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The Invention of the Oral: Print Commerce and Fugitive Voices in Eighteenth-Century Britain
by Paula McDowellJust as today’s embrace of the digital has sparked interest in the history of print culture, so in eighteenth-century Britain the dramatic proliferation of print gave rise to urgent efforts to historicize different media forms and to understand their unique powers. And so it was, Paula McDowell argues, that our modern concepts of oral culture and print culture began to crystallize, and authors and intellectuals drew on older theological notion of oral tradition to forge the modern secular notion of oral tradition that we know today. Drawing on an impressive array of sources including travel narratives, elocution manuals, theological writings, ballad collections, and legal records, McDowell re-creates a world in which everyone from fishwives to philosophers, clergymen to street hucksters, competed for space and audiences in taverns, marketplaces, and the street. She argues that the earliest positive efforts to theorize "oral tradition," and to depict popular oral culture as a culture (rather than a lack of culture), were prompted less by any protodemocratic impulse than by a profound discomfort with new cultures of reading, writing, and even speaking shaped by print. Challenging traditional models of oral versus literate societies and key assumptions about culture’s ties to the spoken and the written word, this landmark study reorients critical conversations across eighteenth-century studies, media and communications studies, the history of the book, and beyond.
The Inverted Gaze
by David Homel François CussetFrançois Cusset, author of the acclaimed book French Theory, investigates the queering of the French literary canon by American writers and scholars in this thought-provoking and free-minded journey across six centuries of literary classics and sexual polemics.Cusset presents the foundations and rationale for American queer theory, the field of study established in the 1990s and promulgated by writers and scholars such as Judith Butler, Eve Kosofsky Sedgwick, and Michael Warner (in the wake of Michel Foucault), which challenges a supposed "heteronormative" ideology in our culture. He provides an overview of their reinterpretation of the French literary canon from a queer perspective, then deliberately goes further, confronting that same canon with a lively form of general suspicion-seeking gender trouble and sexual ambiguities in the most unexpected corners of French literary classics, in which macho heroes turn out to be homosocial melancholics and the most seemingly submissive housewives are great vanguards of lesbian liberation.Cusset's survey includes medieval and Renaissance literature, works from the Age of Enlightenment, nineteenth-century avant-gardists such as Charles Baudelaire and Honoré de Balzac, and twentieth-century modernists such as Marcel Proust and Jean Genet.Bold in its themes and propositions, The Inverted Gaze (a translation of the book Queer Critics) is an extraordinary work about French literature and American queer politics by one of France's biggest intellectual stars.François Cusset is a professor of American studies at the University of Paris. He is the author of numerous books including French Theory (2008).David Homel is an award-winning translator and writer who lives in Montreal, Quebec.
The Invisible Alphabet
by Joshua David SteinAn ABC of things unseen: from Air to Zero, and Nothing in between.A is for AirB is for Bare C is for ClearThere is nothing to see in this A to Z, other than clues to what was once or may soon be there. The 26 alphabetical scenarios are conceptual, mysterious, and meticulous, deliberately hinting at a story that has happened off the page. Readers are encouraged to explore each letter and soak in the wonder and curiosity of the alphabet unseen. Cleverly illustrated by the beloved Ron Barrett of Cloudy with a Chance of Meatballs, this hardcover picture book is less about the letters you see, and more about the story you don't.
The Invisible Mender
by Sarah MaguireLucid, complex, sensual and richly textured, the poems in The Invisible Mender are notable for the breadth of their subject matter and the precision of their detail. We travel on journeys through landscapes dense with historical and political meanings, from the post-industrial decline of frozen North America to the stymied fecundity of a London garden paralysed in a heatwave: each emotional and physical climate explored and illuminated by the writer's astonishing images and searching intelligence. This is the work of unusual power and frankness, unflinching in its steady examination of grief and love, as in the heartbreaking title poem about the poet's loss of her first mother. But here, and in the magnificent long poem 'The Hearing Cure' this explicit engagement with what is difficult also reveals the redemptive, healing force of language. Sarah Maguire's outstanding first collection of poems, Spilt Milk, was published to considerable critical acclaim and led to her being chosen as one of the New Generation Poets. The Invisible Mender, her eagerly awaited second volume, will confirm her reputation as one of the most exciting young poets in Britain.
The Invisible Spy: by Eliza Haywood (Chawton House Library: Women's Novels #18)
by Carol StewartInterest in the work of Eliza Haywood has increased greatly over the last two decades. Though much scholarship is focused on her ‘scandalous’ early career, this critical edition of The Invisible Spy (1755) adds to the canon of her later, more sophisticated work.
The Invisible Tent: The War Novels of Ford Madox Ford
by Ambrose Gordon Jr.This critical evaluation of Ford Madox Ford's "novels of war, which are also novels about peace," is made in a most delightful manner. Based on a thorough knowledge of the novelist, it is enriched by keen perception and delicate taste and is couched in an informal, highly readable style. Ambrose Gordon, Jr. , here analyzes seven novels by Ford that in Gordon's opinion constitute Ford's masterpieces: Parade's End (a tetralogy consisting of Some Do Not, No More Parades, A Man Could Stand Up, and The Last Post), The Marsden Case, No Enemy, and The Good Soldier. Interested in what these novels have to say, Gordon is equally interested in how they make their comment, and so approaches them through analysis of the fictional methods that Ford employed. Yet he skillfully avoids a common error of critics who become absorbed in technique-loss of contact with the book itself-by providing numerous quotations of sufficient length to indicate the novels' quality. These passages, examined in detail for content and technique, give the reader an understanding of the novel that, though not a substitute for one's own reading of the narratives, is enhanced by the interpretation of a brilliant critic. Gordon traces the development of the novelist's art in various phases: the characteristic moods and general patterns of his novels, his borrowings from the French, the effects of his association with Conrad, his concept of the novel as fairy tale, his use of scene exteriors and interiors. Gordon's discussion cuts across the seven novels in many aspects but concentrates on one novel, or a group of novels, when his ideas have less general illustration.
The Invisible Toolbox: The Power of Reading to Your Child from Birth to Adolescence
by Kim Jocelyn DicksonAn Essential Tool for Preparing Your Child for Kindergarten and BeyondReading aloud to your children is essential. Longtime elementary school teacher Kim Jocelyn Dickson believes every child begins kindergarten with a lunchbox in one hand and an “invisible toolbox” in the other. In The Invisible Toolbox, Kim shares with parents the single most important thing they can do to foster their child’s future learning potential and nurture the parent-child bond that is the foundation for a child’s motivation to learn. She is convinced that the simple act of reading aloud has a far-reaching impact that few of us fully understand and that our recent, nearly universal saturation in technology has further clouded its importance.In The Invisible Toolbox, parents, educators, and early literacy advocates will discover:Ten priceless tools that will fill their child’s toolbox when they read aloud to their childTools parents can give themselves to foster these gifts in their childrenPractical tips for how and what to read aloud to children through their developmental stagesDos and don’ts and recommended resources that round out all the practical tools a parent will need to prepare their child for kindergarten and beyondEssential book for parents. In The Invisible Toolbox, Kim weaves her practical anecdotal experience as an educator and parent into the hard research of recent findings in neuroscience. She reminds us that the first years of life are critical in the formation and receptivity of the primary predictor of success in school—language skills—and that infants begin learning immediately at birth. She also teaches and inspires us to build our own toolboxes so that we can help our children build theirs.If you enjoyed books like Honey for a Child's Heart, The Read-Aloud Handbook, Screenwise, or The Enchanted Hour; you will love The Invisible Toolbox—from a 21st century Charlotte Mason.
The Inward Gaze: Masculinity and Subjectivity in Modern Culture (Routledge Revivals)
by Peter MiddletonFirst published in 1992, The Inward Gaze looks at men’s fantasies and self-images from a wide range of texts (notably boy’s superhero comics, modernist literary classics, and a Freudian case-study) to discuss the theories of subjectivity, masculinity, and emotion.The author explores the split between the experience-based claims of the men’s movement and the discourse theories of postmodernism. Does this division reveal a continuing refusal of masculine self-awareness? Why does postmodernist theory investigate desire and ignore emotion?This is a ground-breaking and controversial book which seeks to reformulate the way we think about men’s subjectivity. Its interdisciplinary approach weaves together material from many different sources and will be of vital interest to students of literature, cultural studies, gender studies, and psychoanalysis.
The Inwardness of Things: Joseph Conrad and the Voice of Poetry
by Debra Romanick BaldwinThe Inwardness of Things considers Joseph Conrad as a modern voice in an ancient and enduring quarrel between the poets and the philosophers. Beginning from the polemical poetics of his 1897 preface, Debra Romanick Baldwin focuses on Conrad’s distinctively poetic “inward” approach to truth – an inwardness that is found in lived experience, in language, and in the world beyond the individual. The book traces Conrad’s poetic voice from the rhetoric of his private letters to the narrative techniques of his fiction and finally to his explicit engagement with abstract approaches to truth. Baldwin applies narrative and rhetorical analysis to Conrad’s private correspondence, showing how he encouraged fellow writers – John Galsworthy, F. Warrington Dawson, R.B. Cunninghame Graham, Ted Sanderson, and Edward Noble – to engage with the inwardness of their own experience. The book explores how Conrad crafted moments of narrative solidarity in his fictional narratives to evoke the experience of the inwardness of another, while also considering his explicit polemics against abstract approaches to truth-seeking. Mindful of the colonial, late Victorian, Polish Romantic, and cosmopolitan contexts in which Conrad wrote, The Inwardness of Things nevertheless situates him in a broader human conversation that he himself invited and argues for the enduring value of his art.
The Iranian Languages (Routledge Language Family Series)
by Gernot WindfuhrThe Iranian languages form the major eastern branch of the Indo-European group of languages, itself part of the larger Indo-Iranian family. Estimated to have between 150 and 200 million native speakers, the Iranian languages constitute one of the world’s major language families. This comprehensive volume offers a detailed overview of the principle languages which make up this group: Old Iranian, Middle Iranian, and New Iranian. The Iranian Languages is divided into fifteen chapters. The introductory chapters by the editor present a general overview and a detailed discussion of the linguistic typology of Iranian. The individual chapters which follow are written by leading experts in the field. These provide the reader with concise, non-technical descriptions of a range of Iranian languages. Each chapter follows the same pattern and sequence of topics, taking the reader through the significant features not only of phonology and morphology but also of syntax; from phrase level to complex sentences and pragmatics. Ample examples on all levels are provided with detailed annotation for the non-specialist reader. In addition, each chapter covers lexis, sociolinguistic and typological issues, and concludes with annotated sample texts. This unique resource is the ideal companion for undergraduate and postgraduate students of linguistics and language. It will also be of interest to researchers or anyone with an interest in historical linguistics, linguistics anthropology and language development. Gernot Windfuhr is Professor of Iranian Studies at the University of Michigan; he has published widely on Persian and Iranian languages and linguistics and related languages, as well as on other aspects of Iranian culture including Persian literature and Pre-Islamic Iranian religions.
The Irish Expatriate Novel in Late Capitalist Globalization (Cambridge Studies in Twenty-First-Century Literature and Culture)
by Joe ClearyThis study of contemporary Irish expatriate fiction offers a boldly original world-facing rather than nation-focused overview of the contemporary Irish novel. Chapters examine how Irish narrative deals with the United States in a time of declining global hegemony, a rising China and Asia, a thwarted and turbulent Global South, and a European Union that has decisively reshaped Ireland in the last half century. The author argues that in a late capitalist world defined by volatile economic and cultural globalizations, the Irish novel is struggling to imagine new ways to narrate the country's relationship to the world capitalist system and to find new place for Irish writing in the world literary system. Looking at a rapidly-changing Ireland in a rapidly-changing international order, Joe Cleary offers new readings of novels by Colm Tóibín, Anne Enright, Joseph O'Neill, Deirdre Madden, Mary Costello, Naoise Dolan, Aidan Higgins, Colum McCann, Ronan Sheehan and Ronan Bennett.
The Irish Language in Ireland: From Goídel to Globalisation (Routledge Studies in Linguistics)
by Diarmait Mac ChríostThis book comprises the first complete treatment of the Irish language in social context throughout the whole of Ireland, with a particular focus on contemporary society. The possibilities and limitations of the craft of language planning for the revival of the Irish language are outlined and the book also situates the language issue in the context of current debates on the geography, history and politics of the nature of Irish identity. A comprehensive multidisciplinary approach is adopted throughout.
The Irish Language: AN Annotated Bibliography of Sociolinguistic Publications 1772-1982 (Routledge Library Editions: Linguistics)
by John EdwardsIn compiling this bibliography, the main purpose was to assemble references to published material of a sociolinguistic nature concerning the Irish language. The intent was not to cover publications treating language per se, but rather to consider those dealing with language in its social context. Represented here are articles, chapters, books and pamphlets bearing upon social, historical, psychological and educational aspects of Irish – including the decline of the language, the restoration effort, the relationship of language to nationality and religion, and studies of important figures in the language movement.
The Irish New Woman (Palgrave Studies in Nineteenth-Century Writing and Culture)
by Tina O’TooleThe Irish New Woman explores the textual and ideological connections between feminist, nationalist and anti-imperialist writing and political activism at the fin de siècle. This is the first study which foregrounds the Irish and New Woman contexts, effecting a paradigm shift in the critical reception of fin de siècle writers and their work.
The Irish Short Story at the Turn of the Twenty-First Century: Tradition, Society and Modernity (Routledge Studies in Irish Literature)
by Madalina ArmieIn the mid-1990s, Ireland was experiencing the "best of times". The Celtic Tiger seemed to instil in the national consciousness that poverty was a problem of the past. The impressive economic performance ensured that the Republic occupied one of the top positions among the world’s economic powers. During the boom, dissident voices continuously criticised what they considered to be a mirage, identifying the precariousness of its structures and foretelling its eventual crash. The 2008 recession proved them right. Throughout this time, the Irish contemporary short story expressed distrust. Enabled by its capacity to reflect change with immediacy and dexterity, the short story saw through the smokescreen created by the Celtic Tiger discourse of well-being. It reinterpreted and captured the worst and the best of the country and became a bridge connecting tradition and modernity. The major objective of this book is to analyse the interactions between fiction and reality during this period in Ireland by studying the short stories written by old and emergent voices published between the birth of the Celtic Tiger in 1995 up to its immediate aftermath in 2013.
The Irish Ulysses
by Maria TymoczkoThis title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.
The Irish and the Imagination of Race: White Supremacy across the Atlantic in the Nineteenth Century
by Patrick R. O'MalleyThis book analyzes the role of Irishness in nineteenth-century constructions of race and racialization, both in the British Isles and in the United States. Focusing on the years immediately preceding the American Civil War, Patrick O’Malley interrogates the bardic verse epic, the gothic tale, the realist novel, the stage melodrama, and the political polemic to ask how many mid-nineteenth-century Irish nationalist writers with liberationist politics declined to oppose race-based chattel enslavement in the United States and the structures of white supremacy that underpinned and ultimately outlived it. Many of the writers whose work O’Malley examines drew specifically upon the image of Black suffering to generate support for their arguments for Irish political enfranchisement; yet in doing so, they frequently misrepresented the fundamental differences between Irish and Black experience under the regimes of white supremacy, which has had profound consequences.
The Irresistible Fairy Tale: The Cultural and Social History of a Genre
by Jack ZipesA provocative new theory about fairy tales from one of the world's leading authoritiesIf there is one genre that has captured the imagination of people in all walks of life throughout the world, it is the fairy tale. Yet we still have great difficulty understanding how it originated, evolved, and spread—or why so many people cannot resist its appeal, no matter how it changes or what form it takes. In this book, renowned fairy-tale expert Jack Zipes presents a provocative new theory about why fairy tales were created and retold—and why they became such an indelible and infinitely adaptable part of cultures around the world.Drawing on cognitive science, evolutionary theory, anthropology, psychology, literary theory, and other fields, Zipes presents a nuanced argument about how fairy tales originated in ancient oral cultures, how they evolved through the rise of literary culture and print, and how, in our own time, they continue to change through their adaptation in an ever-growing variety of media. In making his case, Zipes considers a wide range of fascinating examples, including fairy tales told, collected, and written by women in the nineteenth century; Catherine Breillat's film adaptation of Perrault's "Bluebeard"; and contemporary fairy-tale drawings, paintings, sculptures, and photographs that critique canonical print versions.While we may never be able to fully explain fairy tales, The Irresistible Fairy Tale provides a powerful theory of how and why they evolved—and why we still use them to make meaning of our lives.
The Irresistible Novel: How to Craft an Extraordinary Story That Engages Readers from Start to Finish
by Jeff GerkeDiscover Your Voice and Enthrall Readers! The craft of writing is filled with various debates: Should I include a prologue? Should I delete all adverbs from my manuscript? Just how much backstory--if any--can I include in my story? These questions--and their often-contradictory answers--can cause confusion, frustration, and even paralysis in the writer. The Irresistible Novel frees you from the limits of so-called "rules" and instead provides you with a singular goal: You must engage your readers from beginning to end. Filled with down-to-earth discussions on the various debates of writing, as well as innovative research on neuroscience and reader response, this book shows you how to: Navigate the various debates on writing fiction--showing versus telling, purple prose, outlining, writing description, and more--to decide what kind of novelist you want to be. Hack your reader's brain to hook her interest and trigger emotional engagement from the very first page. Incorporate enduring elements of storytelling from masters like Joseph Campbell, Aristotle, and Carl Jung. Readers want to be swept away by your stories. When you eschew the rules and focus on your readers' desires, you're free to write truly irresistible fiction.
The Irresponsible Self: On Laughter and the Novel
by James Wood"James Wood has been called our best young critic. This is not true. He is our best critic; he thinks with a sublime ferocity." - Cynthia Ozick. Following the collection The Broken Estate-- which established James Wood as the leading critic of his generation-- The Irresponsible Self confirms Wood's preeminence, not only as a discerning judge but also as an appreciator of contemporary novels.
The Isherwood Century: Essays on the Life and Work Of Christopher Isherwood
by Chris Freeman James J. BergCalled “the best English prose writer of this century” by Gore Vidal, Christopher Isherwood is best known for Goodbye to Berlin—the inspiration for the musical Cabaret—but is also the author of plays, novels, and diaries. The Isherwood Century gathers twenty-four essays and interviews offering a fresh, in-depth view of Isherwood, his literary legacy, and his continuing influence as both a literary and a gay pioneer.
The Island Before No
by Christina UssWhen a kid who can say NO visits an island of walruses who can only say YES, chaos ensues in this hilarious debut picture book. For fans of NO Is All I Know!When you're a walrus living on an island where the answer to every question is YES, life is pretty simple, especially when that's all you've ever known. It's great when you want a slice of birthday cake for breakfast . . . and not so great when someone asks you to wear an itchy shirt.But one day, a kid shows up, brandishing an entirely new word: NO. NO is heavy like a bookcase, solid as a boulder. It's not shaped like YES, but somehow, it's still an answer. The kid calls his friends to come visit the island too, and it's not long before they've eaten up all of the yummiest food without sharing. What's worse, none of them bring their own toothbrushes . . .It becomes clear that what the walruses all need is to find their own NO . . . not only to hold back the rampaging horde of children — but for their own sakes as well. The Island Before No is a hilarious new picture book that blends its zany fun with an important message about respecting and setting boundaries.
The Island: War and Belonging in Auden’s England
by Nicholas JenkinsA groundbreaking reassessment of W. H. Auden’s early life and poetry, shedding new light on his artistic development as well as on his shifting beliefs about political belonging in interwar England.From his first poems in 1922 to the publication of his landmark collection On This Island in the mid-1930s, W. H. Auden wrestled with the meaning of Englishness. His early works are prized for their psychological depth, yet Nicholas Jenkins argues that they are political poems as well, illuminating Auden’s intuitions about a key aspect of modern experience: national identity. Two historical forces, in particular, haunted the poet: the catastrophe of World War I and the subsequent “rediscovery” of England’s rural landscapes by artists and intellectuals.The Island presents a new picture of Auden, the poet and the man, as he explored a genteel, lyrical form of nationalism during these years. His poems reflect on a world in ruins, while cultivating visions of England as a beautiful—if morally compromised—haven. They also reflect aspects of Auden’s personal search for belonging—from his complex relationship with his father, to his quest for literary mentors, to his negotiation of the codes that structured gay life. Yet as Europe veered toward a second immolation, Auden began to realize that poetic myths centered on English identity held little potential. He left the country in 1936 for what became an almost lifelong expatriation, convinced that his role as the voice of Englishness had become an empty one.Reexamining one of the twentieth century’s most moving and controversial poets, The Island is a fresh account of his early works and a striking parable about the politics of modernism. Auden’s preoccupations with the vicissitudes of war, the trials of love, and the problems of identity are of their time. Yet they still resonate profoundly today.
The Isle of Pines, 1668: Henry Neville's Uncertain Utopia
by John ScheckterA short fiction of shipwreck and discovery written by the politician Henry Neville (1620-1694), The Isle of Pines is only beginning to draw critical attention, and until now no scholarly edition of the work has appeared. In the first full-length study of The Isle of Pines, supported by the first fully critical edition, John Scheckter discloses how Neville's work offers a critique of scientific discourse, enacts complicated engagements of race and gender, and interrogates the methods and consequences of European exploration. The volume offers a new critical model for applying post-colonial and postmodern examination strategies to an early modern work. Scheckter argues that the structure and publication history of the fiction, with its separate, unreliable narrators, along with its several topics-shipwreck survival, the founding of a new society, the initial phases of European colonization-are imbued with the sense of uncertainty that permeated the era.
The Israeli-Palestinian Conflict in the British Press
by Ruth Sanz SabidoThe Israeli-Palestinian Conflict in the British Press provides an extensive empirical analysis of how the Israeli-Palestinian conflict has been constructed in British national newspapers since 1948. It traces the evolution of representations of the conflict by placing them in a historical context, with particular reference to Britain’s postcolonial relation to Palestine, and by presenting an in-depth analysis of the evolution of press language, including the use of terms such as ‘terrorism’ and ‘terrorist’ to classify agents of political violence. It applies an original approach to the study of media coverage, using a Postcolonial Critical Discourse Analysis framework, an innovative method that examines selected case studies in relation to theories of postcolonialism and discourse. Using this unique hybrid methodology, Sanz Sabido provides a thorough and precise unpicking of a highly mediated conflict.