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Remembering the Road to World War Two: International History, National Identity, Collective Memory
by Patrick Finney‘This is comparative history on a grand scale, skilfully analysing complex national debates and drawing major conclusions without ever losing the necessary nuances of interpretation.’ Stefan Berger, University of Manchester, UK Remembering the Road to World War Two is a broad and comparative international survey of the historiography of the origins of the Second World War. It explores how, in the case of each of the major combatant countries, historical writing on the origins of the Second World War has been inextricably entwined with debates over national identity and collective memory. Spanning seven case studies – the Soviet Union, Germany, Italy, France, Great Britain, the United States and Japan – Patrick Finney proposes a fresh approach to the politics of historiography. This provocative volume discusses the political, cultural, disciplinary and archival factors which have contributed to the evolving construction of historical interpretations. It analyses the complex and multi-faceted relationships between texts about the origins of the war, the negotiation of conceptions of national identity and unfolding processes of war remembrance. Offering an innovative perspective on international history and enriching the literature on collective memory, this book will prove fascinating reading for all students of the Second World War.
Remembering the Second World War
by Patrick FinneyRemembering the Second World War brings together an international and interdisciplinary cast of leading scholars to explore the remembrance of this conflict on a global scale. Conceptually, it is premised on the need to challenge nation-centric approaches in memory studies, drawing strength from recent transcultural, affective and multidirectional turns. Divided into four thematic parts, this book largely focuses on the post-Cold War period, which has seen a notable upsurge in commemorative activity relating to the Second World War and significant qualitative changes in its character. The first part explores the enduring utility and the limitations of the national frame in France, Germany and China. The second explores transnational transactions in remembrance, looking at memories of the British Empire at war, contested memories in East-Central Europe and the transnational campaign on behalf of Japan’s former ‘comfort women’. A third section considers local and sectional memories of the war and the fourth analyses innovative practices of memory, including re-enactment, video gaming and Holocaust tourism. Offering insightful contributions on intriguing topics and illuminating the current state of the art in this growing field, this book will be essential reading for all students and scholars of the history and memory of the Second World War.
Remembering the War, Forgetting the Terror: Appeals to Family Memory in Putin's Russia (Rhetoric and Democratic Deliberation)
by Ekaterina V. HaskinsRussian state propaganda has framed the invasion of Ukraine as a liberation mission by invoking the Soviet-era myth of the Great Patriotic War (1941–45), in which the Soviet people, led by Russia, saved the world from the greatest evil of the twentieth century. At the same time, the Russian government has banned civil society institutions and initiatives that remind the country of the legacy of Soviet political violence.Remembering the War, Forgetting the Terror explores the appeal of the cult of the Great Patriotic War and the waning public interest in Soviet political terror as intertwined trends. Ekaterina V. Haskins argues that these developments are driven not only by the weaponization of the official memory of World War II but also by familial pieties and deep-seated habits of memory. Haskins uncovers how widely shared practices of remembrance have taken root and flourished through recurring exposure to war films, urban environments, popular commemorative rituals, and digital archives. Combining scholarship and personal biography, Haskins illuminates why, despite the staggering toll of World War II and internal political violence on Soviet families, most Russian citizens continue to proudly embrace their family’s participation in the war effort and avoid discussion of domestic political persecution. Elegantly written and convincingly argued, this book is an important intervention into contemporary rhetoric and memory studies that will also appeal to broader audiences interested in Russia, Eastern Europe, and the war in Ukraine.
Remembering, Replaying, and Rereading Henry VIII: The Courtier’s Henry (Routledge Studies in Renaissance Literature and Culture)
by Igor DjordjevicThis book begins by asking about the memorial issues involved in the replaying of an old history play, Shakespeare and Fletcher’s Henry VIII, at the Globe on 29 July 1628, but it is not primarily concerned with the memory of a single individual, George Villiers, 1st Duke of Buckingham who paid for the production, nor even of a single day, when he seemed to try to evoke the memories of a small group of people gathered at the theatre for a singular purpose. In order to resolve the mystery of what a group of people thought about the past in a single moment in time, this book studies Elizabethan, Jacobean, and Caroline textual recollections that inform the moment in 1628. Tracing the ways in which Henry VIII was remembered across these years reveals a dominant approach to reading history in the early modern period, and the varied purposes of memorial activity itself.
Remembrance of the Great War in the Irish Free State, 1914–1937: Specters of Empire
by Mandy LinkThis book focuses on how Irish remembrance of the First World War impacted the emerging Irish identity in the postcolonial Irish Free State. While all combatants of the “war to end all wars” commemorated the war, Irish memorial efforts were fraught with debate over Irish identity and politics that frequently resulted in violence against commemorators and World War I veterans. The book examines the Flanders poppy, the Victory and Armistice Day parades, the National War Memorial, church memorials, and private remembrances. Highlighting the links between war, memory, empire and decolonization, it ultimately argues that the Great War, its commemorations, and veterans retained political potency between 1914 and 1937 and were a powerful part of early Free State life.
Remembrance – Responsibility – Reconciliation: Challenges for Education in Germany and Japan (Kindheit – Bildung – Erziehung. Philosophische Perspektiven)
by Lothar Wigger Marie DirnbergerGermany and Japan have taken different ways of dealing with the past of the traumatic events of World War II and their own role. Even after 75 years, the battles for remembrance are not over in both countries. Questions about responsibility, about the educational consequences of history and about possibilities for reconciliation with former enemies are constantly being asked anew and require new answers. The contributions in the book address these questions from a Japanese and German perspective on the basis of empirical and historical research, combining historical, educational, and philosophical approaches and opening up new perspectives for academic research as well as for practical educational work by comparing the cultures of remembrance.
Remembrances and Celebrations: A Book of Eulogies, Elegies, Letters, and Epitaphs
by Jill Werman HarrisThis is a collection of powerful and inspirational responses to loss and to the age-old impulse to honor and memorialize the uniqueness of each human being. For the bereaved, the ritual of delivering a eulogy can seem insurmountably difficult. Remembrances and Celebrations provides gentle guidance in this profoundly important task, with a wide range of examples of memorial tributes and expressions of bereavement drawn from both the famous and the obscure, from ancient times to the present. Here are the words of famous lovers: Henry Miller's homage to Anais Nin, Lillian Hellman's eulogy for Dashiell Hammett. Here are fallen heroes commemorated, in the heartfelt words of Yitzhak Rabin's granddaughter at his funeral, in Ossie Davis's farewell to Malcolm X, in Earl Spencer's tribute to the Princess of Wales. Here, too, are moving letters: Charles Dickens to his wife on the death of their daughter, Abigail Adams to Thomas Jefferson on his daughter's death, an anonymous Royal Air Force pilot to his mother on the eve of his final battle. Auden's "Funeral Blues" is here, along with the Cavafy poem recited by Maurice Tempelsman at Jacqueline Onassis' service. And there is room for humor as well, as in Hilaire Belloc's famous epitaph, "When I am dead, I hope it may be said, 'His sins were scarlet, but his books were read.'" Remembrances and Celebrations is a comforting and affecting anthology of the literature of mourning, and a welcome aid in times of our own bereavement.
Remix
by Catherine G. LatterellWith a mix of humor and analysis, a collection of fresh readings, engaging assignments, and an enticing design, Remix is not your ordinary textbook. It asks students to re-examine everyday concepts (such as identity, entertainment, and technology), to question assumptions about everyday life and culture, and to respond critically and creatively to some of the most imaginative projects you'll find in a composition reader. Built on the idea that students live in a do-it-yourself world in which they are writers, designers, and inventors of identity and culture, Remix invites students to bring their own creativity into the composition classroom. It inspires them to ask: Why do I think the way I do? What is my relationship to the culture around me? This inquiry-based approach allows students to write about culture and identity in a meaningful way.
Remix: Reading and Composing Culture
by Catherine G. LatterellWith a mix of humor and analysis, a collection of fresh readings, lively assignments, and an enticing design, ReMix is not your ordinary textbook. It asks students to re-examine everyday concepts (such as identity, entertainment, and technology); to question assumptions about everyday life and culture; and to respond critically and creatively to some of the most imaginative projects you'll find in a composition reader. Built on the idea that students live in a do-it-yourself world in which they are the writers, designers, and inventors, ReMix invites students to bring their own creativity into the composition classroom. It inspires them to ask: Why do I think the way I do? What is my relationship to the culture around me? Am I truly, as one advertisement claims, "my playlist"? This question-posing approach allows students to write about culture and identity in a meaningful way.
Remnants of Refusal: Feminist Affect, National Trauma (SUNY series in Feminist Criticism and Theory)
by Erin Shevaugn SchlumpfAnalyzes how French and Chinese literary and filmic texts enact a series of feminist affective responses to the erasure of historical trauma.Remnants of Refusal traces an affective discourse of feminist refusal across a series of French and Chinese works of film and literature. Developing an inventive comparative approach, Erin Shevaugn Schlumpf argues that this discourse takes shape in response to two national traumas and their aftermath: the German Occupation and the Tiananmen Square Massacre, respectively. In both contexts, events associated with the trauma were effectively erased from the official historical record and replaced by an unwritten code of public secrecy. And, in both contexts, three affects-melancholy, ambivalence, and exhaustion-provide means of expressing mourning without breaking the taboo of direct representation. In films and literary texts by Wang Anyi, Chen Ran, Jia Zhangke, Nathalie Sarraute, Marguerite Duras, Jean-Luc Godard, and others, mourning is most frequently borne by and through the bodies of women, generating a broader feminist counternarrative to historical forgetting and burgeoning neoliberalism.
Remodelling Communication
by Gary GenoskoCovering major developments from post-war cybernetics and telegraphy to the Internet and our networked society, Remodelling Communication explores the critical literature from across disciplines and eras on the models used for studying communications and culture.Proceeding model-by-model, Genosko provides detailed explanations of mathematical, semiotic, and reception theory's encoding/decoding models, as well as Baudrillard's critique of models and general models that bring together a variety of disciplinary perspectives. Providing a dynamic, forward-looking reorientation towards a new universe of reference, Remodelling Communication makes a significant, productive contribution to communication theory.
Remote Teaching and Learning in the Elementary ELA Classroom: Instructional Strategies and Best Practices
by Sean Ruday Taylor M. JacobsonTeaching in remote, distance, and hybrid environments can be overwhelming and confusing and poses many challenges for novice and veteran teachers alike. In this comprehensive and practice-ready book, you’ll find clear ideas for implementing the best practices of English-language instruction in remote teaching settings. Understanding that remote teaching looks different in each subject, Ruday and Jacobson identify methods specifically designed for elementary ELA classrooms. Designed for use in remote, hybrid, and hyflex environments with synchronous or asynchronous learning, this resource gives teachers a toolbox of research-backed recommendations, ideas, examples, and practices for teaching in unpredictable and new environments. Ruday and Jacobson address essential topics, including writing, grammar, and reading instruction; assessment; differentiation; culturally relevant teaching; family engagement and communication; technology; professional self-care; and more. Teachers will come away with ready-to-implement strategies and insights for high-quality instruction that can be adapted to any kind of remote learning environment.
Remote Teaching and Learning in the Middle and High ELA Classroom: Instructional Strategies and Best Practices
by Sean Ruday Jennifer CassidyTeaching in remote, distance, and hybrid environments can be overwhelming and confusing and poses many challenges for novice and veteran teachers alike. This book guides teachers through the best practices of English language arts (ELA) instruction and helps them reflect on ways to apply those practices in remote learning and envision future instruction that draws from the most useful aspects of educational innovations. Understanding that remote teaching looks different in each subject, Ruday and Cassidy identify methods specifically designed for middle and high school ELA classrooms. Designed for use in remote, hybrid, and hyflex environments with synchronous or asynchronous learning, this resource gives teachers a toolbox of research-backed recommendations, ideas, examples, and practices for teaching in unpredictable and new environments. Ruday and Cassidy address essential topics, including writing, grammar, and reading instruction; assessment; differentiation; culturally relevant teaching; family engagement and communication; technology; professional self-care; and more. Teachers will come away with ready-to-implement strategies and insights for high-quality instruction that can be adapted to any kind of remote learning environment.
Remotivierung in der Sprache: Auf der Suche nach Form und Bedeutung (Linguistik in Empirie und Theorie/Empirical and Theoretical Linguistics)
by Günter Koch Igor Trost Lars Bülow Ulrike Krieg-HolzDie Beiträge des Bandes befassen sich aus synchroner und diachroner Perspektive mit Reanalyse-Prozessen, die unter dem Schlagwort sprachliche Remotivierung zusammengefasst werden können. Dabei handelt es sich im weitesten Sinne formseitig um remotivierende Resegmentierungen und inhaltsseitig um semantische Remotivierungen. Das Buch bietet einen Überblick über Prozesse sprachlicher Remotivierung in verschiedenen Verwendungsdomänen, in denen sprachlichen Zeichen eine zentrale Funktion zukommt.
Removable Type
by Phillip H. RoundIn 1663, the Puritan missionary John Eliot, with the help of a Nipmuck convert whom the English called James Printer, produced the first Bible printed in North America. It was printed not in English but in Algonquian, making it one of the first books printed in a Native language. In this ambitious and multidisciplinary work, Phillip Round examines the relationship between Native Americans and printed books over a two-hundred-year period, uncovering the individual, communal, regional, and political contexts for Native peoples' use of the printed word. From the northeastern woodlands to the Great Plains, Round argues, alphabetic literacy and printed books mattered greatly in the emergent, transitional cultural formations of indigenous nations threatened by European imperialism. Removable Typeshowcases the varied ways that Native peoples produced and utilized printed texts over time, approaching them as both opportunity and threat. Surveying this rich history, Round addresses such issues as the role of white missionaries and Christian texts in the dissemination of print culture in Indian Country, the establishment of "national" publishing houses by tribes, the production and consumption of bilingual texts, the importance of copyright in establishing Native intellectual sovereignty (and the sometimes corrosive effects of reprinting thereon), and the significance of illustrations.
Renaissance Beasts: Of Animals, Humans, and Other Wonderful Creatures
by Erica FudgeAnimals, as Lévi-Strauss wrote, are good to think with. This collection addresses and reassesses the variety of ways in which animals were used and thought about in Renaissance culture, challenging contemporary as well as historic views of the boundaries and hierarchies humans presume the natural world to contain. Taking as its starting point the popularity of speaking animals in sixteenth-century literature and ending with the decline of the imperial Ménagerie during the French Revolution, Renaissance Beasts uses the lens of human-animal relationships to view issues as diverse as human status and power, diet, civilization and the political life, religion and anthropocentrism, spectacle and entertainment, language, science and skepticism, and domestic and courtly cultures. Within these pages scholars from a variety of disciplines discuss numerous kinds of texts--literary, dramatic, philosophical, religious, political--by writers including Calvin, Montaigne, Sidney, Shakespeare, Descartes, Boyle, and Locke. Through analysis of these and other writers, Renaissance Beasts uncovers new and arresting interpretations of Renaissance culture and the broader social assumptions glimpsed through views on matters such as pet ownership and meat consumption. Renaissance Beasts is certainly about animals, but of the many species discussed, it is ultimately humankind that comes under the greatest scrutiny.
Renaissance Comedy
by Don Beecher The Da Ponte LibraryA rich and multi-faceted aspect of the Italian Renaissance, the comedy has been largely overlooked as a cultural force during the period. In Renaissance Comedy, editor Donald Beecher corrects this oversight with a collection of eleven comedies representative of the principal styles of writing that define the genre. Proceeding from early, ?erudite? imitations of Plautus and Terence to satires, sentimental plays of the middle years, and later, more experimental works, the development of Italian Renaissance comedy is here dissected in a fascinating and vivid light.This first of two volumes boasts five of the best-known plays of the period, each with its own historical and critical introduction. Also included is a general introduction by the editor, which discusses the features of Italian Renaissance comedy, as well as examines the stage histories of the plays and what little is known, in many cases, of the circumstances surrounding their original performances. The introduction raises questions concerning the nature of audiences, the festival occasions during which the plays were performed, and the academies which sponsored many of their creations.As a much-needed reappraisal of these comedic plays, Renaissance Comedy is an invaluable look at the performance history of the Renaissance and Italian culture in general.
Renaissance Drama By Women: Texts And Documents
by Marion Wynne-Davies S. P. CerasanoRenaissance Drama By Women is a unique volume of plays and documents. For the first time, it demonstrates the wide range of theatrical activity in which women were involved during the Renaissance period. It includes full-length plays, a translated fragment by Queen Elizabeth I, a masque, and a substantial number of historical documents. With full and up-to-date accompanying critical material, this collection of texts is an exciting and invaluable resource for use in both the classroom and research. Special features introduced by the editors include: * introductory material to each play * modernized spellings * extensive notes and annotations * biographical essays on each playwright * a complete bibliography Methodically and authoritatively edited by S.P. Cerasano and Marion Wynne-Davies, Renaissance Drama by Women is a true breakthrough for the study of women's literature and performance.
Renaissance Drama and the English Church Year
by Rudolph Chris Hassel Jr.Evidence encouraging a new and productive approach to Renaissance drama has long been available in the records of Renaissance court perfon-nances compiled by E. K. Chambers and Gerald Eades Bentley.' Over fifty years ago Chambers noticed the persistent correlation between the dates of dramatic performance at Elizabeth's court and certain liturgical festivals of the English church year. Whether in Whitehall or elsewhere, the twelve days of Christmas from the Nativity to the Epiphany, were a season of high revels.... Twelfth Night [6 Jan.] itself, with St. Stephen's [26 Dec.] , St. John's [27 Dec.], Innocents' [28 Dec.], and New Year's Day [circumcision], were regularly appointed for plays and masks, which often overflowed on to other nights during the period.... The revels were renewed for Candlemas [2 Feb.] and for Shrovetide [Sunday, Monday, and Tuesday before Ash Wednesday] , either at the Christmas headquarters or at some other palace to which the court had meanwhile removed. . . . Easter, with the distribution of alms and washing of feet on Maunday Thursday, and Whitsuntide, were kept as ecclesiastical, rather than secular feasts. [1: 19-201 Gradually emerging during the sixteenth century, this calendar tradition seems to have peaked in the period 1570-85, continued strong until Elizabeth's death, diminished and changed somewhat during the Jacobean and Caroline periods, and then disappeared completely after 1640.
Renaissance Drama by Women: Texts and Documents
by Marion Wynne-Davies S. P. Cerasano<p>Gathered for the first time in this unique volume are plays and documents which show that, contrary to traditional thinking, women did participate in the theatrical culture of the Renaissance. Women were authors, translators, performers, spectators, and even part-owners of theatres. <p>Included in this meticulously edited volume are four full-length plays, a fragment of a translation from Seneca by Queen Elizabeth I, a masque written for performance by a ladies’ school before Queen Anne and a collection of historical documents. <p><i>Renaissance Drama by Women: Texts and Documents</i> is the first collection to offer such a wealth of literary and historical material. The editors assist the reader in understanding the richness of the texts by providing modernized spellings, full notes, annotations of unfamiliar words and phraseology, biographical essays and a bibliography. This volume will be invaluable to students and scholars of Renaissance studies, theatre history and women’s studies.</p>
Renaissance Drama on the Edge
by Lisa HopkinsRecurring to the governing idea of her 2005 study Shakespeare on the Edge, Lisa Hopkins expands the parameters of her investigation beyond England to include the Continent, and beyond Shakespeare to include a number of dramatists ranging from Christopher Marlowe to John Ford. Hopkins also expands her notion of liminality to explore not only geographical borders, but also the intersection of the material and the spiritual more generally, tracing the contours of the edge which each inhabits. Making a journey of its own by starting from the most literally liminal of physical structures, walls, and ending with the wholly invisible and intangible, the idea of the divine, this book plots the many and various ways in which, for the Renaissance imagination, metaphysical overtones accrued to the physically liminal.
Renaissance Drama, volume 49 number 2 (Fall 2021)
by Renaissance DramaThis is volume 49 issue 2 of Renaissance Drama. Renaissance Drama explores the rich variety of theatrical and performance traditions and practices in early modern Europe and intersecting cultures. The sole scholarly journal devoted to the full expanse of Renaissance theatre and performance, the journal publishes articles that extend the scope of our understanding of early modern playing, theatre history, and dramatic texts and interpretation, encouraging innovative theoretical and methodological approaches to these traditions, examining familiar works, and revisiting well-known texts from fresh perspectives.
Renaissance Drama, volume 50 number 1 (Spring 2022)
by Renaissance DramaThis is volume 50 issue 1 of Renaissance Drama. Renaissance Drama explores the rich variety of theatrical and performance traditions and practices in early modern Europe and intersecting cultures. The sole scholarly journal devoted to the full expanse of Renaissance theatre and performance, the journal publishes articles that extend the scope of our understanding of early modern playing, theatre history, and dramatic texts and interpretation, encouraging innovative theoretical and methodological approaches to these traditions, examining familiar works, and revisiting well-known texts from fresh perspectives.
Renaissance Drama, volume 50 number 2 (Fall 2022)
by Renaissance DramaThis is volume 50 issue 2 of Renaissance Drama. Renaissance Drama explores the rich variety of theatrical and performance traditions and practices in early modern Europe and intersecting cultures. The sole scholarly journal devoted to the full expanse of Renaissance theatre and performance, the journal publishes articles that extend the scope of our understanding of early modern playing, theatre history, and dramatic texts and interpretation, encouraging innovative theoretical and methodological approaches to these traditions, examining familiar works, and revisiting well-known texts from fresh perspectives.