. It focuses on writers who not only composed ironic texts but talked about irony and satire to situate their work politically: Randolph Bourne, Benjamin De Casseres, Ellen Glasgow, John Dos Passos, Ralph Ellison, and many others.
The Politics of Language
by David Beaver Jason StanleyA provocative case for the inherently political nature of languageIn The Politics of Language, David Beaver and Jason Stanley present a radical new approach to the theory of meaning, offering an account of communication in which political and social identity, affect, and shared practices play as important a role as information. This new view of language, they argue, has dramatic consequences for free speech, democracy, and a range of other areas in which speech plays a central role.Drawing on a wealth of disciplines, The Politics of Language argues that the function of speech—whether in dialogue, larger group interactions, or mass communication—is to attune people to something, be it a shared reality, emotion, or identity. Reconceptualizing the central ideas of pragmatics and semantics, Beaver and Stanley apply their account to a range of phenomena that defy standard frameworks in linguistics and philosophy of language—from dog whistles and covert persuasion to echo chambers and genocidal speech. The authors use their framework to show that speech is inevitably political because all communication is imbued with the resonances of particular ideologies and their normative perspectives on reality.At a time when democracy is under attack, authoritarianism is on the rise, and diversity and equality are being demanded, The Politics of Language offers a powerful new vision of the language of politics, ideology, and protest.
The Politics of Language
by Rebecca StephensonOld English literature thrived in late tenth-century England. Its success was the result of a concerted effort by the leaders of the Benedictine Reform movement to encourage both widespread literacy and a simple literary style. The manuscripts written in this era are the source for the majority of the Old English literature that survives today, including literary classics such as Beowulf. Yet the same monks who copied and compiled these important Old English texts themselves wrote in a rarified Latin, full of esoteric vocabulary and convoluted syntax and almost incomprehensible even to the well-educated.Comparing works by the two most prolific authors of the era, Byrhtferth of Ramsey and Ælfric of Eynsham, Rebecca Stephenson explains the politics that encouraged the simultaneous development of a simple English style and an esoteric Latin style. By examining developments in Old English and Anglo-Latin side by side, The Politics of Language opens up a valuable new perspective on the Benedictine Reform and literacy in the late Anglo-Saxon period.
The Politics of Language in Ireland 1366-1922: A Sourcebook (The Politics of Language)
by Tony Crowley Dr Tony Editor)For almost a thousand years language has been an important and contentious issue in Ireland but above all it reflects the great themes of Irish history: colonial, invasion, native resistance, religious and cultural difference.Collected here for the first time are texts on language from the date of the first legislation against the Irish: the Statute of Kilkenny, 1366, to the constitution of the Free State in 1922. Crowley's introduction connects these texts to current debates, giving The Belfast Agreement as a textual example and illustrating that the language debates continue today. Divided into six historical sections with detailed editor's introductions, this unique sourcebook includes familiar cultural texts such as essays and letters by Yeats along side less familiar writings including the Preface to the New Testament in Irish. (1602)Providing direct access to original texts, this is an historical resource book which can be used as a case study in the relations between language and cultural identity.
The Politics of Language in the Spanish-Speaking World: From Colonization to Globalization (The Politics of Language)
by Clare Mar-MolineroSpanish is now the third most widely spoken language in the world after English and Chinese. This book traces how and why Spanish has arrived at this position, examining its role in the diverse societies where it is spoken from Europe to the Americas. Providing a comprehensive survey of language issues in the Spanish-speaking world, the book outlines the historical roots of the emergence of Spanish or Castilian as the dominant language, analyzes the situation of minority language groups, and traces the role of Spanish and its colonial heritage in Latin America. The book is structured in four sections: Spanish as a national language: conflict and hegemony Legislation and the realities of linguistic diversity Language and education The future of Spanish. Throughout the book Clare Mar-Molinero asks probing questions such as: How does language relate to power? What is its link with identity? What is the role of language in nation-building? Who decides how language is taught?
The Politics of Literary History: Literary Historiography in Russia, Latvia, the Czech Republic and Finland after 1990
by Liisa Steinby Benedikts Kalnačs Mikhail Oshukov Viola Parente-ČapkováThis book looks at literary historiography in Russia, Latvia, the Czech Republic and Finland, focusing on how seismic shifts in state politics and ideology after 1990 changed the writing of national literary histories in these countries. While Russia saw a return to a more nationalist way of thinking about literature and a new emphasis on Orthodox religion after the fall of the Soviet Union, the opposite is true for Latvia, the Czech Republic and Finland. In these countries, literary historiography fosters connections between Western scholarship and literatures written in the national language and engages with questions such as transnationalism, minorities, culture and power, and the cultural construction of identities. This book scrutinizes the different ways in which the construction of national, cultural and European identities has occurred in and through the literary historiography of North-Eastern Europe in the last few decades.
The Politics of Literature in a Divided 21st Century (Routledge Studies in Contemporary Literature)
by Katharina DonnHow does literature matter politically in the 21st century? This book offers an ecocritical framework for exploring the significance of literature today. Featuring a diverse body of texts and authors, it develops a future-oriented politics embedded in those transgressive realities which our political system finds impossible to tame. This book re-imagines political agency, voices, bodies and borders as transformative processes rather than rigid realities, articulating a ‘dia-topian’ literary politics. Taking a contextual approach, it addresses such urgent global issues as biopolitics, migration and borders, populism, climate change, and terrorism. These readings revitalize fictional worlds for political enquiry, demonstrating how imaginative literature seeds change in a world of closed-off horizons. Prior to the pragmatics of power-play, literary language breathes new energy into the frames of our thought and the shapes of our affects. This book shows how relation, metamorphosis and enmeshment can become salient in a politics beyond the conflict line.
The Politics of Magic: DEFA Fairy-Tale Films (Series in Fairy-Tale Studies)
by Qinna ShenFrom Paul Verhoeven's The Cold Heart in 1950 to Konrad Petzold's The Story of the Goose Princess and Her Loyal Horse Falada in 1989, East Germany's state-sponsored film company, DEFA (Deutsche Film-Aktiengesellschaft), produced over forty feature-length, live-action fairy-tale films based on nineteenth-century folk and literary tales. While many of these films were popular successes and paved the way for the studio's other films to enter the global market, DEFA's fairy-tale corpus has not been studied in its entirety. In The Politics of Magic: DEFA Fairy-Tale Films, Qinna Shen fills this gap by analyzing the films on thematic and formal levels and examining their embedded agendas in relation to the cultural politics of the German Democratic Republic. In five chapters, Shen compares the films with earlier print versions of the same stories and analyzes revisions made in DEFA's film adaptations. She also distinguishes the DEFA fairy-tale films from National Socialist, West German, and Disney adaptations of the same tales. Her archival work reconstitutes the cultural-historical context in which films were produced and received, and incorporates the films into the larger narrative of DEFA. For the first time, the banned DEFA fairy-tale comedy, The Robe (1961/1991), is discussed in depth. The book's title The Politics of Magic is not intended to suggest that DEFA fairy-tale films were merely mouthpieces of official ideology and propaganda. On the contrary, Shen shows that the films run the gamut from politically dogmatic to implicitly subversive, from kitschy to experimental. She argues that the fairy-tale cloak permitted them to convey ideology in a subtle, indirect manner that allowed viewers to forget Cold War politics for a while and to delve into a world of magic where politics took on an allegorical form. The fact that some DEFA fairy-tale films developed an international audience (particularly The Story of Little Mook and Three Hazelnuts for Cinderella) not only attests to these films' universal appeal but also to the surprising marketability of this branch of GDR cinema and its impact beyond the GDR's own narrow temporal and geographic boundaries. Shen's study will be significant reading for teachers and students of folklore studies and for scholars of German, Eastern European, cultural, film, media, and gender studies.
The Politics of Media Scarcity (Routledge Focus on Media and Cultural Studies)
by Greg Elmer Stephen J. NevilleThis book questions the predominance of “media abundance” as a guiding concept for contemporary mediated politics. The authors argue that media abundance is not a universal condition, and that certain individuals, communities, and even nations can more accurately be referred to as media scarce – where access to media technologies and content is limited, highly controlled, or surveilled.Through case studies that focus on guerilla militants, incarcerated Indigenous people, and cold war‑era infrastructure, including Soviet “closed” or “secret” cities and Canadian nuclear bunkers, the book’s chapters interrogate how the once media scarce later “speak” to – and can be heard by – the predominant, abundant media culture. Drawing from several art projects and diverse cultural sites, the book highlights how media scarce communities negotiate and otherwise narrate their place in the world, their past experiences and lives, and escape from subjugation. To better understand media scarce politics, the book asks how and when communities become – by accident or force, by choice or necessity – media scarce.This innovative and insightful text will appeal to students and scholars around the world working in the areas of media and politics, art and politics, visual studies, surveillance studies, and communication studies.
A Politics of Melancholia: From Plato to Arendt
by George Edmondson Klaus MladekWhy melancholia is a vital form of social critique and a catalyst for political renewalMelancholia is wrongly condemned as a condition of withdrawal and despair that alienates its sufferer from community. Countering that misconception, A Politics of Melancholia reclaims an understanding of melancholia not as an affliction in need of a remedy but as an affirmative stance toward decay and ruination in political life, and restores the melancholic figure—by turns inventive and destructive, outraged and inspired—to their rightful place as the poet of political thought.George Edmondson and Klaus Mladek identify pivotal moments of political melancholia in ancient and modern texts, offering new perspectives on the death of Socrates in Plato&’s dialogues, the fratricide in Hamlet, Woyzeck&’s killing of Marie in Georg Büchner&’s Woyzeck, the murder of Moses in Freud&’s thought, and the betrayal of the revolutionary idea that Hannah Arendt identifies in her critique of eighteenth-century revolutions. Melancholia emerges here as a disposition that is mournful but also jubilant, a mood of unbending disconsolation that remains faithful to a scene of downfall, to events that cannot be forgotten, and to things that cannot be governed.Recovering a tradition of thought that is both affirmative and hopeful, this eloquent book reveals how political melancholia embodies a shared condition of discontent that binds communities together and inspires change.
The Politics of Melancholy from Spenser to Milton (Literary Criticism and Cultural Theory)
by Adam KitzesDuring the so-called Age of Melancholy, many writers invoked both traditional and new conceptualizations of the disease in order to account for various types of social turbulence, ranging from discontent and factionalism to civil war. Writing about melancholy became a way to explore both the causes and preventions of political disorder, on both specific and abstract levels. Thus, at one and the same moment, a writer could write about melancholy to discuss specific and ongoing political crises and to explore more generally the principles which generate political conflicts in the first place. In the course of developing a traditional discourse of melancholy of its own, English writers appropriated representations of the disease - often ineffectively - in order to account for the political turbulence during the civil war and Interregnum periods
The Politics of Palestinian Multilingualism: Speaking for Citizenship (The Politics of Language)
by Nancy HawkerThe Politics of Palestinian Multilingualism: Speaking for Citizenship provides an essential contribution to understanding the politics of Israel/Palestine through the prism of sociolinguistics and discourse analysis. Arabic-speakers who also know Hebrew resort to a range of communicative strategies for their political ideas to be heard: they either accommodate or resist the Israeli institutional suppression of Arabic. They also codeswitch and borrow from Hebrew as well as from Arabic registers and styles in order to mobilise discursive authority. On political and cultural stages, multilingual Palestinian politicians and artists challenge the existing political structures. In the late capitalist market, language skills are re-packaged as commodified resources. With new evidence from recent and historical discourse, this book is about how speakers of a marginalised, contained language engage with the political system in the idioms at their disposal. The Politics of Palestinian Multilingualism: Speaking for Citizenship is key reading for advanced students and scholars of multilingualism, language contact, ideology, and policy, within sociolinguistics, anthropology, politics, and Middle Eastern studies.
The Politics of Parody: A Literary History of Caricature, 1760–1830 (The Lewis Walpole Series in Eighteenth-Century Culture and History)
by David Francis TaylorThis engaging study explores how the works of Shakespeare, Milton, Swift, and others were taken up by caricaturists as a means of helping the eighteenth-century British public make sense of political issues, outrages, and personalities. The first in-depth exploration of the relationship between literature and visual satire in this period, David Taylor&’s book explores how great texts, seen through the lens of visual parody, shape how we understand the political world. It offers a fascinating, novel approach to literary history.
The Politics of Passion: Women's Sexual Culture in the Afro-Surinamese Diaspora (Between Men-Between Women: Lesbian and Gay Studies)
by Gloria WekkerGloria Wekker analyzes the phenomenon of mati work, an old practice among Afro-Surinamese working-class women in which marriage is rejected in favor of male and female sexual partners. Wekker vividly describes the lives of these women, who prefer to create alternative families of kin, lovers, and children, and gives a fascinating account of women's sexuality that is not limited to either heterosexuality or same-sex sexuality. She offers new perspectives on the lives of Caribbean women, transnational gay and lesbian movements, and an Afro-Surinamese tradition that challenges conventional Western notions of marriage, gender, identity, and desire. Bringing these women's voices to the forefront, she offers an extensive and groundbreaking analysis of the unique historical, religious, psychological, economic, linguistic, cultural, and political forces that have shaped their lives.
The Politics of Perception and the Aesthetics of Social Change (Columbia Themes in Philosophy, Social Criticism, and the Arts)
by Jason MillerIn both politics and art in recent decades, there has been a dramatic shift in emphasis on representation of identity. Liberal ideals of universality and individuality have given way to a concern with the visibility and recognition of underrepresented groups. Modernist and postmodernist celebrations of disruption and subversion have been challenged by the view that representation is integral to social change. Despite this convergence, neither political nor aesthetic theory has given much attention to the increasingly central role of art in debates and struggles over cultural identity in the public sphere.Connecting Hegelian aesthetics with contemporary cultural politics, Jason Miller argues that both the aesthetic and political value of art are found in the reflexive self-awareness that artistic representation enables. The significance of art in modern life is that it shows us both the particular element in humanity as well as the human element in particularity. Just as Hegel asks us to acknowledge how different historical and cultural contexts produce radically different experiences of art, identity-based art calls on its audiences to situate themselves in relation to perspectives and experiences potentially quite remote—or even inaccessible—from their own. Miller offers a timely response to questions such as: How does contemporary art’s politics of perception contest liberal notions of deliberative politics? How does the cultural identity of the artist relate to the representations of cultural identity in their work? How do we understand and evaluate identity-based art aesthetically?Discussing a wide range of works of art and popular culture—from Antigone to Do the Right Thing and The Wire—this book develops a new conceptual framework for understanding the representation of cultural identity that affirms art’s capacity to effect social change.
The Politics of Postmodernism
by Linda HutcheonThis classic text remains one of the clearest and most incisive introductions to postmodernism. Perhaps more importantly, it is a compelling discussion of why postmodernism matters. Working through the issue of representation in art forms from fiction to photography, Linda Hutcheon sets out postmodernism's highly political challenge to the dominant ideologies of the western world. A new epilogue traces the fate of the postmodern over the last ten years and into the future, responding to claims that it has, once and for all, 'failed'.Together with the new epilogue, this edition contains revised notes on further reading and a fully updated bibliography. This revised edition of The Politics of Postmodernism continues its position as essential reading.
The Politics of Prudence
by Russell KirkIn this classic title, Kirk outlines ten principles of conservative thought, summarizes ten vital conservative books, and offers brief accounts of ten eminent, internationally important conservatives. This book, written by the founder of modern conservatism in America, reflects several decades of learning, travel, and practical politics.