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The Loud Book!
by Deborah Underwood Renata LiwskaBANG!CRACKLE!BOO!Just like there are lots of quiets, there are also lots of louds:Good louds(HOORAY!)and bad louds(CRASH!) And louds that make you feel like you arethe center of attention (BURP!).The Loud Book compiles all these kid-friendly noisesfrom morning to night,in a way that is sure to make readersCHEER!
The Loudons and the Gardening Press: A Victorian Cultural Industry (The Nineteenth Century Series)
by Sarah DewisThrough close readings of individual serials and books and archival work on the publication history of the Gardener’s Magazine (1826-44) Sarah Dewis examines the significant contributions John and Jane Webb Loudon made to the gardening press and democratic discourse. Vilified during their lifetimes by some sections of the press, the Loudons were key players in the democratization of print media and the development of the printed image. Both offered women readers a cultural alternative to the predominantly literary and classical culture of the educated English elite. In addition, they were innovatory in emphasizing the value of scientific knowledge and the acquisition of taste as a means of eroding class difference. As well as the Gardener’s Magazine, Dewis focuses on the lavish eight-volume Arboretum et Fruticetum Britannicum (1838), an encyclopaedia of trees and shrubs, and On the Laying Out, Planting, and Managing of Cemeteries (1843), arguing that John Loudon was a radical activist who reconfigured gardens in the public sphere as a landscape of enlightenment and as a means of social cohesion. Her book is important in placing the Loudons’ publications in the context of the history of the book, media history, garden history, urban social history, history of education, nineteenth-century radicalism and women’s journalism.
The Love Songs of the Carmina Burana (Routledge Revivals #No. 49b)
by E. D. Blodgett Roy Arthur SwansonOriginally published in 1987, this book contains the Love Songs of the Carmina Burana, alongisde a select bibliography and textual notes. The collection of poems now known as the Carmina was given its name by Schmeller in 1847, and the Carmina Burana comprises the best and most representative products of goliardism and remains the definitive manifestation of the goliardic movement.
The Love of Ruins: Letters on Lovecraft (SUNY series, Literature . . . in Theory)
by Scott Cutler Shershow Scott MichaelsenToday, H. P. Lovecraft is both more popular and controversial than ever: the influence of his "Cthulhu mythos" is everywhere in popular culture, his cosmic pessimism has reemerged as a major theme in contemporary philosophy, and his racism continues to spark controversy in the media. The Love of Ruins takes a fresh look at a figure widely acknowledged as the father of modern horror or "weird" fiction. In these pages, Lovecraft emerges not as the atheist and nihilist he is often claimed to be, but as a kind of "psychonaut" and mystic whose stories, through their own imaginative rigor, expose the intellectual bankruptcy of their author's racism. The Love of Ruins is itself written in the form of letters, in order to do homage to Lovecraft's love of the form of the personal letter (he wrote more than 100,000), and to emulate Lovecraft's lifetime practice of thinking-as-corresponding.
The Lucky Penny (Fountas & Pinnell LLI Green #Level G, Lesson 98)
by Ann GadzikowskiFountas and Pinnell Leveled Literacy Intervention Green System -- 1st Grade
The Lucretian Renaissance: Philology and the Afterlife of Tradition
by Gerard PassannanteWith The Lucretian Renaissance, Gerard Passannante offers a radical rethinking of a familiar narrative: the rise of materialism in early modern Europe. Passannante begins by taking up the ancient philosophical notion that the world is composed of two fundamental opposites: atoms, as the philosopher Epicurus theorized, intrinsically unchangeable and moving about the void; and the void itself, or nothingness. Passannante considers the fact that this strain of ancient Greek philosophy survived and was transmitted to the Renaissance primarily by means of a poem that had seemingly been lost—a poem insisting that the letters of the alphabet are like the atoms that make up the universe. By tracing this elemental analogy through the fortunes of Lucretius’s On the Nature of Things, Passannante argues that, long before it took on its familiar shape during the Scientific Revolution, the philosophy of atoms and the void reemerged in the Renaissance as a story about reading and letters—a story that materialized in texts, in their physical recomposition, and in their scattering. From the works of Virgil and Macrobius to those of Petrarch, Poliziano, Lambin, Montaigne, Bacon, Spenser, Gassendi, Henry More, and Newton, The Lucretian Renaissance recovers a forgotten history of materialism in humanist thought and scholarly practice and asks us to reconsider one of the most enduring questions of the period: what does it mean for a text, a poem, and philosophy to be “reborn”?
The Lure of Communication: Sociology through Rhetoric
by Andrea LombardiniloThis book addresses the convergence of sociology, communication and rhetoric, with particular reference to the contemporary expressive and social patterns of mass communication. Using rhetoric as a meta-conceptual apparatus for the sociology of communication, this book offers an original and comprehensive critique of historical social theory alongside 20th century communication researchers. The author demonstrates the symbiotic relationship between the rhetorical structures of the media-sphere and the new narrative formats in which cultural representation merges into social and civil observation. This book will be of interest to academics and students studying sociology, communication and cultural studies.
The Lure of Whitehead
by Nicholas Gaskill A. J. NocekOnce largely ignored, the speculative philosophy of Alfred North Whitehead has assumed a new prominence in contemporary theory across the humanities and social sciences. Philosophers and artists, literary critics and social theorists, anthropologists and computer scientists have all embraced Whitehead&’s thought, extending it through inquiries into the nature of life, the problem of consciousness, and the ontology of objects, as well as into experiments in education and digital media.The Lure of Whitehead offers readers not only a comprehensive introduction to Whitehead&’s philosophy but also a demonstration of how his work advances our emerging understanding of life in the posthuman epoch. Contributors: Jeffrey A. Bell, Southeastern Louisiana U; Nathan Brown, U of California, Davis; Peter Canning; Didier Debaise, Free U of Brussels; Roland Faber, Claremont Lincoln U; Michael Halewood, U of Essex; Graham Harman, American U in Cairo; Bruno Latour, Sciences Po Paris; Erin Manning, Concordia U, Montreal; Steven Meyer, Washington U; Luciana Parisi, U of London; Keith Robinson, U of Arkansas at Little Rock; Isabelle Stengers, Free U of Brussels; James Williams, U of Dundee.
The Lyric Essay as Resistance: Truth from the Margins
by Chloe Garcia Roberts Melissa Febos Jenny Boully Molly McCully Brown Michael Torres Wendy Walters Torrey Peters Danielle Geller Elissa Washuta Krys Malcolm Belc Chelsea Biondolillo Crystal Wilkinson Jessica Lind Peterson Lyzette Wanzer Aisha Sabatini Sloan Camellia-Berry Grass Hea-Ream Lee Jennifer S. Cheng Lillian-Yvonne Bertram Thirii Myo MyintLyric essayists draw on memoir, poetry, and prose to push against the arbitrary genre restrictions in creative nonfiction, opening up space not only for new forms of writing, but also new voices and a new literary canon. This anthology features some of the best lyric essays published in the last several years by prominent and emerging writers. Editors Zoë Bossiere and Erica Trabold situate this anthology within the ongoing work of resistance—to genre convention, literary tradition, and the confines of dominant-culture spaces. As sites of resistance, these essays are diverse and include investigations into deeply personal and political topics such as queer and trans identity, the American BIPOC experience, reproductive justice, belonging, grief, and more. The lyric essay is always surprising; it is bold, unbound, and free. This collection highlights the lyric essay’s natural capacity for representation and resistance and celebrates the form as a subversive genre that offers a mode of expression for marginalized voices. The Lyric Essay as Resistance features contemporary work by essayists including Melissa Febos, Wendy S. Walters, Torrey Peters, Jenny Boully, Crystal Wilkinson, Elissa Washuta, Lillian-Yvonne Bertram, and many more. Their work demonstrates the power of the lyric essay to bring about change, both on the page and in our communities.
The Lyric Now
by James LongenbachFor more than a century, American poets have heeded the siren song of Ezra Pound’s make it new, staking a claim for the next poem on the supposed obsolescence of the last. But great poems are forever rehearsing their own present, inviting readers into a nowness that makes itself new each time we read or reread them. They create the present moment as we enter it, their language relying on the long history of lyric poetry while at the same time creating a feeling of unprecedented experience. In poet and critic James Longenbach’s title, the word “now” does double duty, evoking both a lyric sense of the present and twentieth-century writers’ assertion of “nowness” as they crafted their poetry in the wake of Modernism. Longenbach examines the fruitfulness of poetic repetition and indecision, of naming and renaming, and of the evolving search for newness in the construction, history, and life of lyrics. Looking to the work of thirteen poets, from Marianne Moore and T. S. Eliot through George Oppen and Jorie Graham to Carl Phillips and Sally Keith, and several musicians, including Virgil Thomson and Patti Smith, he shows how immediacy is constructed through language. Longenbach also considers the life and times of these poets, taking a close look at the syntax and diction of poetry, and offers an original look at the nowness of lyrics.
The Lyric Poem
by Marion ThainAs a study of lyric poetry, in English, from the early modern period to the present, this book explores one of the most ancient and significant art forms in Western culture as it emerges in its various modern incarnations. Combining a much-needed historicisation of the concept of lyric with an aesthetic and formal focus, this collaboration of period-specialists offers a new cross-historical approach. Through eleven chapters, spanning more than four centuries, the book provides readers with both a genealogical framework for the understanding of lyric poetry within any particular period, and a necessary context for more general discussion of the nature of genre.
The Lyric in Victorian Memory
by Veronica AlfanoThis book is a study of nineteenth-century poems that remember, yearn for, fixate on, and forget the past. Reflecting the current critical drive to reconcile formalist and historicist approaches to literature, it uses close readings to trace the complex interactions between memory as a theme and the (often-memorable) formal traits - such as brevity, stanzaic structure, and sonic repetition - that appear in the lyrics examined. This book considers the interwoven nature of remembering and forgetting in the work of four Victorian poets. It uses this theme to shed new light on the relationship between lyric and narrative, on the connections between gender and genre, and on the way in which Victorians represented and commemorated the past.
The Lyric in the Age of the Brain
by Nikki SkillmanScience has transformed understandings of the mind, supplying physiological explanations for what once seemed transcendental. Nikki Skillman shows how lyric poets--caught between a reductive scientific view and naïve literary metaphors--struggled to articulate a vision of consciousness that was both scientifically informed and poetically truthful.
The Lyrical in Epic Time
by David Der-Wei WangThis book positions the lyrical as key to rethinking the dynamics of Chinese modernity and emphasizes Chinese lyricism's deep roots in its own native traditions
The Lyrical in Epic Time: Modern Chinese Intellectuals and Artists Through the 1949 Crisis
by David Der-wei WangIn this book, David Der-wei Wang uses the lyrical to rethink the dynamics of Chinese modernity. Although the form may seem unusual for representing China's social and political crises in the mid-twentieth century, Wang contends that national cataclysm and mass movements intensified Chinese lyricism in extraordinary ways. Wang calls attention to the form's vigor and variety at an unlikely juncture in Chinese history and the precarious consequences it brought about: betrayal, self-abjuration, suicide, and silence. Despite their divergent backgrounds and commitments, the writers, artists, and intellectuals discussed in this book all took lyricism as a way to explore selfhood in relation to solidarity, the role of the artist in history, and the potential for poetry to illuminate crisis. They experimented with poetry, fiction, film, intellectual treatise, political manifesto, painting, calligraphy, and music. Western critics, Wang shows, also used lyricism to critique their perilous, epic time. He reads Martin Heidegger, Theodor Adorno, Cleanth Brooks, and Paul de Man, among others, to complete his portrait.The Chinese case only further intensifies the permeable nature of lyrical discourse, forcing us to reengage with the dominant role of revolution and enlightenment in shaping Chinese—and global—modernity. Wang's remarkable survey reestablishes Chinese lyricism's deep roots in its own native traditions, along with Western influences, and realizes the relevance of such a lyrical calling of the past century to our time.
The M.E.Sharpe Library of Franklin D.Roosevelt Studies: Franklin D.Roosevelt and Congress - The New Deal and it's Aftermath (Library Of Franklin D. Roosevelt Studies #Vol. 2)
by William D. Pederson Byron W. Daynes Nancy Beck YoungThis book assesses contrasting interpretations of President Roosevelt's relations with the Nye Committee. It explores the complexity confronting Rayburn in weighing the factors that influenced his actions during the New Deal portion of his near half century in Congress.
The MAD Files: Writers and Cartoonists on the Magazine that Warped America's Brain!
Celebrate America's zaniest and most subversive magazine in 26 essays and comix from all-star contributors, including Roz Chast, Jonathan Lethem, and Grady Hendrix.Before SNL and the wise-guy sarcasm of Letterman and Colbert, before The Simpsons and online memes, there was . . . MAD.A mainstay of countless American childhoods, MAD magazine exploded onto the scene in the 1950s and gleefully thumbed its nose at all the postwar pieties. MAD became the zaniest, most subversive satire magazine ever to be sold on America&’s newsstands, anticipating the spirit of underground comix and &’zines and influencing humor writing in movies, television, and the internet to this day.Edited by David Mikics, The MAD Files celebrates the magazine&’s impact and the legacy of the Usual Gang of Idiots who transformed puerile punchlines and merciless mockery into an art form. 26 essays and comics present a varied, perceptive, and often very funny account of MAD&’s significance, ranging from the cultural to the aesthetic to the personal.Art Spiegelman reflects on how he &“couldn&’t learn much about America from my refugee immigrant parents—but I learned all about it from MAD&”Roz Chast remembers how the magazine was &“love at first sight. . . . It was one of my first inklings that there were other people out there who found the world as ridiculous as I did.&”David Hajdu and Grady Hendrix zero in on MAD&’s hilarious movie spoofsLiel Leibovitz delves into the Jewishness behind the magazine&’s humorand Rachel Shteir amplifies the often unsung contributions of MAD&’s women artists.Several essays are admiring profiles of the individual creators that made MAD what it was: Mort Drucker, Harvey Kurtzman, Al Jaffee, Antonio Prohias, and Will Elder. For longtime fans and new readers alike, The MAD Files is an indispensable guide to America&’s greatest satire magazine.
The MIT Guide to Science and Engineering Communication (Second Edition)
by James G. Paradis Muriel L. ZimmermanThis guide covers the basics of scientific and engineering communication, including defining an audience, working with collaborators, searching the literature, organizing and drafting documents, developing graphics, and documenting sources.
The MIT Guide to Science and Engineering Communication, second edition
by James Paradis Muriel ZimmermanA second edition of a popular guide to scientific and technical communication, updated to reflect recent changes in computer technology.This guide covers the basics of scientific and engineering communication, including defining an audience, working with collaborators, searching the literature, organizing and drafting documents, developing graphics, and documenting sources. The documents covered include memos, letters, proposals, progress reports, other types of reports, journal articles, oral presentations, instructions, and CVs and resumes. Throughout, the authors provide realistic examples from actual documents and situations. The materials, drawn from the authors' experience teaching scientific and technical communication, bridge the gap between the university novice and the seasoned professional. In the five years since the first edition was published, communication practices have been transformed by computer technology. Today, most correspondence is transmitted electronically, proposals are submitted online, reports are distributed to clients through intranets, journal articles are written for electronic transmission, and conference presentations are posted on the Web. Every chapter of the book reflects these changes. The second edition also includes a compact Handbook of Style and Usage that provides guidelines for sentence and paragraph structure, punctuation, and usage and presents many examples of strategies for improved style.
The MPEG Handbook
by John WatkinsonA complete, professional 'bible' on all aspects of audio and video compression using MPEG technology, including the MPEG-4 standard and, in this second edition, H-264. The clarity of explanation and depth of technical detail combine to make this book an essential and definitive reference work.THE MPEG HANDBOOK is both a theoretical and practical treatment of the subject. Fundamental knowledge is provided alongside practical guidance on how to avoid pitfalls and poor quality. The often-neglected issues of reconstructing the signal timebase at the decoder and of synchronizing the signals in a multiplex are treated fully here.Previously titled MPEG-2, the book is frequently revised to cover the latest applications of the technology.
The Mabinogi: A Book of Essays (Routledge Revivals)
by C. W. Sullivan IIIThe purpose of this collection, which was first published in 1996, is to provide both an overview of the major critical approaches to the Four Branches of the Mabinogi and a selection of the best essays dealing with them. The essays examine the origins of the Mabinogion, comparative analyses, and structural and thematic interpretations. This book is ideal for students of literature and Medieval studies.
The MacKenzie Moment and Imperial History: Essays in Honour of John M. MacKenzie (Britain and the World)
by Stephanie Barczewski Martin FarrThis book celebrates the career of the eminent historian of the British Empire John M. MacKenzie, who pioneered the examination of the impact of the Empire on metropolitan culture. It is structured around three areas: the cultural impact of empire, 'Four-Nations' history, and global and transnational perspectives. These essays demonstrate MacKenzie’s influence but also interrogate his legacy for the study of imperial history, not only for Britain and the nations of Britain but also in comparative and transnational context. Written by seventeen historians from around the world, its subjects range from Jumbomania in Victorian Britain to popular imperial fiction, the East India Company, the ironic imperial revivalism of the 1960s, Scotland and Ireland and the empire, to transnational Chartism and Belgian colonialism. The essays are framed by three evaluations of what will be known as 'the MacKenzian moment' in the study of imperialism.
The Machine that Sings: Modernism, Hart Crane and the Culture of the Body (Studies in Major Literary Authors #21)
by Gordon A. TapperExamining how Crane's corporeal aesthetic informs poems written across the span of his career, The Machine That Sings focuses on four texts in which Crane's preoccupation with the body reaches its apoge. Tapper treats Voyages, The Wine Merchant, and Possessions as a triptych of erotic poems in which Crane plays out alternative resolutions to the dialectic between purity and defilement, a conceptual dynamic which Tapper argues is central to both Crane's poetics of difficulty and his representations of homosexual desire. Tapper concentrates on the three sections of The Bridge, most concerned with recuperating animality: 'National Winter Garden,' 'The Dance,' and 'Cape Hatteras.'
The Mad Scientist's Guide to Composition: A Somewhat Cheeky but Exceedingly Useful Introduction to Academic Writing: Now with 100% More Monsters!
by Jeffrey Andrew WeinstockConsidering the composition classroom as a mad scientist’s laboratory, The Mad Scientist’s Guide to Composition introduces different kinds of writing as experiments. Writing an essay is a task that can strike fear into a student’s heart, but performing an experiment licenses creativity and doesn’t presume that one knows the outcome from the start. The Mad Scientist’s Guide covers the kinds of writing most often required on college campuses, while also addressing important steps and activities frequently overlooked in composition guides, such as revision and peer reviewing. Actual examples of student writing are included throughout, as are helpful reminders and tips to help students polish their skills. Above all, the Mad Scientist’s Guide seeks to make writing fun.
The Madhouse of Language: Writing and Reading Madness in the Eighteenth Century
by Allan IngramLanguage has always been used as a measure of social, ideological, and psychological contexts for the exploration of madness. The Madhouse of Language considers the relations between madness and language from the late seventeenth to early nineteenth centuries, focusing on the close analysis of both medical records and texts by mad writers. It presents a highly original account of the linguistic relations between madness and sanity, of the appropriation by sane writers of the forms of English, and of attempts by mad patients to gain access to the expressive potential of language.