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The Nickel Was for the Movies: Film in the Novel from Pirandello to Puig
by Gavriel MosesThe cinephobic novelist who complains to Fitzgerald's tycoon that he will never get the hang of scriptwriting wouldn't give a nickel for the movies. Yet never before the appearance of film had human perception been engaged in such an all-encompassing way by a single art form. In this ambitious investigation of a little-studied narrative genre, Gavriel Moses defines and explores "the film novel," a literary text in which cinema provides the thematic, formal, psychological, and philosophical center. Through close readings of works by the major representatives of the genre—Pirandello, Nabokov, Isherwood, West, Fitzgerald, Moravia, Percy, Puig—Moses develops a suggestive theory of novels that use literature to investigate the central role that film has acquired in human experience.These novels, because of their fascination with filmmaker and spectator alike, and because they anticipate current views of the questions of cinema, remain a tangible presence within the repertoire of literary modernism. Offering insightful discussions of Laughter in the Dark, Lancelot, Kiss of the Spider Woman, and other film novels, Moses shows the depth of the exchange between literature and cinema and illustrates the extent to which the way we tell stories with words has been affected by the movies. His book will be of wide interest to literary scholars, film historians, and students of cinema and the novel.
The Night Battles: Witchcraft and Agrarian Cults in the Sixteenth and Seventeenth Centuries (Routledge Library Editions: Witchcraft Ser.)
by Carlo GinzburgA remarkable tale of witchcraft, folk culture, and persuasion in early modern Europe.Based on research in the Inquisitorial archives of Northern Italy, The Night Battles recounts the story of a peasant fertility cult centered on the benandanti, literally, "good walkers." These men and women described fighting extraordinary ritual battles against witches and wizards in order to protect their harvests. While their bodies slept, the souls of the benandanti were able to fly into the night sky to engage in epic spiritual combat for the good of the village. Carlo Ginzburg looks at how the Inquisition's officers interpreted these tales to support their world view that the peasants were in fact practicing sorcery. The result of this cultural clash, which lasted for more than a century, was the slow metamorphosis of the benandanti into the Inquisition's mortal enemies—witches.Relying upon this exceptionally well-documented case study, Ginzburg argues that a similar transformation of attitudes—perceiving folk beliefs as diabolical witchcraft—took place all over Europe and spread to the New World. In his new preface, Ginzburg reflects on the interplay of chance and discovery, as well as on the relationship between anomalous cases and historical generalizations.
The Night Sky
by Ann LauterbachA scintillating collection of essays on language from one of literature's most supple minds In The Night Sky, her first work of essays, acclaimed poet Ann Lauterbach writes of the ways in which art and poetry are integral and necessary to human conversation. At the center of the book is a series of seven essays, by turns meditative and polemical, that articulate the interstices between Lauterbach's poetics and her experience. She advocates an active encounter with language, at once imaginative and practical, and argues for the importance of art to the well- being of a democratic society. Lauterbach's "nimble and glittering" (Booklist) writings bring us to a new understanding of the relationship between self-knowledge and cultural meaning, as well as demonstrating the ways in which contemporary philosophy and theory might be integrated with practical knowledge. .
The Night Sky
by Ann LauterbachA scintillating collection of essays on language from one of literature's most supple minds In The Night Sky, her first work of essays, acclaimed poet Ann Lauterbach writes of the ways in which art and poetry are integral and necessary to human conversation. At the center of the book is a series of seven essays, by turns meditative and polemical, that articulate the interstices between Lauterbach's poetics and her experience. She advocates an active encounter with language, at once imaginative and practical, and argues for the importance of art to the well- being of a democratic society. Lauterbach's "nimble and glittering" (Booklist) writings bring us to a new understanding of the relationship between self-knowledge and cultural meaning, as well as demonstrating the ways in which contemporary philosophy and theory might be integrated with practical knowledge.
The Nighttime Novelist: Finish Your Novel in Your Spare Time
by Joseph BatesMake Every Creative Moment Count Franz Kafka was an insurance agent. William Faulkner was a postmaster. Stephen King taught high school English, John Grisham was an attorney, and Toni Morrison worked in publishing. Though romantic fantasies of the writing life don't often include a day job, the fact is that most writers have one. If you find yourself among them, stealing moments late at night, early in the morning, or on your lunch break to write, The Nighttime Novelist is your guide-on call any hour to help. Divided into quick mini lessons to make the most of your precious writing time, this book offers: Technique instruction that breaks down the elements of the novel-from crafting your protagonist to successful plotting and pacing Hurdle lessons that help you anticipate and overcome roadblocks, so you can keep your productivity and your story on track Going Deeper explorations that provide guidance on the more nuanced aspects of storytelling, so you can take your work to the next level Try It Out assignments and more than 25 interactive worksheets that help you apply the lessons to your own project Whether you're just beginning your novel, wondering how to navigate its middle, or bringing it to a close, you'll find the instruction, exercises, and support you need to keep your story moving forward every time you sit down to write.
The Nineteenth Century Periodical Press and the Development of Detective Fiction (Routledge Studies in Nineteenth Century Literature)
by Samuel SaundersThis book re-imagines nineteenth-century detective fiction as a literary genre that was connected to, and nurtured by, contemporary periodical journalism. Whilst ‘detective fiction’ is almost universally-accepted to have originated in the nineteenth century, a variety of widely-accepted scholarly narratives of the genre’s evolution neglect to connect it with the development of a free press. The volume traces how police officers, detectives, criminals, and the criminal justice system were discussed in the pages of a variety of magazines and journals, and argues that this affected how the wider nineteenth-century society perceived organised law enforcement and detection. This, in turn, helped to shape detective fiction into the genre that we recognise today. The book also explores how periodicals and newspapers contained forgotten, non-canonical examples of ‘detective fiction’, and that these texts can help complicate the narrative of the genre’s evolution across the mid- to late nineteenth century.
The Nineteenth Century Revis: The New Historical Fiction (Routledge Studies in Nineteenth Century Literature)
by Ina BergmannThe Nineteenth Century Revis(it)ed: The New Historical Fiction explores the renaissance of the American historical novel at the turn of the twenty-first century. The study examines the revision of nineteenth-century historical events in cultural products against the background of recent theoretical trends in American Studies. It combines insights of literary studies with scholarship on popular culture. The focus of representation lies on the ‘long’ nineteenth century – a period from the early Republic to World War I – as a key epoch of the nation building project of the United States. The study explores the constructedness of historical tradition and the cultural resonance of historical events within the discourse on the contemporary novel and the theory formation surrounding it. At the center of the discussion is the unprecedented literary output and critical as well as popular success of historical fiction in the USA since 1995. An additional postcolonial and transatlantic perspective of the study is provided by the incorporation of texts by British and Australian authors and especially by the inclusion of insights from Neo-Victorian Studies. The book provides a critical comment on current and topical developments in American Literature, Culture, and Historiography.
The Nineteenth-Century Child and Consumer Culture (Studies in Childhood, 1700 to the Present)
by Dennis DenisoffDuring the rise of consumer culture in the nineteenth century, children and childhood were called on to fulfill a range of important roles. In addition to being consumers themselves, the young functioned as both 'goods' to be used and consumed by adults and as proof that middle-class materialist ventures were assisting in the formation of a more ethical society. Children also provided necessary labor and raw material for industry. This diverse collection addresses the roles assigned to children in the context of nineteenth-century consumer culture, at the same time that it remains steadfast in recognizing that the young did not simply exist within adult-articulated cultural contexts but were agents in their formation. Topics include toys and middle-class childhood; boyhood and toy theater; child performers on the Victorian stage; gender, sexuality and consumerism; imperialism in adventure fiction; the idealization of childhood as a form of adult entertainment and self-flattery; the commercialization of orphans; and the economics behind formulations of child poverty. Together, the essays demonstrate the rising investment both children and adults made in commodities as sources of identity and human worth.
The Nineteenth-Century French Short Story: Masterpieces in Miniature (Routledge Studies in Nineteenth Century Literature)
by Allan PascoThe 19th-Century French Short Story, by eminent scholar, Allan H. Pasco, seeks to offer a more comprehensive view of the definition, capabilities, and aims of short stories. The book examines general instances of the genre specifically in 19th-century France by recognizing their cultural context, demonstrating how close analysis of texts effectively communicates their artistry, and arguing for a distinction between middling and great short stories. Where previous studies have examined the writers of short stories individually, The 19th-Century French Short Story takes a broader lens to the subject, and looks at short story writers as they grapple with the artistic, ethical, and social concerns of their day. Making use of French short story masterpieces, with reinforcing comparisons to works from other traditions, this book offers the possibility of a more adequate appreciation of the under-valued short story genre.
The Nineteenth-Century History of English Studies (The Nineteenth Century Series)
by Alan BaconThis study collects together many of the original texts from the long-running debate which surrounded the rise of English as an academic subject. Most of the texts were ephemeral and have been long out of print, but they are essential to an understanding of how English studies developed. They show how English was influenced by pre-existing subjects like rhetoric and classics, and how it assumed different faces in different academic institutions. Each text is given an introduction which sets it in context and highlights themes. A general introduction to the book sketches the history of English studies in the nineteenth century. London was central to the early history, with University College, King’s College and Queen’s College all looming large. Oxford figured later in the century, and became the centre of a truly national debate over the future of the subject. Schools played a part, especially grammar schools catering for middle-class pupils who were commonly identified as the main market for English.
The Nineteenth-Century Novel and the Pre-Cinematic Imagination: Fragmentation, Animated Movement and the Modern Episteme
by Alberto GabrieleThis book fills a gap in existing scholarship on the history of the novel in relation to visual culture by discussing the visual fascination that novelists such as Nathaniel Hawthorne, Herman Melville, Honoré de Balzac and George Eliot show for several types of pre-cinematic spectacle. It also identifies a so far neglected aspect of novel theory that nineteenth-century authors elaborated by incorporating suggestions from pre-cinematic visual spectacles. By shedding light on forms of visuality that were not entertained by the dominant aesthetic modes of painting and photography, The Nineteenth-Century Novel and the Pre-Cinematic Imagination argues that the presence of nineteenth century pre-cinematic optical illusions in works of fiction redefines the notion of mimesis as animated movement and points to a continuity between pre-cinema, the literary imagination and the structures of knowledge production of the modern episteme.
The Nineteenth-Century Novel: Identities (Nineteenth Century Novel Ser.)
by Dennis WalderThe Nineteenth-Century Novel: Identities provides an ideal starting point for understanding gender in the novels of this period. It explores the place of fiction in constructing gender identity within society at large, considering Madame Bovary, Portrait of a Lady and The Woman in White. The book continues with a consideration of the novel at the fin de siecle, examining Dracula, The Awakening and Heart of Darkness. These fascinating essays illuminate the ways in which the conventions of realism were disrupted as much by anxieties surrounding colonialism, decadence, degeneration and the 'New Woman' as by those new ideas about human psychology which heralded the advent of psychoanalysis. The concepts which are crucial to the understanding of the literature and society of the nineteenth century are brilliantly explained and discussed in this essential volume.
The Nineteenth-Century Press in the Digital Age
by James MussellNewspapers and periodicals have long been recognized as indispensable resources for those interested in all aspects of the nineteenth century, but they remain neglected due to difficulties working with the large and complicated print archive. In The Nineteenth-Century Press in the Digital Age, Mussell provides an accessible account of how this archive has been transformed through digitization. Now that it is relatively accessible, he argues that we cannot afford to continue to ignore this material. However, we must be able to understand both the complicated forms of newspapers and periodicals and how they have been transformed by various digital resources. In this book, Mussell situates both the print and the digital within a broader media history and argues that the way to understand a culture is through its media, whether this is in the nineteenth century, or today.
The No-Nonsense Guide to Global Media
by Peter StevenPeter Steven explores the diversity of world media, from the corporate to the independent. He introduces readers to the political economy of the major media outlets, looking at the concentration of ownership and the convergence of technologies and media functions. In doing so, he encourages us to question how the media reflects society: are we passive recipients, or do we have a part in constructing the world?Peter Steven is a freelance writer based in Toronto, Canada. He has been a film columnist for New Internationalist and The Beaver magazines, and associate editor of Jump Cut magazine.
The Nobel Lecture In Literature, 1993
by Toni MorrisonToni Morrison, winner of the 1993 Nobel Prize in Literature, reads the speech she delivered in Stockholm, Sweden, at the Nobel Prize Award Ceremony.
The Noisy Book Starring Yakety Yak
by Edith AdamsYakety Yak can't stop making noise until one day his neighbor's notice a difference. Is Yak trying to please his neighbors? Or...
The Non-Bantu Languages of North-Eastern Africa: Handbook of African Languages Part 3 (Linguistic Surveys of Africa #15)
by M. A. Bryan A. N. TuckerOriginally published in 1956, this volume presents a survey of the non-Bantu languages in the area extending south of the Sahara from Lake Chad to the Indian Ocean, together withj those of South Africa. The arrangement is primarily linguistic, in as much as larger units which show some indisputable affinities are where possible treated contiguously. Languages in the centre of the total area are discussed first, followed by thos ein the west, north, east and finally south.
The Non-User-Friendly Guide For Aspiring TV Writers: Experience and Advice From the Trenches (Million Dollar Writing Series) (Million Dollar Writing Series)
by Steven L. SearsA veteran writer presents his personal account of being in the trenches of the television industry, offering advice and tactics for aspiring scriptwriters. Steven L. Sears has had a successful career in film and television encompassing over thirty years of involvement at all levels. From his beginnings as a staff writer on the hit NBC show The A-Team, to Co-Executive Producer on the hit series Xena-Warrior Princess for MCA/Universal, creator and Executive Producer of Sheena for Sony/TriStar Television, and many pilot and development deals with the major studios and production companies, he has amassed a huge amount of experience and knowledge about the inner workings of the entertainment industry. In The Non-User-Friendly Guide for Aspiring Television Writers, he shares that experience and gives advice for those considering a career in television writing. Instead of the traditional academic and sterile approach, Steven answers questions from a personal, first person perspective. The questions have been culled from the real world, people seeking out his advice and looking for the experience that most books don&’t have. Some of what he writes about are hard and difficult facts to accept about the business. Other times it&’s his opinion based on his vast experience. But all of it is unsweetened and direct. Even if you don&’t like his answers, he will certainly make you think hard about your approach and choices when pursuing a career in an extremely difficult industry. As a result, you will be better prepared to achieve the success that he has had. Accessible, personable, and relaxed, &“It&’s like having lunch with Steven and asking him questions about the business. Without having to watch him eat.&”
The Nonconformists: American and Czech Writers across the Iron Curtain
by Brian K. GoodmanHow risky encounters between American and Czech writers behind the Iron Curtain shaped the art and politics of the Cold War and helped define an era of dissent.“In some indescribable way, we are each other’s continuation,” Arthur Miller wrote of the imprisoned Czech playwright Václav Havel. After a Soviet-led invasion ended the Prague Spring, many US-based writers experienced a similar shock of solidarity. Brian Goodman examines the surprising and consequential connections between American and Czech literary cultures during the Cold War—connections that influenced art and politics on both sides of the Iron Curtain.American writers had long been attracted to Prague, a city they associated with the spectral figure of Franz Kafka. Goodman reconstructs the Czech journeys of Allen Ginsberg, Philip Roth, and John Updike, as well as their friendships with nonconformists like Havel, Josef Škvorecký, Ivan Klíma, and Milan Kundera. Czechoslovakia, meanwhile, was home to a literary counterculture shaped by years of engagement with American sources, from Moby-Dick and the Beats to Dixieland jazz and rock ’n’ roll. Czechs eagerly followed cultural trends in the United States, creatively appropriating works by authors like Langston Hughes and Ernest Hemingway, sometimes at considerable risk to themselves.The Nonconformists tells the story of a group of writers who crossed boundaries of language and politics, rearranging them in the process. The transnational circulation of literature played an important role in the formation of new subcultures and reading publics, reshaping political imaginations and transforming the city of Kafka into a global capital of dissent. From the postwar dream of a “Czechoslovak road to socialism” to the neoconservative embrace of Eastern bloc dissidence on the eve of the Velvet Revolution, history was changed by a collision of literary cultures.
The Nonfiction Now Lesson Bank, Grades 4-8: Strategies and Routines for Higher-Level Comprehension in the Content Areas
by Nancy L. AkhavanWhat exactly makes The Nonfiction NOW Lesson Bank such a stand-out? If you consider the amount of instructional support, that alone is substantial enough to transform your teaching. But Nancy Akhavan happens to be an educator who has performed many roles over her career so she divests in this book just about everything in her professional vault A whole new vision of teaching nonfiction 50 powerhouse lessons A bank of short informational texts Dozens of student practice activities Graphic organizers for taming textbooks Unlike so many books, this one will live its life in actual use: dog-eared, sticky-noted, and loved.
The Nonhuman Narratives of Energy: Multispecies Encounters in Extraction Zones (Palgrave Studies in Animals and Literature)
by Josephine TaylorThis book brings the emerging field of petrocultures and energy humanities discourse into conversation with the field of animal studies. Taylor examines how fossil fuels have frequently been described as the lifeblood of capitalist modernity, making petroleum appear as something intrinsic to human life. Through examining works such as Herman Melville's Moby Dick, Nnedi Okorafor&’s Lagoon and Michel Faber&’s Under the Skin, this book highlights the commodification of nonhuman life in the history of energy and, paradoxically, how these nonhuman actors have been unacknowledged and silenced through time.
The Norman Maclean Reader: Essays, Letters, and Other Writings by the Author of A River Runs through It
by Norman MacLeanSelected works and incidental writings by the celebrated author of A River Runs Through It, plus excerpts from a 1986 interview.In his eighty-seven years, Norman Maclean played many parts: fisherman, logger, firefighter, scholar, teacher. But it was a role he took up late in life, that of writer, that won him enduring fame and critical acclaim—as well as the devotion of readers worldwide. Though the 1976 collection A River Runs Through It and Other Stories was the only book Maclean published in his lifetime, it was an unexpected success, and the moving family tragedy of the title novella—based largely on Maclean’s memories of his childhood home in Montana—has proved to be one of the most enduring American stories ever written.The Norman Maclean Reader is a wonderful addition to Maclean’s celebrated oeuvre. Bringing together previously unpublished materials with incidental writings and selections from his more famous works, the Reader will serve as the perfect introduction for readers new to Maclean, while offering longtime fans new insight into his life and career.In this evocative collection, Maclean as both a writer and a man becomes evident. Perceptive, intimate essays deal with his career as a teacher and a literary scholar, as well as the wealth of family stories for which Maclean is famous. Complete with a generous selection of letters, as well as excerpts from a 1986 interview, The Norman Maclean Reader provides a fully fleshed-out portrait of this much admired author, showing us a writer fully aware of the nuances of his craft, and a man as at home in the academic environment of the University of Chicago as in the quiet mountains of his beloved Montana.Various and moving, the works collected in The Norman Maclean Reader serve as both a summation and a celebration, giving readers a chance once again to hear one of American literature’s most distinctive voices.Praise for The Norman MacLean Reader“A solid, satisfying, well-made body of work by a patient craftsman.” —Chicago Tribune“The Norman Maclean Reader fills out and makes more human the impressions of the restless, inquiring storyteller we saw in previously published works. In his writings, at their best, we too feel the thrusts and strains. He is a writer of great beauty, in his own terms.” —Financial Times“Weltzien has not only done great service for Norman Maclean’s readers, he has rightly expanded Maclean’s place in American literature . . . . For me, The Norman Maclean reader is discovered treasure.” —Bloomsbury Review
The Norms of Assertion
by Rachel MckinnonSuppose that you ask me what time an upcoming meeting starts, and I say, '4 p. m. ' Whenever we make claims like this, we're asserting. If the meeting is really at 3:30 p. m. , you'll be late, and probably rather upset that I told you the wrong time. In some sense, it seems like I'm on the hook for having said something false. This sense that I've done something wrong suggests that there are certain standards of evaluating assertions: a way of distinguishing between good and bad, appropriate and inappropriate. We call these standards norms. This book is about the norms of assertion. Various philosophers have typically attempted to articulate the level of epistemic support required for properly asserting. Some argue, for example, that one must know what one asserts. Others argue that one merely needs to justifiably believe what one asserts–an epistemic standing weaker than knowledge. The purpose of this book is to defend what I propose as the central norm governing our practice of assertion, which I call the Supportive Reasons Norm (SRN). In rough outline, the standards for warrantedly asserting shift with changes in context, although knowledge is never required for warrantedly asserting. In fact, in some special contexts, speakers may warrantedly lie. This latter feature particularly sets apart my view from others in the debate.