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Records of Girlhood: Volume Two: An Anthology of Nineteenth-Century Women’s Childhoods (The Nineteenth Century Series)
by Valerie SandersIn this sequel to her 2000 anthology, Valerie Sanders again brings together an influential group of women whose autobiographical accounts of their childhoods show them making sense of the children they were and the women they have become. The fourteen women included juxtapose recollections of the bizarre with the quotidian and accounts of external events with the development of a complex inner life. Reading and acting are important themes, as is the precariousness of childhood, whether occasioned by a father's financial pressures or the early death of a parent. Significantly, most grew up expecting to earn their own living. The collection includes children's authors (Frances Hodgson Burnett and E. Nesbit), political figures (Emmeline Pankhurst and Louisa Twining), and well-known writers (Mary Elizabeth Braddon, Anne Thackeray Ritchie, Sarah Grand). Of relevance to scholars working in the fields of women’s autobiography, the history of childhood, and Victorian literature, this anthology includes a scholarly introduction and brief biographical sketches of each woman.
Recovering Language in Higher Education: Social Justice, Ethics and Practices
by Alex Ding Laetitia MonbecThis volume provides an original theoretical and practical discussion around language ontology, social theory, ethics, and pedagogy to enhance socially committed teaching and scholarship in Higher Education. The authors focus on language and literacy and English for Academic Purposes provisions in HE and bring together social semiotics (Systemic Functional Semiotics) and Bourdieu’s Field Theory to illuminate the norms and orthodoxies which shape practices in these fields. Part 1 aims to ‘break the illusio’ around language ontology, ethics and pedagogy which hinders social justice aspirations. Part 2 proposes ways to recover meaning and move forward, through deliberate ethical considerations, and a detailed and expanded knowledgebase for language educators. The volume will be of interest to anyone involved in language and literacy in Higher Education.
Recovering Lost Footprints, Volume 1: Contemporary Maya Narratives
by Arturo AriasRecovering Lost Footprints is the first full-length critical study to analyze Latin American Indigenous literary narratives in a systematic manner. In the book, Arturo Arias looks at Maya narratives in Guatemala. The study of these works is intended to spark changes so that constitutions recognize these cultures, their rights, their languages, their centers of worship, and their cosmologies. Through this study, Arias problematizes the partial or full omission of Latin America's original inhabitants from recognized citizenry. This book analyzes these elements of exclusion in the novelistic output of three salient figures, Luis de Lión, Gaspar Pedro González, and Víctor Montejo. The works by these writers offer evidence that most native people have entered modernity without renouncing their respective cultures or the specifics of their singular identities. The philosophical ethics elaborated in the texts, such as respect for nature and recognition of the holistic value of natural beings, enable non-Indigenous readers to both understand and relate to these values.
Recovering Lost Footprints, Volume 2: Contemporary Maya Narratives
by Arturo AriasRecovering Lost Footprints, Volume 2 is an in-depth analysis of the sociohistorical conflict impacting Indigenous communities in Latin America. Continuing the project he began in volume 1, Arturo Arias analyzes contemporary Peninsular and Chiapanecan Maya narratives. He examines the works of Yucatecan writers Jorge Cocom Pech, Javier Gómez Navarrete, Isaac Carrillo Can, and Marisol Ceh Moo. For Chiapas, Arias looks at the works of Tseltal novelist Diego Méndez Guzmán, Tsotsil short-story writer Nicolás Huet Bautista, and Tseltal narrative writer Josías López Gómez. Arias problematizes the nature of Western modernity and the crisis of Western models of development in the present. By way of his analysis, he suggests that we are facing a historical impasse because we have neglected native knowledges that offer alternative codes of ethics and beingness that emerge from Indigenous cosmovisions. The text skillfully contributes to and strengthens debates between US-centered and Latin American cultural studies theorists, as well as the hemispheric expansion of Native American and Indigenous Studies. Recovering Lost Footprints, Volume 2 is inspired more by the past as it impinges upon a continuing, constantly expanding present. Arias's reading of Maya literatures forces us to reconsider the space-time structure of Western thinking. Indeed, this book is intriguing precisely because it views literature from an Indigenous perspective, evidencing how that social space is full of multiple contrasting experiences and historical processes.
Recovering Police Legitimacy: A Radical Framework
by Rafe McGregorTransatlantic policing is experiencing an unprecedented crisis of legitimacy, epitomised by public responses to the murders of George Floyd and Sarah Everard during the COVID-19 pandemic. Legitimacy is lost when the police either fail to protect the public or rely on coercion rather than consent to achieve that protection. Recovering Police Legitimacy challenges conventional criminological, political, and public solutions to the problem by approaching it from the bottom up, beginning with policing as a practice constituted by a unique set of excellences, skills, and characteristics.The author draws on his experience as a police officer and on the serial fictions of James Ellroy, David Peace, and Nic Pizzolatto to characterise the practice in terms of heroic struggle, edgework, absolute sacrifice, and worldmaking. These characteristics provide an analytic tool for revolutionising our understanding of the relations among policing as a situated practice, public protection, and police legitimacy and for identifying the different levels at which legitimacy is undermined. His conclusion is that recovery is possible but will be slow in pace and incomplete in scope.Written accessibly for students, police officers, policymakers, scholars, and anyone with an interest in police legitimacy, this is a groundbreaking study of a pressing social problem.
Recovering Your Story: Proust, Joyce, Woolf, Faulkner, Morrison
by Arnold WeinsteinGreat art discovers for us who we are," writes literature professor and critic Weinstein in this book about how we can better uncover and understand our own stories by reading five major modern writers who "reinvent the novel by exploding our sense of what we are." He invites us to discover our perceptions, our dreams, our own elusive, deepest stories in these masterpieces of modernist fiction. As he argues with wit and passion, these works are in fact shimmering mirrors of our own inner world and most intimate thoughts. He decodes great novels, illuminates the complex pleasures woven into these peerless narratives, and shows how to read them to understand human beings-the way our minds and hearts actually work. This is what Weinstein means by "recovering your story." He makes these powerful works understandable, accessible, indeed imperative for all adventurous readers
Recreating The Past: A Guide to American and World Historical Fiction for Children and Young Adults
by Lynda G. AdamsonSpanning grades 1-10, this annotated bibliography of 970 recommended American and world titles published through early 1994 includes adult titles suitable for young adult readers, with some 200 of the titles being award winners. Geographical sections are divided into historic time periods within which entries are organized alphabetically by author. Each entry contains both reading and interest grade levels, a short annotation about the historical event, setting, plot, protagonist and theme, current publication availability, and awards won. Seven appendices allow for a variety of search parameters. Originally announced as Historical Fiction for Children. . . . Annotation c. by Book News, Inc. , Portland, Or.
Recursion across Domains
by Tom Roeper Andrew Nevins Luiz Amaral Marcus MaiaRecursion and self-embedding are at the heart of our ability to formulate our thoughts, articulate our imagination and share with other human beings. Nonetheless, controversy exists over the extent to which recursion is shared across all domains of syntax. A collection of 18 studies are presented here on the central linguistic property of recursion, examining a range of constructions in over a dozen languages representing great areal, typological and genetic diversity and spanning wide latitudes. The volume expands the topic to include prepositional phrases, possessives, adjectives, and relative clauses - our many vehicles to express creative thought - to provide a critical perspective on claims about how recursion connects to broader aspects of the mind. Parallel explorations across language families, literate and non-literate societies, children and adults are investigated and constitutes a new step in the generative tradition by simultaneously focusing on formal theory, acquisition and experimentation, and ecologically-sensitive fieldwork, and initiates a new community where these diverse experts collaborate.
Recursion: Complexity in Cognition
by Tom Roeper Margaret SpeasThis volume focuses on recursion and reveals a host of new theoretical arguments, philosophical perspectives, formal representations and empirical evidence from parsing, acquisition and computer models, highlighting its central role in modern science Noam Chomsky, whose work introduced recursion to linguistics and cognitive science and other leading researchers in the fields of philosophy, semantics, computer science and psycholinguistics in showing the profound reach of this concept into modern science. Recursion has been at the heart of generative grammar from the outset Recent work in minimalism has put it at center-stage with a wide range of consequences across the intellectual landscape The contributor to this volume both advance the field and provide a cross-sectional view of the place that recursion takes in modern science.
Recycling Red Riding Hood (Children's Literature and Culture #Vol. 23)
by Sandra BeckettSandra Beckett's book explores the contemporary retelling of the Red Riding Hood tale in Western children's literature.
Recycling Virginia Woolf in Contemporary Art and Literature (Literary Criticism and Cultural Theory)
by Monica Latham Caroline Marie Anne-Laure RigeadeRecycling Virginia Woolf in Contemporary Art and Literature exam>ines Woolf’s life and oeuvre from the perspective of recycling and pro>vides answers to essential questions such as: Why do artists and writers recycle Woolf’s texts and introduce them into new circuits of meaning? Why do they perpetuate her iconic fgure in literature, art and popular culture? What does this practice of recycling tell us about the endurance of her oeuvre on the current literary, artistic and cultural scene and what does it tell us about our current modes of production and consumption of art and literature? This volume offers theoretical defnitions of the concept of recycling applied to a multitude of specifc case studies. The reasons why Woolf’s work and authorial fgure lend themselves so well to the notion of recy>cling are manifold: frst, Woolf was a recycler herself and had a personal theory and practice of recycling; second, her work continues to be a prolifc compost that is used in various ways by contemporary writers and artists; fnally, since Woolf has left the original literary sphere to permeate popular culture, the limits of what has been recycled have ex>panded in unexpected ways. These essays explore today’s trends of fab>ricating new, original artefacts with Woolf’s work, which thus remains completely relevant to our contemporary needs and beliefs
Recycling Virginia Woolf in Contemporary Art and Literature (Literary Criticism and Cultural Theory)
by Monica Latham Caroline Marie Anne-Laure RigeadeRecycling Virginia Woolf in Contemporary Art and Literature exam>ines Woolf’s life and oeuvre from the perspective of recycling and pro>vides answers to essential questions such as: Why do artists and writers recycle Woolf’s texts and introduce them into new circuits of meaning? Why do they perpetuate her iconic fgure in literature, art and popular culture? What does this practice of recycling tell us about the endurance of her oeuvre on the current literary, artistic and cultural scene and what does it tell us about our current modes of production and consumption of art and literature?This volume offers theoretical defnitions of the concept of recycling applied to a multitude of specifc case studies. The reasons why Woolf’s work and authorial fgure lend themselves so well to the notion of recy>cling are manifold: frst, Woolf was a recycler herself and had a personal theory and practice of recycling; second, her work continues to be a prolifc compost that is used in various ways by contemporary writers and artists; fnally, since Woolf has left the original literary sphere to permeate popular culture, the limits of what has been recycled have ex>panded in unexpected ways. These essays explore today’s trends of fab>ricating new, original artefacts with Woolf’s work, which thus remains completely relevant to our contemporary needs and beliefs
Red Alert: Marxist Approaches to Science Fiction Cinema (Contemporary Approaches to Film and Media Series)
by Ewa Mazierska Alfredo SuppiaIn Red Alert: Marxist Approaches to Science Fiction Cinema, editors Ewa Mazierska and Alfredo Suppia argue that Marxist philosophy, science fiction, and film share important connections concerning imaginings of the future. Contributors look at themes across a wide variety of films, including many international co-productions to explore individualism versus collectivism, technological obstacles to travel through time and space, the accumulation of capital and colonization, struggles of oppressed groups, the dangers of false ideologies, and the extension of the concept of labor due to technological advances. Red Alert considers a wide swath of contemporary international films, from the rarely studied to mainstream science fiction blockbusters like The Matrix. Contributors explore early Czechoslovak science fiction, the Polish-Estonian co-productions of director Marek Piestrak, and science fiction elements in 1970s American blaxploitation films. The collection includes analyses of recent films like Transfer (Damir Lukacevic), Avalon (Mamoru Oshii), Gamer (Mark Neveldine and Brian Taylor), and District 9 and Elysium (Neill Blomkamp), along with more obscure films like Alex Rivera's materialist science fiction works and the Latin American zombie films of Pablo Parés, Hernán Sáez, and Alejandro Brugués. Contributors show that the ambivalence and inner contradictions highlighted by the films illustrate both the richness of Marx's legacy and the heterogeneity and complexity of the science fiction genre. This collection challenges the perception that science fiction cinema is a Western or specifically American genre, showing that a broader, transnational approach is necessary to fully understand its scope. Scholars and students of film, science fiction, and Marxist culture will enjoy Red Alert.
Red Comet: The Short Life and Blazing Art of Sylvia Plath
by Heather Clark&“Finally, the biography that Sylvia Plath deserves . . . A spectacular achievement.&” —Ruth Franklin, author of Shirley Jackson: A Rather Haunted LifeThe highly anticipated new biography of Sylvia Plath that focuses on her remarkable literary and intellectual achievements, while restoring the woman behind the long-held myths about her life and art.With a wealth of never-before-accessed materials--including unpublished letters and manuscripts; court, police, and psychiatric records; and new interviews--Heather Clark brings to life the brilliant daughter of Wellesley, Massachusetts who had poetic ambition from a very young age and was an accomplished, published writer of poems and stories even before she became a star English student at Smith College in the early 1950s. Determined not to read Plath's work as if her every act, from childhood on, was a harbinger of her tragic fate, Clark evokes a culture in transition, in the shadow of the atom bomb and the Holocaust, as she explores Plath's world: her early relationships and determination not to become a conventional woman and wife; her conflicted ties to her well-meaning, widowed mother; her troubles at the hands of an unenlightened mental-health industry; her Cambridge years and thunderclap meeting with Ted Hughes, a marriage of true minds that would change the course of poetry in English; and much more. Clark's clear-eyed portraits of Hughes, his lover Assia Wevill, and other demonized players in the arena of Plath's suicide promotes a deeper understanding of her final days, with their outpouring of first-rate poems. Along with illuminating readings of the poems themselves, Clark's meticulous, compassionate research brings us closer than ever to the spirited woman and visionary artist who blazed a trail that still lights the way for women poets the world over.
Red Dead Redemption (Boss Fight Books)
by Matt MarginiFirst garnering both dismissal and intrigue as &“Grand Theft Horse,&” Rockstar Games&’ 2010 action-adventure Red Dead Redemption was met on its release with critical acclaim for its open-world gameplay, its immersive environments, and its authenticity to the experience of the Wild West. Well, the simulated Wild West, that is. Boss Fight invites you to find out how the West was created, sold, and marketed to readers, moviegoers, and gamers as a space where &“freedom&” and &“progress&” duel for control of the dry, punishing frontier. Join writer and scholar Matt Margini as he journeys across the broad and expansive genre known as the Western, tracing the lineage of the familiar self-sufficient loner cowboy from prototypes like Buffalo Bill, through golden age icons like John Wayne and antiheroes like Clint Eastwood&’s &“Man with No Name,&” up to Red Dead&’s John Marston. With a critical reading of Red Dead&’s narrative, setting, and gameplay through the lens of the rich and ever-shifting genre of the Western, Margini reveals its connections to a long legacy of mythmaking that has colored not only the stories we love to consume, but the histories we tell about America.
Red Herrings & White Elephants: The Origins of the Phrases We Use Every Day
by Albert JackThe international bestseller. “Amusing and informative . . . [takes] you on a trip through the most fascinating and richest regions of the English language.” —Knutsford Guardian (UK)Mad hatter . . . pie in the sky . . . egg on your face. We use these phrases every day, yet how many of us know what they really mean or where they came from?From bringing home the bacon to leaving no stone unturned, the English language is peppered with hundreds of common idioms borrowed from ancient traditions and civilizations throughout the world. In Red Herrings & White Elephants, Albert Jack has uncovered the amazing and sometimes downright bizarre stories behind many of our most familiar and eccentric modes of expression . . . If you happen to be a bootlegger, your profession recalls the Wild West outlaws who sold illegal alcohol by concealing slender bottles of whiskey in their boots. If you’re on cloud nine, you owe a nod to the American Weather Bureau’s classification of clouds, the ninth topping out all others at a mountainous 40,000 feet. If you opt for the hair of the dog the morning after, you’re following the advice of medieval English doctors, who recommended rubbing the hair of a dog into the wound left by the animal’s bite.A delightful compendium of anecdotes on everything from minding your Ps and Qs to pulling out all the stops, Red Herrings & White Elephants is an essential handbook for language-lovers of all ages.
Red Herrings and White Elephants: The Origins of the Phrases We Use Everyday
by Albert Jack"Mad hatter . . . pie in the sky . . . egg on your face." We use these phrases every day, yet how many of us know what they really mean or where they came from? From "bringing home the bacon to leaving no stone unturned," the English language is peppered with hundreds of common idioms borrowed from ancient traditions and civilizations throughout the world. In "Red Herrings and White Elephants," Albert Jack has uncovered the amazing and sometimes downright bizarre stories behind many of our most familiar and eccentric modes of expression: If you happen to be a "bootlegger," your profession recalls the Wild West outlaws who sold illegal alcohol by concealing slender bottles of whiskey in their boots. If you're on "cloud nine," you owe a nod to the American Weather Bureau's classification of clouds, the ninth topping out all others at a mountainous 40,000 feet. If you opt for the "hair of the dog" the morning after, you're following the advice of medieval English doctors, who recommended rubbing the hair of a dog into the wound left by the animal's bite. A delightful compendium of anecdotes on everything from "minding your p's and q's to pulling out all the stops," "Red Herrings and White Elephants" is an essential handbook for language-lovers of all ages.
Red Hot Root Words: Mastering Vocabulary with Prefixes, Suffixes and Root Words
by Dianne DrazeHelp students improve their mastery of the English language and acquire the keys for understanding thousands of words by studying Greek and Latin word parts (prefixes, root words, and suffixes). This is one of the most complete, usable presentations of vocabulary development using word parts you will find. A knowledge of word parts gives students a head start on decoding words in reading and testing situations. This is the first book in the two-book series. Each of the well-developed lessons in this text includes: * one to three word parts along with meanings and sample words, * five vocabulary words that use the prefixes or root words, * definitions and sample sentences for each of the five words, * a practice exercise that lets students apply knowledge of the words and their meanings, and * a one-page review worksheet for one or two lessons that presents more unique opportunities to work with the prefixes and root words andto see how they are combined with suffixes. In addition to the student pages, the teacher's information includes: * an extensive listing of the most common prefixes, root words, and suffixes; * their meanings and sample words; * additional words for each lesson; and * lesson ideas to supplement the word being studied. For older students, use 'Red Hot Root Words, Book2' . Grades 3-5
Red Ink: Native Americans Picking Up the Pen in the Colonial Period (SUNY series, Native Traces)
by Drew LopenzinaThe Native peoples of colonial New England were quick to grasp the practical functions of Western literacy. Their written literary output was composed to suit their own needs and expressed views often in resistance to the agendas of the European colonists they were confronted with. Red Ink is an engaging retelling of American colonial history, one that draws on documents that have received scant critical and scholarly attention to offer an important new interpretation grounded in indigenous contexts and perspectives. Author Drew Lopenzina reexamines a literature that has been compulsively "corrected" and overinscribed with the norms and expectations of the dominant culture, while simultaneously invoking the often violent tensions of "contact" and the processes of unwitnessing by which Native histories and accomplishments were effectively erased from the colonial record. In a compelling narrative arc, Lopenzina enables the reader to travel through a history that, however familiar, has never been fully appreciated or understood from a Native-centered perspective.
Red Land, Red Power: Grounding Knowledge In the American Indian Novel
by Sean Kicummah TeutonIn lucid narrative prose, Sean Kicummah Teuton studies the stirring literature of "Red Power," an era of Native American organizing that began in 1969 and expanded into the 1970s. Teuton challenges the claim that Red Power thinking relied on romantic longings for a pure Indigenous past and culture. He shows instead that the movement engaged historical memory and oral tradition to produce more enabling knowledge of American Indian lives and possibilities. Looking to the era's moments and literature, he develops an alternative, "tribal realist" critical perspective to allow for more nuanced analyses of Native writing. In this approach, "knowledge" is not the unattainable product of disinterested observation. Rather it is the achievement of communally mediated, self-reflexive work openly engaged with the world, and as such it is revisable. For this tribal realist position, Teuton enlarges the concepts of Indigenous identity and tribal experience as intertwined sources of insight into a shared world. While engaging a wide spectrum of Native American writing, Teuton focuses on three of the most canonized and, he contends, most misread novels of the era--N. Scott Momaday's House Made of Dawn (1968), James Welch's Winter in the Blood (1974), and Leslie Marmon Silko's Ceremony (1977). Through his readings, he demonstrates the utility of tribal realism as an interpretive framework to explain social transformations in Indian Country during the Red Power era and today. Such transformations, Teuton maintains, were forged through a process of political awakening that grew from Indians' rethought experience with tribal lands and oral traditions, the body and imprisonment, in literature and in life.
Red Magic: The World’s Best Fairy Tales Collected and Arranged by Romer Wilson
by Jack Zipes Kay NielsenWith a Preface and biographies from Jack Zipes, as well as the original illustrations by Kay Nielsen, this collection of fairy tales originally published by the award-winning Romer Wilson – Green Magic (1928), Silver Magic (1929), and Red Magic (1930) – offers a combination of classic fairy tales, alongside lesser known, global and diverse tales. Red Magic contains such classics as “Aladdin and the Wonderful Lamp” from the Arabian Nights, “A Child’s Dream on a Star” by Dickens, and “The Chimera” by Hawthorne. It also contains previously unpublished tales such as “Princess Silver Silk” and “The Enchanted Deer.” It was Romer Wilson’s intention to combine the familiar with the unknown, and to introduce authors and cultures from a variety of countries. As a researcher, Wilson uncovered a remarkable amount of stories from other countries that remain unknown today. This collection gives voice to unique and intriguing tales that inspire children to have a better understanding of how people and their stories are alike despite major differences. Through his Preface and commentary, Jack Zipes shows how all three books are a means to bring people together in the name of peace and justice. These books will, therefore, be of interest to anyone researching or studying fairy tales, folklore and children’s literature, as well as global or comparative literature and social justice.
Red Migrations: Transnational Mobility and Leftist Culture after 1917
by Philip Gleissner Bradley A. GorskiTogether with a new political, social, and cultural order, the Bolshevik Revolution also brought about a spatial revolution. Changed patterns, motivations, and impacts of migration collided with new cultural forms and aesthetic mandates. Red Migrations highlights the various multidirectional and multilateral transnational movements of leftist thinkers, artists, and writers. The book draws on avant-garde poets such as David Burliuk, Marxist theoreticians such as János Mácza, and “fellow travellers” such as Langston Hughes, revealing how leftists of all stripes were inspired and at times impelled by the Soviet Revolution to cross borders. It explores how the resulting circulation of ideas, aesthetic forms, and individuals not only contributed enormously to the ferment of creative activity in the early Soviet years, but also deeply informed international leftist aesthetics and political practice throughout the twentieth century. The robust and diverse transnational networks created by these circulations are at the centre of this volume. With original archival research and insightful analyses, Red Migrations sheds light on the ideals, aspirations, and disappointments of leftist transnationalism from the 1920s through the 1960s and the aesthetic forms they engendered.
Red Modernism: American Poetry and the Spirit of Communism (Hopkins Studies in Modernism)
by Mark StevenHow did modernist poetry respond—both thematically and technically—to communism?In Red Modernism, Mark Steven asserts that modernism was highly attuned—and aesthetically responsive—to the overall spirit of communism. He considers the maturation of American poetry as a longitudinal arc, one that roughly followed the rise of the USSR through the Russian Revolution and its subsequent descent into Stalinism, opening up a hitherto underexplored domain in the political history of avant-garde literature. In doing so, Steven amplifies the resonance among the universal idea of communism, the revolutionary socialist state, and the American modernist poem.Focusing on three of the most significant figures in modernist poetry—Ezra Pound, William Carlos Williams, and Louis Zukofsky—Steven provides a theoretical and historical introduction to modernism’s unique sense of communism while revealing how communist ideals and references were deeply embedded in modernist poetry. Moving between these poets and the work of T. S. Eliot, Langston Hughes, Muriel Rukeyser, Gertrude Stein, Wallace Stevens, and many others, the book combines a detailed analysis of technical devices and poetic values with a rich political and economic context. Persuasively charting a history of the avant-garde modernist poem in relation to communism, beginning in the 1910s and reaching into the 1940s, Red Modernism is an audacious examination of the twinned history of politics and poetry.
Red Scare Racism and Cold War Black Radicalism (Race, Rhetoric, and Media Series)
by James ZeiglerDuring the early years of the Cold War, racial segregation in the American South became an embarrassing liability to the international reputation of the United States. For America to present itself as a model of democracy in contrast to the Soviet Union's totalitarianism, Jim Crow needed to end. While the discourse of anticommunism added the leverage of national security to the moral claims of the civil rights movement, the proliferation of Red Scare rhetoric also imposed limits on the socioeconomic changes necessary for real equality. Describing the ways anticommunism impaired the struggle for civil rights, James Zeigler reconstructs how Red Scare rhetoric during the Cold War assisted the black freedom struggle's demands for equal rights but labeled “un-American” calls for reparations. To track the power of this volatile discourse, Zeigler investigates how radical black artists and intellectuals managed to answer anticommunism with critiques of Cold War culture. Stubbornly addressed to an American public schooled in Red Scare hyperbole, black radicalism insisted that antiracist politics require a leftist critique of capitalism. Zeigler examines publicity campaigns against Dr. Martin Luther King Jr.'s alleged Communist Party loyalties and the import of the Cold War in his oratory. He documents a Central Intelligence Agency-sponsored anthology of ex-Communist testimonials. He takes on the protest essays of Richard Wright and C. L. R. James, as well as Frank Marshall Davis's leftist journalism. The uncanny return of Red Scare invective in reaction to President Obama's election further substantiates anticommunism's lasting rhetorical power as Zeigler discusses conspiracy theories that claim Davis groomed President Obama to become a secret Communist. Long after playing a role in the demise of Jim Crow, the Cold War Red Scare still contributes to the persistence of racism in America.
Red Top: Being a Reporter - Ethically, Legally and with Panache
by Bill ColesRed Top has everything an aspiring reporter needs to know about newspaper journalism. Written in easily digestible bite-size chapters, the book is packed with extraordinary stories that explain what it's really like to be a front-line reporter. Included is a full breakdown on the two key skills of how to interview and how to dig up exclusives. Plus tips on dealing with the mad-masters, the editors; writing a news story; and what the hell to do when a libel writ comes thudding onto your desk.Bill Coles has been a journalist for 25 years and was The Sun's New York Correspondent, Political Correspondent and Royal Reporter. He has written for a huge variety of papers from The Wall Street Journal to the Mail, the Scotsman and Prima Baby Magazine.He has also covered some of the world's biggest news stories - as well as some of the most bizarre --Bill Clinton's year-long sex scandal with his intern Monica Lewinsky.-The Boston murder trial of the British nanny Louise Woodward (with five Sun front pages in a row).-Buying $10,000 of lottery tickets in Miami-A blind-date with Ivana Trump - in a stretch limo.-Becoming one of Company magazine's Bachelors of the Year.-Flying from New York to the Inca trail in Peru - to eat a giant guinea-pig.-Posing naked for a Sun centrefold - with nothing but a copy of The Sun to hide his modesty.