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The Letters of William Cullen Bryant: Volume V, 1865–1871

by William Cullen Bryant

On April 26, 1865, as Abraham Lincoln's funeral cortege paused in Union Square, New York, before being taken by rail to Springfield, Illinois, William Cullen Bryant listened as his own verse elegy for the slain president was read to a great concourse of mourners by the Reverend Samuel Osgood. Only five years earlier and a few blocks downtown, at Cooper Union, Bryant had introduced the prairie candidate to his first eastern audience. There his masterful appeal to the conscience of the nation prepared the way for his election to the presidency on the verge of the Civil War. Now, Bryant stood below Henry Kirke Brown's equestrian statue of George Washington, impressing Osgood as if he were "the 19tth Century itself thinking over the nation and the age in that presence." Bryant's staunch support of the Union cause throughout the war, and of Lincoln's war efforts, no less than his known influence with the president, led several prominent public figures to urge that he write Lincoln's biography. Oliver Wendell Holmes wrote him, "No man combines the qualities for his biographer so completely as yourself and the finished task would be a noble crown to a noble literary life." But Bryant declined, declaring his inability to record impartially critical events in which he had taken so central a part. Furthermore, while preoccupied with the editorial direction of the New York Evening Post, he was just then repossessing and enlarging his family's homestead at Cummington, Massachusetts, where he hoped his ailing wife might, during long summers in mountain air, regain her health. But in July 1866, Frances died of recurrent rheumatic fever, and, Bryant confessed to Richard Dana, he felt as "one cast out of Paradise." After France's death Bryant traveled with his daughter Julia for nearly a year through Great Britain and the Continent, where he met British statesman and novelist Edward Bulwer Lytton and French literary critic Hyppolyte Taine, renewed his friendship with Spanish poet Carolina Coronado, Italian liberator Giuseppe Garibaldi, and British and American artists, and visited the family of the young French journalist Georges Clemenceau, as well as the graves of earlier acquaintances Francis Lord Jeffrey and Elizabeth Barrett Browning. In his spare moments Bryant sought solace by beginning the translation of Homer, and Longfellow had found relief after his wife's tragic death by rendering into English Dante's Divine Comedy. Home again in New York, Bryant bought and settled in a house at 24 West 16th Street which would be his city home for the rest of his life. Here he completed major publications, including the Iliad and Odyssey of Homer and an exhaustive Library of Poetry and Song, and added to published tributes to earlier friends, such as Thomas Cole, Fenimore Cooper, and Washington Irving, memorial discourses on Fitz-Greene Halleck and Gulian Verplanck. In addition to his continued direction of the New York Homeopathic Medical college and the American Free Trade League, he was elected to the presidency of the Williams College Alumni Association, the International Copyright Association, and the Century Association, the club of artists and writers of which, twenty years earlier, he had been a principal founder and which he would direct for the last decade of his life.

The Letters of William Cullen Bryant: Volume VI, 1872–1878

by William Cullen Bryant

In January 1872, Bryant traveled to Mexico City, where he was greeted warmly by President Benito Juarez; on this and other occasions he was feted for the Evening Post's sturdy condemnation in 1863 of the abortive invasion of Mexico, which was freshly remembered there. AT the close of his visit a local newspaper remarked that the "honors and hospitality which were so lavishly and generously conferred upon him were the spontaneous outpouring of a grateful people, who had not forgotten that when Mexico was friendless Mr. Bryant became her friend." Returning in April through New Orleans and up the Mississippi by steamboat to Cincinnati, he was greeted at a public reception by Governor Rutherford Hayes, who was pleased by his "winning and lovable" manners and "pithy" anecdotes.That spring Bryant built a library for his birthplace, Cummington, stocking it with several thousand books procured for him by the publisher George Palmer Putnam in New York and London. The following year, after the last of his many travels - this time a revisit to South Carolina and Florida - he made a similar gift to Roslyn. These benefactions won him honorary membership in the newly formed American Library Association, and an invitation to open a library at Princeton University, which made him an honorary doctor of letters. Ultimately, in the final year of his life, his plans for the Bryant Library at Cummington, solicited from the White House by President Hayes, provided the basic design for the first presidential library in the country - that established by Hayes in Fremont, Ohio.An improbable by-product of the presidential race in 1872 was a proposal by leading journalists that Bryant become -in his seventy-eighth year - a candidate to oppose President Grant and his challenger for the Republican nomination, the mercurial editor of the New York Tribune, Horace Greeley. Bryant's immediate refusal to take the suggestion seriously was succinct, and tinged with humor. It was impossible, he declared in his newspaper, that he should receive the nomination, and "equally impossible," if it were offered, that he should "commit the folly of accepting it." Four years later he was distressed at being unable to switch his journal's support of the Republican candidate Hayes to the Democratic candidate, his old companion in political reform, Samuel Jones Tilden.As Bryant approached and entered his eighties, his writing and public speaking continued without slackening. Between 1872 and 1878 he published his collected Orations and Addresses, edited a revision of his anthology of poetry and two volumes of landscape sketches, Picturesque America, co-authored a four-volume Popular History of the United States, and undertook to co-edit a three-volume set of Shakespeare's plays, while also producing long monographs on several seventeenth-century English poets. He dedicated statues of Shakespeare, Walter Scott, and Fitz-Green Halleck in Central Park, and spoke elsewhere on Robert Burns, Benjamin Franklin, Goethe, and Shakespeare, gave speeches on Mexico and "National Honesty," and presided over the founding of the State Charities Aid Association. He was honored in Albany at receptions by each house of the legislature. For his eightieth birthday, his life's work was celebrated in silver on a Tiffany vase given him by admirers throughout the country.Bryant's last public act was to unveil, in Central Park, his brainchild of nearly a half century earlier: a bust of the Italian patriot Giuseppe Mazzini. Here, after exhaustion under the June sun, he fell and suffered a massive concussion followed by a stroke, which led to his death a fortnight later in his eighty-fourth year. A period of virtual national mourning preceded his funeral and his burial beside his wife at Roslyn. At one of many memorial services, a eulogist exclaimed, "The broad outline of his character had become universally familiar, like a mountain or a sea. Whoever saw Bryant saw America."

The Letters of William Gaddis: Revised Edition

by William Gaddis

A revelatory collection of correspondence by the lauded author of titanic American classics such as The Recognitions and J R, shedding light on his staunchly private life.UPDATED WITH OVER TWO DOZEN NEW LETTERS AND PHOTOGRAPHSNow recognized as one of the giants of postwar American fiction, William Gaddis shunned the spotlight during his life, which makes this collection of his letters a revelation. Beginning in 1930 when Gaddis was at boarding school and ending in September 1998, a few months before his death, these letters function as a kind of autobiography, and also reveal the extent to which he drew upon events in his life for his fiction. Here we see him forging his first novel, The Recognitions (1955), while living in Mexico, fighting in a revolution in Costa Rica, and working in Spain, France, and North Africa. Over the next twenty years he struggles to find time to write the National Book Award–winning J R (1975) amid the complications of work and family; deals with divorce and disillusionment before reviving his career with Carpenter&’s Gothic (1985); then teaches himself enough about the law to produce A Frolic of His Own (1994). Resuming his lifelong obsession with mechanization and the arts, he finishes a last novel, Agapē Agape (published in 2002), as he lies dying.This newly revised edition includes clarifying notes by Gaddis scholar Steven Moore, as well as an afterword by the author&’s daughter, Sarah Gaddis.

The Letters of Wyndham Lewis (Routledge Library Editions: Wyndham Lewis #2)

by W. K. Rose

Originally published in 1963 and edited by an authority on Wyndham Lewis (whom he also knew personally) this volume made available for the first time over 500 letters of Wyndham Lewis, who for half a century was a dynamic force among English artists and intellectuals. Culturally, Lewis played the dual role of innovator and iconoclast. Lewis’s letters show the wide range of his interests as well as his great verbal energy and unrelenting intellect. Lewis knew most of the significant artists and writers of his time and some of them – Augustus John, Pound, Eliot and Joyce were his lifelong friends and chief correspondents. Regardless of to whom he was writing, he displayed his intense awareness of the personalities and currents around him.

The Levellers: The Putney Debates

by Philip Baker Geoffrey Robertson

Evolving from Oliver Cromwell's New Model army in Parliament's struggle against King Charles I, the Levellers pushed for the removal of corruption in parliament, universal voting rights and religious toleration. This came to a head with the famous debates between the Levellers and Cromwell at St Mary's church in Putney, London. Renowned human-rights lawyer and author Geoffrey Robertson argues for the relevance of the Levellers' stand today, showing how they were the first Western radical democrats.

The Lexical Phonology of Sekani (Routledge Library Editions: Phonetics and Phonology #6)

by Sharon Hargus

First published in 1988. This title explores the phonology of Sekani, a northern Athabaskan language, within the framework of Lexical Phonology. After providing an overview of the language of Sekani and the theory of Lexical Phonology, the author goes on to explore various issues in the application of this theory. This title will be of interest to students of language and linguistics.

The Lexical and Metrical Phonology of English: The Legacy of the Sound Pattern of English

by John T. Jensen

This is the first full-scale discussion of English phonology since Chomsky and Halle's seminal The Sound Pattern of English (SPE). The book enphasizes the analysis using ordered rules and builds on SPE by incorporating lexical and metrical and prosodic analysis and the insights afforded by Lexical Phonology. It provides clear explanations and logical development throughout, introducing rules individually and then illustrating their interactions. These features make this influential theory accessible to students from a variety of backgrounds in linguistics and phonology. Rule-ordering diagrams summarize the crucial ordering of approximately 85 rules. Many of the interactions result in phonological opacity, where either the effect of a rule is not evident in the output or its conditions of application are not present in the output, due to the operation of later rules. This demonstrates the superiority of a rule-based account over output oriented approaches such as Optimality Theory or pre-Generative structuralist phonology.

The Lexus and the Olive Tree: Understanding Globalization

by Thomas L. Friedman

From one of our most perceptive commentators and winner of the National Book Award, a comprehensive look at the new world of globalization, the international system that, more than anything else, is shaping world affairs today. As the Foreign Affairs columnist for The New York Times, Thomas L. Friedman has traveled the globe, interviewing people from all walks of contemporary life: Brazilian peasants in the Amazon rain forest, new entrepreneurs in Indonesia, Islamic students in Teheran, and the financial wizards on Wall Street and in Silicon Valley. Now Friedman has drawn on his years on the road to produce an engrossing and original look at globalization. Globalization, he argues, is not just a phenomenon and not just a passing trend. It is the international system that replaced the Cold War system; the new, well-greased, interconnected system: Globalization is the integration of capital, technology, and information across national borders, in a way that is creating a single global market and, to some degree, a global village. Simply put, one can't possibly understand the morning news or one's own investments without some grasp of the system. Just one example: During the Cold War, we reached for the hot line between the White House and the Kremlin--a symbol that we were all divided but at least the two superpowers were in charge. In the era of globalization, we reach for the Internet--a symbol that we are all connected but nobody is totally in charge. With vivid stories and a set of original terms and concepts, Friedman offers readers remarkable access to his unique understanding of this new world order, and shows us how to see this new system. He dramatizes the conflict of "the Lexus and the olive tree"--the tension between the globalization system and ancient forces of culture, geography, tradition, and community. He also details the powerful backlash that globalization produces among those who feel brutalized by it, and he spells out what we all need to do to keep the system in balance. Finding the proper balance between the Lexus and the olive tree is the great drama of he globalization era, and the ultimate theme of Friedman's challenging, provocative book--essential reading for all who care about how the world really works.

The Libation Bearers (SparkNotes Literature Guide Series)

by SparkNotes

The Libation Bearers (SparkNotes Literature Guide) by Aeschylus Making the reading experience fun! Created by Harvard students for students everywhere, SparkNotes is a new breed of study guide: smarter, better, faster. Geared to what today's students need to know, SparkNotes provides: *Chapter-by-chapter analysis *Explanations of key themes, motifs, and symbols *A review quiz and essay topicsLively and accessible, these guides are perfect for late-night studying and writing papers

The Liberal Imagination: Essays on Literature and Society

by Lionel Trilling

The Liberal Imagination is one of the most admired and influential works of criticism of the last century, a work that is not only a masterpiece of literary criticism but an important statement about politics and society. Published in 1950, one of the chillier moments of the Cold War, Trilling's essays examine the promise --and limits--of liberalism, challenging the complacency of a naïve liberal belief in rationality, progress, and the panaceas of economics and other social sciences, and asserting in their stead the irreducible complexity of human motivation and the tragic inevitability of tragedy. Only the imagination, Trilling argues, can give us access and insight into these realms and only the imagination can ground a reflective and considered, rather than programmatic and dogmatic, liberalism. Writing with acute intelligence about classics likeHuckleberry Finnand the novels of Henry James and F. Scott Fitzgerald, but also on such varied matters as the Kinsey Report and money in the American imagination, Trilling presents a model of the critic as both part of and apart from his society, a defender of the reflective life that, in our ever more rationalized world, seems ever more necessary--and ever more remote.

The Liberation of Life through Death: Reading Tolstoy’s “The Death of Ivan Ilyich”

by Jason Hoult

This book undertakes to show how the exercise of reading Tolstoy’s “The Death of Ivan Ilyich” involves articulating for ourselves, as readers, what it means to liberate life through death. What Tolstoy’s short story shows us, the author argues, is that life can be truly liberated through death only when we see that death is neither a supernatural event nor a natural end but involves a work of love. In Part 1 of his study, the author addresses the common assumptions that give rise to the idea that religious and secular views of life and death are opposed in modernity. He also examines the history of values that Tolstoy’s story embodies. In Part 2, he analyses the life and death of Ivan Ilyich in order to show that the values that are embedded in Tolstoy’s story are at once religious and secular.

The Libertine's Nemesis: The Prude in Clarissa and the Roman Libertin

by James Fowler

What is the role of the prude in the roman libertin? James Fowler argues that in the most famous novels of the genre (by Richardson, Crebillon fils, Laclos and Sade) the prude is not the libertine's victim but an equal and opposite force working against him, and that ultimately she brings retribution for his social, erotic and philosophical presumption. In a word, she is his Nemesis. He is vulnerable to her power because of the ambivalence he feels towards her; she is his ideological enemy, but also his ideal object. Moreover, the libertine succumbs to an involuntary nostalgia for the values of the Seventeenth Century, which the prude continues to embody through the age of Enlightenment. In Crebillon fils and Richardson, the encounter between libertine and prude is played out as a skirmish or duel between two individuals. In Laclos and Sade, the presence of female libertines (the Marquise de Merteuil and Juliette) allows that encounter to be reenacted within a murderous triangle.

The Librarian's Atlas: The Shape of Knowledge in Early Modern Spain

by Seth Kimmel

A history of early modern libraries and the imperial desire for total knowledge. Medieval scholars imagined the library as a microcosm of the world, but as novel early modern ways of managing information facilitated empire in both the New and Old Worlds, the world became a projection of the library. In The Librarian’s Atlas, Seth Kimmel offers a sweeping material history of how the desire to catalog books coincided in the sixteenth and seventeenth centuries with the aspiration to control territory. Through a careful study of library culture in Spain and Morocco—close readings of catalogs, marginalia, indexes, commentaries, and maps—Kimmel reveals how the booklover’s dream of a comprehensive and well-organized library shaped an expanded sense of the world itself.

The Library

by Andrew Lang

The Library

by Andrew Lang

Andrew Lang (1844-1912) was a prolific Scots man of letters, a poet, novelist, literary critic and contributor to anthropology. He now is best known as the collector of folk and fairy tales. He was educated at the Edinburgh Academy, St Andrews University and at Balliol College, Oxford. As a journalist, poet, critic and historian, he soon made a reputation as one of the ablest and most versatile writers of the day. Lang was one of the founders of the study of "Psychical Research," and his other writings on anthropology include The Book of Dreams and Ghosts (1897), Magic and Religion (1901) and The Secret of the Totem (1905). He was a Homeric scholar of conservative views. Other works include Homer and the Epic (1893); a prose translation of The Homeric Hymns (1899), with literary and mythological essays in which he draws parallels between Greek myths and other mythologies; and Homer and his Age (1906). He also wrote Ballades in Blue China (1880) and Rhymes la Mode (1884).

The Library at Night

by Alberto Manguel

"The starting point is a question," Alberto Manguel writes in the introduction toThe Library at Night: since few can doubt that the universe is ultimately meaningless and purposeless, why do we try to give it order? After all, our efforts are surely doomed to failure. It’s hard to think of a more profound or serious subject to start with – butThe Library at Night,Alberto Manguel says, is by no means a systematic answer. Rather, it is the story of the search for one. In the tradition ofA History of Reading, this book is an account of Manguel’s astonishment at the variety, beauty and persistence of our efforts to shape the world and our lives, most notably through something almost as old as reading itself: libraries. The result is both intimately personal and incredibly wide-ranging: it is a fascinating study of the mysteries of libraries, a thorough analysis of their history throughout the world and an esoteric, enchanting celebration of reading. It is, perhaps most of all, a book that only Alberto Manguel could have written. The Library at Nightbegins with the design and construction of Alberto Manguel’s own library at his house in western France – a process that raises puzzling questions about his past and his reading habits, as well as broader ones about the nature of categories, catalogues, architecture and identity. Exploring these themes with a deliberately unsystematic brilliance, Manguel takes us to the great Library at Alexandria, and Michelangelo’s Laurentian Library in Florence; we sit with Jorge Luis Borges in his office at the National Library in Argentina, travel with donkeys carrying books into the Colombian hinterland, and discover theFihrist, a chaotic and delightful bibliographic record of medieval Arab knowledge. There seem to be no limits to Manguel’s learning, or his ability to illuminate his investigations with magical, telling details from the past. Thematically organized and beautifully illustrated, this book considers libraries as treasure troves and architectural spaces; it looks on them as autobiographies of their owners and as statements of national identity. It examines small personal libraries and libraries that started as philanthropic ventures, and analyzes the unending promise – and defects – of virtual ones. It compares different methods of categorization (and what they imply) and libraries that have built up by chance as opposed to by conscious direction. Although it is encyclopedic (and discusses encyclopedias assembled by Diderot and fifteenth-century Chinese scholars alike) and full of concrete historical analysis (including a brief investigation of the prejudices underlying the Dewey Decimal System) this book is animated throughout by a gentle, even playful sensibility: it is governed by the browser’s logic of association and pleasure, rather than the rigid lines of scholarly theory. After all, everything in a library is connected: "As the librarians of Alexandria perhaps discovered, any single literary moment necessarily implies all others. " In part this is because this is about the libraryat night, not during the day: this book takes in what happens after the lights go out, when the world is sleeping, when books become the rightful owners of the library and the reader is the interloper. Then all daytime order is upended: one book calls to another across the shelves, and new alliances are created across time and space. And so, as well as the best design for a reading room and the makeup of Robinson Crusoe’s library, this book dwells on more "nocturnal" subjects: fictional libraries like those carried by Count Dracula and Frankenstein’s monster; shadow libraries of lost and censored books; imaginary libraries of books not yet written.

The Library of Unrequited Love

by Sophie Divry

One morning a librarian finds a reader who has been locked in overnight. She begins to talk to him, a one-way conversation full of sharp insight and quiet outrage. As she rails against snobbish senior colleagues, an ungrateful and ignorant public, the strictures of the Dewey Decimal System and the sinister expansionist conspiracies of the books themselves, two things shine through: her unrequited passion for a researcher named Martin, and an ardent and absolute love for the arts. A delightful divertissement for the discerning bookworm...

The Library of Unrequited Love

by Sophie Divry

One morning a librarian finds a reader who has been locked in overnight. She begins to talk to him, a one-way conversation full of sharp insight and quiet outrage. As she rails against snobbish senior colleagues, an ungrateful and ignorant public, the strictures of the Dewey Decimal System and the sinister expansionist conspiracies of the books themselves, two things shine through: her unrequited passion for a researcher named Martin, and an ardent and absolute love for the arts. A delightful divertissement for the discerning bookworm...

The Lie

by Barbara W. Makar

Storybook Set 2A Book 5

The Lie That Tells a Truth: A Guide to Writing Fiction

by John Dufresne

"This is the most practical, hard-nosed, generous, direct, and useful guide to writing fiction."--Brad Watson Finally, a truly creative--and hilarious--guide to creative writing, full of encouragement and sound advice. Provocative and reassuring, nurturing and wise, The Lie That Tells a Truth is essential to writers in general, fiction writers in particular, beginning writers, serious writers, and anyone facing a blank page. John Dufresne, teacher and the acclaimed author of Love Warps the Mind a Little and Deep in the Shade of Paradise, demystifies the writing process. Drawing upon the wisdom of literature's great craftsmen, Dufresne's lucid essays and diverse exercises initiate the reader into the tools, processes, and techniques of writing: inventing compelling characters, developing a voice, creating a sense of place, editing your own words. Where do great ideas come from? How do we recognize them? How can language capture them? In his signature comic voice, Dufresne answers these questions and more in chapters such as "Writing Around the Block," "Plottery," and "The Art of Abbreviation." Dufresne demystifies the writing process, showing that while the idea of writing may be overwhelming, the act of writing is simplicity itself.

The Life And Poems Of A Cuban Slave

by Edward J. Mullen

This is a revised second edition of Edward Mullen's landmark scholarly presentation of Juan Francisco Manazo's autobiography and poetry. Taking into account the extensive scholarship that has accrued in the intervening decades, this is an accessible, essential resource for scholars and students of Caribbean literatures.

The Life Informatic

by Dominic Boyer

News journalism is in the midst of radical transformation brought about by the spread of digital information and communication technology and the rise of neoliberalism. What does it look like, however, from the inside of a news organization? In The Life Informatic, Dominic Boyer offers the first anthropological ethnography of contemporary office-based news journalism. The result is a fascinating account of journalists struggling to maintain their expertise and authority, even as they find their principles and skills profoundly challenged by ever more complex and fast-moving streams of information. Boyer conducted his fieldwork inside three news organizations in Germany (a world leader in digital journalism) supplemented by extensive interviews in the United States. His findings challenge popular and scholarly images of journalists as roving truth-seekers, showing instead the extent to which sedentary office-based "screenwork" (such as gathering and processing information online) has come to dominate news journalism. To explain this phenomenon Boyer puts forth the notion of "digital liberalism"-a powerful convergence of technological and ideological forces over the past two decades that has rebalanced electronic mediation from the radial (or broadcast) tendencies of the mid-twentieth century to the lateral (or peer-to-peer) tendencies that dominate in the era of the Internet and social media. Under digital liberalism an entire regime of media, knowledge, and authority has become integrated around liberal principles of individuality and publicity, both unmaking and remaking news institutions of the broadcast era. Finally, Boyer offers some scenarios for how news journalism will develop in the future and discusses how other intellectual professionals, such as ethnographers, have also become more screenworkers than fieldworkers.

The Life Writing of Otherness: Woolf, Baldwin, Kingston, and Winterson (Literary Criticism and Cultural Theory)

by Lauren Rusk

Focusing on innovative works by Woolf, Baldwin, Kingston and Winterson, the author analyzes how they each represent the self as unique, collectively "other," and inclusively human, and how these conflicting aspects of selfhood interact.

The Life You Save May Be Your Own: An American Pilgrimage

by Paul Elie

A Chicago Tribune Best Book of the Year: “A fascinating multiple biography of four of the most influential Catholic literary figures of the 20th century.” —BooklistWinner, PEN/Martha Albrand Award for First Nonfiction * Finalist, National Book Critics Circle Award * An Atlantic Monthly Book of the Year * A San Francisco Chronicle Best Book of the Year * A San Jose Mercury News Top Book of the YearThomas Merton was a Trappist monk in Kentucky; Dorothy Day the founder of the Catholic Worker movement in New York; Flannery O’Connor a “Christ-haunted” literary prodigy in Georgia; Walker Percy a doctor in New Orleans who quit medicine to write fiction and philosophy. In the mid-twentieth century, these four American Catholics came to believe that the best way to explore the questions of religious faith was to write about them, in works that readers of all kinds could admire. A friend came up with a name for them—the School of the Holy Ghost—and for three decades they exchanged letters, ardently read one another’s books, and grappled with what one of them called a “predicament shared in common.”A pilgrimage is a journey taken in light of a story; and in The Life You Save May Be Your Own, Paul Elie tells these writers’ story as a pilgrimage from the God-obsessed literary past of Dante and Dostoevsky out into the thrilling chaos of postwar American life. It is a story of how the Catholic faith, in their vision of things, took on forms the faithful could not have anticipated. And it is a story about the ways we look to great books and writers to help us make sense of our experience, about the power of literature to change—to save—our lives.“Reminds us of what it means to live authentically in a world that seems determined to dull our senses and our intellect and our spirits with doublespeak, nonsense, meaningless distraction.” —Alice McDermott, Commonweal“Lucid, humane, poignant, and wise. As a work of the spirit, it is universal and in no way sectarian.” —Harold Bloom“[An] engrossing, smartly conceived and perfectly realized work.” —Tom Nolan, San Francisco Chronicle“An elegant, intelligent blend of biography and literary criticism.” —Ben Lytal, Atlanta Journal-Constitution

The Life and Comics of Howard Cruse: Taking Risks in the Service of Truth (Critical Graphics)

by Andrew J. Kunka

The Life and Comics of Howard Cruse tells the remarkable story of how a self-described “preacher’s kid” from Birmingham, Alabama, became the so-called “Godfather of Gay Comics.” This study showcases a remarkable fifty-year career that included working in the 1970s underground comics scene, becoming founding editor of the groundbreaking anthology series Gay Comix, and publishing the graphic novel Stuck Rubber Baby, partially based on his own experience of coming of age in the Civil Rights era. Through his exploration of Cruse’s life and work, Andrew J. Kunka also chronicles the dramatic ways that gay culture changed over the course of Cruse’s lifetime, from Cold War-era homophobia to the gay liberation movement to the AIDS crisis to the legalization of gay marriage. Highlighting Cruse’s skills as a trenchant satirist and social commentator, Kunka explores how he cast a queer look at American politics, mainstream comics culture, and the gay community’s own norms. Lavishly illustrated with a broad selection of comics from Cruse’s career, this study serves as a perfect introduction to this pioneering cartoonist, as well as an insightful read for fans who already love how his work sketched a new vision of gay life.

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