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The Novel-Essay, 1884–1947
by Stefano ErcolinoThe novel-essay emerged in France, in the last quarter of the nineteenth century, and reached its highest formal complexity in Austria and Germany, during the interwar period. Here, Ercolino argues that it is crucial for a renovated understating of the history of the novel in modernity.
The Novel-Machine: The Theory and Fiction of Anthony Trollope
by Walter KendrickOriginally published in 1980. The first section of The Novel-Machine consists of five short chapters that rewrite Autobiography as an undisguised theory of realistic fiction, exploring its paradoxes while placing it in the context of mid-Victorian criticism. Chapters 6 and 7 survey the manifestations in Trollope's novels of what his theory sets down as the primary difference of realism: its way of telling its readers how to read. Chapter 8 is a close reading of He Knew He Was Right, a neglected novel that, in Kendrick's estimation, deserves to stand in much higher critical esteem than it does. Kendrick shows how deeply woven into the texture of Trollope's writing the rhetoric of realism is. Kendrick's reading is a departure from the usual method of criticizing Trollope—surveying the whole of his work a novel at a time, saying a little about every novel and always too little about each.
The Novel: A Biography
by Michael SchmidtThe 700-year history of the novel in English defies straightforward telling. Geographically and culturally boundless, with contributions from Great Britain, Ireland, America, Canada, Australia, India, the Caribbean, and Southern Africa; influenced by great novelists working in other languages; and encompassing a range of genres, the story of the novel in English unfolds like a richly varied landscape that invites exploration rather than a linear journey. In The Novel: A Biography, Michael Schmidt does full justice to its complexity. Like his hero Ford Madox Ford in The March of Literature, Schmidt chooses as his traveling companions not critics or theorists but "artist practitioners," men and women who feel "hot love" for the books they admire, and fulminate against those they dislike. It is their insights Schmidt cares about. Quoting from the letters, diaries, reviews, and essays of novelists and drawing on their biographies, Schmidt invites us into the creative dialogues between authors and between books, and suggests how these dialogues have shaped the development of the novel in English. Schmidt believes there is something fundamentally subversive about art: he portrays the novel as a liberalizing force and a revolutionary stimulus. But whatever purpose the novel serves in a given era, a work endures not because of its subject, themes, political stance, or social aims but because of its language, its sheer invention, and its resistance to cliché--some irreducible quality that keeps readers coming back to its pages.
The Novelist and the Archivist: Fiction and History in Alessandro Manzoni’s The Betrothed
by Claudio Povolo Peter MazurIn the 19th century, Alessandro Manzoni dedicated himself to writing the novel I promessi sposi that encouraged the Italian Risorgimento. This book traces how the renowned novelist was inspired by an event that occurred at the beginning of the 17th century, which he came to know about thanks to the secret collaboration of a Venetian archivist.
The Novelist in the Novel: Gender and Genius in Fictional Representations of Authorship, 1850–1949 (Among the Victorians and Modernists)
by Elizabeth KingWhy do writers so often write about writers? This book offers the first comprehensive account of the phenomenon of the fictional novelist as a character in literature, arguing that our notions of literary genius – and what it means to be an author – are implicitly shaped by and explicitly challenged in novels about novelists, a genre that has been critically underexamined. Employing both close and distant reading techniques to analyse a large corpus of author-stories, The Novelist in the Novel explores the forms and functions of author-stories and the characters within them, offering a new theory that frames these works as textual sites at which questions of literary value and the cultural conceptions around authorship are constantly being negotiated and revised in a form of covert criticism aimed directly at readers. While nineteenth-century novels about novelists reveal a pervasive frustration with the market – a starving artist vs. commercial sell-out dichotomy – modernist examples of the genre focus on the development of the individual author-as-artist, entirely aloof from the marketplace and from the literary sphere at large. Yet, each of these dynamics is gendered, with women denigrated to commercial producers and men elevated to artists, and while the canon has largely supported the male view of authorship, a closer look at the work of women writers from this period reveals concerted attempts to counteract it. "Silly Lady Novelists" are pitted against serious male modernists in a battle to define what it means to be a literary genius.
The Novelist's Lexicon: Writers on the Words That Define Their Work
by Villa Gillet; Le MondeIn this anthology from the Villa Gillet literary conference, world-renowned authors from A.S. Byatt to Enrique Vila-Matas discuss their work. At the international literary conference hosted by Villa Gillet and Le Monde, organizers asked more than seventy prominent authors to choose a word that opens a door to their work. Their musings, collected here and organized alphabetically by keyword, present an array of intriguing, amusing, and surprising insight into contemporary literature. Through these personal "passwords," authors articulate the function of language, character, plot, and structure in their work. Jonathan Lethem discusses the necessity of "furniture" in the novel. A. S. Byatt describes the power of the narrative web. Colum McCann details the benefits of anonymity. Daniel Mendelsohn expounds on the unknowable, or what the author should or should not impart to the reader. Etgar Keret explains the importance of balagan, a Hebrew word meaning "total chaos," and Annie Proulx clarifies terroir, which embodies the complexities of time, place, geography, weather, and climate. Other participants include Rick Moody on adumbrated, Upamanyu Chatterjee on the bildungsroman, Adam Thirwell on hedonism, Nuruddin Farah on identities, Andre Brink on the heretic, and Péter Esterhazy on the power and potential of words.
The Novelist’s Lexicon: Writers on the Words That Define Their Work
by Villa Gillet Le MondeAt the renowned, international literary conference hosted by Villa Gillet and Le Monde, organizers asked more than seventy prominent authors to choose a word that opens a door to their work. Their musings, collected here for the first time, offer an extraordinary portrait of writing and reading from the novelist's perspective. Organized alphabetically by keyword, the anthology is filled with intriguing, amusing, and often surprising insight, essential to an intimate understanding of literature. Through these personal "passwords," authors articulate the function of language, character, plot, and structure. Throughout the process, they reveal their relationship to the elements of story. Jonathan Lethem discusses the necessity of "furniture" in the novel. A. S. Byatt describes the power of the narrative web. Colum McCann details the benefits of anonymity. Daniel Mendelsohn expounds on the unknowable, or what the author should or should not impart to the reader. Etgar Keret explains the importance of balagan, a Hebrew word meaning "total chaos," and Annie Proulx clarifies terroir, which embodies the complexities of time, place, geography, weather, and climate. Other participants include Rick Moody on adumbrated, Upamanyu Chatterjee on the bildungsroman, Enrique Vila-Matas on discipline, Adam Thirwell on hedonism, Nuruddin Farah on identities, Andre Brink on the heretic, and Péter Esterhazy on the power and potential of words, words, words.
The Novellino or One Hundred Ancient Tales: An Edition and Translation based on the 1525 Gualteruzzi editio princeps (Garland Library of Medieval Literature #Vol. 105a)
by Joseph P. ConsoliFirst published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
The Novels and Selected Plays of Thomas Holcroft Vol 1
by Wil Verhoeven Philip Cox Rick Incorvati Arnold A MarkleyThomas Holcroft (1745–1809) was a key figure in the radical movement of the 1790s. This work is intended for scholars wanting to understand Britain and its literature in the 1790s.
The Novels and Selected Plays of Thomas Holcroft Vol 2
by Wil Verhoeven Philip Cox Rick Incorvati Arnold A MarkleyThomas Holcroft (1745–1809) was a key figure in the radical movement of the 1790s. This work is intended for scholars wanting to understand Britain and its literature in the 1790s.
The Novels and Selected Plays of Thomas Holcroft Vol 3
by Wil Verhoeven Philip Cox Rick Incorvati Arnold A MarkleyThomas Holcroft (1745–1809) was a key figure in the radical movement of the 1790s. This work is intended for scholars wanting to understand Britain and its literature in the 1790s.
The Novels and Selected Plays of Thomas Holcroft Vol 4
by Wil Verhoeven Philip Cox Rick Incorvati Arnold A MarkleyThomas Holcroft (1745–1809) was a key figure in the radical movement of the 1790s. This work is intended for scholars wanting to understand Britain and its literature in the 1790s.
The Novels and Selected Plays of Thomas Holcroft Vol 5
by Wil Verhoeven Philip Cox Rick Incorvati Arnold A MarkleyThomas Holcroft (1745–1809) was a key figure in the radical movement of the 1790s. This work is intended for scholars wanting to understand Britain and its literature in the 1790s.
The Novels and Selected Works of Mary Shelley Vol 1
by Pamela Clemit Nora Crook Betty T BennettThese eight volumes contain the works of Mary Shelley and include introductions and prefatory notes to each volume. Included in this edition are "Frankenstein" (1818), "Matilda" ((1819), "Valperga" (1823), "The Last Man" (1826), "Perkin Warbeck" (1830) and "Lodore" (1835).
The Novels and Selected Works of Mary Shelley Vol 2
by Pamela Clemit Nora Crook Betty T BennettThese eight volumes contain the works of Mary Shelley and include introductions and prefatory notes to each volume. Included in this edition are "Frankenstein" (1818), "Matilda" ((1819), "Valperga" (1823), "The Last Man" (1826), "Perkin Warbeck" (1830) and "Lodore" (1835).
The Novels and Selected Works of Mary Shelley Vol 3
by Pamela Clemit Nora Crook Betty T BennettThese eight volumes contain the works of Mary Shelley and include introductions and prefatory notes to each volume. Included in this edition are "Frankenstein" (1818), "Matilda" ((1819), "Valperga" (1823), "The Last Man" (1826), "Perkin Warbeck" (1830) and "Lodore" (1835).
The Novels and Selected Works of Mary Shelley Vol 4
by Pamela Clemit Nora Crook Betty T BennettThese eight volumes contain the works of Mary Shelley and include introductions and prefatory notes to each volume. Included in this edition are "Frankenstein" (1818), "Matilda" ((1819), "Valperga" (1823), "The Last Man" (1826), "Perkin Warbeck" (1830) and "Lodore" (1835).
The Novels and Selected Works of Mary Shelley Vol 5
by Pamela Clemit Nora Crook Betty T BennettThese eight volumes contain the works of Mary Shelley and include introductions and prefatory notes to each volume. Included in this edition are "Frankenstein" (1818), "Matilda" ((1819), "Valperga" (1823), "The Last Man" (1826), "Perkin Warbeck" (1830) and "Lodore" (1835).
The Novels and Selected Works of Mary Shelley Vol 6
by Pamela Clemit Nora Crook Betty T BennettThese eight volumes contain the works of Mary Shelley and include introductions and prefatory notes to each volume. Included in this edition are "Frankenstein" (1818), "Matilda" ((1819), "Valperga" (1823), "The Last Man" (1826), "Perkin Warbeck" (1830) and "Lodore" (1835).
The Novels and Selected Works of Mary Shelley Vol 7: Full-text Database: Web Server Format (The\pickering Masters Ser.)
by Pamela Clemit Nora Crook Betty T BennettThese eight volumes contain the works of Mary Shelley and include introductions and prefatory notes to each volume. Included in this edition are "Frankenstein" (1818), "Matilda" ((1819), "Valperga" (1823), "The Last Man" (1826), "Perkin Warbeck" (1830) and "Lodore" (1835).
The Novels and Selected Works of Mary Shelley Vol 8
by Pamela Clemit Nora Crook Betty T BennettThese eight volumes contain the works of Mary Shelley and include introductions and prefatory notes to each volume. Included in this edition are "Frankenstein" (1818), "Matilda" ((1819), "Valperga" (1823), "The Last Man" (1826), "Perkin Warbeck" (1830) and "Lodore" (1835).
The Novels of Daniel Defoe, Part I Vol 1 (The\pickering Masters Ser.)
by G A Starr W R Owens P N Furbank N H KeebleDaniel Defoe is known as the father of the English novel. This is the modern critical edition of Defoe's novels. It brings together all three parts of "Robinson Crusoe" and examines their relationship. The editorial material includes an introduction to each novel, explanatory endnotes, textual notes, and a consolidated index in volume 10.
The Novels of Daniel Defoe, Part I Vol 2 (The\pickering Masters Ser.)
by G A Starr W R Owens P N Furbank N H KeebleDaniel Defoe is known as the father of the English novel. This is the modern critical edition of Defoe's novels. It brings together all three parts of "Robinson Crusoe" and examines their relationship. The editorial material includes an introduction to each novel, explanatory endnotes, textual notes, and a consolidated index in volume 10.
The Novels of Daniel Defoe, Part I Vol 3 (The\pickering Masters Ser.)
by G A Starr W R Owens P N Furbank N H KeebleDaniel Defoe is known as the father of the English novel. This is the modern critical edition of Defoe's novels. It brings together all three parts of "Robinson Crusoe" and examines their relationship. The editorial material includes an introduction to each novel, explanatory endnotes, textual notes, and a consolidated index in volume 10.
The Novels of Daniel Defoe, Part I Vol 4 (The\pickering Masters Ser.)
by G A Starr W R Owens P N Furbank N H KeebleDaniel Defoe is known as the father of the English novel. This is the modern critical edition of Defoe's novels. It brings together all three parts of "Robinson Crusoe" and examines their relationship. The editorial material includes an introduction to each novel, explanatory endnotes, textual notes, and a consolidated index in volume 10.