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The Originality and Complexity of Albert Camus's Writings
by Emmanuelle Anne VanborreThe book shows Camus's continued relevance for us today.
The Originals: An A-Z of Fiction's Real-Life Characters
by William AmosEver wondered which real person was the inspiration for a fictional character? Here are nearly 3000 people and their fictional counterparts.
The Origins and Development of the English Language
by John Algeo Carmen Acevedo ButcherRather than analyze the numerous contemporary linguistic theories, The Origins and Development of the English Language, seventh edition, concentrates on the facts of language. The presentation is that of fairly traditional grammar and philology so as not to require students to master a new theoretical approach at the same time they are exploring the intricacies of language history.
The Origins and Development of the English Language
by John Algeo Carmen Acevedo ButcherThis book is a supplement for courses in the history of the English language. Though it has been specifically designed to accompany The Origins and Development of the English Language, seventh edition, in which icons strategically placed in the textbook refer the reader to corresponding exercises in this workbook, Problems can also be used with other textbooks to illustrate how English has evolved from its prehistoric beginnings. Students are introduced to the history of English without being asked to master at the same time a new view of grammar.
The Origins of African American Literature, 1680-1865
by Dickson D. Bruce Jr.From the earliest texts of the colonial period to works contemporary with Emancipation, African American literature has been a dialogue across color lines, and a medium through which black writers have been able to exert considerable authority on both sides of that racial demarcation.Dickson D. Bruce argues that contrary to prevailing perceptions of African American voices as silenced and excluded from American history, those voices were loud and clear. Within the context of the wider culture, these writers offered powerful, widely read, and widely appreciated commentaries on American ideals and ambitions. The Origins of African American Literature provides strong evidence to demonstrate just how much writers engaged in a surprising number of dialogues with society as a whole.Along with an extensive discussion of major authors and texts, including Phillis Wheatley's poetry, Frederick Douglass's Narrative, Harriet Jacobs' Incidents in the Life of a Slave Girl, and Martin Delany's Blake, Bruce explores less-prominent works and writers as well, thereby grounding African American writing in its changing historical settings. The Origins of African American Literature is an invaluable revelation of the emergence and sources of the specifically African American literary tradition and the forces that helped shape it.
The Origins of Chinese Literary Hermeneutics: A Study of the Shijing and the Mao School of Confucian Exegesis (SUNY series in Chinese Philosophy and Culture)
by Martin Svensson EkströmThe Shijing ("Canon of Odes") is China's oldest poetry collection, traditionally considered to have been edited by Confucius himself. Despite their enormous importance for Confucianism and Chinese civilization, the 305 odes have for millennia also puzzled readers. Why did the Sage include in the Canon apparently lewd poems about women promising men to "hitch up" their skirts and "wade the river," and men "tossing and turning in bed" yearning for young women? What did the innumerable representations of plants, beasts, and birds, and of various climactic and astronomical phenomena, signify beyond their immediate function as natural descriptions?One such puzzled reader was Mao Heng, a learned Confucian employed at a minor court in the mid-second century BCE. The object of this study is the Commentary that Mao composed on the Odes, and in particular the hermeneutic tool—the xing—that he invented to explain the figurality and tropes at play in them. Mao's "xingish" interpretation of the Odes is both genuinely hermeneutic, in that it explains the rhetorical organization of these poems, and thoroughly ideological, since it allows Mao to transform them into Confucian dogma. The book also argues that the xing, content, function, and cultural importance, is comparable to the Aristotelian concept of metaphor (metaphora), and that the xing, the Odes, and the practice of shi (Chinese "poetry") demand an intercultural, "comparative" reading for a more nuanced understanding.
The Origins of Comics: From William Hogarth to Winsor McCay
by Thierry SmolderenIn The Origins of Comics: From William Hogarth to Winsor McCay, Thierry Smolderen presents a cultural landscape whose narrative differs in many ways from those presented by other historians of the comic strip. Rather than beginning his inquiry with the popularly accepted "sequential art" definition of the comic strip, Smolderen instead wishes to engage with the historical dimensions that inform that definition. His goal is to understand the processes that led to the twentieth-century comic strip, the highly recognizable species of picture stories that he sees crystallizing around 1900 in the United States. Featuring close readings of the picture stories, caricatures, and humoristic illustrations of William Hogarth, Rodolphe Töpffer, Gustave Doré, and their many contemporaries, Smolderen establishes how these artists were immersed in a very old visual culture in which images—satirical images in particular—were deciphered in a way that was often described as hieroglyphical. Across eight chapters, he acutely points out how the effect of the printing press and the mass advent of audiovisual technologies (photography, audio recording, and cinema) at the end of the nineteenth century led to a new twentieth-century visual culture. In tracing this evolution, Smolderen distinguishes himself from other comics historians by following a methodology that explains the present state of the form of comics on the basis of its history, rather than presenting the history of the form on the basis of its present state. This study remaps the history of this influential art form.
The Origins of Criticism: Literary Culture and Poetic Theory in Classical Greece
by Andrew FordBy "literary criticism" we usually mean a self-conscious act involving the technical and aesthetic appraisal, by individuals, of autonomous works of art. Aristotle and Plato come to mind. The word "social" does not. Yet, as this book shows, it should--if, that is, we wish to understand where literary criticism as we think of it today came from. Andrew Ford offers a new understanding of the development of criticism, demonstrating that its roots stretch back long before the sophists to public commentary on the performance of songs and poems in the preliterary era of ancient Greece. He pinpoints when and how, later in the Greek tradition than is usually assumed, poetry was studied as a discipline with its own principles and methods. The Origins of Criticism complements the usual, history-of-ideas approach to the topic precisely by treating criticism as a social as well as a theoretical activity. With unprecedented and penetrating detail, Ford considers varying scholarly interpretations of the key texts discussed. Examining Greek discussions of poetry from the late sixth century B.C. through the rise of poetics in the late fourth, he asks when we first can recognize anything like the modern notions of literature as imaginative writing and of literary criticism as a special knowledge of such writing. Serving as a monumental preface to Aristotle's Poetics, this book allows readers to discern the emergence, within the manifold activities that might be called criticism, of the historically specific discourse on poetry that has shaped subsequent Western approaches to literature.
The Origins of English Words: A Discursive Dictionary of Indo-European Roots
by Joseph Twadell ShipleyThere are no direct records of the original Indo-European speech. By comparing the vocabularies of its various descendants, however, it is possible to reconstruct the basic Indo-European roots with considerable confidence. In The Origins of English Words, Shipley catalogues these proposed roots and follows the often devious, always fascinating, process by which some of their offshoots have grown.Anecdotal, eclectic, and always enthusiastic, The Origins of English Words is a diverting expedition beyond linguistics into literature, history, folklore, anthropology, philosophy, and science.
The Origins of History (Routledge Library Editions: Historiography)
by Herbert ButterfieldA distillation of the thought and research to which Herbert Butterfield devoted the last twenty years of his life to, this book, originally published in 1981, traces how differently people understood the relevance of their past and its connection with their religion. It examines ancient Egypt and Mesopotamia; the political perceptiveness of the Hittites; the Jewish sense of God in history, of promise and fulfilment; the classical achievement of scientific history; and the unique Chinese tradition of historical writing. The author explains the problems of the early Christians in relating their traditions of Jesus to their life and faith and the emergence, when Christianity became the religion of the Roman Empire, of a new historical understanding. The book then charts the gradual growth of a sceptical approach to recorded authority in Islam and Western Europe, the reconstruction of the past by deductive analysis of the surviving evidence and the secularisation of the eighteenth century.
The Origins of Knowledge and Imagination
by Jacob BronowskiAdapted from a series of lectures by Bronowski that deals with one of the pivotal paradoxes that has plagued scientific thought.
The Origins of Language Revisited: Differentiation from Music and the Emergence of Neurodiversity and Autism
by Nobuo MasatakaThis book summarizes the latest research on the origins of language, with a focus on the process of evolution and differentiation of language. It provides an update on the earlier successful book, “The Origins of Language” edited by Nobuo Masataka and published in 2008, with new content on emerging topics.Drawing on the empirical evidence in each respective chapter, the editor presents a coherent account of how language evolved, how music differentiated from language, and how humans finally became neurodivergent as a species. Chapters on nonhuman primate communication reveal that the evolution of language required the neural rewiring of circuits that controlled vocalization. Language contributed not only to the differentiation of our conceptual ability but also to the differentiation of psychic functions of concepts, emotion, and behavior. It is noteworthy that a rudimentary form of syntax (regularity of call sequences) has emerged in nonhuman primates. The following chapters explain how music differentiated from language, whereas the pre-linguistic system, or the “prosodic protolanguage,” in nonhuman primates provided a precursor for both language and music. Readers will gain a new understanding of music as a rudimentary form of language that has been discarded in the course of evolution and its role in restoring the primordial synthesis in the human psyche. The discussion leads to an inspiring insight into autism and neurodiversity in humans. This thought-provoking and carefully presented book will appeal to a wide range of readers in linguistics, psychology, phonology, biology, anthropology and music.
The Origins of Language: An Introduction to Evolutionary Linguistics
by Joanna Dornbierer-StuartThis book offers an introduction to the multidisciplinary subject of evolutionary linguistics, which seeks to explain the biological origins of language and its subsequent development in humans. Roughly six million years ago, a branch of hominids from the forests of East Africa started to thrive in the drier environment created by the East African Rift System. A host of physical developments culminated in the brains of early humans increasing dramatically in size and cognitive power. Influenced by a unique and complex social organisation, communication signals became much more diverse and dependent on memory and learning mechanisms. But language is not only used to interact with our fellow beings. It is also closely connected to our thoughts. This makes language a biological, social, cultural and cognitive phenomenon all at once. What precise role did each of these aspects play in the emergence of language and how were they all coordinated to produce the most sophisticated communication system in the animal kingdom? The book aims to answer these questions and open up the fascinating world of evolutionary linguistics. It is not only aimed at scholars of linguistics, but also students from other disciplines (e.g., psychology, anthropology, evolutionary biology and cognitive science) who have an academic interest in language but may be approaching linguistics for the first time. In addition, the book should appeal to anyone with an interest in the workings of language in general, as well as advanced learners of English.
The Origins of Literary Studies in America: A Documentary Anthology (Routledge Revivals)
by Gerald Graff Michael WarnerOriginally published in 1989, The Origins of Literary Studies in America brings together for the first time hard-to-find speeches, reports, and other writings by the founders of literary studies in the United States: Bliss Perry, Woodrow Wilson, Irving Babbitt, M. Carey Thomas, and many other scholars between 1874 and 1937.The selections—on teaching, the MLA, and the goals of the discipline—are readable, accessible, often charming and amusing; what is most striking about them, however, is their resemblance to the debates over the crisis of American higher education. Gerald Graff and Michael Warner argue against the “myth of consensus”—a naive belief that the academic humanities until quite recently enjoyed a coherent agreement on their goals—popularized by such critical voices as Secretary of Education William Bennett, E.D. Hirsch, and Allan Bloom.This remarkable anthology is a valuable corrective to twentieth century popular views of educational history and a work that broadens our understanding of professionalism within the academy.
The Origins of Radical Criminology, Volume II: From Classical Greece to Early Christianity
by Stratos GeorgoulasThis book critically explores the development of radical criminological thought through the social, political and cultural history of three periods in Ancient Greece: the Classical, the Hellenistic and the Greco-Roman periods. It follows on from the previous volume which examined concepts of law, legitimacy, crime, justice and deviance through a range of Ancient Greek works including epic and lyrical poetry, drama and philosophy, across different chapters. This book examines the three centuries that followed which were very important for the history of radical thinking about crime and law. It explores the socio-political struggles and how ruptures produced breaks in knowledge production and developed the field of deviance and social control. It also examines the key literature, religions and philosophers of each period. The gap between social consensus and social conflict deepened during this time and influenced the theoretical discourse on crime. These elements continue to exist in the theoretical quests of the modern age of criminology. This book examines the links between the origins of radical criminology and its future. It speaks to those interested in the (pre)history of criminology and the historical production of criminological knowledge.
The Origins of Radical Criminology, Volume III: From Middle Ages to Renaissance
by Stratos GeorgoulasThis book critically explores the development of radical criminological thought through the social, political and cultural history of the Middle Ages to the Renaissance. It follows on from the previous volume which examined Classical Greece until the emergence of the early Christian movement in the Roman empire. Through separate chapters, it discusses the key literature (myths, fairy tales and Shakespeare), religions and philosophers of the era, and the development of early radical views and issues over time. This book examines the links between the origins of radical criminology and its future. It speaks to those interested in the (pre)history of criminology and the historical production of criminological knowledge, drawing on Criminology, Sociology, Classics, History, Philosophy, Ancient Literature and Politics.
The Origins of Radical Criminology: From Homer to Pre-Socratic Philosophy
by Stratos GeorgoulasThis book critically explores the development of radical criminology through a range of written Ancient Greek works including epic and lyrical poetry, drama and philosophy, across different chapters. It traces the development of political power and the concepts of law, legitimacy, crime, justice and deviance in the Ancient Greek world and the political struggles that propelled that development, using the conflict perspective as a conceptual tool of the sociological analysis of reality. Theoretical discussions of crime and justice typically stem from the better known works of Plato or Aristotle although this book explores the works preceding these. This book will appeal to those interested in the (pre)history of criminology and the historical production of criminological knowledge.
The Origins of Simultaneous Interpretation: The Nuremberg Trial
by Francesca GaibaThis book offers the first complete analysis of the emergence of simultaneous interpretation of the Nuremburg Trail and the individuals who made the process possible. Gaiba offers new insight into this monumental event based on extensive archival research and interviews with interpreters, who worked at the trial.
The Origins of Tolkien's Middle-earth For Dummies
by Greg HarveyJ. R. R. Tolkien's novels of Middle-earth - The Hobbit, The Lord of the Rings trilogy, and The Silmarillian - have become some of the most famous, and most beloved, literary works of the twentieth century. And the Lord of the Rings films by director Peter Jackson have re-ignited interest in Tolkien and his works, as well as introduced his stories to a new generation of fans. Even if you've never read the novels and have only seen the films, you know that the world of Middle-earth is a complicated one. Tolkien took great care in representing this world, from creating new languages to including very particular cultural details that add to the richness of the world's fabric. Many other books have been written about Tolkien and his works, but none have come close to providing the kind of reference needed to comprehend the world of Middle-earth. That's what veteran Dummies author and unabashed Tolkien fan Greg Harvey attempts to do in The Origins of Tolkien's Middle-earth For Dummies. As the author says in his introduction to the book, this is not an encyclopedia or quick guide to all the diverse beings, languages, and history that make up Tolkien's Middle-earth. Nor is it a set of plot outlines for the novels. Rather, what you'll find in The Origins of Tolkien's Middle-earth For Dummies is a basic guide to some of the possible linguistic and mythological origins of Middle-earth, plus a rudimentary analysis of its many themes and lessons for our world. This book can help enrich your reading (or re-reading) of Tolkien's novels, and it will challenge you to think about the themes inherent in Tolkien's Middle-earth and their implications in your own life. Here's just a sampling of the topics you'll find covered in The Origins of Tolkien's Middle-earth For Dummies: Exploring the main themes in Tolkien's works, including immortality and death; the heroic quest; love; fate and free will; and faith and redemption Investigating the diverse lands of Middle-earth - including the Shire, Gondor, and Mordor - and their significance Examining the different cultures of Middle-earth, such as Hobbits, Elves, Men, and those wily Wizards Touring the history of Middle-earth Understanding Tolkien's creation of new languages to enrich the story of Middle-earth Top Ten lists on the battles in the War of the Ring, online resources, and the ways the films differ from the novels So, whether you're reading Tolkien's novels or watching the films for the first time, or you've been a fan for many years and are looking for a new take on Tolkien's works, The Origins of Tolkien's Middle-earth For Dummies can help you enhance your reading or viewing experience for years to come.
The Origins of Transmedia Storytelling in Early Twentieth Century Adaptation
by Alexis WeedonThis book explores the significance of professional writers and their role in developing British storytelling in the 1920s and 1930s, and their influence on the poetics of today’s transmedia storytelling. Modern techniques can be traced back to the early twentieth century when film, radio and television provided professional writers with new formats and revenue streams for their fiction. The book explores the contribution of four British authors, household names in their day, who adapted work for film, television and radio. Although celebrities between the wars, Clemence Dane, G.B. Stern, Hugh Walpole and A.E.W Mason have fallen from view. The popular playwright Dane, witty novelist Stern and raconteur Walpole have been marginalised for being German, Jewish, female or gay and Mason’s contribution to film has been overlooked also. It argues that these and other vocational authors should be reassessed for their contribution to new media forms of storytelling. The book makes a significant contribution in the fields of media studies, adaptation studies, and the literary middlebrow.
The Origins of the Art and Practice of Professional Writing: The Written Word as a Tool for Social Justice Then and Now (SUNY series, Studies in Technical Communication)
by Kathryn Rosser RaignThe Origins of the Art and Practice of Professional Writing addresses the classic divide in teaching written skills between rhetoric/composition and technical/professional communication (TPC). It explores a body of texts that were created earlier than any yet identified by either field: ancient Mesopotamian documents, produced in the eighth century BCE. The book debunks two myths: it shows that rhetoric was practiced consciously and taught systematically long before the Greek civilization existed; and because a large swathe of the public, while not fully literate, had access to the services of scribes, not just men, but women, merchants, and even slaves utilized writing as a tool for social justice. From their earliest writings, humans consciously applied principles of persuasion to the documents that they produced. Rather than being two distinct fields, rhetoric and professional communication are intertwined in their histories.
The Origins of the English Marriage Plot: Literature, Politics and Religion in the Eighteenth Century
by Lisa O'ConnellWhy did marriage become central to the English novel in the eighteenth century? As clandestine weddings and the unruly culture that surrounded them began to threaten power and property, questions about where and how to marry became urgent matters of public debate. In 1753, in an unprecedented and controversial use of state power, Lord Chancellor Hardwicke mandated Anglican church weddings as marriage's only legal form. Resistance to his Marriage Act would fuel a new kind of realist marriage plot in England and help to produce political radicalism as we know it. Focussing on how major authors from Samuel Richardson to Jane Austen made church weddings a lynchpin of their fiction, The Origins of the English Marriage Plot offers a truly innovative account of the rise of the novel by telling the story of the English marriage plot's engagement with the most compelling political and social questions of its time.
The Origins of the English Novel, 1600-1740
by Michael McKeonThe Origins of the English Novel, 1600-1740, combines historical analysis and readings of extraordinarily diverse texts to reconceive the foundations of the dominant genre of the modern era. Now, on the fifteenth anniversary of its initial publication, The Origins of the English Novel stands as essential reading. The anniversary edition features a new introduction in which the author reflects on the considerable response and commentary the book has attracted since its publication by describing dialectical method and by applying it to early modern notions of gender.Challenging prevailing theories that tie the origins of the novel to the ascendancy of "realism" and the "middle class," McKeon argues that this new genre arose in response to the profound instability of literary and social categories. Between 1600 and 1740, momentous changes took place in European attitudes toward truth in narrative and toward virtue in the individual and the social order. The novel emerged, McKeon contends, as a cultural instrument designed to engage the epistemological and social crises of the age.
The Origins of the English Novel, 1600–1740
by Michael McKeon“This may well be the most important study of the development of prose fiction in England since Ian Watt’s classic Rise of the Novel, on which it builds.” —Library JournalThe Origins of the English Novel, 1600-1740, combines historical analysis and readings of extraordinarily diverse texts to reconceive the foundations of the dominant genre of the modern era. Now, on the fifteenth anniversary of its initial publication, The Origins of the English Novel stands as essential reading. The anniversary edition features a new introduction in which the author reflects on the considerable response and commentary the book has attracted since its publication by describing dialectical method and by applying it to early modern notions of gender.Challenging prevailing theories that tie the origins of the novel to the ascendancy of “realism” and the “middle class,” McKeon argues that this new genre arose in response to the profound instability of literary and social categories. Between 1600 and 1740, momentous changes took place in European attitudes toward truth in narrative and toward virtue in the individual and the social order. The novel emerged, McKeon contends, as a cultural instrument designed to engage the epistemological and social crises of the age.“This book is a formidable attempt to articulate issues of almost imponderable centrality for modern life and literature. McKeon proposes with quite breathtaking ambition and considerable intellectual flourish to redefine the novel’s key role in those immense cultural transformations that produce the modern world.” —Studies in the Novel“A magisterial work of history and analysis.” —Arts and Letters“A powerful and solid work that will dominate discussion of its subject for a long time to come.” —The New York Review of Books
The Orphan in Eighteenth-Century Fiction: The Vicissitudes of the Eighteenth-Century Subject
by Eva KönigThe Orphan in Eighteenth-Century Fiction explores how the figure of the orphan was shaped by changing social and historical circumstances. Analysing sixteen major novels from Defoe to Austen, this original study explains the undiminished popularity of literary orphans and reveals their key role in the construction of gendered subjectivity.