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The Story and Its Writer: An Introduction to Short Fiction (Compact 7th edition)
by Ann ChartersDuring her many years of teaching introduction to fiction courses, Ann Charters developed an acute sense of which stories work most effectively in the classroom. She also discovered that writers, not editors, have the most interesting and useful things to say about the making and the meaning of fiction. Accordingly, her choice of fiction in the first edition of her The Story and Its Writer was as notable for its student appeal as it was for its quality and range. And to complement these stories, she introduced a lasting innovation: an array of the writers' own commentaries on the craft and traditions of the short story. In subsequent editions her sense of what works was confirmed as the book evolved into the most comprehensive, diverse -- and bestselling -- introduction to fiction anthology. Instructors rely on Ann Charters' ability to assemble an authoritative and teachable anthology, and anticipate each edition's selection of new writers and stories.
The Story and Its Writer: An Introduction To Short Fiction (Tenth Edition)
by Ann ChartersAnn Charters has an acute sense of which stories work most effectively in the classroom and knows that writers, not editors, have the most interesting and useful things to say about the making and the meaning of fiction. Instructors look forward to every new edition of her bestselling anthology to see what stories her constant search for new fiction and neglected classics will turn up. <p><p> To complement the stories, Charters includes her signature innovation: an array of the writers’ own commentaries on the craft and traditions of fiction. The six Casebooks provide in-depth, illustrated studies of particular writers or genres, for unparalleled opportunities for discussion and writing. The new, trimmer, tenth edition features many very recent stories and commentaries by up-and-coming writers; a new Casebook on short shorts or flash fiction; and an expanded focus on why we read, study, and write about short fiction.
The Story and Its Writer: An Introduction to Short Fiction (7th Edition)
by Ann ChartersThis is a book containing a wide variety of short stories by a wide selection of authors. It also contains commentaries by other authors on most included, as well as sections on writing short fiction and literary criticism. It also contains a glossary of literary terms.
Story As Sharp As A Knife: The Classical Haida Mythtellers And Their World
by Robert BringhurstThe Haida world is a misty archipelago a hundred stormy miles off the coasts of British Columbia and Alaska. For a thousand years and more before the Europeans came, a great culture flourished in these islands. The masterworks of classical Haida sculpture, now enshrined in many of the world's great museums, range from exquisite tiny amulets to magnificent huge housepoles. Classical Haida literature is every bit as various and fine. It extends from tiny jewels crafted by master songmakers to elaborate mythic cycles lasting many hours. The linguist and ethnographer John Swanton took dictation from the last great Haida-speaking storytellers, poets and historians from the fall of 1900 through the summer of 1901. His Haida hosts and colleagues had been raised in a wholly oral world where the mythic and the personal interpenetrate completely. They joined forces with their visitor, consciously creating a great treasury of Haida oral literature in written form. Poet and linguist Robert Bringhurst has worked for many years with these century-old manuscripts, which have waited until now for the broad recognition they deserve. Bringhurst brings these works to life in the English language and sets them in a context just as rich as the stories themselves--one that reaches out to dozens of Native American oral literatures, and to mythtelling traditions around the globe. The world of classical Haida literature is a world as deep as the ocean, as close as the heart and as elusive as the Raven, whose unrepentant laugh persists within it all. This is a tradition brimming with profundity, hilariy and love. It belongs where Bringhurst sees it: among the great traditions of the world. Bringhurst, an acclaimed typographer and book designer, will be redesigning this edition in a beautiful new package.
Story Based Selling
by Jeff BloomfieldAs a founder of a successful organization that trains and develops sales professionals, Jeff Bloomfield has given a lot of thought to why customers say yes. In Story-Based Selling: Create, Connect, and Close, Mr. Bloomfield says it's really no mystery. People buy from people they trust. They trust people they like, and they like people they connect to. And he believes that storytelling is the best way for salespeople-and all of us-to immediately connect to a customer's feelings of trust and liking. He thinks teaching sales professionals to close a deal by presenting their product, probing its mutual benefits, and overcoming the customer's objections and skepticism, is a waste of time. Instead, he urges them to tell a great story. Mr. Bloomfield calls upon the latest research in neuroscience to explain the process of communication. The truth is that during the salesperson's engagement with clients, people quickly base their decisions on how they feel, not the way they think, so trying to persuade someone by first imparting lifeless facts and figures is self-defeating. In fact, this information goes right to an area of the listener's brain (the left brain) that drives doubt and skepticism. To make a deal we need to connect with the parts of the customer's brain that inspire emotions of trust and empathy. By telling a story, we can immediately connect to these good gut feelings and drive away the client's fear of being sold. Mr. Bloomfield tells his own engaging stories while teaching step-by-step techniques of intentional storytelling-to create a fast connection with the listener, no matter who is buying or what a person wants to sell.
The Story Behind the Story: 26 Stories by Contemporary Writers and How They Work
by Peter Turchi Richard RussoThis big, beautiful anthology of short fiction is for readers, writers, and anyone curious about the mysterious processes of literary minds. All contributors have been recent faculty members of the prestigious Warren Wilson Low Residency Program, including such literary favorites as Margot Livesey, Charles Baxter, Robert Boswell, Jim Shepard, Antonya Nelson, David Shields, and the editors themselves. Each writer was asked to submit an original story, accompanied by an essay describing the challenges of the story and how they were met. Since writers resist herding, the editors were happily surprised by the wide range of essays "fiction writers, when given the space, think about their work very differently. " We learn about the genesis of a story, how story evolves, what was eventually relinquished and why, and how a story surprisingly might "insist" on changing. Arranged alphabetically by author, and beginning with Richard Russo's cogent introduction, this volume is a treasure throughout.
Story Bridges: A Guide for Conducting Intergenerational Oral History Projects (Practicing Oral History #1)
by Angela ZusmanAngela Zusman offers an informative guidebook with step-by-step directions for planning and implementing intergenerational oral history projects, using youth to interview elders. An expert on these programs, Zusman uses her experiences and those of other oral historians to show how community projects are organized, youthful historians located and trained, interviews conducted, and the project archived for future community needs. Included are a variety of sample documents and case studies designed to ease the process for the uninitiated.
The Story Cure: A Book Doctor's Pain-Free Guide to Finishing Your Novel or Memoir
by Dinty W. MooreA collection of cures for writer's block, plotting and characterization issues, and other ailments writers face when completing a novel or memoir, prescribed by the director of creative writing at Ohio University.People want to write the book they know is inside of them, but they run into stumbling blocks that trouble everyone from beginners to seasoned writers. Drawing on his years of teaching at both the university level and at writing workshops across the country, Professor Dinty W. Moore dons his book-doctor hat to present an authoritative guide to curing the issues that truly plague writers atall levels. His hard-hitting handbook provides inspiring solutions for diagnoses such as character anemia, flat plot, and silent voice, and is peppered with flashes of Moore's signature wit and unique take on the writing life.
Story Development for Children's Books: Tips and Techniques to Get Your Story Back on Track (The Everything® Writing Series)
by Adams MediaHave you run into writer’s block? Not sure how to take the next step in your children’s book plot? Beat your block and keep your story moving with The Everything® Writing Series: Story Development for Children’s Books. You’ll be able to get your tale back on track with these helpful tips and ideas. With some quick reading, you’ll be back to writing in no time.
Story Elements: Learning About The Components of Stories to Deepen Comprehension
by Kathryn WheelerStory Elements--Grades 3-4 is designed to introduce young readers and writers to the tools that authors use as they create stories. The activities explore the concepts of character, setting, problem (conflict), and plot. The book is divided into sections for each concept, with mixed-skills pages at the end. In each section, activities progress from an introductory page to more challenging exercises. Pages from this book can be used individually to strengthen the recognition of a specific element, or to introduce it as a topic. Teachers might want to use certain pages on more difficult concepts-such as identifying a story's climax-to help review the material after it has been worked on in class.
Story Engineering
by Larry BrooksWhat makes a good story or a screenplay great? The vast majority of writers begin the storytelling process with only a partial understanding where to begin. Some labor their entire lives without ever learning that successful stories are as dependent upon good engineering as they are artistry. But the truth is, unless you are master of the form, function and criteria of successful storytelling, sitting down and pounding out a first draft without planning is an ineffective way to begin. Story Engineering starts with the criteria and the architecture of storytelling, the engineering and design of a story--and uses it as the basis for narrative. The greatest potential of any story is found in the way six specific aspects of storytelling combine and empower each other on the page. When rendered artfully, they become a sum in excess of their parts. You'll learn to wrap your head around the big pictures of storytelling at a professional level through a new approach that shows how to combine these six core competencies which include:Four elemental competencies of concept, character, theme, and story structure (plot) Two executional competencies of scene construction and writing voice The true magic of storytelling happens when these six core competencies work together in perfect harmony. And the best part? Anyone can do it!
The Story Factor: Inspiration, Influence, and Persuasion through the Art of Storytelling
by Annette SimmonsFully revised, updated, and expanded, this modern classic will teach you to use the art of storytelling to persuade, motivate, and inspire in life and business Anyone seeking to influence others must first know their own story, and how to tell it properly. Whether you're proposing a risky new venture, trying to close a deal, or leading a charge against injustice, you have a story to tell. Tell it well and you will create a shared experience with your listeners that can have profound results.In this modern classic, Annette Simmons reminds us that the oldest tool of influence is also the most powerful. Fully revised and updated to account for new technology and social media, along with two new chapters on the role of stories in the development of civilization and how to adjust your story to your specific goal, Simmons showcases over a hundred examples of effective storytelling drawn from the front lines of business and government, as well as myths, fables, and parables from around the world. Whether writing a screenplay, or announcing a corporate reorganization, Simmons illustrates how story can be used in ways that cold facts, bullet points, and directives can't. These stories, combined with practical storytelling techniques, show anyone how to become a more effective communicator and achieve their goals.
Story Fix: Transform Your Novel from Broken to Brilliant
by Larry Brooks Michael HaugeReinvigorate Your Fiction!You've written the first draft of your novel or screenplay, and you've released it into the world: to your critique group, to your most trusted beta readers, or even to an agent or an editor. But something's wrong. You're not getting the glowing response you had expected, or you might have even received a rejection. Your story is getting a "Meh..." when you had hoped for an "Amazing!"But have no fear--the piece you've sweated and bled over isn't dead on arrival. It just needs fixing.Story Fix is the answer to your revision needs. With practical techniques from critically acclaimed author and story coach Larry Brooks, you will learn how to:Develop a story-fixing mind-setNavigate the two essential realms of revision: story and executionEvaluate your novel or screenplay against twelve crucial storytelling elements and essences.Strengthen your concept and premise.Punch up the dramatic tension, pacing, thematic weight, characterization, and more.Align your story with proven structural principles.Filled with candid advice on the realities of the publishing world and helpful case studies of real authors who fixed their own stories, Story Fix isn't just about revision--it's about resurrection. Infuse your fiction with a much-needed jolt of electricity, and bring it back to life."Larry Brooks is a superb storyteller and teacher. If anyone can fix your novel, it's him. Put this one on your desk and read it often." --Robert Dugoni, #1 Amazon and New York Times best-selling author of My Sister's Grave"Story Fix is the ultimate writer's companion for taking any manuscript to the next level. A staple for the beginner, a refresher for the pro." --Joe Moore, #1 Amazon and international best-selling co-author of The Blade and The Shield
Story Genius: How to Use Brain Science to Go Beyond Outlining and Write a Riveting Novel (Before You Waste Three Years Writing 327 Pages That Go Nowhere)
by Lisa CronFollowing on the heels of Lisa Cron's breakout first book, Wired for Story, this writing guide reveals how to use cognitive storytelling strategies to build a scene-by-scene blueprint for a riveting story. It's every novelist's greatest fear: pouring their blood, sweat, and tears into writing hundreds of pages only to realize that their story has no sense of urgency, no internal logic, and so is a page one rewrite. The prevailing wisdom in the writing community is that there are just two ways around this problem: pantsing (winging it) and plotting (focusing on the external plot). Story coach Lisa Cron has spent her career discovering why these these methods don't work and coming up with a powerful alternative, based on the science behind what our brains are wired to crave in every story we read (and it's not what you think). In Story Genuis Cron takes you, step-by-step, through the creation of a novel from the first glimmer of an idea, to a complete multilayered blueprint--including fully realized scenes--that evolves into a first draft with the authority, richness, and command of a riveting sixth or seventh draft.From the Trade Paperback edition.
Story in Children's Lives: Contributions of the Narrative Mode to Early Childhood Development, Literacy, and Learning (Educating the Young Child #16)
by Kelli Jo Kerry-Moran Juli-Anna AerilaThis book is based on the power of stories to support children in all areas of their lives. It examines the role narratives can play in encouraging growth in contexts and domains such as personal and family identity, creative movement, memory and self-concept, social relationships, or developing a sense of humor. Each chapter describes innovative and research-based applications of narratives such as movement stories, visual narratives to develop historical thinking, multimodal storytelling, bibliotherapy, mathematics stories, family stories, and social narratives. The chapters elaborate on the strength of narratives in supporting the whole child in diverse contexts from young children on the autism spectrum improving their social skills at school, to four- and five-year-olds developing historical thinking, to children who are refugees or asylum-seekers dealing with uncertainty and loss. Written by accomplished teachers, researchers, specialists, teaching artists and teacher educators from several countries and backgrounds, the book fills a gap in the literature on narratives. “…this work delves into the topic of narratives in young children’s lives with a breadth of topics and depth of study not found elsewhere.” “Collectively, the insights of the contributors build a convincing case for emphasizing story across the various disciplines and developmental domains of the early childhood years.” “The writing style is scholarly, yet accessible. Authors used a wide array of visual material to make their points clearer and show the reader what meaningful uses of story “look like”.” Mary Renck Jalongo, Journal and Book Series Editor Springer Indiana, PA, USA
A Story is a Deal: How to use the science of storytelling to lead, motivate and persuade
by Will StorrIn this highly anticipated follow-up to the Sunday Times bestseller The Science of Storytelling, acclaimed story guru Will Storr shows you how to engage and influence your audience to create irresistible pitches, build passionate brand loyalty, motivate teams and lead with effectiveness and charisma. Using the latest findings from social psychology, evolutionary psychology, organisational psychology and neuroscience, A Story is a Deal argues that we won't unlock the true power of story if we treat it merely as something we read on a page, see on a screen or hear in a speech. Storr shows how successful stories shape identities, which changes beliefs, drives action and achieves extraordinary results. With examples ranging from Aztec rituals to Apple's legendary advertising successes (and long-forgotten fails), A Story is a Deal lays out a revolutionary new method for creating the most persuasive messaging: by harnessing the power of our storytelling brains.
A Story is a Deal: How to use the science of storytelling to lead, motivate and persuade
by Will StorrIn this highly anticipated follow-up to the Sunday Times bestseller The Science of Storytelling, acclaimed story guru Will Storr shows you how to engage and influence your audience to create irresistible pitches, build passionate brand loyalty, motivate teams and lead with effectiveness and charisma. Using the latest findings from social psychology, evolutionary psychology, organisational psychology and neuroscience, A Story is a Deal argues that we won't unlock the true power of story if we treat it merely as something we read on a page, see on a screen or hear in a speech. Storr shows how successful stories shape identities, which changes beliefs, drives action and achieves extraordinary results. With examples ranging from Aztec rituals to Apple's legendary advertising successes (and long-forgotten fails), A Story is a Deal lays out a revolutionary new method for creating the most persuasive messaging: by harnessing the power of our storytelling brains.
A Story is a Deal: How to use the science of storytelling to lead, motivate and persuade
by Will StorrIn this highly anticipated follow-up to the Sunday Times bestseller The Science of Storytelling, acclaimed story guru Will Storr shows you how to engage and influence your audience to create irresistible pitches, build passionate brand loyalty, motivate teams and lead with effectiveness and charisma. Using the latest findings from social psychology, evolutionary psychology, organisational psychology and neuroscience, A Story is a Deal argues that we won't unlock the true power of story if we treat it merely as something we read on a page, see on a screen or hear in a speech. Storr shows how successful stories shape identities, which changes beliefs, drives action and achieves extraordinary results. With examples ranging from Aztec rituals to Apple's legendary advertising successes (and long-forgotten fails), A Story is a Deal lays out a revolutionary new method for creating the most persuasive messaging: by harnessing the power of our storytelling brains.
The Story Is True: The Art and Meaning of Telling Stories
by Bruce JacksonMaking and experiencing stories, remembering and retelling them is something we all do. We tell stories over meals, at the water cooler, and to both friends and strangers. But how do stories work? What is it about telling and listening to stories that unites us? And, importantly, how do we change them-and how do they change us? InThe Story Is True, author, filmmaker, and photographer Bruce Jackson explores the ways we use the stories that become a central part of our public and private lives. He examines, as no one before has, how stories narrate and bring meaning to our lives, by describing and explaining how stories are made and used. The perspectives shared in this engaging book come from the tellers, writers, filmmakers, listeners, and watchers who create and consume stories. Jackson writes about his family and friends, acquaintances and experiences, focusing on more than a dozen personal stories, from oral histories, such as conversations the author had with poet Steven Spender, to public stories, such as what happened when Bob Dylan "went electric"at the 1965 Newport Folk Festival. Jackson also investigates how "words can kill," showing how diction can be an administrator of death, as in Nazi extermination camps. And finally, he considers the way lies come to resemble truth, showing how the stories we tell, whether true or not, resemble truth to the teller. Ultimately,The Story Is Trueis about the place of stories-fiction or real-and the impact they have on the lives of each one of us.
Story Listening and Experience in Early Childhood
by Patrick Ryan Donna SchattThis book shows connections between oral story listening and unique, enduring educational effects in and outside of the classroom. Using scientific studies and interviews, as well as personal observations from more than thirty years in schools and libraries, the authors examine learning outcomes from frequent story listening. Throughout the book, Schatt and Ryan illustrate that experiencing stories told entirely from memory transforms individuals and builds community, affecting areas such as reading comprehension, visualization, focus, flow states, empathy, attachment, and theory of mind.
Story Matters: Contemporary Short Story Writers Share the Creative Process
by Margaret-Love Denham Barbara ShoupTechniques of writing short stories; examples, advice and strategies to help you with your writing; writers explain the intent, technique, and meaning of their fiction; list of their favorite short stories; bibliography of further resources in creative writing
The Story of a Great Medieval Book: Peter Lombard's 'Sentences' (Rethinking the Middle Ages)
by Philipp W. RosemannPeter Lombard, a twelfth-century theologian, authored one of the first Western textbooks of theology, the Book of Sentences. Here, Lombard logically arranged all of the major topics of the Christian faith. His Book of Sentences received the largest number of commentaries among all works of Christian literature except for Scripture itself. Now, notable Lombard scholar Philipp W. Rosemann examines this text as a guiding thread to studying Christian thought throughout the later Middle Ages and into early modern times. This is the second title in a series called Rethinking the Middle Ages, which is committed to re-examining the Middle Ages, its themes, institutions, people, and events with short studies that will provoke discussion among students and medievalists, and invite them to think about the middle ages in new and unusual ways. The series editor, Paul Edward Dutton, invites suggestions and submissions.
The Story of Ain't: America, Its Language, and the Most Controversial Dictionary Ever Published
by David Skinner“It takes true brilliance to lift the arid tellings of lexicographic fussing into the readable realm of the thriller and the bodice-ripper….David Skinner has done precisely this, taking a fine story and honing it to popular perfection.”—Simon Winchester, New York Times bestselling author of The Professor and the MadmanThe Story of Ain’t by David Skinner is the captivating true chronicle of the creation of Merriam Webster’s Third New International Dictionary in 1961, the most controversial dictionary ever published. Skinner’s surprising and engaging, erudite and witty account will enthrall fans of Winchester’s The Professor and the Madman and The Meaning of Everything, and The Know-It-All by A.J. Jacobs, as it explores a culture in transition and the brilliant, colorful individuals behind it. The Story of Ain’t is a smart, often outrageous, and altogether remarkable tale of how egos, infighting, and controversy shaped one of America’s most authoritative language texts, sparking a furious language debate that the late, great author David Foster Wallace (Infinite Jest) once called “the Fort Sumter of the Usage Wars.”
The Story of Ain't
by David SkinnerCreated by the most respected American publisher of dictionaries and supervised by the editor Philip Gove, Webster's Third broke with tradition, adding thousands of new words and eliminating "artificial notions of correctness," basing proper usage on how language was actually spoken. The dictionary's revolutionary style sparked what David Foster Wallace called "the Fort Sumter of the Usage Wars." Editors and scholars howled for Gove's blood, calling him an enemy of clear thinking, a great relativist who was trying to sweep the English language into chaos. Critics bayed at the dictionary's permissive handling of ain't. Literary intellectuals such as Dwight Macdonald believed the dictionary's scientific approach to language and its abandonment of the old standard of usage represented the unraveling of civilization.Entertaining and erudite, The Story of Ain't describes a great societal metamorphosis, tracing the fallout of the world wars, the rise of an educated middle class, and the emergence of America as the undisputed leader of the free world, and illuminating how those forces shaped our language. Never before or since has a dictionary so embodied the cultural transformation of the United States.
The Story of Alice: Lewis Carroll and the Secret History of Wonderland
by Robert Douglas-FairhurstAn examination of the lives of author Lewis Carroll & Alice Liddell and the creation of the “Alice” stories & their ongoing popularity.Following his acclaimed life of Dickens, Robert Douglas-Fairhurst illuminates the tangled history of two lives and two books. Drawing on numerous unpublished sources, he examines in detail the peculiar friendship between the Oxford mathematician Charles Dodgson (Lewis Carroll) and Alice Liddell, the child for whom he invented the Alice stories, and analyzes how this relationship stirred Carroll’s imagination and influenced the creation of Wonderland. It also explains why Alice in Wonderland (1865) and its sequel, Through the Looking-Glass (1871), took on an unstoppable cultural momentum in the Victorian era and why, a century and a half later, they continue to enthrall and delight readers of all ages.The Story of Alice reveals Carroll as both an innovator and a stodgy traditionalist, entrenched in habits and routines. He had a keen double interest in keeping things moving and keeping them just as they are. (In Looking-Glass Land, Alice must run faster and faster just to stay in one place.) Tracing the development of the Alice books from their inception in 1862 to Liddell’s death in 1934, Douglas-Fairhurst also provides a keyhole through which to observe a larger, shifting cultural landscape: the birth of photography, changing definitions of childhood, murky questions about sex and sexuality, and the relationship between Carroll’s books and other works of Victorian literature.In the stormy transition from the Victorian to the modern era, Douglas-Fairhurst shows, Wonderland became a sheltered world apart, where the line between the actual and the possible was continually blurred.Praise for The Story of Alice“Offer[s] a thoughtful, far-reaching narrative, the story of three very different lives: those of Lewis Carroll, Alice Hargreaves, née Liddell, and the literary creation they both had a part in . . . Douglas-Fairhurst’s ability to make room for . . . doubts without giving in to them is one of his book’s great attractions.” —Michael Wood, The New York Times Book Review“Douglas-Fairhurst’s The Story of Alice belongs with the best books ever written in the field of Carrollian studies . . . For a total work of criticism . . . The Story of Alice can’t be beat. In it, Douglas-Fairhurst examines the tangled lives of Carroll and Alice Liddell (later Alice Hargreaves) up until the latter’s death in 1934, while also tracking the publication history of the ‘Alice’ books, their popularity and their ongoing cultural influence. The Oxford don’s own prose is, moreover, a delight to read: fact-filled, nicely balanced between exposition and quotation, confiding and witty. In fact, high among the pleasures of The Story of Alice is its willingness to amuse as well as instruct.” —Michael Dirda, The Washington Post