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Stories of Life in the Workplace: An Open Architecture for Organizational Narratology (Routledge Communication Series)
by George H. Morris Larry BrowningAddressing both renowned theories and standard applications, Stories of Life in the Workplace explains how stories affect human practices and organizational life. Authors Larry Browning and George H. Morris explore how we experience, interpret, and personalize narrative stories in our everyday lives, and how these communicative acts impact our social aims and interactions. In pushing the boundaries of how we perceive narrative and organization, the authors include stories that are broadly applicable across all concepts and experiences. With a perception of narrative and its organizational application, chapters focus on areas such as pedagogy, therapy, project management, strategic planning, public communication, and organizational culture. Readers will learn to: differentiate and gain an in-depth understanding of perspectives from varying narrators; recognize how stories are constructed and used in organizations, and modify the stories they tell; view stories as a means to promote an open exchange of creativity. By integrating a range of theories and practices, Browning and Morris write for an audience of narrative novices and scholars alike. With a distinctive approach and original insight, Stories of Life in the Workplace shows how individuality, developing culture, and the psychology of the self are constructed with language—and how the acceptance of one’s self is accomplished by reaffirming and rearranging one’s story.
Stories of Love from Vikings to Tinder: The Evolution of Modern Mating Ideologies, Dating Dysfunction, and Demographic Collapse (Routledge Interdisciplinary Perspectives on Literature)
by Mads LarsenIncreasing levels of singledom, dating dysfunction, and sexual inactivity contribute to plummeting fertility rates. This book investigates the perhaps most foundational factor behind this uncoupling: our present era’s ideology of love. Throughout human history, communities have shared fictional stories infused with various mating moralities that compel people to pair-bond and reproduce. After taking readers on a 6-million-year journey through hominin mating regimes—with various extents of promiscuity, polygyny, and monogamy—Stories of Love from Vikings to Tinder investigates the past millennium's radical evolution of Western mating beliefs. Nordic literary works illuminate the pivotal transitions between the West’s First, Second, and Third Sexual Revolutions, which occurred around the years 1200, 1750, and 1968. The conclusion chapter points to the Fourth Sexual Revolution, symbolically placed in 2029. Artificial intelligence and other technologies seem likely to transform our mating practices more radically than any of the previous revolutions.
Stories of Oka: Land, Film, and Literature
by Isabelle St. Amand S. E. Stewart Katsitsén:hawe Linda David CreeIn the summer of 1990, the Oka Crisis—or the Kanehsatake Resistance—exposed a rupture in the relationships between settlers and Indigenous peoples in Canada. In the wake of the failure of the Meech Lake Accord, the conflict made visible a contemporary Indigenous presence that Canadian society had imagined was on the verge of disappearance. The 78-day standoff also reactivated a long history of Indigenous people’s resistance to colonial policies aimed at assimilation and land appropriation. The land dispute at the core of this conflict raises obvious political and judicial issues, but it is also part of a wider context that incites us to fully consider the ways in which histories are performed, called upon, staged, told, imagined, and interpreted. "Stories of Oka: Land, Film, and Literature" examines the standoff in relation to film and literary narratives, both Indigenous and non-Indigenous. This new English edition of St-Amand’s interdisciplinary, intercultural, and multi-perspective work offers a framework for thinking through the relationships that both unite and oppose settler societies and Indigenous peoples in Canada.
Stories of Our Living Ephemera: Storytelling Methodologies in the Archives of the Cherokee National Seminaries, 1846-1907
by Emily LeggStories of Our Living Ephemera recovers the history of the Cherokee National Seminaries from scattered archives and colonized research practices by critically weaving together pedagogy and archival artifacts with Cherokee traditional stories and Indigenous worldviews. This unique text adds these voices to writing studies history and presents these stories as models of active rhetorical practices of assimilation resistance in colonized spaces. Emily Legg turns to the Cherokee medicine wheel and cardinal directions as a Cherokee rhetorical discipline of knowledge making in the archives, an embodied and material practice that steers knowledge through the four cardinal directions around all relations. Going beyond historiography, Legg delineates educational practices that are intertwined with multiple strands of traditional Cherokee stories that privilege Indigenous and matriarchal theoretical lenses. Stories of Our Living Ephemera synthesizes the connections between contemporary and nineteenth-century academic experiences to articulate the ways that colonial institutions and research can be Indigenized by centering Native American sovereignty. By undoing the erasure of Cherokee literacy and educational practices, Stories of Our Living Ephemera celebrates the importance of storytelling, especially for those who are learning about Indigenous histories and rhetorics. This book is of cultural importance and value to academics interested in composition and pedagogy, the Cherokee Nation, and a general audience seeking to learn about Indigenous rhetorical devices and Cherokee history.
Stories Of Ourselves: Cambridge Assessment International Education Anthology Of Stories In English (Cambridge International Examinations Ser.)
by University of Cambridge ESOL ExaminationsThis series contains poetry and prose anthologies composed of writers from across the English-speaking world. Parts of Stories of Ourselves Volume 1 are set for study in Cambridge IGCSE®, O Level and International AS & A Level Literature in English courses. Each short story in this collection has its own unique voice and point of view. They may differ in form, genre, style, tone and origin, but all have been chosen because of their wide appeal. Written in English by authors from different countries and cultures, the anthology includes works by Charles Dickens, H.G. Wells, Virginia Woolf, Graham Greene, V.S. Naipaul, R.K Narayan, Janet Frame, Raymond Carver, Jhumpa Lahiri, Annie Proulx and many others.
Stories of Resilience in Childhood: Narratives of Maya Angelou, Maxine Hong Kingston, Richard Rodriguez, John Edgar Wideman and Tobias Wolff (Routledge Library Editions: Modern Fiction)
by Daniel D. ChallenerWhat helps a child overcome extraordinary obstacles? Why do some children surmount many difficulties and go on to live fulfilling lives while other children who face similar difficulties end up living desperate, sad lives? What helps children beat the odds? What builds resilience in children? These are critically important questions, yet for too long social scientists, doctors, psychologists and teachers have studied children who failed and tried to figure out what caused the failure. Only relatively recently have they begun to focus on what creates success. Originally published in 1997, this book is an effort to understand better what contributes to a child’s "success" and "resilience". The source of information will be autobiographies of childhoods – autobiographical stories written by adults remembering their difficult childhoods. This is not a research study or case study, rather it is an attempt to read and listen to five stories about resilient children and see what they can tell us about supporting children and building resilience.
The Stories of Slang: Language at its most human
by Jonathon Green'By turns bawdy, sweary and irreverent, this book . . . is a fascinating look at how centuries of slang came to inform all aspects of social life, how it was used, and how much of it still lingers.' History RevealedLike the flesh-and-blood humans whose uncensored emotions it represents, slang's obsessions are sex, the body and its functions, and intoxication: drink and drugs. Slang does not do kind. It's about hatreds - both intimate and and national - about the insults that follow on, the sneers and the put-downs. Caring, sharing and compassion? Not at this address. There are over 10,000 terms focusing on sex, but love? Not one.Jonathon Green, aka 'Mr Slang', has drawn on the 600,000-plus citations that make up his magisterial Green's Dictionary of Slang (published 2010, now online at www.greensdictofslang.com) to tell some of slang's most entertaining stories. Categories range from The Body to Pulp Diction, via multi-cultural London English and pun-tastic gems.Mostly gazing up from the gutter, slang, perhaps surprisingly, also embraces the stars. These stories may look at drunken sailors, dubious doctors, and a shelf of dangerously potent cocktails, but slang does class acts as well. None more so than Shakespeare. Devotee of the double entendre, master of the pun, first to put nearly 300 slang terms in print. 'Shakespeare, uses, at my count, just over five hundred "slang" terms, of which 277 are currently the first recorded use of a given term. Among these are the beast with two backs, every mother's son, fat-headed, heifer (for woman), pickers and stealers (hands), small beer (insignificant matters), what the dickens, and many more.'http://jonathongreen.co.uk
The Stories of Slang: Language at its most human
by Jonathon Green'If you're up for an adventure through the back alleys of English, The Stories of Slang will not disappoint.' Kory Stamper, Times Literary Supplement'Few lexicographers are lucky enough to have both endlessly pleasurable work and the talent to write amusingly about [slang]. Jonathon Green is one . . . Lovers of language should be grateful to those who create slang, and to those few like Mr Green who make it their work to open this window into the psyche for the benefit of all.' - The Economist'By turns bawdy, sweary and irreverent, this book . . . is a fascinating look at how centuries of slang came to inform all aspects of social life, how it was used, and how much of it still lingers.' History RevealedLike the flesh-and-blood humans whose uncensored emotions it represents, slang's obsessions are sex, the body and its functions, and intoxication: drink and drugs. Slang does not do kind. It's about hatreds - both intimate and and national - about the insults that follow on, the sneers and the put-downs. Caring, sharing and compassion? Not at this address. There are over 10,000 terms focusing on sex, but love? Not one.Jonathon Green, aka 'Mr Slang', has drawn on the 600,000-plus citations that make up his magisterial Green's Dictionary of Slang (published 2010, now online at www.greensdictofslang.com) to tell some of slang's most entertaining stories. Categories range from The Body to Pulp Diction, via multi-cultural London English and pun-tastic gems.Mostly gazing up from the gutter, slang, perhaps surprisingly, also embraces the stars. These stories may look at drunken sailors, dubious doctors, and a shelf of dangerously potent cocktails, but slang does class acts as well. None more so than Shakespeare. Devotee of the double entendre, master of the pun, first to put nearly 300 slang terms in print. 'Shakespeare, uses, at my count, just over five hundred "slang" terms, of which 277 are currently the first recorded use of a given term. Among these are the beast with two backs, every mother's son, fat-headed, heifer (for woman), pickers and stealers (hands), small beer (insignificant matters), what the dickens, and many more.'http://jonathongreen.co.uk
The Stories of the Ramayana and the Mahabharata: The Great Indian Epics 1899 (Routledge Revivals)
by John Campbell OmanFirst published in 1900, this volume reproduces the key events of the Ramayana and Mahabharata Indian epics. It emerged amongst significant academic interest in Indian culture and literature. Whilst many Indian histories had provided abstracts and full texts of the two epics presented here, this book provided reproductions of the main incidents and striking features of these two otherwise imposing, lengthy works. The volume deals with each text separately and presents several key excerpts along with a general introduction and introductory remarks for both texts.
Stories of the Self: Life Writing after the Book (Postmillennial Pop #27)
by Anna PolettiThe importance of personal storytelling in contemporary culture and politicsIn an age where our experiences are processed and filtered through a wide variety of mediums, both digital and physical, how do we tell our own story? How do we “get a life,” make sense of who we are and the way we live, and communicate that to others? Stories of the Self takes the literary study of autobiography and opens it up to a broad and fascinating range of material practices beyond the book, investigating the manifold ways people are documenting themselves in contemporary culture. Anna Poletti explores Andy Warhol’s Time Capsules, a collection of six hundred cardboard boxes filled with text objects from the artist’s everyday life; the mid-aughts crowdsourced digital archive PostSecret; queer zine culture and its practices of remixing and collaging; and the bureaucratic processes surrounding surveillance dossiers. Stories of the Self argues that while there is a strong emphasis on the importance of personal storytelling in contemporary culture and politics, mediation is just as important in establishing the credibility and legibility of life writing. Poletti argues that the very media used for writing our lives intrinsically shapes how we are seen to matter.
Stories, Storytellers, and Storytelling
by Tom Vine Sarah RichardsThis book advances social scientific interest in a field long dominated by the humanities: stories, and storytelling. Stories are a whole lot more than entertainment; oral narratives, novels, films and immersive video games all form part of the sociocultural discourses which we are enmeshed in, and use to co-construct our beliefs about the world around us. Young children use them to learn about the world beyond their immediate sensory experience and, even in an era of interactive electronic media, the bedtime story remains a cherished part of most children’s daily routine. Storytelling is thus the first abstract formal learning method we encounter as human beings. It is also probably transcultural; perhaps even an immanent part of the human condition. Narratives are, at heart, sequences of events and presuppose and reinforce particular cause-and-effect relationships. Inevitably, they also construct unconscious biases, prejudices, and discriminatory attitudes. Storying (a term we use in this book to encompass stories, storytellers and storytelling) is complex, and this book seeks to make sense of it.
Stories that Changed America: Muckrakers of the 20th Century
by Hugh Downs Carl JensenExuberantly written, highly informative, Jensen's Stories That Changed America examines the work of twenty-one investigative writers, and how their efforts forever changed our country. Here are the pioneering muckrakers, like Upton Sinclair, author of the fact-based novel The Jungle, that inspired Theodore Roosevelt to sign the Pure Food and Drug Act into law; "Queen of the Muckrakers" Ida Mae Tarbell, whose McClure magazine exposés led to the dissolution of Standard Oil's monopoly; and Lincoln Steffens, a reporter who unearthed corruption in both municipal and federal governments. You'll also meet Margaret Sanger, the former nurse who coined the term "birth control"; George Seldes, the most censored journalist in American history; Nobel Prize-winning novelist John Steinbeck; environmentalist Rachel Carson; National Organization of Women founder Betty Friedan; African American activist Malcolm X; consumer advocate Ralph Nader; and Bob Woodward and Carl Bernstein, the Pulitzer Prize-winning reporters whose Watergate break-in coverage brought down President Richard Nixon. The courageous writers Jensen includes in this deftly researched volume dedicated their lives to fight for social, civil, political and environmental rights with their mighty pens.
The Storm: An Antebellum Tale of Key West
by Ellen Brown AndersonA newly discovered manuscript believed to be the first known novella written by a woman in Florida In 2015, an unsigned and undated 98-page manuscript was donated to the University of Florida. This work, titled The Storm, is published here for the first time, transcribed and annotated by Keith Huneycutt. Huneycutt presents evidence attributing its authorship to Ellen Brown Anderson, a writer who came to Florida and lived with family members before the Civil War. This book makes widely available what may be the first novella written by a woman in the state.Likely written between 1854 and 1862, The Storm is set in Key West during the hurricane year of 1846. It is narrated by a young bride who tells the story of her first marriage, her struggle to make sense of a loveless and hopeless domestic situation, and the restrictions placed on women in her society. The story also presents a woman’s viewpoint on mid-nineteenth-century Key West, including the island’s shipwreck salvage industry and the town’s get-rich-quick economy, constituting one of the first fictional treatments of the Keys’ wrecking business.Huneycutt’s introduction compares the text with other examples of women’s literature and works by Florida authors from the period. The appendixes include essays on the writings of Anderson and her sister Corrina Brown Aldrich, who may have also played a role in the tale’s creation. Huneycutt argues that The Storm is groundbreaking in many ways and that it deserves serious consideration as part of antebellum American literature.
The Storm: A Novel
by Frederick BuechnerThe Boston Globe calls Frederick Buechner "one of our finest writers." USA Today says he's "one of our most original storytellers." Now this acclaimed author gives us his most beguiling novel yet--a magical tale of love, betrayal, and redemption inspired by Shakespeare's The Tempest.On wealthy Plantation Island in South Florida, an old man waits, Kenzie Maxwell is a writer, a raconteur, a rascal, an altruist, a mystic--a charismatic figure who enjoys life with his rich third wife but muses daily on the sins of his past. Two decades ago, Kenzie had to leave New York because of a scandal. He'd been a volunteer at a runawat shelter, and he'd fallen in love with a seventeen-year-old girl--a girl who died while giving birth to Kenzie's daughter. His older brother, Dalton, a lawyer and board member at the shelter, decided to quell the rumors by releasing Kenzie's note of apology to the press. Kenzie's reputation--and the girl's--were destroyed. He has never forgiven his brother.Now it's the eve of Kenzie's seventieth birthday, and a storm is brewing. His beloved daughter, Bree--the child of the scandal--is coming down from New York for his birthday party. But his brother Dalton is coming down, too, to do some legal work for the island's ill-tempered matriarch. Aided and abetted by Dalton's happy-go-lucky stepson, a loutish gardener, a New Age windsurfer, a bumbling bishop, and a bona fide tempest, Kenzie must somehow contrive to reconcile with his brother--and make peace with his past.Infused with humanity, and informed by faith. The Storm is Frederick Buechner's most captivating novel since Godric--a richly satisfying contemporary story of fragmented families and love's many mysteries that will move you, makeyou laugh, and fill you with wonder.
The Storm (Fountas & Pinnell LLI Green #Level E, Lesson 74)
by Anna MccartFountas and Pinnell Leveled Literacy Intervention Green System -- 1st Grade
The Storm at Sea: Political Aesthetics in the Time of Shakespeare
by Christopher PyeThe Storm at Sea: Political Aesthetics in the Time of Shakespeare counters a tradition of cultural analysis that judges considerations of aesthetic autonomy in the early modern context to be either anachronistic or an index of political disengagement. Pye argues that for a post-theocratic era in which the mise-en-forme of the social domain itself was for the first time at stake, the problem of the aesthetic lay at the very core of the political; it is precisely through its engagement with the question of aesthetic autonomy that early modern works most profoundly explore their relation to matters of law, state, sovereignty, and political subjectivity.Pye establishes the significance of a “creationist” political aesthetic—at once a discrete historical category and a phenomenon that troubles our familiar forms of historical accounting—and suggests that the fate of such an aesthetic is intimately bound up with the emergence of modern conceptions of the political sphere.The Storm at Sea moves historically from Leonardo da Vinci to Thomas Hobbes; it focuses on Shakespeare and English drama, with chapters on Hamlet, Othello, A Winter’s Tale, and The Tempest, as well as sustained readings of As You Like It, King Lear, Thomas Kyd’s Spanish Tragedy, and Christopher Marlowe’s Doctor Faustus. Engaging political thinkers such as Carl Schmitt, Giorgio Agamben, Claude Lefort, and Roberto Esposito, The Storm at Sea will be of interest to political theorists as well as to students of literary and visual theory.
The Storm is Here: America on the Brink
by Luke MogelsonThe New Yorker's award-winning war correspondent returns to his own country to chronicle a story of mounting civic breakdown and violent disorder, in a vivid eyewitness narrative of revelatory explanatory power.'This is a searing book, exquisitely reported, lyrically told, and so vivid it will make your heart stop-a dark journey into what ails America' Patrick Radden KeefeOn the morning of January 6, a gallows was erected on the National Mall in Washington, D.C. A little after noon, as thousands of Trump supporters marched past the structure, some paused to climb its wooden steps and take pictures of the US Capitol framed within an oval noose. Up ahead, the dull thud of stun grenades could be heard, accompanied by bright flashes. Several people carried Confederate flags. Others had Tasers, baseball bats, bear spray, and truncheons. 'They need help!' a man shouted. 'It's us versus the cops!' No one seemed surprised by what was taking place. There was an eerie sense of inexorability, mixed with nervous hesitation. It reminded me of combat: the slightly shocked, almost bashful moment when bravado, fantasy, and training crash against reality.In early 2020, Luke Mogelson, who had been living in France and covering the Global War on Terrorism, returned home to report on the social discord that the pandemic was bringing to the fore in the US. Soon, he found himself embedded with militias descending on the Michigan state capitol. From there, the story swept him on to Minneapolis, then to Portland, and ultimately to Washington, D.C. His stories for The New Yorker were hailed as essential first drafts of history. They were just the tip of the iceberg.The Storm Is Here is the definitive eyewitness account of how--during a season of sickness, economic uncertainty, and violence--a large segment of Americans became convinced that they needed to rise up against dark forces plotting to take their country away from them, and then did just that. It builds month by month, through vivid depictions of events on the ground, from the onset of the pandemic to the attack on the US Capitol--during which Mogelson was in the Senate chamber with the insurrectionists--and its aftermath. Bravely reported and beautifully written, Mogelson's book follows the tradition of some of the essential chronicles of war and unrest of our time.
The Storm is Here: America on the Brink
by Luke MogelsonThe Storm is Here is a record of a year that changed America.The New Yorker's award-winning war correspondent returns to his own country to chronicle a story of mounting civic breakdown and violent disorder, in a vivid eyewitness narrative of revelatory explanatory powerOn the morning of January 6, a gallows was erected on the National Mall in Washington, D.C. A little after noon, as thousands of Trump supporters marched past the structure, some paused to climb its wooden steps and take pictures of the US Capitol framed within an oval noose. Up ahead, the dull thud of stun grenades could be heard, accompanied by bright flashes. Several people carried Confederate flags. Others had Tasers, baseball bats, bear spray, and truncheons. 'They need help!' a man shouted. 'It's us versus the cops!' No one seemed surprised by what was taking place. There was an eerie sense of inexorability, mixed with nervous hesitation. It reminded me of combat: the slightly shocked, almost bashful moment when bravado, fantasy, and training crash against reality.In early 2020, Luke Mogelson, who had been living in France and covering the Global War on Terrorism, returned home to report on the social discord that the pandemic was bringing to the fore in the US. Soon, he found himself embedded with militias descending on the Michigan state capitol. From there, the story swept him on to Minneapolis, then to Portland, and ultimately to Washington, D.C. His stories for The New Yorker were hailed as essential first drafts of history. They were just the tip of the iceberg.The Storm Is Here is the definitive eyewitness account of how--during a season of sickness, economic uncertainty, and violence--a large segment of Americans became convinced that they needed to rise up against dark forces plotting to take their country away from them, and then did just that. It builds month by month, through vivid depictions of events on the ground, from the onset of the pandemic to the attack on the US Capitol--during which Mogelson was in the Senate chamber with the insurrectionists--and its aftermath. Bravely reported and beautifully written, Mogelson's audiobook follows the tradition of some of the essential chronicles of war and unrest of our time.(P) 2022 Penguin Audio
Storm of Steel
by Michael Hofmann Ernst JungerThe memoir widely viewed as the best account ever written of fighting in WW1<P> A memoir of astonishing power, savagery, and ashen lyricism, Storm of Steel illuminates not only the horrors but also the fascination of total war, seen through the eyes of an ordinary German soldier. Young, tough, patriotic, but also disturbingly self-aware, Jünger exulted in the Great War, which he saw not just as a great national conflict but—more importantly—as a unique personal struggle. Leading raiding parties, defending trenches against murderous British incursions, simply enduring as shells tore his comrades apart, Jünger kept testing himself, braced for the death that will mark his failure. Published shortly after the war’s end, Storm of Steel was a worldwide bestseller and can now be rediscovered through Michael Hofmann’s brilliant new translation.
Storming the Reality Studio: A Casebook of Cyberpunk & Postmodern Science Fiction
by Larry MccafferyThe term "cyberpunk" entered the literary landscape in 1984 to describe William Gibson's pathbreaking novel Neuromancer. Cyberpunks are now among the shock troops of postmodernism, Larry McCaffery argues in Storming the Reality Studio, marshalling the resources of a fragmentary culture to create a startling new form. Artificial intelligence, genetic engineering, multinational machinations, frenetic bursts of prose, collisions of style, celebrations of texture: although emerging largely from science fiction, these features of cyberpunk writing are, as this volume makes clear, integrally related to the aims and innovations of the literary avant-garde.By bringing together original fiction by well-known contemporary writers (William Burroughs, Thomas Pynchon, Don DeLillo, Kathy Acker, J. G. Ballard, Samuel R. Delany), critical commentary by some of the major theorists of postmodern art and culture (Jacques Derrida, Fredric Jameson, Timothy Leary, Jean-François Lyotard), and work by major practitioners of cyberpunk (William Gibson, Rudy Rucker, John Shirley, Pat Cadigan, Bruce Sterling), Storming the Reality Studio reveals a fascinating ongoing dialog in contemporary culture.What emerges most strikingly from the colloquy is a shared preoccupation with the force of technology in shaping modern life. It is precisely this concern, according to McCaffery, that has put science fiction, typically the province of technological art, at the forefront of creative explorations of our unique age. A rich opporunity for reading across genres, this anthology offers a new perspective on the evolution of postmodern culture and ultimately shows how deeply technological developments have influenced our vision and our art. Selected Fiction contributors: Kathy Acker, J. G. Ballard, William S. Burroughs, Pat Cadigan, Samuel R. Delany, Don DeLillo, William Gibson, Harold Jaffe, Richard Kadrey, Marc Laidlaw, Mark Leyner, Joseph McElroy, Misha, Ted Mooney, Thomas Pynchon, Rudy Rucker, Lucius Shepard, Lewis Shiner, John Shirley, Bruce Sterling, William VollmanSelected Non-Fiction contributors: Jean Baudrillard, Jacques Derrida, Joan Gordon, Veronica Hollinger, Fredric Jameson, Arthur Kroker and David Cook, Timothy Leary, Jean-François Lyotard, Larry McCaffery, Brian McHale, Dave Porush, Bruce Sterling, Darko Suvin, Takayuki Tatsumi
Stormtroopers: A Social, Economic and Ideological Analysis 1929-35 (Routledge Library Editions: Nazi Germany and the Holocaust)
by Conan FischerThis examination of Hitler’s stormtroopers provides vital insights into the collapse of the Weimar Republic and the establishment of the Nazi state. Drawing on a wide range of archival sources and extensive biographical material left by the stormtroopers themselves, the author challenges the belief that Hitler’s SA was predominantly lower-middle class. This revealing study of street politics during an era of economic and political dislocation and is an important contribution to the history of inter-war Germany which will appeal to the advanced undergraduate and postgraduate reader alike.
Story: Still the Heart of Literacy Learning
by Katie CunninghamStories are all around us. From our digital newsfeeds, interactions with one another, to watching a movie or listening to a curated playlist, we see and hear different tales told to us in various ways.In her book, Story: Still the Heart of Literacy Learning, author and teacher Katie Egan Cunningham reminds us that when we bridge reading strategies with the power of story, we can deepen literacy learning and foster authentic engagement with students. Cunningham shows how to create classrooms of caring and inquisitive readers, writers, and storytellers. Inside you'll find: How to build a diverse, multicultural classroom library that reflects all voices through rich, purposeful, and varied textsNumerous examples of multi-genre and multi-modal stories from children's and young adult literatureA practical toolkit at the end of each chapter to demonstrate how to make stories come alive in any classroom Throughout the book, Cunningham shares her experiences as a teacher, literacy specialist, and staff developer and how building and talking about stories brings them to life. She honors the importance of teaching strategies to read different kinds of text, to write across genres, and to speak and listen with purpose while reminding us about the importance of story.
Story: Style, Structure, Substance, and the Principles of Screenwriting
by Robert MckeeRobert McKee's screenwriting workshops have earned him an international reputation for inspiring novices, refining works in progress and putting major screenwriting careers back on track. Quincy Jones, Diane Keaton, Gloria Steinem, Julia Roberts, John Cleese and David Bowie are just a few of his celebrity alumni. Writers, producers, development executives and agents all flock to his lecture series, praising it as a mesmerizing and intense learning experience. In Story, McKee expands on the concepts he teaches in his $450 seminars (considered a must by industry insiders), providing readers with the most comprehensive, integrated explanation of the craft of writing for the screen. No one better understands how all the elements of a screenplay fit together, and no one is better qualified to explain the "magic" of story construction and the relationship between structure and character than Robert McKee.
The Story and Its Writer: An Introduction to Short Fiction (Ninth Edition)
by Ann ChartersThe author has an acute sense of which stories work most effectively in the classroom and knows that writers, not editors, have the most interesting and useful things to say about the making and the meaning of fiction.
The Story and Its Writer: An Introduction to Short Fiction (Compact 7th edition)
by Ann ChartersDuring her many years of teaching introduction to fiction courses, Ann Charters developed an acute sense of which stories work most effectively in the classroom. She also discovered that writers, not editors, have the most interesting and useful things to say about the making and the meaning of fiction. Accordingly, her choice of fiction in the first edition of her The Story and Its Writer was as notable for its student appeal as it was for its quality and range. And to complement these stories, she introduced a lasting innovation: an array of the writers' own commentaries on the craft and traditions of the short story. In subsequent editions her sense of what works was confirmed as the book evolved into the most comprehensive, diverse -- and bestselling -- introduction to fiction anthology. Instructors rely on Ann Charters' ability to assemble an authoritative and teachable anthology, and anticipate each edition's selection of new writers and stories.