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The Inwardness of Things: Joseph Conrad and the Voice of Poetry
by Debra Romanick BaldwinThe Inwardness of Things considers Joseph Conrad as a modern voice in an ancient and enduring quarrel between the poets and the philosophers. Beginning from the polemical poetics of his 1897 preface, Debra Romanick Baldwin focuses on Conrad’s distinctively poetic “inward” approach to truth – an inwardness that is found in lived experience, in language, and in the world beyond the individual. The book traces Conrad’s poetic voice from the rhetoric of his private letters to the narrative techniques of his fiction and finally to his explicit engagement with abstract approaches to truth. Baldwin applies narrative and rhetorical analysis to Conrad’s private correspondence, showing how he encouraged fellow writers – John Galsworthy, F. Warrington Dawson, R.B. Cunninghame Graham, Ted Sanderson, and Edward Noble – to engage with the inwardness of their own experience. The book explores how Conrad crafted moments of narrative solidarity in his fictional narratives to evoke the experience of the inwardness of another, while also considering his explicit polemics against abstract approaches to truth-seeking. Mindful of the colonial, late Victorian, Polish Romantic, and cosmopolitan contexts in which Conrad wrote, The Inwardness of Things nevertheless situates him in a broader human conversation that he himself invited and argues for the enduring value of his art.
The Iranian Languages (Routledge Language Family Series)
by Gernot WindfuhrThe Iranian languages form the major eastern branch of the Indo-European group of languages, itself part of the larger Indo-Iranian family. Estimated to have between 150 and 200 million native speakers, the Iranian languages constitute one of the world’s major language families. This comprehensive volume offers a detailed overview of the principle languages which make up this group: Old Iranian, Middle Iranian, and New Iranian. The Iranian Languages is divided into fifteen chapters. The introductory chapters by the editor present a general overview and a detailed discussion of the linguistic typology of Iranian. The individual chapters which follow are written by leading experts in the field. These provide the reader with concise, non-technical descriptions of a range of Iranian languages. Each chapter follows the same pattern and sequence of topics, taking the reader through the significant features not only of phonology and morphology but also of syntax; from phrase level to complex sentences and pragmatics. Ample examples on all levels are provided with detailed annotation for the non-specialist reader. In addition, each chapter covers lexis, sociolinguistic and typological issues, and concludes with annotated sample texts. This unique resource is the ideal companion for undergraduate and postgraduate students of linguistics and language. It will also be of interest to researchers or anyone with an interest in historical linguistics, linguistics anthropology and language development. Gernot Windfuhr is Professor of Iranian Studies at the University of Michigan; he has published widely on Persian and Iranian languages and linguistics and related languages, as well as on other aspects of Iranian culture including Persian literature and Pre-Islamic Iranian religions.
The Irish Expatriate Novel in Late Capitalist Globalization (Cambridge Studies in Twenty-First-Century Literature and Culture)
by Joe ClearyThis study of contemporary Irish expatriate fiction offers a boldly original world-facing rather than nation-focused overview of the contemporary Irish novel. Chapters examine how Irish narrative deals with the United States in a time of declining global hegemony, a rising China and Asia, a thwarted and turbulent Global South, and a European Union that has decisively reshaped Ireland in the last half century. The author argues that in a late capitalist world defined by volatile economic and cultural globalizations, the Irish novel is struggling to imagine new ways to narrate the country's relationship to the world capitalist system and to find new place for Irish writing in the world literary system. Looking at a rapidly-changing Ireland in a rapidly-changing international order, Joe Cleary offers new readings of novels by Colm Tóibín, Anne Enright, Joseph O'Neill, Deirdre Madden, Mary Costello, Naoise Dolan, Aidan Higgins, Colum McCann, Ronan Sheehan and Ronan Bennett.
The Irish Language in Ireland: From Goídel to Globalisation (Routledge Studies in Linguistics)
by Diarmait Mac ChríostThis book comprises the first complete treatment of the Irish language in social context throughout the whole of Ireland, with a particular focus on contemporary society. The possibilities and limitations of the craft of language planning for the revival of the Irish language are outlined and the book also situates the language issue in the context of current debates on the geography, history and politics of the nature of Irish identity. A comprehensive multidisciplinary approach is adopted throughout.
The Irish Language: AN Annotated Bibliography of Sociolinguistic Publications 1772-1982 (Routledge Library Editions: Linguistics)
by John EdwardsIn compiling this bibliography, the main purpose was to assemble references to published material of a sociolinguistic nature concerning the Irish language. The intent was not to cover publications treating language per se, but rather to consider those dealing with language in its social context. Represented here are articles, chapters, books and pamphlets bearing upon social, historical, psychological and educational aspects of Irish – including the decline of the language, the restoration effort, the relationship of language to nationality and religion, and studies of important figures in the language movement.
The Irish New Woman (Palgrave Studies in Nineteenth-Century Writing and Culture)
by Tina O’TooleThe Irish New Woman explores the textual and ideological connections between feminist, nationalist and anti-imperialist writing and political activism at the fin de siècle. This is the first study which foregrounds the Irish and New Woman contexts, effecting a paradigm shift in the critical reception of fin de siècle writers and their work.
The Irish Short Story at the Turn of the Twenty-First Century: Tradition, Society and Modernity (Routledge Studies in Irish Literature)
by Madalina ArmieIn the mid-1990s, Ireland was experiencing the "best of times". The Celtic Tiger seemed to instil in the national consciousness that poverty was a problem of the past. The impressive economic performance ensured that the Republic occupied one of the top positions among the world’s economic powers. During the boom, dissident voices continuously criticised what they considered to be a mirage, identifying the precariousness of its structures and foretelling its eventual crash. The 2008 recession proved them right. Throughout this time, the Irish contemporary short story expressed distrust. Enabled by its capacity to reflect change with immediacy and dexterity, the short story saw through the smokescreen created by the Celtic Tiger discourse of well-being. It reinterpreted and captured the worst and the best of the country and became a bridge connecting tradition and modernity. The major objective of this book is to analyse the interactions between fiction and reality during this period in Ireland by studying the short stories written by old and emergent voices published between the birth of the Celtic Tiger in 1995 up to its immediate aftermath in 2013.
The Irish Ulysses
by Maria TymoczkoThis title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.
The Irish and the Imagination of Race: White Supremacy across the Atlantic in the Nineteenth Century
by Patrick R. O'MalleyThis book analyzes the role of Irishness in nineteenth-century constructions of race and racialization, both in the British Isles and in the United States. Focusing on the years immediately preceding the American Civil War, Patrick O’Malley interrogates the bardic verse epic, the gothic tale, the realist novel, the stage melodrama, and the political polemic to ask how many mid-nineteenth-century Irish nationalist writers with liberationist politics declined to oppose race-based chattel enslavement in the United States and the structures of white supremacy that underpinned and ultimately outlived it. Many of the writers whose work O’Malley examines drew specifically upon the image of Black suffering to generate support for their arguments for Irish political enfranchisement; yet in doing so, they frequently misrepresented the fundamental differences between Irish and Black experience under the regimes of white supremacy, which has had profound consequences.
The Irresistible Fairy Tale: The Cultural and Social History of a Genre
by Jack ZipesA provocative new theory about fairy tales from one of the world's leading authoritiesIf there is one genre that has captured the imagination of people in all walks of life throughout the world, it is the fairy tale. Yet we still have great difficulty understanding how it originated, evolved, and spread—or why so many people cannot resist its appeal, no matter how it changes or what form it takes. In this book, renowned fairy-tale expert Jack Zipes presents a provocative new theory about why fairy tales were created and retold—and why they became such an indelible and infinitely adaptable part of cultures around the world.Drawing on cognitive science, evolutionary theory, anthropology, psychology, literary theory, and other fields, Zipes presents a nuanced argument about how fairy tales originated in ancient oral cultures, how they evolved through the rise of literary culture and print, and how, in our own time, they continue to change through their adaptation in an ever-growing variety of media. In making his case, Zipes considers a wide range of fascinating examples, including fairy tales told, collected, and written by women in the nineteenth century; Catherine Breillat's film adaptation of Perrault's "Bluebeard"; and contemporary fairy-tale drawings, paintings, sculptures, and photographs that critique canonical print versions.While we may never be able to fully explain fairy tales, The Irresistible Fairy Tale provides a powerful theory of how and why they evolved—and why we still use them to make meaning of our lives.
The Irresistible Novel: How to Craft an Extraordinary Story That Engages Readers from Start to Finish
by Jeff GerkeDiscover Your Voice and Enthrall Readers! The craft of writing is filled with various debates: Should I include a prologue? Should I delete all adverbs from my manuscript? Just how much backstory--if any--can I include in my story? These questions--and their often-contradictory answers--can cause confusion, frustration, and even paralysis in the writer. The Irresistible Novel frees you from the limits of so-called "rules" and instead provides you with a singular goal: You must engage your readers from beginning to end. Filled with down-to-earth discussions on the various debates of writing, as well as innovative research on neuroscience and reader response, this book shows you how to: Navigate the various debates on writing fiction--showing versus telling, purple prose, outlining, writing description, and more--to decide what kind of novelist you want to be. Hack your reader's brain to hook her interest and trigger emotional engagement from the very first page. Incorporate enduring elements of storytelling from masters like Joseph Campbell, Aristotle, and Carl Jung. Readers want to be swept away by your stories. When you eschew the rules and focus on your readers' desires, you're free to write truly irresistible fiction.
The Irresponsible Self: On Laughter and the Novel
by James Wood"James Wood has been called our best young critic. This is not true. He is our best critic; he thinks with a sublime ferocity." - Cynthia Ozick. Following the collection The Broken Estate-- which established James Wood as the leading critic of his generation-- The Irresponsible Self confirms Wood's preeminence, not only as a discerning judge but also as an appreciator of contemporary novels.
The Isherwood Century: Essays on the Life and Work Of Christopher Isherwood
by Chris Freeman James J. BergCalled “the best English prose writer of this century” by Gore Vidal, Christopher Isherwood is best known for Goodbye to Berlin—the inspiration for the musical Cabaret—but is also the author of plays, novels, and diaries. The Isherwood Century gathers twenty-four essays and interviews offering a fresh, in-depth view of Isherwood, his literary legacy, and his continuing influence as both a literary and a gay pioneer.
The Island Before No
by Christina UssWhen a kid who can say NO visits an island of walruses who can only say YES, chaos ensues in this hilarious debut picture book. For fans of NO Is All I Know!When you're a walrus living on an island where the answer to every question is YES, life is pretty simple, especially when that's all you've ever known. It's great when you want a slice of birthday cake for breakfast . . . and not so great when someone asks you to wear an itchy shirt.But one day, a kid shows up, brandishing an entirely new word: NO. NO is heavy like a bookcase, solid as a boulder. It's not shaped like YES, but somehow, it's still an answer. The kid calls his friends to come visit the island too, and it's not long before they've eaten up all of the yummiest food without sharing. What's worse, none of them bring their own toothbrushes . . .It becomes clear that what the walruses all need is to find their own NO . . . not only to hold back the rampaging horde of children — but for their own sakes as well. The Island Before No is a hilarious new picture book that blends its zany fun with an important message about respecting and setting boundaries.
The Island: War and Belonging in Auden’s England
by Nicholas JenkinsA groundbreaking reassessment of W. H. Auden’s early life and poetry, shedding new light on his artistic development as well as on his shifting beliefs about political belonging in interwar England.From his first poems in 1922 to the publication of his landmark collection On This Island in the mid-1930s, W. H. Auden wrestled with the meaning of Englishness. His early works are prized for their psychological depth, yet Nicholas Jenkins argues that they are political poems as well, illuminating Auden’s intuitions about a key aspect of modern experience: national identity. Two historical forces, in particular, haunted the poet: the catastrophe of World War I and the subsequent “rediscovery” of England’s rural landscapes by artists and intellectuals.The Island presents a new picture of Auden, the poet and the man, as he explored a genteel, lyrical form of nationalism during these years. His poems reflect on a world in ruins, while cultivating visions of England as a beautiful—if morally compromised—haven. They also reflect aspects of Auden’s personal search for belonging—from his complex relationship with his father, to his quest for literary mentors, to his negotiation of the codes that structured gay life. Yet as Europe veered toward a second immolation, Auden began to realize that poetic myths centered on English identity held little potential. He left the country in 1936 for what became an almost lifelong expatriation, convinced that his role as the voice of Englishness had become an empty one.Reexamining one of the twentieth century’s most moving and controversial poets, The Island is a fresh account of his early works and a striking parable about the politics of modernism. Auden’s preoccupations with the vicissitudes of war, the trials of love, and the problems of identity are of their time. Yet they still resonate profoundly today.
The Isle of Pines, 1668: Henry Neville's Uncertain Utopia
by John ScheckterA short fiction of shipwreck and discovery written by the politician Henry Neville (1620-1694), The Isle of Pines is only beginning to draw critical attention, and until now no scholarly edition of the work has appeared. In the first full-length study of The Isle of Pines, supported by the first fully critical edition, John Scheckter discloses how Neville's work offers a critique of scientific discourse, enacts complicated engagements of race and gender, and interrogates the methods and consequences of European exploration. The volume offers a new critical model for applying post-colonial and postmodern examination strategies to an early modern work. Scheckter argues that the structure and publication history of the fiction, with its separate, unreliable narrators, along with its several topics-shipwreck survival, the founding of a new society, the initial phases of European colonization-are imbued with the sense of uncertainty that permeated the era.
The Israeli-Palestinian Conflict in the British Press
by Ruth Sanz SabidoThe Israeli-Palestinian Conflict in the British Press provides an extensive empirical analysis of how the Israeli-Palestinian conflict has been constructed in British national newspapers since 1948. It traces the evolution of representations of the conflict by placing them in a historical context, with particular reference to Britain’s postcolonial relation to Palestine, and by presenting an in-depth analysis of the evolution of press language, including the use of terms such as ‘terrorism’ and ‘terrorist’ to classify agents of political violence. It applies an original approach to the study of media coverage, using a Postcolonial Critical Discourse Analysis framework, an innovative method that examines selected case studies in relation to theories of postcolonialism and discourse. Using this unique hybrid methodology, Sanz Sabido provides a thorough and precise unpicking of a highly mediated conflict.
The Issue At Hand
by William Atheling Jr.FOR SEVERAL YEARS, hiding under a cloak of anonymity, the most penetrating critic of the field of magazine science fiction was known as "William Atheling, Jr." It soon became a challenge to guess his real identity. And that was no easy game, for Atheling's dissection did not spare even his other ego, the noted science-fiction writer James Blish. Having shed his protective covering, Mr. Blish has assembled many of the Atheling papers and edited them into the present book. It covers principally the science-fiction magazines from 1952 to 1963, and is virtually a text for would-be writers of science fiction. Nor is its value limited to that genre; the rules of good writing are universal, and Atheling's critiques are not restricted to the peculiarities and special interests of science fiction. The essays take the aspiring authors and editors--the Heinleins and Campbells of tomorrow--by the hand and lead them painstakingly through the dense forests of "said-bookism," the treacherous moors of "repetitive phrasing," and other forbidden territories. And even an old hand or three will find cause to wonder and reflect, and perhaps even to re-evaluate professional skills too long taken for granted. No subject is too sacred or taboo for Atheling's shredding typewriter; from sex to God, from religion to satirical poetry. No author, however fragile, is spared the bloody mark of his relentless lash; from Anderson to Heinlein to Zirul... and all stops in between. No editor or publisher, from Campbell to Columbia, is spared his--or its--due share of any responsibility. But most important, The Issue at Hand is not just --or even primarily--a textbook for students of writing. It is a vastly entertaining collection in its own right, affording many hours of pleasant and informative reading and re-reading, urging the reader ahead with the wry comments, unexpected humor, and undeviating attention to standards that were the hallmarks of William Atheling, Jr.
The Italian
by Ann RadcliffeFrom the first moment Vincentio di Vivaldi, a young nobleman, sets eyes on the veiled figure of Ellena, he is captivated by her enigmatic beauty and grace. But his haughty and manipulative mother is against the match and enlists the help of her confessor to come between them. Schedoni, previously a leading figure of the Inquisition, is a demonic, scheming monk with no qualms about the task, whether it entails abduction, torture - or even murder. The Italian secured Ann Radcliffe's position as the leading writer of Gothic romance of the age, for its atmosphere of supernatural and nightmarish horrors, combined with her evocation of sublime landscapes and chilling narrative.
The Italian Academies 1525-1700: Networks of Culture, Innovation and Dissent (Legenda)
by Jane E. Everson Denis V Reidy Lisa SampsonThe intellectual societies known as Academies played a vital role in the development of culture, and scholarly debate throughout Italy between 1525-1700. They were fundamental in establishing the intellectual networks later defined as the ‘République des Lettres’, and in the dissemination of ideas in early modern Europe, through print, manuscript, oral debate and performance. This volume surveys the social and cultural role of Academies, challenging received ideas and incorporating recent archival findings on individuals, networks and texts. Ranging over Academies in both major and smaller or peripheral centres, these collected studies explore the interrelationships of Academies with other cultural forums. Individual essays examine the fluid nature of academies and their changing relationships to the political authorities; their role in the promotion of literature, the visual arts and theatre; and the diverse membership recorded for many academies, which included scientists, writers, printers, artists, political and religious thinkers, and, unusually, a number of talented women. Contributions by established international scholars together with studies by younger scholars active in this developing field of research map out new perspectives on the dynamic place of the Academies in early modern Italy. The publication results from the research collaboration ‘The Italian Academies 1525-1700: the first intellectual networks of early modern Europe’ funded by the Arts and Humanities Research Council and is edited by the senior investigators.
The Italian Antimafia, New Media, and the Culture of Legality
by Robin Pickering-IazziThe past two decades have witnessed increasing opposition to mafia influence and activities in Italy. Community organizations such as Libera, founded in 1995, and Addiopizzo, originating in 2004, exemplify how Italian society has tried to come together to promote antimafia activities. The societal opposition to mafia influence continues to grow and the Internet has become a frontline in the battle between the two groups. The Italian Antimafia, New Media, and the Culture of Legality is the first book to examine the online battles between the mafia and its growing cohort of opponents. While the mafia’s supporters have used Internet technologies to expand its power, profits, and violence, antimafia citizens employ the same technologies to recreate Italian civil society. The contributors to this volume are experts in diverse fields and offer interdisciplinary studies of antimafia activism and legality in online journalism, Twitter, YouTube, digital storytelling, blogs, music, and photography. These examinations enable readers to understand the grassroots Italian cultural revolution, which makes individuals responsible for promoting justice, freedom, and dignity.
The Italian Idea: Anglo-Italian Radical Literary Culture, 1815–1823 (Cambridge Studies in Romanticism #128)
by Will BowersFrom 1815 to 1823 the Italian influence on English literature was at its zenith. While English tourists flocked to Italy, a pervasive Italianism coloured many facets of London life, including poetry, periodicals, translation, and even the Queen's trial of 1820. In this engaging study Will Bowers considers this radical interaction by pursuing two interrelated analyses. The first examines the Italian literary and political ideas absorbed by Romantic poets, particularly Lord Byron, Leigh Hunt, and Percy Bysshe Shelley. The second uncovers the ambassadorial role played in London by Italians, such as Serafino Buonaiuti and Ugo Foscolo, who promoted a revolutionary idea of their homeland and its literature, particularly Dante's Commedia. This dual-perspective study reveals the cosmopolitan challenge to Regency mores embodied in both the work of Italian literary exiles in London and the English poetic engagement with Italy.
The Italian Language Today
by Anna Laura Lepschy Guilio Lepschy'a truly authoritative short Italian grammar ... possibly the best concise account now available in any language' - The Times Literary Supplement 'a stimulating and scholarly introduction to Italian for the serious student. It contains a great deal of original material and the authors' unequivocal attitudes to the linguistic reality of modern Italy...make it important that it should be read and discussed by Italianists everywhere' - The Times Higher Education Supplement 'a major new contribution to the literature in English...it will be an essential part of the linguistic formation of every Italianist' - The Year's Work in Modern Language Studies Recently revised to bring it completed up-to-date, this book remains a unique source on the Italian language as it is actually spoken and written in Italy. The combination of historical perspective and contemporary grammar make it particularly useful for Italian linguistics.
The Italian Literature of the Axis War: Memories of Self-Absolution and the Quest for Responsibility (Italian and Italian American Studies)
by Guido BartoliniThis book investigates the representation of the Axis War – the wars of aggression that Fascist Italy fought in North Africa, Greece, the Soviet Union, and the Balkans, from 1940 to 1943 – in three decades of Italian literature. Building on an innovative and interdisciplinary methodology, which combines memory studies, historiography, thematic criticism, and narratology, this book explores the main topoi, themes, and masterplots of an extensive corpus of novels and memoirs to assess the contribution of literature to the reshaping of Italian memory and identity after the end of Fascism. By exploring the influence that public memory exercises on literary depictions and, in return, the contribution of literary texts to the formation and dissemination of a discourse about the past, the book examines to what extent Italian literature helped readers form an ethical awareness of the crimes committed by members of their national community during World War II.
The Italian Novella (Garland Medieval Casebooks)
by Gloria AllaireFirst Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.