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The Majic Bus: An Academic Odyssey

by Douglas Brinkley

Professor Brinkley arranged to teach a six-week experimental class aboard a sleeper bus. The class would visit 30 states and ten national parks. They would read 12 books by American writers. Driven by Brinkley's energetic prose, "The Majic Bus" is a spirited travelogue of their unique experience.

The Major Languages of East and South-East Asia

by Bernard Comrie

Based on Bernard Comrie's much praised The World's Major Languages, this is a key guide to an important language family. The areas covered include Chinese, Japanese and Sino-Tibetan languages.

The Major Languages of Eastern Europe (The\major Languages Ser.)

by Bernard Comrie

First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

The Major Languages of South Asia, the Middle East and Africa (The\major Languages Ser.)

by Bernard Comrie

Based on the much-praised The World's Major Languages, this is the first comprehensive guide in paperback to describe the development, grammar sound and writing system, and sociological factors of the major language families in these areas.

The Major Languages of Western Europe

by Bernard Comrie

Based on Bernard Comrie's The World's Major Languages, this is a key guide to one of the major language families. The areas covered include Germanic languages, English, and Romance languages.

The Major Literary Seminars of Jacques Lacan: Literature, Lituraterre, Litterature

by Santanu Biswas

The Major Literary Seminars of Jacques Lacan considers the three key phases of Lacan’s interest in literary topics.Santanu Biswas first examines the seminars given between 1955 and 1961, in which Lacan spoke on Edgar Allan Poe’s short story "The Purloined Letter", Hamlet, Sophocles’ Antigone, and Paul Claudel’s The Coûfontaine Trilogy, and where literature is related to meaning. This is followed by an exploration of Lacan’s seminar on "Lituraterre" in 1971, wherein Lacan elaborates on the different ways in which literature appeared to turn towards lituraterre. Finally, Biswas considers Lacan’s 1975–1976 seminar on James Joyce, who created literature out of “litter” and was concerned with jouissance rather than with meaning.The Major Literary Seminars of Jacques Lacan will be of great interest to Lacanian psychoanalysts, other mental health practitioners interested in the teachings of Lacan, and academics and students of Lacanian studies, literature, and psychoanalysis.

The Major Victorian Poets: Reconsiderations (Routledge Revivals)

by Isobel Armstrong

First published in 1969, this edition collection brings together a series of essays offering a re-evaluation of Victorian poetry in the light of early 20th Century criticism. The essays in this collection concentrate upon the poets whose reputations suffered from the great redirection of energy in English criticism initiated in this century by Eliot, Richards and Leavis. What theses poets wrote about, the values they expressed, the form of the poems, the language they used, all these were examined and found wanting in some radical way. One of the results of this criticism was the renewal of interest in metaphysical and eighteenth-century poetry and corresponding ebb of enthusiasm for Romantic poetry and for Victorian poetry in particular. Most of the essays in this book take as their starting point questions raised by the debate on Victorian poetry, both earlier in this century and in the more recent past. There are essays on the poetry of Tennyson, Browning and Arnold, on that of Clough, who until recently has been neglected, and Hopkins, because of, rather than in spite of, the fact that he is usually considered to be a modern poet. The volume is especially valuable in that it will give a clearer understanding of the nature of Victorian poetry, concentrating as it does on those areas of a poet’s work where critical discussion seems most necessary.

The Major Works (Oxford World's Classics) Reissue Edition

by John Milton

Previously published in the Oxford Authors series, this unique one-volume selection of Milton's poetry and prose includes all the English and Italian verse and a generous selection of his major prose works. Modernized spelling, extensive notes, and a helpful introduction make the text immediately accessible to the modern reader. About the Series: For over 100 years, Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Making and Marketing of Tottel’s Miscellany, 1557: Songs and Sonnets in the Summer of the Martyrs’ Fires (Catholic Christendom, 1300-1700)

by J. Christopher Warner

First published in the summer of 1557 - as the protestant martyrs’ pyres blazed across England - Songes and Sonettes, written by the ryght honorable Lorde Henry Haward late Earle of Surrey, and other (more generally known as Tottel’s Miscellany) is widely regarded as the first anthology of English poetry responsible for introducing Italianate verse forms to England. Yet those scholars who have paid attention to the book usually dismiss its literary quality and regard its chief accomplishment as paving the way for the Golden Age of Elizabethan verse to come. As Professor Warner makes clear, however, there is much more historical significance to the Miscellany than merely being a precursor to Shakespeare and Sidney. Drawing upon a wealth of historical, textual and literary evidence, this new study recasts the Miscellany as a peculiar phenomenon of the reign of Mary I. Placing it in the context of its European counterparts and its competition in the London book market, Warner argues that at heart the Miscellany was a collaborative project between the printer, Richard Tottel and law students from the Inns of Court, and represented a timely response to the religious, political and social upheavals of the English Reformation and Counter-Reformation. Analysing from both a literary and historical perspective, this study reconnects the Miscellany with the social, cultural, literary and religious milieu in which it was created. Warner thus reveals not only the distinctiveness of the book’s design compared to other English verse works for sale in 1557, but its function as a patriotic retort to Continental collections of verse -including one that put into print a selection of satirical songs and sonnets written by the Spanish caballeros who found themselves reluctant attendants at the court of Mary I.

The Making and Mirroring of Masculine Subjectivities: Gender, Affect, and Ethics in Modern World Narratives

by Susan Mooney

This book shows how diverse, critical modern world narratives in prose fiction and film emphasize masculine subjectivities through affects and ethics. Highlighting diverse affects and mental states in subjective voices and modes, modern narratives reveal men as feeling, intersubjective beings, and not as detached masters of master narratives. Modern novels and films suggest that masculine subjectivities originate paradoxically from a combination of copying and negation, surplus and lack, sameness and alterity: among fathers and sons, siblings and others. In this comparative study of more than 30 diverse world narratives, Mooney deftly uses psychoanalytic thought, narrative theories of first- and third-person narrators, and Levinasian and feminist ethics of care, creativity, honor, and proximity. We gain a nuanced picture of diverse postpaternal postgentlemen emerging out of older character structures of the knight and gentleman.

The Making of Barbara Pym: Oxford, the War Years, and Post-war Austerity

by Emily Stockard

The Making of Barbara Pym offers new insights into Pym’s formative years as a writer, during which she honed a complex view of the necessity of change on individual and cultural levels. Supported by newly published archival material, this comprehensive study of Pym’s early work explores her personal and fictional pre-war and wartime writing, including unpublished and posthumously published works, before looking closely at Some Tame Gazelle and Excellent Women, published during Britain’s post-war austerity period. Of central importance is a new recognition of Pym’s use of social roles, particularly those of women, as proper avenues for change. The book traces how Pym came to devise characters whose individual development can be seen as analogous to or representative of larger cultural movements. Pym uses the spinster figure to embody the forward-looking cultural perspectives that she endorsed and then, finally, in Jane and Prudence, to figure the end of Britain’s austerity period.

The Making of Barbarians: Chinese Literature and Multilingual Asia (Translation/Transnation #58)

by Haun Saussy

A groundbreaking account of translation and identity in the Chinese literary tradition before 1850—with important ramifications for todayDebates on the canon, multiculturalism, and world literature often take Eurocentrism as the target of their critique. But literature is a universe with many centers, and one of them is China. The Making of Barbarians offers an account of world literature in which China, as center, produces its own margins. Here Sinologist and comparatist Haun Saussy investigates the meanings of literary translation, adaptation, and appropriation on the boundaries of China long before it came into sustained contact with the West.When scholars talk about comparative literature in Asia, they tend to focus on translation between European languages and Chinese, Korean, and Japanese, as practiced since about 1900. In contrast, Saussy focuses on the period before 1850, when the translation of foreign works into Chinese was rare because Chinese literary tradition overshadowed those around it.The Making of Barbarians looks closely at literary works that were translated into Chinese from foreign languages or resulted from contact with alien peoples. The book explores why translation was such an undervalued practice in premodern China, and how this vast and prestigious culture dealt with those outside it before a new group of foreigners—Europeans—appeared on the horizon.

The Making of Catalan Linguistic Identity in Medieval and Early Modern Times

by Vicente Lledó-Guillem

The historical relationship between the Catalan and Occitan languages had a definitive impact on the linguistic identity of the powerful Crown of Aragon and the emergent Spanish Empire. Drawing upon a wealth of historical documents, linguistic treatises and literary texts, this book offers fresh insights into the political and cultural forces that shaped national identities in the Iberian Peninsula and, consequently, neighboring areas of the Mediterranean during the Middle Ages and the Early Modern Period. The innovative textual approach taken in these pages exposes the multifaceted ways in which the boundaries between the region’s most prestigious languages were contested, and demonstrates how linguistic identities were linked to ongoing struggles for political power. As the analysis reveals, the ideological construction of Occitan would play a crucial role in the construction of a unified Catalan, and Catalan would, in turn, give rise to a fervent debate around ‘Spanish’ language that has endured through the present day. This book will appeal to students and scholars of historical linguistics, sociolinguistics, Hispanic linguistics, Catalan language and linguistics, anthropological linguistics, Early Modern literature and culture, and the history of the Mediterranean.

The Making of English

by Henry Bradley

This etymological tour de force was written by a self-taught farmer's son who became a world-famous linguist and senior editor of the Oxford English Dictionary. By the time he was a teenager, Henry Bradley (1845-1923) had immersed himself in several classical languages. His achievements were ultimately recognized with honorary degrees from Oxford and Heidelberg, and fellowships at Magdalen College and the British Academy. This 1904 work represents the culmination of his philological career.Scholarly yet nontechnical, The Making of English explains in simple terms the relationships between English and other tongues--Greek, Latin, German, Spanish, and French. Topics include the similarities and differences between English and German, characteristics of Old English, and the composition, derivation, and root-creation involved in the process of the making of words. The author also discusses changes in meaning that occur over time, and profiles some historical figures who were influential in shaping the English language.

The Making of Indian English Literature

by Subhendu Mund

The Making of Indian English Literature brings together seventeen well-researched essays of Subhendu Mund with a long introduction by the author historicising the development of the Indian writing in English while exploring its identity among the many appellations tagged to it. The volume demonstrates, contrary to popular perceptions, that before the official introduction of English education in India, Indians had already tried their hands in nearly all forms of literature: poetry, fiction, drama, essay, bio­graphy, autobiography, book review, literary criticism and travel writing. Besides translation activities, Indians had also started editing and publish­ing periodicals in English before 1835. Through archival research the author brings to discussion a number of unknown and less discussed texts which contributed to the development of the genre. The work includes exclusive essays on such early poets and writers as Kylas Chunder Dutt, Shoshee Chunder Dutt, Toru Dutt, Mirza Moorad Alee Beg, Krupabai Satthianadhan, Swami Vivekananda, H. Dutt, and Sita Chatterjee; and historiographical studies on the various aspects of the genre. The author also examines the strategies used by the early writers to indianise the western language and the form of the novel. The present volume also demonstrates how from the very beginning Indian writing in English had a subtle nationalist agenda and created a space for protest literature. The Making of Indian English Literature will prove an invaluable addition to the studies in Indian writing in English as a source of reference and motivation for further research. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.

The Making of Jane Austen

by Devoney Looser

An engaging account of how Jane Austen became a household name.Just how did Jane Austen become the celebrity author and the inspiration for generations of loyal fans she is today? Devoney Looser's The Making of Jane Austen turns to the people, performances, activism, and images that fostered Austen's early fame, laying the groundwork for the beloved author we think we know. Here are the Austen influencers, including her first English illustrator, the eccentric Ferdinand Pickering, whose sensational gothic images may be better understood through his brushes with bullying, bigamy, and an attempted matricide. The daring director-actress Rosina Filippi shaped Austen's reputation with her pioneering dramatizations, leading thousands of young women to ventriloquize Elizabeth Bennet's audacious lines before drawing room audiences. Even the supposedly staid history of Austen scholarship has its bizarre stories. The author of the first Jane Austen dissertation, student George Pellew, tragically died young, but he was believed by many, including his professor-mentor, to have come back from the dead.Looser shows how these figures and their Austen-inspired work transformed Austen's reputation, just as she profoundly shaped theirs. Through them, Looser describes the factors and influences that radically altered Austen's evolving image. Drawing from unexplored material, Looser examines how echoes of that work reverberate in our explanations of Austen's literary and cultural power. Whether you're a devoted Janeite or simply Jane-curious, The Making of Jane Austen will have you thinking about how a literary icon is made, transformed, and handed down from generation to generation.

The Making of London

by Sebastian Groes

London has become the focus of a ferocious imaginative energy since the rise of Thatcher. The Making of London analyses the body of work by writers who have committed their writing to the many lives of a city undergoing complex transformations, tracing a major shift in the representation of the capital city.

The Making of Manners and Morals in Twelfth-Century England: The Book of the Civilised Man

by Fiona Whelan

How different are we from those in the past? Or, how different do we think we are from those in the past? Medieval people were more dirty and unhygienic than us – as novels, TV, and film would have us believe – but how much truth is there in this notion? This book seeks to challenge some of these preconceptions by examining medieval society through rules of conduct, and specifically through the lens of a medieval Latin text entitled The Book of the Civilised Man – or Urbanus magnus – which is attributed to Daniel of Beccles. Urbanus magnus is a twelfth-century poem of almost 3,000 lines which comprehensively surveys the day-to-day life of medieval society, including issues such as moral behaviour, friendship, marriage, hospitality, table manners, and diet. Currently, it is a neglected source for the social and cultural history of daily life in medieval England, but by incorporating modern ideas of disgust and taboo, and merging anthropology, sociology, and archaeology with history, this book aims to bring it to the fore, and to show that medieval people did have standards of behaviour. Although they may seem remote to modern ‘civilised’ people, there is both continuity and change in human behaviour throughout the centuries.

The Making of Middle-Earth: A New Look Inside the World of J. R. R. Tolkien

by Christopher A. Snyder

This study “adds an important voice to the growing body of Tolkien scholarship,” covering the author’s life, influences, and original mythology (The Boston Globe).J. R. R. Tolkien’s epic fantasy adventure, The Lord of the Rings, is universally regarded as one of history’s best-loved literary works. Now medieval scholar and Tolkien expert Christopher Snyder presents the most in-depth exploration yet of Tolkien’s source materials for Middle-earth—from the languages, poetry, and mythology of medieval Europe and ancient Greece to the halls of Oxford and the battlefields of World War I. Fueled by the author’s passion for all things Tolkien, this richly illustrated book also reveals the surprisingly pervasive influence of Tolkien’s timeless fantasies on modern culture.

The Making of Middle-earth: The Worlds of Tolkien and The Lord of the Rings

by Christopher A. Snyder

This volume is perhaps the most in-depth exploration ever undertaken of Tolkien's world. Accessible but authoritative, and fully illustrated, it is now being reissued with a stunning new cover treatment and updated commentary on new books, films, games, and shows. This book, originally published in 2013 and richly illustrated with photographs and artwork , was the first to connect all the threads of influence on Tolkien that infused his creation of Middle-earth—from the languages, poetry, and mythology of medieval Europe and ancient Greece and Rome to the halls of Oxford and the battlefields of World War I. Snyder examines the impact of these works on our modern culture, from 1960s counterculture to fantasy publishing, gaming, music, and beyond. The reissue has a gorgeous, updated cover design with a custom illustration on foil-stamped faux cloth and additional pages of material covering new developments.

The Making of Modern Children's Literature in Britain: Publishing and Criticism in the 1960s and 1970s (Studies in Childhood, 1700 to the Present)

by Lucy Pearson

Lucy Pearson’s lively and engaging book examines British children’s literature during the period widely regarded as a ’second golden age’. Drawing extensively on archival material, Pearson investigates the practical and ideological factors that shaped ideas of ’good’ children’s literature in Britain, with particular attention to children’s book publishing. Pearson begins with a critical overview of the discourse surrounding children’s literature during the 1960s and 1970s, summarizing the main critical debates in the context of the broader social conversation that took place around children and childhood. The contributions of publishing houses, large and small, to changing ideas about children’s literature become apparent as Pearson explores the careers of two enormously influential children’s editors: Kaye Webb of Puffin Books and Aidan Chambers of Topliner Macmillan. Brilliant as an innovator of highly successful marketing strategies, Webb played a key role in defining what were, in her words, ’the best in children’s books’, while Chambers’ work as an editor and critic illustrates the pioneering nature of children's publishing during this period. Pearson shows that social investment was a central factor in the formation of this golden age, and identifies its legacies in the modern publishing industry, both positive and negative.

The Making of Planet of the Apes

by Jonathan Rinzler

FOREWORD BY FRASER HESTONIn celebration of the fiftieth anniversary of Planet of the Apes, the classic science-fiction film from 1968, The Making of Planet of the Apes tells the film and offers exclusive, never-before-seen photographs and concept art.Based on Pierre Boulle's novel La Planéte de singes, the original Planet of the Apes was one of the most celebrated films of the 1960s and beyond. Starring Hollywood icons Charlton Heston and Roddy McDowall, the movie struck a chord with the world and sparked a franchise that included eight sequels, two television series, and a long-running comic book. Now, five decades after its theatrical release, New York Times bestselling author J. W. Rinzler tells the thrilling story of this legendary Hollywood production—a film even Boulle thought would be impossible to make.With a foreword by Fraser Heston, Charlton Heston's son, The Making of Planet of the Apes is an entertaining, informative experience that will transport readers back to the strange alternate Earth ruled by apes, and bring to life memorable characters such as Cornelius, Dr. Zira, Dr. Zaius, and Taylor, the human astronaut whose time-traveling sparks an incredible adventure. Meticulously researched and designed to capture the look and atmosphere of the film, The Making of Planet of the Apes is also packed with a wealth of concept paintings, storyboards, and never-before-seen imagery—including rare journal pages and sketches from Charlton Heston's private collection—as well as color and black-and-white unit photography, posters, and more unique ephemera.Comprehensive in scope, The Making of Planet of the Apes is the definitive look at the original blockbuster film, a must-have for fans, film buffs, and collectors alike.

The Making of Poetry: Coleridge, the Wordsworths, and Their Year of Marvels

by Adam Nicolson

Brimming with poetry, art, and nature writing—Wordsworth and Coleridge as you've never seen them beforeJune 1797 to September 1798 is the most famous year in English poetry. Out of it came Samuel Taylor Coleridge's The Rime of the Ancient Mariner and “Kubla Khan,” as well as his unmatched hymns to friendship and fatherhood, and William Wordsworth’s revolutionary songs in Lyrical Ballads along with “Tintern Abbey,” Wordsworth's paean to the unity of soul and cosmos, love and understanding.In The Making of Poetry, Adam Nicolson embeds himself in the reality of this unique moment, exploring the idea that these poems came from this particular place and time, and that only by experiencing the physical circumstances of the year, in all weathers and all seasons, at night and at dawn, in sunlit reverie and moonlit walks, can the genesis of the poetry start to be understood.The poetry Wordsworth and Coleridge made was not from settled conclusions but from the adventure on which they embarked, thinking of poetry as a challenge to all received ideas, stripping away the dead matter, looking to shed consciousness and so change the world. What emerges is a portrait of these great figures seen not as literary monuments but as young men, troubled, ambitious, dreaming of a vision of wholeness, knowing they had greatness in them but still in urgent search of the paths toward it.The artist Tom Hammick accompanied Nicolson for much of the year, making woodcuts from the fallen timber in the park at Alfoxden where the Wordsworths lived. Interspersed throughout the book, his images bridge the centuries, depicting lives at the source of our modern sensibility: a psychic landscape of doubt and possibility, full of beauty and thick with desire for a kind of connectedness that seems permanently at hand and yet always out of reach.

The Making of Sir Philip Sidney

by Edward Derry

Does a poet make himself, or do his culture and his fiction make him? Sir Philip Sidney is one of the most popular and enduring of Elizabethan authors, and one of those most preoccupied with the relationship between self, society, and art. Edward Berry's The Making of Sir Philip Sidney explores how Sidney 'made' or created himself as a poet by 'making' representations of himself in the roles of some of his most literary creations: Philisides, Astrophil, and the intrusive persona of the Defence of Poetry. Focusing on the significance of these and other self-representations throughout Sidney's career, Berry combines biography, social history, and literary criticism to achieve a carefully balanced portrayal of the poet's life and work. This is a book that makes a significant contribution to our understanding of Sidney, and is likely to appeal to both students and scholars of Sidney, as well as to those wishing to understand the cultural events that shaped this central figure of the English Renaissance.

The Making of Syriac Jerusalem: Representations of the Holy City in Syriac Literature of Late Antiquity and the Middle Ages (Routledge Studies in the Early Christian World)

by Catalin-Stefan Popa

This book discusses hagiographic, historiographical, hymnological, and theological sources that contributed to the formation of the sacred picture of the physical as well as metaphysical Jerusalem in the literature of two Eastern Christian denominations, East and West Syrians. Popa analyses the question of Syrian beliefs about the Holy City, their interaction with holy places, and how they travelled in the Holy Land. He also explores how they imagined and reflected the theology of this itinerary through literature in Late Antiquity and the Middle Ages, set alongside a well-defined local tradition that was at times at odds with Jerusalem. Even though the image of Jerusalem as a land of sacred spaces is unanimously accepted in the history of Christianity, there were also various competing positions and attitudes. This often promoted the attempt at mitigating and replacing Jerusalem’s sacred centrality to the Christian experience with local sacred heritage, which is also explored in this study. Popa argues that despite this rhetoric of artificial boundaries, the general picture epitomises a fluid and animated intersection of Syriac Christians with the Holy City especially in the medieval era and the subsequent period, through a standardised process of pilgrimage, well-integrated in the custom of advanced Christian life and monastic canon. The Making of Syriac Jerusalem is suitable for students and scholars working on the history, literature, and theology of Syriac Christianity in the late antique and medieval periods.

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