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The Memoirs of Lady Hyegyong: The Autobiographical Writings of a Crown Princess of Eighteenth-century Korea
by Jahyun Kim Haboush Dorothy KoLady Hyegyong's memoirs, which recount the chilling murder of her husband by his father, form one of the best known and most popular classics of Korean literature. From 1795 until 1805 Lady Hyegyong composed this masterpiece, depicting a court life Shakepearean in its pathos, drama, and grandeur. Presented in its social, cultural, and historical contexts, this first complete English translation opens a door into a world teeming with conflicting passions, political intrigue, and the daily preoccupations of a deeply intelligent and articulate woman. <P> JaHyun Kim Haboush's accurate, fluid translation captures the intimate and expressive voice of this consummate storyteller. Reissued nearly twenty years after its initial publication with a new foreword by Dorothy Ko, The Memoirs of Lady Hyegyong is a unique exploration of Korean selfhood and an extraordinary example of autobiography in the premodern era.
The Memoirs of Lady Hyegyong: The Autobiographical Writings of a Crown Princess of Eighteenth-century Korea
by Jahyun Kim HaboushLady Hyegyong's memoirs, which recount the chilling murder of her husband by his father, is one of the best known and most popular classics of Korean literature. From 1795 until 1805 Lady Hyegyong composed this masterpiece, which depicts a court life whose drama and pathos is of Shakespearean proportions. Presented in its social, cultural, and historical contexts, this first complete English translation opens a door into a world teeming with conflicting passions, political intrigue, and the daily preoccupations of a deeply intelligent and articulate woman. JaHyun Kim Haboush's accurate, fluid translation captures the intimate and expressive voice of this consummate storyteller. The Memoirs of Lady Hyegyong is a unique exploration of Korean selfhood and of how the genre of autobiography fared in premodern times.
The Memory Eaters (Juniper Prize for Creative Nonfiction)
by Elizabeth KadetskyOn autopsy, the brain of an Alzheimer's patient can weigh as little as 30 percent of a healthy brain. The tissue grows porous. It is a sieve through which the past slips. As her mother loses her grasp on their shared history, Elizabeth Kadetsky sifts through boxes of the snapshots, newspaper clippings, pamphlets, and notebooks that remain, hoping to uncover the memories that her mother is actively losing as her dementia progresses. These remnants offer the false yet beguiling suggestion that the past is easy to reconstruct—easy to hold. At turns lyrical, poignant, and alluring, The Memory Eaters tells the story of a family's cyclical and intergenerational incidents of trauma, secret-keeping, and forgetting in the context of 1970s and 1980s New York City. Moving from her parents' divorce to her mother's career as a Seventh Avenue fashion model and from her sister's addiction and homelessness to her own experiences with therapy for post-traumatic stress disorder, Kadetsky takes readers on a spiraling trip through memory, consciousness fractured by addiction and dementia, and a compulsion for the past salved by nostalgia.
The Memory Marketplace: Witnessing Pain in Contemporary Irish and International Theatre (Irish Culture, Memory, Place)
by Emilie PineWhat happens when cultural memory becomes a commodity? Who owns the memory? In The Memory Marketplace, Emilie Pine explores how memory is performed both in Ireland and abroad by considering the significant body of contemporary Irish theatre that contends with its own culture and history. Analyzing examples from this realm of theatre, Pine focuses on the idea of witnesses, both as performers on stage and as members of the audience. Whose memories are observed in these transactions, and how and why do performances prioritize some memories over others? What does it mean to create, rehearse, perform, and purchase the theatricalization of memory? The Memory Marketplace shows this transaction to be particularly fraught in the theatricalization of traumatic moments of cultural upheaval, such as the child sexual abuse scandal in Ireland. In these performances, the role of empathy becomes key within the marketplace dynamic, and Pine argues that this empathy shapes the kinds of witnesses created. The complexities and nuances of this exchange—subject and witness, spectator and performer, consumer and commodified—provide a deeper understanding of the crucial role theatre plays in shaping public understanding of trauma, memory, and history.
The Memory Phenomenon in Contemporary Historical Writing
by Patrick H. HuttonIn this book, the author provides a comprehensive overview of the intense and sustained work on the relationship between collective memory and history, retracing the royal roads pioneering scholars have traveled in their research and writing on this topic: notably, the politics of commemoration (purposes and practices of public remembrance); the changing uses of memory worked by new technologies of communication (from the threshold of literacy to the digital age); the immobilizing effects of trauma upon memory (with particular attention to the remembered legacy of the Holocaust). He follows with an analysis of the implications of this scholarship for our thinking about history itself, with attention to such issues as the mnemonics of historical time, and the encounter between representation and experience in historical understanding. His book provides insight into the way interest in the concept of memory - as opposed to long-standing alternatives, such as myth, tradition, and heritage - has opened new vistas for scholarship not only in cultural history but also in shared ventures in memory studies in related fields in the humanities and social sciences.
The Memory of Architecture in Edith Wharton’s Travel Writings (Routledge Research in Women's Literature)
by Ágnes Zsófia KovácsEdith Wharton was not only the author of novels and short stories but also of drama, poetry, autobiography, interior decoration, and travel writing. This study focuses on Wharton’s symbolic representations of architecture in her travel writings. It shows how a network of allusions to travel writing and art history books influenced Wharton’s representations of architectural and natural spaces. The book demonstrates Wharton’s complex relationship to works of art historians (John Ruskin, Émile Mâle, Arthur C. Porter) and travel authors (Wolfgang Goethe, Henry Adams, Henry James) in the trajectory of her travel writing. Kovács surveys how the acknowledgment of Wharton’s sources sheds light both on the author’s model of aesthetic understanding and scenic architectural descriptions, and how the shock of the Great War changed Wharton’s travel destinations but not her symbolic view of architecture as a mediator of things past. Wharton’s symbolic representations of architecture provide a new key to her travel writings.
The Memory of Colonialism in Britain and France: The Sins of Silence (Cambridge Imperial and Post-Colonial Studies)
by Itay LotemThis book explores national attitudes to remembering colonialism in Britain and France. By comparing these two former colonial powers, the author tells two distinct stories about coming to terms with the legacies of colonialism, the role of silence and the breaking thereof. Examining memory through the stories of people who incited public conversation on colonialism: activists; politicians; journalists; and professional historians, this book argues that these actors mobilised the colonial past to make sense of national identity, race and belonging in the present. In focusing on memory as an ongoing, politicised public debate, the book examines the afterlife of colonial history as an element of political and social discourse that depends on actors’ goals and priorities. A thought-provoking and powerful read that explores the divisive legacies of colonialism through oral history, this book will appeal to those researching imperialism, collective memory and cultural identity.
The Men in My Life
by Vivian GornickVivian Gornick, one of our finest critics, tackled the theme of love and marriage in her last collection of essays, The End of the Novel of Love,a National Book Critics Circle Award finalist. In this new collection, she turns her attention to another large theme in literature: the struggle for the semblance of inner freedom. Great literature, she believes, is not the record of the achievement, but of the effort. Gornick, who emerged as a major writer during the second-wave feminist movement, came to realize that "ideology alone could not purge one of the pathological self-doubt that seemed every woman's bitter birthright." Or, as Anton Chekhov put it so memorably: "Others made me a slave, but I must squeeze the slave out of myself, drop by drop." Perhaps surprisingly, Gornick found particular inspiration for this challenge in the work of male writers--talented, but locked in perpetual rage, self-doubt, or social exile. From these men--who had infinitely more permission to do and be than women had ever known--she learned what it really meant to wrestle with demons. In the essays collected here, she explores the work of V. S. Naipaul, James Baldwin, George Gissing, Randall Jarrell, H. G. Wells, Loren Eiseley, Allen Ginsberg, Hayden Carruth, Saul Bellow, and Philip Roth. Throughout the book, Gornick is at her best: interpreting the intimate interrelationship of emotional damage, social history, and great literature. Praise for The End of the Novel of Love:"[Gornick] is fearless.... Reading her essays, one is reassured that the conversation between life and literature is mutually sustaining as well as mutually corrective." --Elizabeth Frank, New York Times Book Review "Reading [Gornick] is a thrilling, invigorating, challenging experience." --Barbara Fisher, Boston Sunday Globe "Vivian Gornick's prose is so penetrating that reading it can be almost painful.... [This book] stands out as a model of luminous clarity." --Susie Linfield, Los Angeles Times Praise for The Solitude of the Self:"I love writers who treat thinking as a dynamic process. Ms. Gornick does--here and in all her books. Imagine a photographer of the psyche. She studies her subject from all angles. Whether in close-up or on a landscape crowded with political and religious movements, she explores the public and private selves.... What a potent book this is!" --Margo Jefferson, New York Times A Boston Review Book
The Men in My Life (Boston Review Books)
by Vivian GornickGornick on V. S. Naipaul, James Baldwin, George Gissing, Randall Jarrell, H. G. Wells, Loren Eiseley, Allen Ginsberg, Hayden Carruth, Saul Bellow, and Philip Roth and the intimate relationship between emotional damage and great literature.Vivian Gornick, one of our finest critics, tackled the theme of love and marriage in her last collection of essays, The End of the Novel of Love, a National Book Critics Circle Award finalist. In this new collection, she turns her attention to another large theme in literature: the struggle for the semblance of inner freedom. Great literature, she believes, is not the record of the achievement, but of the effort.Gornick, who emerged as a major writer during the second-wave feminist movement, came to realize that “ideology alone could not purge one of the pathological self-doubt that seemed every woman's bitter birthright.” Or, as Anton Chekhov put it so memorably: “Others made me a slave, but I must squeeze the slave out of myself, drop by drop.” Perhaps surprisingly, Gornick found particular inspiration for this challenge in the work of male writers—talented, but locked in perpetual rage, self-doubt, or social exile. From these men—who had infinitely more permission to do and be than women had ever known—she learned what it really meant to wrestle with demons. In the essays collected here, she explores the work of V. S. Naipaul, James Baldwin, George Gissing, Randall Jarrell, H. G. Wells, Loren Eiseley, Allen Ginsberg, Hayden Carruth, Saul Bellow, and Philip Roth. Throughout the book, Gornick is at her best: interpreting the intimate interrelationship of emotional damage, social history, and great literature.
The Mende Language: Containing Useful Phrases, Elementary Grammar, Short Vocabularies, Reading Materials (Routledge Revivals)
by F.W.H. MigeodFirst published in 1908, this volume emerged in the midst of the British Protectorate of Sierra Leone. The author, F.W.H. Migeod, studied the Mende nation in eastern Sierra Leone and followed the example of the grammar (1882) and vocabulary (1884) published by Dr. Schoen in using the southern form of the Mende language. Beginning with an introduction to the recent history, culture and characteristics of the Mende nation and Sierra Leone, this volume covers useful phrases, grammar, vocabulary and example reading materials including stories and songs collected from native speakers.
The Menstrual Imaginary in Literature: Notes on a Wild Fluidity (Palgrave Studies in (Re)Presenting Gender)
by Natalie Rose DyerThis book draws on literary, cultural, and critical examples forming a menstrual imaginary—a body of work by women writers and poets that builds up a concept of women’s creativity in an effort to overturn menstrual prejudice. The text addresses key arbiters of the menstrual imaginary in a series of letters, including Sylvia Plath the initiator of ‘the blood jet’, Hélène Cixous the pioneer of a conceptual red ink and the volcanic unconscious, and Luce Irigaray the inaugurator of women’s artistic process relative to a vital flow of desire based in sexual difference. The text also undertakes provocative against-the-grain re-readings of the Medusa, the Sphinx, Little Red Riding Hood, and The Red Shoes, as a means of affirmatively and poetically re-imagining a woman’s flow. Natalie Rose Dyer argues for re-envisioning menstrual bleeding and creativity in reaction and resistance to ongoing and problematic societal views of menstruation.
The Merchant Of Prato's Wife: Margherita Datini And Her World, 1360-1423
by Ann Morton CrabbAlthough the fourteenth-century Italian merchant Francesco Datini has received attention from business historians, there has previously been no full study of his wife, Margherita Datini. Drawing on a sizable trove of Margherita's correspondence held in the Archivio di Stato di Prato, including hundreds of letters she exchanged with Francesco, Ann Crabb investigates the social and economic importance of women's roles as wives and mothers, early modern European views on honor, and the practice of letter writing in Margherita's world. Margherita's often colorful comments demonstrate her attitudes toward her rather unhappy marriage and her inability to have children, along with other aspects of her life. Her letters reveal the pride she felt in carrying out her many responsibilities as a wife and, later, a widow: in scribal letter writing, in business, in household management, and in farming. Crabb emphasizes that the role of a wife was a recognized social position, beyond her individual relations with her husband, and provided opportunities beyond what restrictive laws or restrictive views of female honor would suggest. Further, Crabb considers Margherita's successful efforts, on her own initiative and in her late thirties, to learn to read and write at a literate level. This book will be of interest to both scholars and general readers of women's history. In addition, historians of early modern Italy and, more generally, of early modern Europe will find this book valuable.
The Merchant of Havana: The Jew in the Cuban Abolitionist Archive
by Stephen SilversteinAs Cuba industrialized in the nineteenth century, an epochal realignment of the social order occurred. In this period of change, two seemingly disparate, yet nevertheless intertwined, ideological forces appeared: anti-Semitism and abolitionism. As the antislavery movement became organized in Cuba, the argument grew that Jews participated in the African slave trade and in New World slavery, and that this participation gave Jews extraordinary influence in the new Cuban economy and culture. What was remarkable about this anti-Semitism was the decidedly small Jewish population on the island in this era. This form of anti-Semitism, Silverstein reveals, sprang almost exclusively from mythological beliefs.
The Merchant of Havana: The Jew in the Cuban Abolitionist Archive
by Stephen SilversteinLAJSA Book Award Winner, 2017, Latin American Jewish Studies Association As Cuba industrialized in the nineteenth century, an epochal realignment of the social order occurred. In this period of change, two seemingly disparate, yet nevertheless intertwined, ideological forces appeared: anti-Semitism and abolitionism. As the antislavery movement became organized in Cuba, the argument grew that Jews participated in the African slave trade and in New World slavery, and that this participation gave Jews extraordinary influence in the new Cuban economy and culture. What was remarkable about this anti-Semitism was the decidedly small Jewish population on the island in this era. This form of anti-Semitism, Silverstein reveals, sprang almost exclusively from mythological beliefs.
The Merchant of Modernism: The Economic Jew in Anglo-American Literature, 1864-1939 (Literary Criticism and Cultural Theory)
by Gary LevineFirst Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
The Merchant of Venice (SparkNotes Literature Guide Series)
by SparkNotesThe Merchant of Venice (SparkNotes Literature Guide) by William Shakespeare Making the reading experience fun! Created by Harvard students for students everywhere, SparkNotes is a new breed of study guide: smarter, better, faster. Geared to what today's students need to know, SparkNotes provides: *Chapter-by-chapter analysis *Explanations of key themes, motifs, and symbols *A review quiz and essay topicsLively and accessible, these guides are perfect for late-night studying and writing papers
The Merchant of Venice (The New Cambridge Shakespeare)
by William Shakespeare M. M. MahoodCharles Edelman focuses on the play's sexual politics and recent scholarship devoted to the position of Jews in Shakespeare's time in this new edition. He surveys the international scope of theatrical interpretations of The Merchant in the 1980s and 1990s as well as different ways of tackling the troubling figure of Shylock. First Edition Hb (1988): 0-521-22156-0 First Edition Pb (1988): 0-521-29371-5
The Merchant of Venice: Critical Essays (Shakespeare Criticism #26)
by John W. Mahon Ellen Macleod MahonThis volume is a collection of all-new original essays covering everything from feminist to postcolonial readings of the play as well as source queries and analyses of historical performances of the play. The Merchant of Venice is a collection of seventeen new essays that explore the concepts of anti-Semitism, the work of Christopher Marlowe, the politics of commerce and making the play palatable to a modern audience. The characters, Portia and Shylock, are examined in fascinating detail. With in-depth analyses of the text, the play in performance and individual characters, this book promises to be the essential resource on the play for all Shakespeare enthusiasts.
The Merchant of Venice: Critical Essays (Shakespearean Criticism)
by Thomas WheelerOriginally published in 1991. Essays here are arranged chronologically within sections: ‘The Play as Text’, ‘Shylock’ and ‘The Play in the Theatre.’ Collecting previously published important commentaries and scholarly articles, this volume in the Shakespearean Criticism set looks at one of the Bard’s most disturbing plays. These historical critical pieces give witness to the changing attitudes to the play and the characters and provide readers with a wide range of material relating both to performances and to textual readings.
The Merchant of Venice: With Contemporary Criticism (Ignatius Critical Editions)
by William ShakespeareThe Merchant of Venice is probably the most controversial of all Shakespeare's plays. It is also one of the least understood. Is it a comedy or a tragedy? What is the meaning behind the test of the caskets? Who is the real villain of the trial scene? Is Shylock simply vicious and venomous, or is he more sinned against than sinning? Can the play be described as anti-semitic? What exactly is the quality of mercy? Is Portia one of the great Christian heroines of western literature? And what of the comedy of the rings with which Shakespeare ends the play? These questions and many others are answered in this critical edition of one of the Bard's liveliest plays.
The Mercurial Mark Twain: Reception History and Iconic Authorship (Routledge Research in American Literature and Culture)
by James L. MachorWho was Mark Twain? Was he the genial author of two beloved boys books, the white-haired and white-suited avuncular humorist, the realistic novelist, the exposer of shams, the author repressed by bourgeois values, or the social satirist whose later writings embody an increasingly dark view? In light of those and other conceptions, the question we need to ask is not who he was but how did we get so many Mark Twains? The Mercurial Mark Twains(s): Reception History and Iconic Authorship provides answers to that question by examining the way Twain, his texts, and his image have been constructed by his audiences. Drawing on archival records of responses from common readers, reviewer reactions, analyses by Twain scholars and critics, and film and television adaptations, this study provides the first wide-ranging, fine-grained historical analysis of Twain’s reception in both the public and private spheres, from the 1860s until the end of the twentieth century.
The Merge Hypothesis: A Theory of Aspects of Syntax
by Norbert HornsteinThe Merge Hypothesis is the central empirical theoretical contribution of the Minimalist Program (MP) to syntactic theory. This book offers an accessible overview of the MP, debunking common sixty years of Generative research, culminating in GB theory. He introduces The Fundamental Principle of Grammar, which advocates including labels as part of the Merge Operation and centring the notion of the constituent as the key domain of syntactic commerce. The early chapters identify the goals of the MP, how they arose from earlier descriptive and explanatory successes of the mentalist tradition within Generative Grammar, and how to develop them in future work to expand its descriptive and explanatory range. It is essential reading for anyone interested in contemporary syntactic theory.
The Merits of Women: Wherein Is Revealed Their Nobility and Their Superiority to Men
by Moderata Fonte“Among the great classics of early feminist thought . . . challenging, witty . . . a sometimes startlingly original discussion of women’s status.” —Literary HubYou would as well look for blood in a corpse as for the least shred of decency in a man . . .Without help from their wives, men are just like unlit lamps . . .Just think of them as an unreliable clock that tells you it’s ten o’clock when it’s in fact barely two . . .These are but a small selection of the quips bandied about at this lively gathering of women. Yet this dialogue unfolds not among ironically misandrist millennials venting at their local dive bar, but rather among sixteenth-century women—variously married, widowed, single, and betrothed—attending a respectable Venice garden party. Written in the early 1590s by Moderata Fonte, pseudonym of the Renaissance poet and writer Modesta Pozzo, this literary dialogue interrogates men and men’s treatment of women, and explores by contrast the virtues of singledom and female friendship.A new introduction by translator Virginia Cox and foreword by Dacia Maraini situate The Merits of Women in its historical context, written as it was on the cusp of Shakespeare’s heyday, and straddling the centuries between the feminist works of Christine de Pizan and Mary Wollstonecraft. Elegantly presented for a general audience, this is a must-read for baby feminists and “nasty women” alike, not to mention the perfect subtle gift for any mansplaining friend who needs a refresher on the merits of women . . . and their superiority to men.
The Merry Heart: Reflections on Reading, Writing, and the World of Books
by Robertson Davies&“A splendid gallimaufry of the eminent Canadian&’s talks and essays, mostly about literature and the creative life . . . a thought-filled and amusing book.&”—The Washington Post For devotees of Davies and all lovers of literature and language, here is the &“urbanity, wit, and high seriousness mixed by a master chef,&” vintage delights from an exquisite literary menu (Cleveland Plain Dealer). Robertson Davies&’s rich and varied collection of writings on the world of books and the miracle of language captures his inimitable voice and sustains his presence among us. Coming almost entirely from Davies&’s own files of unpublished material, these twenty-four essays and lectures range over themes from &“The Novelist and Magic&” to &“Literature and Technology,&” from &“Painting, Fiction, and Faking,&” to &“Can a Doctor Be a Humanist?&” and &“Creativity in Old Age.&” Davies himself says merely: &“Lucky writers . . . like wine, die rich in fruitiness and delicious aftertaste, so that their works survive them.&” &“Splendid—wise, witty, wide-ranging.&”—The New York Times Book Review &“Some of Davies&’s ideas are iconoclastic, and will delight those who share them while stimulating those who do not. All his judgments are interesting, steeped in humanism, and most elegantly put.&”—The Atlantic Monthly &“The inimitable novelist gives an exuberant posthumous performance in this eclectic collection of (mostly) previously unpublished addresses, talks, and incidental pieces . . . Davies diffuses his opinions entertainingly, if occasionally superficially, but never loses his audience.&”—Kirkus Reviews