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The Other Sylvia Plath (Longman Studies In Twentieth Century Literature)
by Tracy BrainDespite being widely studied on both undergraduate and postgraduate courses the writing of Sylvia Plath has been relatively neglected in relation to the attention given to her life and what drove her to suicide. Tracy Brain aims to remedy this by introducing completely new approaches to Plath's writing, taking the studies away from the familiar concentration to reveal that Plath as a writer was concerned with a much wider range of important cultural and political topics. Unlike most of the existing literary criticism it shifts the focus away from biographical readings and encompasses the full range of Plath's poetry, prose, journals and letters using a variety of critical methods.
The Other Synaesthesia (SUNY series, Literature . . . in Theory)
by Susan BernsteinThis book investigates synaesthesia in philosophy and literature, from Aristotle to Charles Baudelaire to Jean-Luc Nancy and beyond. Its central claim is that while synaesthesia is generally read as a figure of transcendence and unity, there is another effect of synaesthesia, one that articulates differences and displaces essence. This other synaesthesia opens up within or alongside the more familiar sense of synaesthesia as synthesis, pointing to an alternative understanding of the senses and of the arts as "interbelonging" in a kind of rhythmic relation rather than parts of a totalizing aesthetic whole. In so doing, The Other Synaesthesia contests the suggestion that neurological synaesthesia is the foundation for the aesthetics of synaesthesia. Topics include Nancy's conception of community; the correspondence between Franz Liszt and George Sand; Baudelaire's poetics; Richard Wagner's theory of the Gesamtkunstwerk, or total work of art; decadence and symbolism; and Heidegger's critique of the correspondence theory of truth.
The Other-Conscious Ethics of Innovative Black Poetry (Modern and Contemporary Poetry and Poetics)
by Grant Matthew JenkinsThis monograph identifies and investigates the ‘other-conscious’ ethics in black avant-garde poetry since the 1980s. Drawing on a long tradition in the African Diaspora of ethical writings that put the Other first, this work shows how black poets writing in an avant garde or experimental vein in the United States push language to its limits to reveal how poetry can address and exemplify ethical postures towards other people. This other-centered vantage allows the poets to incisively comment on some of this period’s most pressing ethical issues, including postcolonial and racialized violence, the history of slavery and segregation in America, and the expansion of human consciousness. The writers involved in this study include Nathaniel Mackey, Erica Hunt, Will Alexander, Harryette Mullen, and Mark McMorris.
The Otherwise: The Screenplay for a Horror Film That Never Was
by Graham Duff Mark E SmithThe first ever publication of Mark E. Smith's supernatural film treatment, co-authored with Graham Duff.In 2015 Mark E. Smith of The Fall and screenwriter Graham Duff co-wrote the script for a horror feature film called The Otherwise. The story involved The Fall recording an EP in an isolated recording studio on Pendle Hill. The Lancashire landscape is not only at the mercy of a satanic biker gang, it's also haunted by a gaggle of soldiers who have slipped through time from the Jacobite Rebellion.However, every film production company who saw the script said it was 'too weird' to ever be made. The Otherwise is weird. Yet it's also witty, shocking and genuinely scary. Now the screenplay is published for the first time, alongside photographs, drawings and handwritten notes. The volume also contains previously unpublished transcripts of conversations between Smith and Duff, where they discuss creativity, dreams, musical loves (from Can to acid house) and favourite films (from Britannia Hospital to White Heat). Smith also talks candidly about his youth and mortality, in exchanges that are both touching and extremely funny.
The Outer Edge: Still Unsolved
by Henry Billings Melissa BillingsEnergize low-level readers with the series based on amazing, true stories. Lower readability series joins the Wild Side/Critical Reading family. Emphasis is on reading nonfiction. Critical thinking questions prepare students for state and national tests. The Outer Edge builds on the success of Jamestown's popular Wild Side and Critical Reading series, enticing struggling readers with amazing, strange, and unbelievable nonfiction, now at a lower reading level. Comprehension questions reinforce literal understanding, while critical thinking questions encourage students to speculate about author's purpose, make inferences,identify cause and effect, support conclusions, and make predictions. Best of all, this program is designed to reinforce state reading standards for your most struggling readers. Reading Level 2-4. Interest Level 6-12.
The Outlaws on Parnassus
by Margaret KennedyBoth readable and learned, this book takes us through European literature from Homer to Virginia Woolf, pointing out the ways in which a compelling plot makes for a good novel. Kennedy notes that literature is the only art form that is expected to carry a "message." In truth, she says, we read to be entertained, to be swept into another world.
The Outside Child, In and Out of the Book (Children's Literature and Culture)
by Christine Wilkie-StibbsThe Outside Child, In and Out of the Book is situated at the intersection between children’s literature studies and childhood studies. In this provocative book, Christine Wilkie-Stibbs juxtaposes the narratives of literary and actual children/young adults to explore how Western culture has imagined, defined, and dealt with their outsider status – whether orphaned, homeless, refugee, victims of abuse, or exploited – and how processes of economic, social, or political impoverishment are sustained and naturalized in regimes of power, authority, and domination. In five chapters titled: "Outsider," "Displaced," "Erased," "Abject," "Unattached," and "Colonized," the book situates and repositions a range of pre- and post-millennium children’s/young adult fictions, autobiographies, policy documents, and reports in the current climate of rabid globalization, new "out-group" definitions, and prescribed normativity. Children’s/young adult fictions considered include: Malorie Blackman’s Noughts and Crosses trilogy; Mark Haddon’s The Curious Incident of the Dog in the Night-Time; Jacqueline Wilson’s The Illustrated Mum; Shyam Selvadurai’s Funny Boy; Ann Provoost’s Falling; Meg Rosoff’s, How I Live Now; Elizabeth Laird’s A Little Piece of Ground. Autobiographical works include Zlata Filipovic’s Zlata’s Diary; Kevin Lewis’s The Kid; Latifa’s My Forbidden Face; and Valérie Zenatti’s When I Was a Soldier.
The Outside Thing: Modernist Lesbian Romance (Gender and Culture Series)
by Hannah RocheIn a lecture delivered before the University of Oxford’s Anglo-French Society in 1936, Gertrude Stein described romance as “the outside thing, that . . . is always a thing to be felt inside.” Hannah Roche takes Stein’s definition as a principle for the reinterpretation of three major modernist lesbian writers, showing how literary and affective romance played a crucial yet overlooked role in the works of Stein, Radclyffe Hall, and Djuna Barnes. The Outside Thing offers original readings of both canonical and peripheral texts, including Stein’s first novel Q.E.D. (Things As They Are), Hall’s Adam’s Breed and The Well of Loneliness, and Barnes’s early writing alongside Nightwood.Is there an inside space for lesbian writing, or must it always seek refuge elsewhere? Crossing established lines of demarcation between the in and the out, the real and the romantic, and the Victorian and the modernist, The Outside Thing presents romance as a heterosexual plot upon which lesbian writers willfully set up camp. These writers boldly adopted and adapted the romance genre, Roche argues, as a means of staking a queer claim on a heteronormative institution. Refusing to submit or surrender to the “straight” traditions of the romance plot, they turned the rules to their advantage. Drawing upon extensive archival research, The Outside Thing is a significant rethinking of the interconnections between queer writing, lesbian living, and literary modernism.
The Outsiders (SparkNotes Literature Guide Series)
by SparkNotesThe Outsiders (SparkNotes Literature Guide) by S.E. Hinton Making the reading experience fun! Created by Harvard students for students everywhere, SparkNotes is a new breed of study guide: smarter, better, faster. Geared to what today's students need to know, SparkNotes provide: *Chapter-by-chapter analysis *Explanations of key themes, motifs, and symbols *A review quiz and essay topics Lively and accessible, these guides are perfect for late-night studying and writing papers
The Outward Mind: Materialist Aesthetics in Victorian Science and Literature
by Benjamin MorganThough underexplored in contemporary scholarship, the Victorian attempts to turn aesthetics into a science remain one of the most fascinating aspects of that era. In The Outward Mind, Benjamin Morgan approaches this period of innovation as an important origin point for current attempts to understand art or beauty using the tools of the sciences. Moving chronologically from natural theology in the early nineteenth century to laboratory psychology in the early twentieth, Morgan draws on little-known archives of Victorian intellectuals such as William Morris, Walter Pater, John Ruskin, and others to argue that scientific studies of mind and emotion transformed the way writers and artists understood the experience of beauty and effectively redescribed aesthetic judgment as a biological adaptation. Looking beyond the Victorian period to humanistic critical theory today, he also shows how the historical relationship between science and aesthetics could be a vital resource for rethinking key concepts in contemporary literary and cultural criticism, such as materialism, empathy, practice, and form. At a moment when the tumultuous relationship between the sciences and the humanities is the subject of ongoing debate, Morgan argues for the importance of understanding the arts and sciences as incontrovertibly intertwined.
The Ovidian Vogue
by Daniel D. MossThe Roman poet Ovid was one of the most-imitated classical writers of the Elizabethan age and a touchstone for generations of English writers. In The Ovidian Vogue, Daniel Moss argues that poets appropriated Ovid not just to connect with the ancient past but also to communicate and compete within late Elizabethan literary culture.Moss explains how in the 1590s rising stars like Thomas Nashe and William Shakespeare adopted Ovidian language to introduce themselves to patrons and rivals, while established figures like Edmund Spenser and Michael Drayton alluded to Ovid's works as a way to map their own poetic development. Even poets such as George Chapman, John Donne, and Ben Jonson, whose early work pointedly abandoned Ovid as cliché, could not escape his influence. Moss's research exposes the literary impulses at work in the flourishing of poetry that grappled with Ovid's cultural authority.
The Owl and the Nightingale: A New Verse Translation (The Lockert Library of Poetry in Translation #134)
by Simon ArmitageFrom the UK Poet Laureate and bestselling translator of Sir Gawain and the Green Knight, a complete verse translation of a spirited and humorous medieval English poemThe Owl and the Nightingale, one of the earliest literary works in Middle English, is a lively, anonymous comic poem about two birds who embark on a war of words in a wood, with a nearby poet reporting their argument in rhyming couplets, line by line and blow by blow. In this engaging and energetic verse translation, Simon Armitage captures the verve and humor of this dramatic tale with all the cut and thrust of the original.In an agile iambic tetrameter that skillfully amplifies the prosody and rhythm of the original, Armitage’s translation moves entertainingly from the eloquent and philosophical to the ribald and ridiculous. Sounding at times like antagonists in a Twitter feud, the owl and the nightingale quarrel about a host of subjects that still resonate today—including love, marriage, identity, cultural background, class distinctions, and the right to be heard. Adding to the playful, raucous mood of the barb-trading birds is Armitage, who at one point inserts himself into the poem as a “magistrate . . . to adjudicate”—one who is “skilled with words & worldly wise / & frowns on every form of vice.”Featuring the Middle English text on facing pages and an introduction by Armitage, this volume will delight readers of all ages.
The Owl and the Nightingale: The Poems and Its Critics
by Kathryn HumeThe Owl and the Nightingale is clearly one of the few major Middle English poems. Despite the clarity and simplicity of its text, however, the poem has occasioned bitter and still unresolved interpretative controversy. Is the key to its meaning to be found in bird lore? the debate form? Is the poem a political or religious allegory? Despite the radical contradictions in the conclusions of previous critics, most of them have implicitly claimed a unique and exclusive validity. Kathryn Hume's purpose in writing this book is to offer a new account of the poem, one based on a systematic attempt to assess the validity and usefulness of various possible approaches to the work. She shows saneness, balance, and humour both in her criticism of previous interpretations and in her own conclusions. We need, she insists, to understand the nature of the poem before we erect elaborate theories about its meaning. The contradictoriness of the relevant avian traditions, the birds' complete incompetence as debaters, the poem's curiously indeterminate ending, and the critics' inability to agree even on the subject of the controversy, she argues, makes it difficult to see the work as a serious debate about anything. Attempts to find an extrinsic or allegorical meaning have proven radically contradictory and have all neglected large portions of the poem. But since no serious issue is present in the bird's dialogue, the meaning of the poem must indeed be sought elsewhere. Analysis of The Owl and the Nightingale's sequential impact and its manipulation of audience response emphasize the debate's lack of direction, its bitterness, and also – from the reader's point of view – its humour. Kathryn Hume argues that a great deal is clarified and made comprehensible if we regard the poem as a burlesque-satire on human contentiousness. The birds' illogic, the wandering arguments, the unsystematic introduction of various human concerns, and the inconclusive ending are all consistent with the idea that the poem was written as a witty caricature of petty but vicious human quarrelling. Both for its sane reinterpretation of what is widely considered one of the masterpieces of Middle English literature and for the interpretative methodology it employs, The Owl and the Nightingle: The Poem and Its Critics should be of lasting value to medievalists.
The Oxford Companion to American Literature
by James D. HartDesigned for students, this volume provides ready references to the authors and writings, past and present, that are included in the area of American literature.
The Oxford Companion to the Bible
by Michael D. Coogan Bruce M. MetzgerAn authoritative reference for key persons, places, events, concepts, institutions and realities of biblical times, this book also provides discussions on these topics by modern scholars.
The Oxford Dictionary of Allusions (2nd edition)
by Andrew Delahunty Penny Stock Sheila DignenAllusions form a colourful extension to the English language, drawing on our collective knowledge of literature, mythology, and religion to give us a literary shorthand for describing people, places, and events. So a miser is a Scrooge, a strong man is a Samson or a Hercules, a beautiful woman is a Venus or a modern-day Helen of Troy - we can suffer like Sisyphus, fail like Canute, or linger like the smile of the Cheshire Cat. This absorbing reference work explains the meanings of allusions in modern English, from Abaddon to Zorro, Tartarus to Tarzan, and Rubens to Rambo. Fascinating to browse through, the book is based on an extensive reading programme that has identified the most commonly-used allusions. Quotations are included in most entries to illustrate usage, from a range of authors and sources, from Thomas Hardy to Ben Elton, Charles Dickens to Bridget Jones's Diary. For this new second edition the most up-to-date allusions from Gollum to Kofi Annan have been added, and a handy A-Z order has been adopted for extra ease of reference.
The Oxford Dictionary of Nicknames
by Andrew DelahuntyThis reference for the general reader contains concise explanations of the origins of over 1,800 nicknames from contemporary and historical culture. They refer to historical figures, politicians, athletes, entertainers, places, events, and organizations and include, for example, "The Gipper" (Ronald Reagan), "The Virgin Queen" (Elizabeth I), "Satchmo" (Louis Armstrong), and "The Garden State" (New Jersey). The volume also features listings of the nicknames of British football clubs and army regiments as well as those for US Army infantry divisions. Annotation ©2004 Book News, Inc., Portland, OR (booknews.com)
The Oxford Dictionary of Phrase and Fable (2nd edition)
by Elizabeth KnowlesRevised and enlarged from the 2000 first edition, the dictionary cites words, phrases, and names with cultural resonance, to allow readers to understand and sometimes decode phrases they run across or perhaps have heard for years without ever quite understanding the connotation. The emphasis is on the allusion or reference, though origins of the phrase are also often explained. New here are such terms as nine-eleven (9-11, 9/11), axis of evil, and coalition of the willing. The cross-referencing is extensive. Annotation ©2006 Book News, Inc., Portland, OR (booknews.com)
The Oxford Dictionary of Slang
by John AytoA dictionary of common English slang terms and the estimated date of their appearance in the English language.
The Oxford Dictionary of Synonyms and Antonyms
by Oxford University PressAuthoritative, accessible, and completely up to date, this new edition of the popular Oxford Dictionary of Synonyms and Antonyms is an invaluable guide for anyone wanting to build their vocabulary and invigorate their writing skills. Over 140,000 alternative and opposite words are given with the closest, most frequently used synonyms listed first. In addition, thousands of real-life examples of usage from the Oxford English Corpus put the words in the context of sentences, which helps the reader to pinpoint the right word quickly and easily (and avoid embarrassing mistakes). Also included are some useful appendices designed to improve your knowledge of the language: a new Wordfinder section offers a selection of thematic lists--from chemical elements and clothing to phobias and flowers--and a Common Confusables supplement highlights the crucial differences between similar words that are often mixed up. Anyone wanting a practical and accessible language guide that will expand their vocabulary and sharpen their writing skills--including families, word game buffs, and students learning English as a foreign language--will want this dictionary on their reference shelf.
The Oxford Dictionary of Word Histories
by Glynnis ChantrellThe Oxford Dictionary of Word Histories describes the origins and sense development of over 11,000 words in the English language. Well-known idioms such as "say it with flowers" are highlighted with the dates of their original use and how and when they came about. Colorful popular beliefs are explored about the origins of words like "posh" and "snob," and insights are given into our social history revealed by language development such as the connection in a Roman soldier's mind of "salary" with salt. Throughout, boxed word-building elements show the various meanings of shared "relationships" between words.
The Oxford Essential Guide to Writing
by Thomas S. KaneWhether you’re composing a letter, writing a school thesis, or starting a novel, this resource offers expert advice on how to think more creatively, how to conjure up ideas from scratch, and how to express those ideas clearly and elegantly.
The Oxford Guide for Writing Tutors: Practice and Research
by Melissa Ianetta Lauren FitzgeraldThe Oxford Guide for Writing Tutors introduces two conversations to the tutor's preperation, one about the creation of knowledge in writing programs, the other about tutor research. This approach to tutor training provides several benefits. First, it allows tutors to test their theories of what might work in a writing center session and helps them to move professional conversation towards why such things happen. They bridge the theory-practice divide that often frustrates both novices and experiences tutors. By conducting research to answer such questions, tutors can help themselves, the writers with whom they work, their fellow tutors - and the writers with whom they work. And, further, this approach gives the reader new methods for appreciating and critiquing scholarly work, making it easier to understand the best ways to help writers and to move the field forward. As writing tutoring programs take on a variety of forms and pursue a range of missions, this book aims to create a flexible text whose contents can be easily rearranged to support a broad spectrum of reader needs. Each chapter, accordingly, can be read independently; the text does not rely on a sequential reading to create meaning. The book also includes intra-textual and extra-textual references for the reader who wants to inquire further. That is, throughout the book are references to material in other chapters that might be of interest to the reader intrigued by the topic at hand. So too, in each chapter, we include references to and citations of the scholarship that supports much of the "common knowledge" of the field, including, in the Handbook, both previous tutor education textbooks and research from the field. The aim is to aid the interested reader's inquiry into the scholarship of the field as well as to ground advice about practice in research that testifies to the effectiveness a range of tutoring practices. Much of the scholarship cited throughout the book is authored by undergraduate tutor-researchers as well as several former tutors who were graduate students when they published their articles. This crucial aspect best models the ways in which tutors themselves can bring together practice and research, in their day-to-day work and in their informed thinking about this work. Including tutor voices is an important tradition of the tutor education textbook because these are voices that speak to the issues concerning tutors in a range of institutions and programs across the country.
The Oxford Guide to Arthurian Literature and Legend
by Alan LupackThe Oxford Guide to Arthurian Literature and Legend is both a critical history of the Arthurian tradition and a reference guide to Arthurian works, names, and symbols. It offers a comprehensive survey of the legends in all of their manifestations, from their origins in medieval literature to their adaptation in modern literature, arts, film, and popular culture. Not only does it analyse familiar Arthurian characters and themes, it also demonstrates the tremendous continuity of the legends by examining the ways that they have been reinterpreted over the years. For instance, the motif of the abduction of Guinevere can be traced from Chretien de Troyes's Lancelot or the Knight of the Cart and the vulgate cycle of French romances in the 13th century, to Malory's retelling of the story in the Morte d'Arthur, through various modern adaptations like those in T. H. White's The Once and Future King and the contemporary film First Knight. This indispensable reference guide contains seven essays that trace the development of the Arthurian legend, encyclopedic entries, bibliographies, and a comprehensive index. The essays explore the chronicle and romance traditions, the influence of Malory, the Grail legend, the figures of Gawain and Merlin, and the story of Tristan and Isolt. The entries, which highlight key Arthurian characters, symbols, and places, offer quick and easy references. The extensive chapter-by-chapter bibliographies, which are subdivided by topic, augment the general bibliography of Arthurian resources. Comprehensive in its analysis and hypertextual in its approach, The Oxford Guide to Arthurian Literature and Legend is an essential reference book for Arthurian scholars, medievalists, and for those interested in cultural studies of myth and legend.
The Oxford Guide to Word Games
by Tony Augarde A. J. AugardeRiddles such as this are just one of the forms of linguistic gymnastics explored in this invaluable source-book. Unique in its thematic and historical approach to the subject, it will tell you everything you ever wanted to know about word games and wordplay, and is entertaining as well as informative. The Oxford Guide to Word Games quickly established itself as the authoritative work on the subject when it was first published in 1984. It not only described all the major word games but also traced their origins and placed them in their social context. Now thoroughly revised, enlarged, and updated to make it even more valuable and comprehensive, this edition includes several new chapters, covering topics such as homonyms and slips of the tongue. New material has also been added on many topics including crossword clues, blends, and kangaroo words. Book jacket.