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The New International Dictionary of Pentecostal and Charismatic Movements: Revised and Expanded Edition
by Stanley M. Burgess Eduard M. van der MaasThe Definitive History of the Spirit-Filled Church Encyclopedic coverage of: Activities of the Spirit over 2,000 years of church history in 60 countries and regions Outpourings at Topeka, Mukti Mission (India), Azusa Street, Duquesne University, and many other 20th-century locations Current movements among today’s 500 million-plus Pentecostal and charismatic Christians worldwide The New International Dictionary of Pentecostal and Charismatic Movements sets modern, Spirit-filled Christianity in a context that spans two millennia and the entire Christian world. Like no other resource, this volume reveals in detail the full, sweeping legacy of Spirit-empowered movements that have touched hearts and lives both in modern America and across the centuries and continents: in medieval Europe, Finland in the 1700s, South India in the 1800s, Azusa Street at the turn of the 20th century--and much more, including ongoing moves of the Holy Spirit throughout the world today. One thousand entries provide the most extensive information available on Pentecostal, charismatic, and neocharismatic movements. The diverse topics covered include, as a small sample, glossolalia, black and Hispanic Pentecostalism, prophecy, the role of women, faith healing, music, sociology, missions, church growth, and different historic and contemporary revivals. With its unique international and historical perspective, this completely revised and expanded second edition of the acclaimed Dictionary of Pentecostal and Charismatic Movements offers features that no other reference of its kind approaches. Its extraordinary scope and detailed, up-to-date coverage make this the definitive resource on Pentecostal and charismatic denominations and movements both in North America and worldwide. Includes: Exhaustive coverage of Pentecostal and charismatic movements in 60 countries and regions--individual histories, cultural and theological aspects, and key figures and institutions. Statistical section with a wealth of current information on the growth of classical Pentecostalism as well as charismatic and neocharismatic movements. 1,000 articles. Over 500 photos and illustrations, maps, and timeline. Cross references, bibliographies, and indexes to people, places, and topics.
The New Jewish American Literary Studies (Twenty-First-Century Critical Revisions)
by Victoria AaronsThe opening decades of the twenty-first century are distinguished by a newly framed and regenerated outlook of Jewish American literary studies. This volume introduces readers to the new perspectives, new approaches, and widening of interpretive possibilities in Jewish American literature accompanied by the changes of the new millennium. Now that we are over a decade into a new century, the field of Jewish American literary studies has begun to reshape itself in response to a 'new diaspora', a newly defined sense not only of Jewish American literature, but of America, an expansion of new genres, new voices, and new platforms of expression. This book re-evaluates questions of race, feminism, gender, sexuality, orthodoxy, assimilation, identity politics, and historical alienation that shape Jewish American literary studies. Several chapters show the influence of other cultures on the field such as Iranian-American-Jewish writing, Israeli-American, and Latin American literary expression, as well as the impact of Russian emigres.
The New Journalism, the New Imperialism and the Fiction of Empire, 1870-1900 (Palgrave Studies in the History of the Media)
by Andrew GriffithsAggressive policy, enthusiastic news coverage and sensational novelistic style combined to create a distinctive image of Britain's Empire in late-Victorian print media. The New Journalism, the New Imperialism and the Fiction of Empire, 1870-1900 traces this phenomenon through the work of editors, special correspondents and authors.
The New Joyce Studies (Twenty-First-Century Critical Revisions)
by Flynn CatherineThe New Joyce Studies indicates the variety and energy of research on James Joyce since the year 2000. Essays examine Joyce's works and their reception in the light of a larger set of concerns: a diverse international terrain of scholarly modes and methodologies, an imperilled environment, and crises of racial justice, to name just a few. This is a Joyce studies that dissolves early visions of Joyce as a sui generis genius by reconstructing his indebtedness to specific literary communities. It models ways of integrating masses of compositional and publication details with literary and historical events. It develops hybrid critical approaches from posthuman, medical, and queer methodologies. It analyzes the nature and consequences of its extension from Ireland to mainland Europe, and to Africa and Latin America. Examining issues of copyright law, translation, and the history of literary institutions, this volume seeks to use Joyce's canonical centrality to inform modernist studies more broadly.
The New Kid
by Temple MathewsWill Hunter is used to being the New Kid; Harrisburg High School is his fifth new school in less than three years. By now, he knows not to be fooled by the bright pep rallies, the wholesome jocks, the innocent cheerleaders. He knows the evil lurking underneath. It's the same evil that took his dad eight years ago: the same evil he battles every day. Natalie Holand's life fell apart the night her sister Emily disappeared. No one believes her when she tells them what she saw: yellow and green eyes, glowing beneath the surface of the water in which Emily supposedly drowned. And Emily isn't the only person to go missing in Harrisburg lately. The town is changing, not for the better, and Natalie doesn't know why. What she does know is that, whatever's happening, it's bad, and the New Kid is right in the middle of it. Because Will's got a secret even bigger than Harrisburg's . . . and there's more to it than even he knows.
The New Life/La Vita Nuova: A Dual-Language Book
by Dante Alighieri Stanley AppelbaumAn exquisite medley of lyrical verse and poetic prose, La Vita Nuova (The New Life) ranks among the supreme revelations in the literature of love. Its allegorical view of the soul's crisis and growth combines a narrative with meditations, dreams, songs, and prayers.In this masterpiece of his youth, Dante assembles a selection of his love poems within a prose framework that situates them chronologically and autobiographically. The result is a history of his love for Beatrice, the muse he encountered in childhood who continued to influence him long after her marriage and early death. Upon completing this work in 1294, the future author of The Divine Comedy pledged to write of Beatrice "what has never before been written of any woman."Instructors and students of Italian, as well as anyone interested in the masterworks of world literature, will appreciate this dual-language edition. It features a new English translation, in addition to an informative introduction and helpful notes.
The New Literary Middlebrow
by Beth DriscollThe middlebrow is a dominant cultural force in the twenty-first century. This book defines the new literary middlebrow through eight key features: middle class, feminized, reverential, commercial, emotional, recreational, earnest and mediated. Case studies include Oprah's Book Club, the Man Booker Prize and the Harry Potter phenomenon.
The New Man, Masculinity and Marriage in the Victorian Novel (Gender and Genre #14)
by Tara MacDonaldBy tracing the rise of the New Man alongside novelistic changes in the representations of marriage, MacDonald shows how this figure encouraged Victorian writers to reassess masculine behaviour and to re-imagine the marriage plot in light of wider social changes. She finds examples in novels by Dickens, Anne Brontë, George Eliot and George Gissing.
The New Mark Twain Handbook (Routledge Library Editions: The American Novel #9)
by E. Hudson Long J. R. LeMasterThis authors of this useful handbook, originally published in 1985, not only summarise Mark Twain scholarship, but also evaluate, in much detail, the various contributions. Each chapter includes a thorough annotated bibliography. This title also includes a comprehensive chronological table of the significant events in Mark Twain’s Life, including the publication dates of his works. This title will be of interest to students of American Literature.
The New Melville Studies, Part 1: Twenty-first Century Critical Revisions (Twenty-First-Century Critical Revisions)
by Cody MarrsWhat does Melville studies look like after a phase of intense critical activity? This book addresses that question by analyzing Melville as a writer who was keenly interested in the pleasures, limits, and possibilities of various reading practices. It collects and assesses all of the major new trends in Melville studies. Essays, written by some of the leading scholars in the field, test out emerging critical methods. They explore Melville's centrality to American literary studies and consider the full range of Melville's career, connecting his poetry to his prose. This collection re-imagines Melville as a theorist as well as a writer, approaching his works as philosophical forms in their own right. It shows how scholars are changing Melville studies not only by re-orienting the texts upon which those studies are based, but also by incorporating new approaches that unsettle prior assumptions and interpretive claims.
The New Middle Ages
by Jerold C. FrakesBroadens the perspective of recent work on the discourse of the Muslim Other in medieval Christendom by investigating pertinent texts, art, and artefacts, situating these local discourses of the Muslim Other in the larger cultural context of proto-Eurocentric discourse.
The New Middle Kingdom: China and the Early American Romance of Free Trade
by Kendall A. JohnsonLooking at the Far East and American ambition in China through the lens of literature.In the imaginations of early Americans, the Middle Kingdom was the wealthiest empire in the world. Its geographical distance did not deter commercial aspirations—rather, it inspired them. Starting in the late eighteenth century, merchants from New York, Philadelphia, Boston, Salem, Newport, and elsewhere cast speculative lines to China. The resulting fortunes shaped the cultural foundation of the early republic and funded westward frontier expansion. In The New Middle Kingdom, Kendall A. Johnson argues that—for the merchant princes who speculated in the global Far East, as well as the missionaries and diplomats who followed them—Manifest Destiny spurred more than the coalescence of the fractious regions into the continental Far West. It also promised a golden gateway to the Pacific Ocean through which the nation would realize its historical destiny as the world’s new Middle Kingdom of commerce. Examining the influential accounts of westerners at the center of early US cultural development abroad, Johnson conceives a romance of free trade with China as a quest narrative of national accomplishment in a global marketplace.Drawing from a richly descriptive cross-cultural archive, the book presents key moments in early relations among the twenty-first century’s superpowers through memoirs, biographies, epistolary journals, magazines, book reviews, fiction and poetry by Melville, Twain, Whitman, and others, travel narratives, and treaties, as well as maps and engraved illustrations. Paying close attention to figurative language, generic forms, and the social dynamics of print cultural production and circulation, Johnson shows how authors, editors, and printers appealed to multiple overlapping audiences in China, in the United States, and throughout the world. Spanning a full century, from the post–Revolutionary War era to the Gilded Age, The New Middle Kingdom is a vivid look at the Far East through Western eyes, one that highlights the importance of China in antebellum US culture.
The New Midlife Self-Writing (Routledge Focus on Literature)
by Emily O. WittmanIn The New Midlife Self-Writing, Wittman treats recent self-writing by Rachel Cusk, Roxane Gay, Sarah Manguso, and Maggie Nelson, carefully situating these vital midlife works within the history of self-writing. She argues that they renew and redirect the autobiographical trajectories characteristic of earlier self-writing by switching their orientation to face the future and by celebrating midlife as a growing season, a time of Bildung. In each chapter, writer-by-writer, she demonstrates how the midlife self-writers in question trace confident and future-oriented paths through the past, rejecting triumphalism and complicating both identity and individualism, just as they refine and redefine genres. Exploring these midlife self-writers as chroniclers of Generation X’s midlife in particular, Wittman coins the term "digital absence" to map their unique relationship to new forms of knowledge and knowledge gathering in an Information Age that they are both of and set apart from. She theorizes that their works share a "pedagogical style," a style characterized by clarity, exposition, and classical rhetoric, as well as a concern with the classroom, offering a warrant for reading them in pedagogical terms in concert with traditional scholarly approaches. Furthermore, Wittman presents readers with a look ahead at the future of midlife self-writing as well as self-writing overall, concluding that we might be looking at the scholarship of the future.
The New Midwest: A Guide to Contemporary Fiction of Great Lakes, Great Plains, and Rust Belt
by Mark Athitakis&“Dives deep into Midwestern literature, unpacking the mythology of the region and how today&’s writers are complicating our simple idea of the Heartland.&” —Huffington Post In the public imagination, Midwestern literature has not evolved far beyond heartland laborers and hardscrabble immigrants of a century past. But as the region has changed, so, in many ways, has its fiction. In this book, the author explores how shifts in work, class, place, race, and culture has been reflected or ignored by novelists and short story writers. From Marilynne Robinson to Leon Forrest, Toni Morrison to Aleksandar Hemon, Bonnie Jo Campbell to Stewart O&’Nan this book is a call to rethink the way we conceive Midwestern fiction, and one that is sure to prompt some new must-have additions to every reading list. &“Using the lens of novels and short stories published over the past 30 or so years, Athitakis seeks to illuminate the ways we still lean on literary mythology of the Midwest when it comes to defining the region.&” —Chicago Tribune &“[The New Midwest] rightly praises the Midwestern novels of Marilynne Robinson, Jeffrey Eugenides, Toni Morrison and Jonathan Franzen, but also points out works of comparable merit that warrant rediscovery.&” —The Washington Post &“The New Midwest is a crisp, engaging tip sheet and guide for further reading.&” —Milwaukee Journal-Sentinel &“A journey through the Midwest and through some key works by writers [Athitakis] thinks are most effectively using the region in their fiction.&” —Kirkus Reviews
The New Milton Criticism
by Peter C. Herman Elizabeth SauerThe New Milton Criticism seeks to emphasize ambivalence and discontinuity in Milton's work and interrogate the assumptions and certainties in previous Milton scholarship. Contributors to the volume move Milton's open-ended poetics to the centre of Milton studies by showing how analysing irresolvable questions – religious, philosophical and literary critical – transforms interpretation and enriches appreciation of his work. The New Milton Criticism encourages scholars to embrace uncertainties in his writings rather than attempt to explain them away. Twelve critics from a range of countries, approaches and methodologies explore these questions in these new readings of Paradise Lost and other works. Sure to become a focus of debate and controversy in the field, this volume is a truly original contribution to early modern studies.
The New Modernist Studies (Twenty-First-Century Critical Revisions)
by Douglas MaoThis is the first book specifically devoted to the new modernist studies. Bringing together a range of perspectives on the past, present, and future of this vibrant, complicated scholarly enterprise, the collection reconsiders its achievements and challenges as both a mode of inquiry and an institutional formation. In its first section, the volume offers a fresh history of the new modernist studies' origins amid the intellectual configurations of the end of the twentieth century and changing views of the value, influence, and scope of modernism. In the second section a dozen leading scholars examine recent trends in modernist scholarship to suggest possible new paths of research, showing how the field continues to engage with other areas of study and how it makes a case for the ongoing meaning of modernist literature and art in the contemporary world.
The New Mountaineer in Late Victorian Britain
by Alan McneeThis book is about the rise of a new ethos in British mountaineering during the late nineteenth century. It traces how British attitudes to mountains were transformed by developments both within the new sport of mountaineering and in the wider fin-de-siècle culture. The emergence of the new genre of mountaineering literature, which helped to create a self-conscious community of climbers with broadly shared values, coincided with a range of cultural and scientific trends that also influenced the direction of mountaineering. The author discusses the growing preoccupation with the physical basis of aesthetic sensations, and with physicality and materiality in general; the new interest in the physiology of effort and fatigue; and the characteristically Victorian drive to enumerate, codify, and classify. Examining a wide range of texts, from memoirs and climbing club journals to hotel visitors' books, he argues that the figure known as the 'New Mountaineer' was seen to embody a distinctly modern approach to mountain climbing and mountain aesthetics.
The New Mutants: Superheroes and the Radical Imagination of American Comics (Postmillennial Pop #1)
by Ramzi Fawaz2017 The Association for the Studies of the Present Book PrizeFinalist Mention, 2017 Lora Romero First Book Award Presented by the American Studies AssociationWinner of the 2012 CLAGS Fellowship Award for Best First Book Project in LGBT StudiesHow fantasy meets reality as popular culture evolves and ignites postwar gender, sexual, and race revolutions.In 1964, noted literary critic Leslie Fiedler described American youth as “new mutants,” social rebels severing their attachments to American culture to remake themselves in their own image. 1960s comic book creators, anticipating Fiedler, began to morph American superheroes from icons of nationalism and white masculinity into actual mutant outcasts, defined by their genetic difference from ordinary humanity. These powerful misfits and “freaks” soon came to embody the social and political aspirations of America’s most marginalized groups, including women, racial and sexual minorities, and the working classes.In The New Mutants, Ramzi Fawaz draws upon queer theory to tell the story of these monstrous fantasy figures and how they grapple with radical politics from Civil Rights and The New Left to Women’s and Gay Liberation Movements. Through a series of comic book case studies—including The Justice League of America, The Fantastic Four, The X-Men, and The New Mutants—alongside late 20th century fan writing, cultural criticism, and political documents, Fawaz reveals how the American superhero modeled new forms of social belonging that counterculture youth would embrace in the 1960s and after. The New Mutants provides the first full-length study to consider the relationship between comic book fantasy and radical politics in the modern United States.
The New Nancy: Flexible and Relatable Daily Comics in the Twenty-First Century (Encapsulations: Critical Comics Studies)
by Jeff KarnickyIn The New Nancy Jeff Karnicky explores how today&’s successful daily comic strips are flexible and relatable, and he uses Olivia Jaimes&’s 2018 reboot of the long-running comic strip Nancy to illustrate the ways that contemporary comics have adapted to twenty-first-century technology and culture. Because comic creation has become part of the gig economy, flexible comics must be accessible to both online and print readers, and they must quickly grab readers&’ attention. Flexible comic creators like Jaimes must focus both on the work of producing comics and on building an audience. Daily comics also must form a relatable connection with readers. Most contemporary comic creators cultivate an online persona through which they engage readers with specific identities, beliefs, and expectations. This work might form a mutually beneficial bond that results in a successful daily comic strip, but it risks becoming fraught, toxic, and sometimes even dangerous. Jaimes cultivates a relatable persona in connection with longtime readers and new fans. Nancy finds its humor in both nostalgic objects (like cookie jars) and contemporary technological objects (like smartphones). Rebooted comic strips like Nancy directly confront the stereotypical representations that haunt the past of comics. Focusing on Nancy&’s role in contemporary culture, Karnicky uses literary studies, cultural studies, and media studies to argue that Jaimes&’s comic strip has something to say about comics, contemporary culture, and the intersection of the two.
The New Negro in the Old South
by Gabriel A. BriggsStandard narratives of early twentieth-century African American history credit the Great Migration of southern blacks to northern metropolises for the emergence of the New Negro, an educated, upwardly mobile sophisticate very different from his forebears. Yet this conventional history overlooks the cultural accomplishments of an earlier generation, in the black communities that flourished within southern cities immediately after Reconstruction. In this groundbreaking historical study, Gabriel A. Briggs makes the compelling case that the New Negro first emerged long before the Great Migration to the North. The New Negro in the Old South reconstructs the vibrant black community that developed in Nashville after the Civil War, demonstrating how it played a pivotal role in shaping the economic, intellectual, social, and political lives of African Americans in subsequent decades. Drawing from extensive archival research, Briggs investigates what made Nashville so unique and reveals how it served as a formative environment for major black intellectuals like Sutton Griggs and W.E.B. Du Bois. The New Negro in the Old South makes the past come alive as it vividly recounts little-remembered episodes in black history, from the migration of Colored Infantry veterans in the late 1860s to the Fisk University protests of 1925. Along the way, it gives readers a new appreciation for the sophistication, determination, and bravery of African Americans in the decades between the Civil War and the Harlem Renaissance.
The New Negro: Readings on Race, Representation, and African American Culture, 1892-1938
by Henry Louis Gates, Jr. & Gene Andrew JarrettWhen African American intellectuals announced the birth of the "New Negro" around the turn of the twentieth century, they were attempting through a bold act of renaming to change the way blacks were depicted and perceived in America. By challenging stereotypes of the Old Negro, and declaring that the New Negro was capable of high achievement, black writers tried to revolutionize how whites viewed blacks--and how blacks viewed themselves. Nothing less than a strategy to re-create the public face of "the race," the New Negro became a dominant figure of racial uplift between Reconstruction and World War II, as well as a central idea of the Harlem, or New Negro, Renaissance. Edited by Henry Louis Gates, Jr., and Gene Andrew Jarrett, The New Negro collects more than one hundred canonical and lesser-known essays published between 1892 and 1938 that examine the issues of race and representation in African American culture. These readings--by writers including W.E.B. Du Bois, Paul Laurence Dunbar, Alain Locke, Carl Van Vechten, Zora Neale Hurston, and Richard Wright--discuss the trope of the New Negro, and the milieu in which this figure existed, from almost every conceivable angle. Political essays are joined by essays on African American fiction, poetry, drama, music, painting, and sculpture. More than fascinating historical documents, these essays remain essential to the way African American identity and history are still understood today.
The New News: The Journalist’s Guide to Producing Digital Content for Online & Mobile News
by Joan Van Tassel Murphy Mary Joseph SchmitzThe New News offers an approachable, practical guide to the 21st-century newsroom, equipping journalists with the skills needed to work expertly, accurately, and efficiently across multiple media platforms. Emphasizing the importance of verification and authentication, the book shows how journalists adapt traditional practices of information-gathering, observation, interviewing, and newswriting for online publications. The text includes comprehensive coverage of key digital and multimedia competencies – capturing multimedia content, "doing" data journalism, mobile reporting, working in teams, participating with global audiences, and building a personal brand. Features developed exclusively for this book include innovative visuals showing the multimedia news structures and workflows used in modern newsrooms; interviews with prominent journalists about their experiences in contemporary journalism; a glossary of up-to-date terms relevant to online journalism; and practical exercises and activities for classroom use, as well as additional downloadable online instructor materials. The New News provides excellent resources to help journalism students and early-career professionals succeed in today’s digital networked news industry. The authors are donating all royalties to nonprofit LION's programs to support local online news publications.
The New Nineteenth Century: Feminist Readings of Underread Victorian Fiction (Wellesley Studies in Critical Theory, Literary History and Culture #Vol. 14)
by Susan Meyer Barbara Leah HarmanThis book includes essays on writers from the 1840s to the 1890s, well known writers such as Anne Bronte, Wilkie Collins and Bram Stoker, lesser known writers such as Geraldine Jewsbury, Charles Reade, Margaret Oliphant, George Moore, Sarah Grand and Mary Ward. The contributors explore important thematic concerns: the relation between private and public realms; gender and social class; sexuality and the marketplace; and male and female cultural identity.
The New Nineteenth-Century American Literary Studies (Twenty-First-Century Critical Revisions)
by Robert S. Levine Russ CastronovoThe New Nineteenth-Century American Literary Studies takes stock of critical developments over the past twenty years, offering a fresh examination of key interpretative issues in this field. In eclectic fashion, it presents a wide range of new approaches in such areas as print and material culture, Black studies, Latinx studies, disability studies, gender and sexuality studies, postsecular studies, and Indigenous studies. This volume also maps out new directions for the future of the field. The evidence and examples discussed by the contributors are compelling, grounded in case studies of key literary texts, both familiar and understudied, that help to bring critical debate into focus and model fresh interpretive perspectives. Essays provide new readings and framings of such figures as Herman Melville, Harriet Wilson, Charles Chesnutt, Edgar Allan Poe, Washington Irving, and Zitkála-Šá.
The New North American Studies: Culture, Writing and the Politics of Re/Cognition
by Winfried SiemerlingWinner of the English Book Award, Grand Prix du Livre 2006 de la Ville de Sherbrooke. In this original and groundbreaking study, Winfried Siemerling examines the complexities of recognition and identity, rejecting previous nationalized thinking to approach North American cultural transformations from transnational and interdisciplinary perspectives. Using material from the United States and Canada as case studies and drawing on a wide range of texts and theorists, he examines postcoloniality and cultural emergence from the sixties to the present against earlier backgrounds. Siemerling's argument for a retheorization of the field takes on the full history of multiculturalism debates, including radical readings of W.E.B. Du Bois and Charles Taylor and their relation to G.W.F. Hegel, and challenging many of the models of multiculturalism in use today. Tackling controversial subjects such as identity politics, The New North American Studies proposes a fresh outlook on the most central issues of North American cultural politics, from debates on canon formation to the role of racial and linguistic difference. Concluding with a look at the future of cultural difference, Winfried Siemerling's study is an innovative rethinking of the whole field of North American Studies.