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Speculative Grammar and Stoic Language Theory in Medieval Allegorical Narrative: From Prudentius to Alan of Lille (Studies in Medieval History and Culture)
by Jeffrey BardzellIn his Plaint of Nature (De planctu Naturae), Alan of Lille bases much of his argument against sin in general and homosexuality in particular on the claim that both amount to bad grammar. The book explores the philosophical uses of grammar that were so formative of Alan’s thinking in major writers of the preceding generations, including Garland the Computist, St. Anselm, and Peter Abelard. Many of the linguistic theories on which these thinkers rely come from Priscian, an influential sixth-century grammarian, who relied more on the ancient tradition of Stoic linguistic theory than the Aristotelian one in elaborating his grammatical theory. Against this backdrop, the book provides a reading of Prudentius’ Psychomachia and presents an analysis of allegory in light of Stoic linguistic theory that contrasts other modern theories of allegorical signification and readings of Prudentius. The book establishes that Stoic linguistic theory is compatible with and likely partially formative of both the allegorical medium itself and the ideas expressed within it, in particular as they appeared in the allegories of Prudentius, Boethius, and Alan.
Speculative Identities: Contemporary Italian Women's Narrative
by Rita Wilson"Since the early 1980s, the novel has been deemed by many Italian women writers to be the most apt vehicle for creating positive images of the future of women. The novel becomes the space for confession, while at the same time allowing greater expressive freedom. There is no longer one voice for the ""feminine role"" and, by creating heroines who are also intellectuals, these authors offer their readers models of alternative versions of self. This study is a partial inventory of the new women's narrative and aims to provide a broad literary framework through which both the general reader and the student can appreciate the characteristics and innovations of contemporary Italian women's fiction. The writers chosen for this study (Ginerva Bompiani, Edith Bruck, Paola Capriolo, Francesca Duranti, Rosetta Loy, Giuliana Morandini, Marta Morazzoni, Anna Maria Ortese, Sandra Petrignanni, Fabrizia Ramondino, Elisabetta Rasy and Francesca Sanvitale) have achieved both critical acclaim and public recognition and their texts show the richness of voices, topics and structures in Italian women's writing today."
Speculative Light: The Arts of Beauford Delaney and James Baldwin
by Amy J EliasOver the course of a thirty-eight-year friendship, painter Beauford Delaney and writer James Baldwin shared their private lives and shaped one another’s artistic values. Speculative Light brings together scholars, critics, and artists who analyze the stylistic and historical import of Delaney's and Baldwin’s works and examine how this friendship fundamentally shaped the pair's ideas about art and life. The book’s contributors explore how the two men, sharing identities as queer Black American artists, first in New York and then as expatriates in France, created a speculative space in their work to think about more just and creative Black futures. Essay topics and issues range from masculinity, queerness, Blackness, and Americanness to the relationship between jazz, painting, and writing. Throughout, the contributors establish a positive history for Delaney's and Baldwin’s arts that refuses a subordinate role to white artists of the modernist avant-garde. Ultimately, Speculative Light demonstrates that Delaney and Baldwin's bond provides revolutionary grounds for theorizing contemporary Black art and life.Contributors. Hilton Als, Nicholas Boggs, Indie A. Choudhury, Shawn Anthony Christian, Rachel Cohen, Amy J. Elias, Monika Gehlawat, David Leeming, D. Quentin Miller, Fred Moten, Walton M. Muyumba, Robert O’Meally, Ed Pavlić, Levi Prombaum, Robert Reid-Pharr, Tyler T. Schmidt, Abbe Schriber, Jered Sprecher, Stephen C. Wicks, Magdalena Zaborowska
Speculative Satire in Contemporary Literature and Film: Rant Against the Regime (Routledge Studies in Speculative Fiction)
by Kirk CombeSince 1980, when neoliberal and neoconservative forces began their hostile takeover of western culture, a new type of political satire has emerged that works to unmask and deter those toxic doctrines. Literary and cultural critic Kirk Combe calls this new form of satire the Rant. The Rant is grim, highly imaginative, and complex in its blending of genres. It mixes facets of satire, science fiction, and monster tale to produce widely consumed spectacles—major studio movies, popular television/streaming series, bestselling novels—designed to disturb and to provoke. The Rant targets what Combe calls the Regime. Simply put, the Regime is the sum of the dangerous social, economic, and political orthodoxies spurred on by neoliberal and neoconservative polity. Such practices include free-market capitalism, corporatism, militarism, religiosity, imperialism, racism, patriarchy, and so on. In the Rant, then, we have a unique and wholly contemporary genre of political expression and protest: speculative satire.
Speculative Satire in Contemporary Literature and Film: Rant Against the Regime (Routledge Studies in Speculative Fiction)
by Kirk CombeSince 1980, when neoliberal and neoconservative forces began their hostile takeover of western culture, a new type of political satire has emerged that works to unmask and deter those toxic doctrines. Literary and cultural critic Kirk Combe calls this new form of satire the Rant. The Rant is grim, highly imaginative, and complex in its blending of genres. It mixes facets of satire, science fiction, and monster tale to produce widely consumed spectacles—major studio movies, popular television/streaming series, bestselling novels—designed to disturb and to provoke. The Rant targets what Combe calls the Regime. Simply put, the Regime is the sum of the dangerous social, economic, and political orthodoxies spurred on by neoliberal and neoconservative polity. Such practices include free-market capitalism, corporatism, militarism, religiosity, imperialism, racism, patriarchy, and so on. In the Rant, then, we have a unique and wholly contemporary genre of political expression and protest: speculative satire.
Speculative Wests: Popular Representations of a Region and Genre (Postwestern Horizons)
by Michael K. JohnsonLooking across the cultural landscape of the twenty-first century, its literature, film, television, comic books, and other media, we can see multiple examples of what Shelley S. Rees calls a &“changeling western,&” what others have called &“weird westerns,&” and what Michael K. Johnson refers to as &“speculative westerns&”—that is, hybrid western forms created by merging the western with one or more speculative genres or subgenres, including science fiction, fantasy, horror, and alternate history.Speculative Wests investigates both speculative westerns and other speculative texts that feature western settings. Just as &“western&” refers both to a genre and a region, Johnson&’s narrative involves a study of both genre and place, a study of the &“speculative Wests&” that have begun to emerge in contemporary texts such as the zombie-threatened California of Justina Ireland&’s Deathless Divide (2020), the reimagined future Navajo nation of Rebecca Roanhorse&’s Sixth World series (2018–19), and the complex temporal and geographic borderlands of Alfredo Véa&’s time travel novel The Mexican Flyboy (2016). Focusing on literature, film, and television from 2016 to 2020, Speculative Wests creates new visions of the American West.
Speculum, volume 100 number 1 (January 2025)
by SpeculumThis is volume 100 issue 1 of Speculum. Speculum, an English-language quarterly founded in 1926, was the first journal in North America devoted to the Middle Ages. It is open to contributions in all fields and methodologies studying the Middle Ages, a period that ranges from approximately 500 to 1500. The journal welcomes scholarship that takes a global approach as well as articles that bridge disciplines and appeal to a broad cross section of medievalists. European, Arabic, Byzantine, Hebrew, and Slavic studies are included.
Speculum, volume 100 number 2 (April 2025)
by SpeculumThis is volume 100 issue 2 of Speculum. Speculum, an English-language quarterly founded in 1926, was the first journal in North America devoted to the Middle Ages. It is open to contributions in all fields and methodologies studying the Middle Ages, a period that ranges from approximately 500 to 1500. The journal welcomes scholarship that takes a global approach as well as articles that bridge disciplines and appeal to a broad cross section of medievalists. European, Arabic, Byzantine, Hebrew, and Slavic studies are included.
Speculum, volume 100 number 3 (July 2025)
by SpeculumThis is volume 100 issue 3 of Speculum. Speculum, an English-language quarterly founded in 1926, was the first journal in North America devoted to the Middle Ages. It is open to contributions in all fields and methodologies studying the Middle Ages, a period that ranges from approximately 500 to 1500. The journal welcomes scholarship that takes a global approach as well as articles that bridge disciplines and appeal to a broad cross section of medievalists. European, Arabic, Byzantine, Hebrew, and Slavic studies are included.
Speculum, volume 96 number 4 (October 2021)
by SpeculumThis is volume 96 issue 4 of Speculum. Speculum, an English-language quarterly founded in 1926, was the first journal in North America devoted to the Middle Ages. It is open to contributions in all fields and methodologies studying the Middle Ages, a period that ranges from approximately 500 to 1500. The journal welcomes scholarship that takes a global approach as well as articles that bridge disciplines and appeal to a broad cross section of medievalists. European, Arabic, Byzantine, Hebrew, and Slavic studies are included.
Speculum, volume 97 number 1 (January 2022)
by SpeculumThis is volume 97 issue 1 of Speculum. Speculum, an English-language quarterly founded in 1926, was the first journal in North America devoted to the Middle Ages. It is open to contributions in all fields and methodologies studying the Middle Ages, a period that ranges from approximately 500 to 1500. The journal welcomes scholarship that takes a global approach as well as articles that bridge disciplines and appeal to a broad cross section of medievalists. European, Arabic, Byzantine, Hebrew, and Slavic studies are included.
Speculum, volume 97 number 2 (April 2022)
by SpeculumThis is volume 97 issue 2 of Speculum. Speculum, an English-language quarterly founded in 1926, was the first journal in North America devoted to the Middle Ages. It is open to contributions in all fields and methodologies studying the Middle Ages, a period that ranges from approximately 500 to 1500. The journal welcomes scholarship that takes a global approach as well as articles that bridge disciplines and appeal to a broad cross section of medievalists. European, Arabic, Byzantine, Hebrew, and Slavic studies are included.
Speculum, volume 97 number 3 (July 2022)
by SpeculumThis is volume 97 issue 3 of Speculum. Speculum, an English-language quarterly founded in 1926, was the first journal in North America devoted to the Middle Ages. It is open to contributions in all fields and methodologies studying the Middle Ages, a period that ranges from approximately 500 to 1500. The journal welcomes scholarship that takes a global approach as well as articles that bridge disciplines and appeal to a broad cross section of medievalists. European, Arabic, Byzantine, Hebrew, and Slavic studies are included.
Speculum, volume 97 number 4 (October 2022)
by SpeculumThis is volume 97 issue 4 of Speculum. Speculum, an English-language quarterly founded in 1926, was the first journal in North America devoted to the Middle Ages. It is open to contributions in all fields and methodologies studying the Middle Ages, a period that ranges from approximately 500 to 1500. The journal welcomes scholarship that takes a global approach as well as articles that bridge disciplines and appeal to a broad cross section of medievalists. European, Arabic, Byzantine, Hebrew, and Slavic studies are included.
Speculum, volume 98 number 1 (January 2023)
by SpeculumThis is volume 98 issue 1 of Speculum. Speculum, an English-language quarterly founded in 1926, was the first journal in North America devoted to the Middle Ages. It is open to contributions in all fields and methodologies studying the Middle Ages, a period that ranges from approximately 500 to 1500. The journal welcomes scholarship that takes a global approach as well as articles that bridge disciplines and appeal to a broad cross section of medievalists. European, Arabic, Byzantine, Hebrew, and Slavic studies are included.
Speculum, volume 98 number 2 (April 2023)
by SpeculumThis is volume 98 issue 2 of Speculum. Speculum, an English-language quarterly founded in 1926, was the first journal in North America devoted to the Middle Ages. It is open to contributions in all fields and methodologies studying the Middle Ages, a period that ranges from approximately 500 to 1500. The journal welcomes scholarship that takes a global approach as well as articles that bridge disciplines and appeal to a broad cross section of medievalists. European, Arabic, Byzantine, Hebrew, and Slavic studies are included.
Speculum, volume 98 number 4 (October 2023)
by SpeculumThis is volume 98 issue 4 of Speculum. Speculum, an English-language quarterly founded in 1926, was the first journal in North America devoted to the Middle Ages. It is open to contributions in all fields and methodologies studying the Middle Ages, a period that ranges from approximately 500 to 1500. The journal welcomes scholarship that takes a global approach as well as articles that bridge disciplines and appeal to a broad cross section of medievalists. European, Arabic, Byzantine, Hebrew, and Slavic studies are included.
Speculum, volume 99 number 1 (January 2024)
by SpeculumThis is volume 99 issue 1 of Speculum. Speculum, an English-language quarterly founded in 1926, was the first journal in North America devoted to the Middle Ages. It is open to contributions in all fields and methodologies studying the Middle Ages, a period that ranges from approximately 500 to 1500. The journal welcomes scholarship that takes a global approach as well as articles that bridge disciplines and appeal to a broad cross section of medievalists. European, Arabic, Byzantine, Hebrew, and Slavic studies are included.
Speculum, volume 99 number 2 (April 2024)
by SpeculumThis is volume 99 issue 2 of Speculum. Speculum, an English-language quarterly founded in 1926, was the first journal in North America devoted to the Middle Ages. It is open to contributions in all fields and methodologies studying the Middle Ages, a period that ranges from approximately 500 to 1500. The journal welcomes scholarship that takes a global approach as well as articles that bridge disciplines and appeal to a broad cross section of medievalists. European, Arabic, Byzantine, Hebrew, and Slavic studies are included.
Speculum, volume 99 number 3 (July 2024)
by SpeculumThis is volume 99 issue 3 of Speculum. Speculum, an English-language quarterly founded in 1926, was the first journal in North America devoted to the Middle Ages. It is open to contributions in all fields and methodologies studying the Middle Ages, a period that ranges from approximately 500 to 1500. The journal welcomes scholarship that takes a global approach as well as articles that bridge disciplines and appeal to a broad cross section of medievalists. European, Arabic, Byzantine, Hebrew, and Slavic studies are included.
Speculum, volume 99 number 4 (October 2024)
by SpeculumThis is volume 99 issue 4 of Speculum. Speculum, an English-language quarterly founded in 1926, was the first journal in North America devoted to the Middle Ages. It is open to contributions in all fields and methodologies studying the Middle Ages, a period that ranges from approximately 500 to 1500. The journal welcomes scholarship that takes a global approach as well as articles that bridge disciplines and appeal to a broad cross section of medievalists. European, Arabic, Byzantine, Hebrew, and Slavic studies are included.
Speech Accommodation in Student Presentations
by Alla ZarevaThis book examines student presentations as a genre of English for Academic Purposes (EAP), and analyses the elements of speech and audience accommodation which make a successful presentation. Offering an antidote to the audience-centric approach to presentation design and delivery promoted by numerous books and manuals on the subject, each chapter tackles an under-researched aspect of student presentations, and presents data-based evidence for practical recommendations within the genre. The language analyses presented in the book are based on a real-life corpus of student presentations, providing clear examples of successful oral academic discourse. This book will be of interest to students of applied linguistics, EAP, TESOL and language education.
Speech Act Theory and Shakespeare: Scenes of Thanking in Shakespeare’s Plays (Routledge Studies in Shakespeare)
by Chahra BeloufaSpeech Act Theory and Shakespeare delves deeper than linguistic ornamentation to illuminate the complex dynamics of thanking as a significant speech act in Shakespearean plays. The word “thanks” appears nearly 400 times in 37 Shakespearean plays, calling for a careful investigation of its veracity as a speech act in the 16th-century setting. This volume combines linguistic analysis to explore the various uses of thanks, focusing on key thanking scenes across a spectrum of plays, including All’s Well That Ends Well, Romeo and Juliet, The Merchant of Venice, Timon of Athens, The Winter’s Tale, and the Henriad. Shakespeare’s works indicate the act of thanking to be more than a normal part of dialogue; it is an artistic expression fraught with pitfalls similar to those of negative speech acts. The study aims to determine what compels the characters in Shakespeare to offer thanks and evaluates Shakespeare’s accomplishment in imbuing the word “thanks” with performance quality in the theatrical sphere. This work adds to our comprehension of Shakespearean plays and larger conversations on the challenges of language usage in theatrical and cultural settings by examining the convergence of gratitude with power dynamics, political intrigue, and interpersonal relationships, drawing on a multidisciplinary approach that includes pragmatics, philosophy, religion, and psychology.
Speech Acts
by John R. SearleWritten in an outstandingly clear and lively style, this 1969 book provokes its readers to rethink issues they may have regarded as long since settled.
Speech Acts and Literary Theory (Routledge Library Editions: Literary Theory #20)
by Sandy PetreyThis book, first published in 1990, combines an introduction to speech-act theory as developed by J. L. Austin with a survey of critical essays that have adapted Austin's thought for literary analysis. Speech-act theory emphasizes the social reality created when speakers agree that their language is performative - Austin's term for utterances like: "we hereby declare" or "I promise" that produce rather than describe what they name. In contrast to formal linguistics, speech-act theory insists on language's active prominence in the organization of collective life. The first section of the text concentrates on Austin's determination to situate language in society by demonstrating the social conventions manifest in language. The second and third parts of the book discuss literary critics' responses to speech-act theory's socialisation of language, which have both opened new understandings of textuality in general and stimulated new interpretations of individual works. This book will be of interest to students of linguistics and literary theory.