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The Papist Represented: Literature and the English Catholic Community, 1688-1791 (G - Reference, Information And Interdisciplinary Subjects Ser.)
by Geremy CarnesMost eighteenth-century literary scholarship implicitly or explicitly associates the major developments in English literature and culture during the rise of modernity with a triumphant and increasingly tolerant Protestantism while assuming that the English Catholic community was culturally moribund and disengaged from Protestant society and culture. However, recent work by historians has shown that the English Catholic community was a dynamic and adaptive religious minority, its leaders among the aristocracy cosmopolitan, its intellectuals increasingly attracted to Enlightenment ideals of liberty and skepticism, and its membership growing among the middle and working classes. This community had an impact on the history of the English nation out of all proportion with its size—and yet its own history is glimpsed only dimly, if at all, in most modern accounts of the period. The Papist Represented reincorporates the history of the English Catholic community into the field of eighteenth-century literary studies. It examines the intersections of literary, religious, and cultural history as they pertain to the slow acceptance by both Protestants and Catholics of the latter group’s permanent minority status. By focusing on the Catholic community’s perspectives and activities, it deepens and complicates our understanding of the cultural processes that contributed to the significant progress of the Catholic emancipation movement over the course of the century. At the same time, it reveals that this community’s anxieties and desires (and the anxieties and desires it provoked in Protestants) fuel some of the most popular and experimental literary works of the century, in forms and modes including closet drama, elegy, the novel, and the Gothic. By returning the Catholic community to eighteenth-century literary history, The Papist Represented challenges the assumption that eighteenth-century literature was a fundamentally Protestant enterprise. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
The Parable of the Three Rings and the Idea of Religious Toleration in European Culture
by Iris ShagrirThis book examines the premodern encounter between the three monotheistic religions through the unique prism of a premodern literary work—The Parable of the Three Rings—a poignant and charming tale of a father who had three sons and one precious ring. By tradition he was to bequeath the ring to his heir, but he loved his three sons equally — so he had two new rings made, crafted to be indistinguishable from the original, and on his deathbed gave a ring to each son. The narrator explains that the father is God, and his sons are the Jews, the Christians, and the Muslims, each believing themselves to be the sole upholders of the true religion. A historical and literary study, the book offers a comprehensive discussion of the various guises of the Parable, from the early Middle Ages onwards, and highlights its capacity to reflect openness and pluralism in the interfaith encounter.
The Paradise Notebooks: 90 Miles across the Sierra Nevada
by Steven Nightingale Richard J. NevleIn The Paradise Notebooks, Richard J. Nevle and Steven Nightingale take us across the spectacular Sierra Nevada mountain range on a journey illuminated by incandescent poetry and fascinating fact.Over the course of twenty-one pairs of short essays, Nevle and Nightingale contemplate the natural phenomena found in the Sierra Nevada. From granite to aspen, to fire, to a rare, endemic species of butterfly, these essay pairs explore the natural history and mystical wonder of each element with a balanced and captivating touch. As they weave in vignettes from their ninety-mile backpacking trip across the range, Nevle and Nightingale powerfully reconceive the Sierra Nevada as both earthly matter and transcendental offering, letting us into a reality in which nature holds just as much spiritual importance as it does physical.In a time of rapid environmental degradation, The Paradise Notebooks offers a way forward—a whole-minded, learned, loving attention to place that rekindles our joyful relationship with the living world.
The Paradise of Travellers: The Italian Influence on Englishmen in the Seventeenth Century (Routledge Revivals)
by A. Lytton SellsItaly in the Seicento retained her prestige as the country most advanced in the arts of civilization. She was still, with France, and prior to the formation of the Royal Society, in the van of scientific research. The Academy of St. Luke in Rome was the greatest art school in the world. Scientists like Galileo, historians like Paolo Sarpi, added new lustre to her name. Venice, ‘the eldest child of liberty’ was still glorious and powerful. Thus it was that English students flocked in numbers to Padua and that travellers regarded a sojourn in Italy as the highlight of their experience.First published in 1964, The Paradise of Travellers devotes particular attention to travel books. Not only the records of such celebrated tourists as Fynes Moryson and John Evelyn, but those of many others, equally interesting, are examined. It is shown that, as the century advanced, Englishmen were entertained and even welcomed in Rome by learned ecclesiastics and eminent Cardinals. The Protestant and Catholic worlds were learning the need, and even the charm, of co-existence.
The Paradox of Connection: How Digital Media Is Transforming Journalistic Labor
by Diana Bossio Valérie Bélair-Gagnon Avery E. Holton Logan MolyneuxUsing a framework of online connection and disconnection, The Paradox of Connection examines how journalists’ practices are formed, negotiated, and maintained in dynamic social media environments. The interactions of journalists with the technological, social, and cultural features of online and social media environments have shaped new values and competencies--and the combination of these factors influence online work practices. Merging case studies with analysis, the authors show how the tactics of online connection and disconnection interact with the complex realities of working in today’s media environments. The result is an insightful portrait of fast-changing journalistic practices and their implications for both audiences and professional identities and norms.
The Paradox of Gissing (Routledge Library Editions: The Nineteenth-Century Novel #17)
by David GryllsFirst published 1986. In this book the author refutes the notion that Gissing’s weaknesses as a novelist are associated with defects in his personality and argues that the power of his writing stemmed from his divided character. Gissing’s permanently divided emotions on poverty, reformism, women and art were, at his best, the reason he could write so convincingly about them. This analysis of Gissing’s imagination and the fictional development in his major works shows that the effectiveness of his novels depends largely on these dichotomies and opposites. This work covers the whole range of Gissing’s writing and relates it to its social and intellectual milieu.
The Paradox of Paradise: Creative Destruction and the Rise of Urban Coastal Tourism in Contemporary Spanish Culture
by William NicholsThe Paradox of Paradise focuses on the trajectory of urban coastal tourism in Spain from the late Franco years to the present through the lens of Spanish cultural production. "Sun and fun" destinations like Torremolinos (located in the Costa del Sol) and Benidorm (located in the Costa Blanca) established a model for urban renewal that literally built the coasts to accommodate and expand foreign tourism as the driving force of the so-called Spanish Economic Miracle. In addition to inserting the coasts into the scope of Iberian urban studies (typically dominated by studies of Madrid and Barcelona), this project breaks new ground by bringing to the fore unexplored cultural artifacts vital to the narrative of development along the coasts in Spain—in particular the ubiquitous tourist postcard, which advances not only the post-Franco economic miracle, but does so by highlighting the transformation of the actual Spanish landscape along its coasts. The Paradox of Paradise features more than twenty-five striking images of coastal Spain in the throes of its own coming of age. Author William J. Nichols has unlocked a strange, self-conscious archive that tells us as much about our own age of advertising as it does about the hotels and resorts and people on display.
The Paradoxes of Posterity
by Benjamin HoffmannThe impetus for literary creation has often been explained as an attempt to transcend the mortality of the human condition through a work addressed to future generations. Failing to obtain literal immortality, or to turn their hope toward the spiritual immortality promised by religious systems, literary creators seek a symbolic form of perpetuity granted to the intellectual side of their person in the memory of those not yet born while they write. In this book, Benjamin Hoffmann illuminates the paradoxes inherent in the search for symbolic immortality, arguing that the time has come to find a new answer to a perennial question: Why do people write?Exploring the fields of digital humanities and book history, Hoffmann describes posterity as a network of interconnected memories that constantly evolves by reserving a variable and continuously renegotiated place for works and authors of the past. In other words, the perpetual safeguarding of texts is delegated to a collectivity that is nonexistent at the moment when a writer addresses it, one whose nature is characterized by impermanence and instability. Focusing on key works by Denis Diderot, Étienne-Maurice Falconet, Giacomo Casanova, François-René de Chateaubriand, and Jean-Paul Sartre, Hoffmann considers the authors’ representations of posterity, the representation of authors by posterity, and how to register and preserve works in the network of memories. In doing so, Hoffmann reveals the three great paradoxes in the quest for symbolic immortality: the paradoxes of belief, of identity, and of mediation.Theoretically sophisticated and convincingly argued, this book contends that there is only one truly serious literary problem: the transmission of texts to posterity. It will appeal to specialists in literature, in particular eighteenth-century French literature, as well as scholars and students of philosophy and book history.
The Paradoxes of Posterity (G - Reference,information And Interdisciplinary Subjects Ser.)
by Benjamin HoffmannThe impetus for literary creation has often been explained as an attempt to transcend the mortality of the human condition through a work addressed to future generations. Failing to obtain literal immortality, or to turn their hope towards the spiritual immortality promised by religious systems, literary creators seek a symbolic form of perpetuity granted to the intellectual side of their person in the memory of those not yet born while they write. In this book, Benjamin Hoffmann illuminates the paradoxes inherent in the search for symbolic immortality, arguing that the time has come to find a new answer to the perennial question: Why do people write?Exploring the fields of digital humanities and book history, Hoffmann describes posterity as a network of interconnected memories that constantly evolves by reserving a variable and continuously renegotiated place for works and authors of the past. In other words, the perpetual safeguarding of texts is delegated to a collectivity not only nonexistent at the moment when a writer addresses it, but whose nature is characterized by impermanence and instability. Focusing on key works by Denis Diderot, Étienne-Maurice Falconet, Giacomo Casanova, François-René de Chateaubriand, and Jean-Paul Sartre, Hoffmann considers the authors’ representations of posterity, the representation of authors by posterity, and how to register and preserve works in the network of memories. In doing so, Hoffmann reveals the three great paradoxes in the quest for symbolic immortality: the paradoxes of belief, of identity, and of mediation.Theoretically sophisticated and convincingly argued, this book contends that there is only one truly serious literary problem: the transmission of texts to posterity. It will appeal to specialists in literature, in particular eighteenth-century French literature, as well as scholars and students of philosophy and book history.
The Paragraph Book, Book 1: Writing the How-to Paragraph
by Dianne Tucker-LaplountIt is the first in a series of four books on paragraph writing and is all about is about using the FNTF (First, Next,Then, Finally) formula to write easily and clearly.
The Parameter in Generative Grammar: A History of a Concept
by Alessandro RiolfiFocusing on the development of Noam Chomsky's linguistic framework, this book is the first full-length, in-depth treatment of the history of the concept of parameter, a central notion of syntactic theory. Spanning 60 years of syntactic theory, it explores all aspects of its development through the different phases of the Chomskyan school, from the 'standard theory' of the mid-1960 to the current Minimalist Program. Emphasis is put on three main topics: the foundational issues in the formulation of the Principles and Parameters model; the original formulation of the “classical” parameters of the Government-Binding Theory of the 1980s (which are then evaluated from the perspective of Chomskyan thought today), and current debates on the nature of parametric variation in light of Generative Grammar's most recent theoretical developments. Through step-by-step, detailed explanations, it provides the reader with a comprehensive account of both parametric theory and the development of Generative Grammar.
The Paranoid Chronotope: Power, Truth, Identity
by Frida BeckmanWhy does it seem like our everyday life is shadowed by something menacing? This book identifies and illuminates paranoia as a significant feature of contemporary American society and culture. Centering on what it identifies as three key dimensions – power, truth, and identity – in three different contexts – society, literature, and critique – the book explores and explains the increasing influence of paranoid thinking in American society during the second half of the twentieth century and first decades of the twenty-first, a period that has seen the rise of control systems and neoliberal ascendency. Inquiring about the predominance of white, male, American subjects in paranoid culture, Frida Beckman recognizes the antagonistic maintenance and fortification of a conception of the autonomous individual that perceives itself to be under threat. Identifying such paranoia as emerging from an increasingly disjunctive relation between this conception of the subject and the changing nature of the public sphere, she develops the concept of the paranoid chronotope as a tool for the theoretical analysis of social, literary, and critical practices today. Investigating twenty-first century paranoid fictions, New Sincerity novels, conspiracist online culture, and postcritique, Beckman shows how the paranoid chronotope constitutes a recurring feature of modern consciousness.
The Paranormal and Popular Culture: A Postmodern Religious Landscape (Routledge Studies in Religion)
by Darryl Caterine John W. MoreheadInterest in preternatural and supernatural themes has revitalized the Gothic tale, renewed explorations of psychic powers and given rise to a host of social and religious movements based upon claims of the fantastical. And yet, in spite of this widespread enthusiasm, the academic world has been slow to study this development. This volume rectifies this gap in current scholarship by serving as an interdisciplinary overview of the relationship of the paranormal to the artefacts of mass media (e.g. novels, comic books, and films) as well as the cultural practices they inspire. After an introduction analyzing the paranormal’s relationship to religion and entertainment, the book presents essays exploring its spiritual significance in a postmodern society; its (post)modern representation in literature and film; and its embodiment in a number of contemporary cultural practices. Contributors from a number of discplines and cultural contexts address issues such as the shamanistic aspects of Batman and lesbianism in vampire mythology. Covering many aspects of the paranormal and its effect on popular culture, this book is an important statement in the field. As such, it will be of utmost interest to scholars of religious studies as well as media, communication, and cultural studies.
The Parliament of Man: The Past, Present, and Future of the United Nations
by Paul KennedyStates came together to create international organizations to promote peace, curb aggression, regulate diplomatic affairs, devise an international code of law, encourage social development, and foster prosperity.
The Part and the Whole in Early American Literature, Print Culture, and Art (Transits: Literature, Thought & Culture, 1650-1850)
by Marion Rust John Saillant Lori Rogers-Stokes Nicholas K. Mohlmann Daniel Diez Couch D. Berton Emerson Keri Holt Laurel Hankins Lisa West Amy MorrisThe essays in this pathbreaking collection consider the significance of varied early American fragmentary genres and practices—from diaries and poetry, to almanacs and commonplace books, to sermons and lists, to Indigenous ruins and other material shards and fragments—often overlooked by critics in a scholarly privileging of the “whole.” Contributors from literary studies, book history, and visual culture discuss a host of canonical and non-canonical figures, from Edward Taylor and Washington Irving to Mary Rowlandson and Sarah Kemble Knight, offering insight into the many intellectual, ideological, and material variations of “form” that populated the early American cultural landscape. As these essays reveal, the casting of the fragmentary as aesthetically eccentric or incomplete was a way of reckoning with concerns about the related fragmentation of nation, society, and self. For a contemporary audience, they offer new ways to think about the inevitable gaps and absences in our cultural and historical archive.
The Participatory Cultures Handbook
by Aaron Delwiche Jennifer Jacobs HendersonHow did we get from Hollywood to YouTube? What makes Wikipedia so different from a traditional encyclopedia? Has blogging dismantled journalism as we know it? Our media landscape has undergone a seismic shift as digital technology has fostered the rise of "participatory culture," in which knowledge is originated, created, distributed, and evaluated in radically new ways. The Participatory Cultures Handbook is an indispensable, interdisciplinary guide to this rapidly changing terrain. With short, accessible essays from leading geographers, political scientists, communication theorists, game designers, activists, policy makers, physicists, and poets, this volume will introduce students to the concept of participatory culture, explain how researchers approach participatory culture studies, and provide original examples of participatory culture in action. Topics include crowdsourcing, crisis mapping, grid computing, digital activism in authoritarian countries, collaborative poetry, collective intelligence, participatory budgeting, and the relationship between video games and civic engagement. Contributors include: Daren Brabham, Helen Burgess, Clay Calvert, Mia Consalvo, Kelly Czarnecki, David M. Faris, Dieter Fuchs, Owen Gallagher, Clive Goodinson, Alexander Halvais, Cynthia Hawkins, John Heaven, The Jannissary Collective, Henry Jenkins, Barry Joseph, Christopher Kelty, Pierre Lévy, Sophia B. Liu, Rolf Luehrs, Patrick Meier, Jason Mittell, Sarah Pearce, W. James Potter, Howard Rheingold, Suzanne Scott, Benjamin Stokes, Thomas Swiss, Paul Taylor, Will Venters, Jen Ziemke
The Particle Zhe in Northwestern Chinese: A New Type of Contact-Induced Grammatical Change
by Xiaolei FanThis book presents an analysis of a particular grammatical phenomenon in Northwestern Chinese, a.k.a. Northwestern Chinese dialects, uncovering a new pattern of contact-induced changes, which can be termed “compromise innovation”. In the vast majority of Northwestern Chinese dialects, the imperfective marker Zhe, which behaves like a verb suffix in most Chinese dialects, exhibits a number of peculiar characteristics. The most prominent one is that it occurs in an unusual syntactic position where no verb suffix is expected to occur; i.e., it is placed after the object (“V+O+Zhe”) rather than immediately following the verb (“V+Zhe+O”). Given that the grammaticalization of Zhe in Classical Chinese from a verb to an imperfective marker took place while Zhe was being used in the “V+Zhe+O” structure, the “V+O+Zhe” construction in Northwestern Chinese is likely the result of a more recent change. Furthermore, in a group of Northwestern Chinese dialects, there are various grammatical types of “VP1+Zhe+VP2” constructions in which Zhe occurs at the end of VP1 to mark the syntactic dependency between VP1 and VP2. In this usage, Zhe is no longer an imperfective marker, but rather, similar to a converb marker. This phenomenon challenges the conventional view that Chinese is a typical verb-serializing language. The book argues that the grammatical peculiarity of Zhe in Northwestern Chinese is a result of syntactic change induced by the contact with the non-Han languages (i.e. non-Chinese) spoken in Northwest China, including Mongolic, Turkic and Tibetan languages. The “V+O+Zhe” configuration, as the most distinctive phenomenon in this change, reflects a compromise between the two types of languages in contact: in such a configuration, the canonical VO order of Chinese is maintained, and meanwhile, by moving the verb suffix to the clause-final position, it also complies with the verb-final trait of the non-Han languages. In addition, there are many differences between Zhe in Northwestern Chinese dialects and the corresponding grammatical forms in non-Han languages in Northwest China. This indicates that the innovative evolution of Zhe in Northwestern Chinese faces certain constraints, and it is found that these constraints essentially stem from the inherent grammatical properties of the imperfective Zhe and various predicative structures in Chinese. The usages of Zhe discussed in this book vividly demonstrate the fact that the contact-induced change is a consequence of processes by which the “external soil” of another language (i.e. source language) and the “internal genes” of the native language (i.e. recipient language) compete against one another. This study may present an interesting case illuminating the very nature of language as a self-organizing and adaptive system, and refresh the linguistic typology community’s perspective on grammatical changes induced by language contact.
The Particulars of Rapture: An Aesthetics of the Affects
by Charles AltieriThis brilliant, penetrating, and ambitious book by a well-known literary theorist studies the complex relationship between the emotions on the one side and literary works and paintings on the other. A central aim of Charles Altieri's is to rescue our understanding of the affects from philosophical theories that subordinate them to cognitive control and ethical judgment. Altieri concentrates on two fundamental aspects of aesthetic experience: the first describes how representative texts and paintings compose intricate affective states; the second engages how we might generalize from the values involved in the affects made articulate by works of art. He addresses a range of affective states, distinguishing carefully among sensations, feelings, moods, emotions, and passions. He shows how art solicits, organizes, and reflects upon affective energies and how many of the qualities of the affects developed within artworks simply disappear when observers are content with adjectival labels such as "sad," "angry," or "happy. " The Particulars of Rapture proposes treating affects in adverbial rather than in adjectival terms, emphasizing the way in which text and paintings shape distinct affective states. Such an emphasis places the manner in which artwork acts upon the emotions central to the quality of the resulting affect. And that emphasis in turn enables Altieri to show how a more general expressivist model for establishing and assessing values can compete with perspectives based on rationality.
The Partly Cloudy Patriot
by Sarah VowellInThe Partly Cloudy Patriot, Sarah Vowell travels through the American past and, in doing so, investigates the dusty, bumpy roads of her own life. In this insightful and funny collection of personal stories Vowell -- widely hailed for her inimitable narratives on public radio'sThis American Life-- ponders a number of curious questions: Why is she happiest when visiting the sites of bloody struggles like Salem or Gettysburg? Why do people always inappropriately compare themselves to Rosa Parks? Why is a bad life in sunny California so much worse than a bad life anywhere else? What is it about the Zen of foul shots? And, in the title piece, why must doubt and internal arguments haunt the sleepless nights of the true patriot?Her essays confront a wide range of subjects, themes, icons, and historical moments: Ike, Teddy Roosevelt, and Bill Clinton; Canadian Mounties and German Filmmakers; Tom Cruise and Buffy the Vampire Slayer; twins and nerds; the Gettysburg Address, the State of the Union, and George W. Bush's inauguration. The result is a teeming and engrossing audiobook, capturing Vowell's memorable wit and her keen social commentary.
The Party Politics of Presidential Rhetoric
by Amnon CavariBy bringing together two bodies of literature - the presidency and political parties - this book makes two important contributions. First, it addresses the gap between presidential public actions and the perceived limited effect they have on public opinion. By examining the short-term effect of speeches of presidents on the entire public, the long-term effect of the speeches on their partisans, and on the reputations of their parties for handling policy, the book shows that presidents are effective leaders of public opinion. Second, the book adds to the scholarly interest in how political parties are viewed by the electorate in terms of policy substance. It suggests that Americans possess coherent reputations of the parties for handling policy challenges, and that these reputations contribute to the party identifications of Americans. The effect of presidents on the reputations and, in turn, party attachments position them as leaders of the party system.
The Passing of Arthur: New Essays in Arthurian Tradition (Routledge Library Editions: Arthurian Literature)
by Christopher Baswell William SharpeOriginally published in 1988, this volume contains papers from, and commissioned after, "The Passing of Arthur", a conference on Medieval and Renaissance Studies in November 1986. No Arthurian story is experienced without some foreknowledge of its end, which the text acknowledges through a complex range of methods. This collection takes this as its point of origin, suggesting that all such narratives concern the passing of Arthur, even indirectly, so the chapters not only look at the death of Arthur but the passing on and development of the Arthurian literature. The figure of Arthur and the Round Table continues to fascinate contemporary readers. This interesting collection presents a wide range of Arthurian studies approaches representing some of the vast scholarship on the genre.
The Passing of Postmodernism: A Spectroanalysis of the Contemporary (SUNY series in Postmodern Culture)
by Josh TothThe Passing of Postmodernism addresses the increasingly prevalent assumption that a period marked by poststructuralism and metafiction has passed and that literature and film are once again engaging sincerely with issues of ethics and politics. In discussions of various twentieth- and twenty-first-century writers, directors, and theorists—from Michel Foucault and Slavoj Žižek to Thomas Pynchon and David Lynch—Josh Toth demonstrates that a certain utopian spirit persisted within, and actually defined, the postmodern project. Just as modernism was animated by an idealistic belief that it could finally realize the utopia beckoning on the horizon, postmodernism was compelled by an equally utopian belief that it could finally reject the possibility of all such illusory ideals. Toth argues that this specter of an impossible future is and must remain both possible and impossible, a ghostly promise of what is always still to come.Josh Toth teaches literature and critical theory at Grant MacEwan College and is coeditor (with Neil Brooks) of The Mourning After: Attending the Wake of Postmodernism.
The Passion Projects: Modernist Women, Intimate Archives, Unfinished Lives
by Melanie MicirHow modernist women writers used biographical writing to resist their exclusion from literary historyIt’s impossible, now, to think of modernism without thinking about gender, sexuality, and the diverse movers and shakers of the early twentieth century. But this was not always so. The Passion Projects examines biographical projects that modernist women writers undertook to resist the exclusion of their friends, colleagues, lovers, and companions from literary history. Many of these works were vibrant efforts of modernist countermemory and counterhistory that became casualties in a midcentury battle for literary legitimacy, but that now add a new dimension to our appreciation of such figures as Radclyffe Hall, Gertrude Stein, Hope Mirrlees, and Sylvia Beach, among many others.Melanie Micir explores an extensive body of material, including Sylvia Townsend Warner’s carefullly annotated letters to her partner Valentine Ackland, Djuna Barnes’s fragmented drafts about the Baroness Elsa von Freytag-Loringhoven, Margaret Anderson’s collection of modernist artifacts, and Virginia Woolf’s joke biography of her friend and lover Vita Sackville-West, the novel Orlando. Whether published in encoded desire or squirreled away in intimate archives, these “passion projects” recorded life then in order to summon an audience now, and stand as important predecessors of queer and feminist recovery projects that have shaped the contemporary understanding of the field.Arguing for the importance of biography, The Passion Projects shows how women turned to this genre in the early twentieth century to preserve their lives and communities for future generations to discover.
The Passionate Fictions of Eliza Haywood: Essays on Her Life and Work
by Kirsten T. Saxton Rebecca P. Bocchicchio“Will be required reading not just for students of eighteenth-century literature but also for feminist critics and historians of the novel.” —Sandra M. Gilbert, award-winning poet and literary criticThe most prolific woman writer of the eighteenth century, Eliza Haywood (1693–1756?) was a key player in the history of the English novel. Along with her contemporary Defoe, she did more than any other writer to create a market for fiction prior to the emergence of Richardson, Fielding, and Smollett.Also one of Augustan England’s most popular authors, Haywood came to fame in 1719 with the publication of her first novel, Love in Excess. In addition to writing fiction, she was a playwright, translator, bookseller, actress, theater critic, and editor of The Female Spectator, the first English periodical written by women for women. Though tremendously popular, her novels and plays from the 1720s and 30s scandalized the reading public with explicit portrayals of female sexuality and led others to call her “the Great Arbitress of Passion.”Essays in this collection explore themes such as the connections between Haywood’s early and late work, her experiments with the form of the novel, her involvement in party politics, her use of myth and plot devices, and her intense interest in the imbalance of power between men and women. Distinguished scholars such as Paula Backschieder, Felicity Nussbaum, and John Richetti approach Haywood from a number of theoretical and topical positions, leading the way in a crucial reexamination of her work. The Passionate Fictions of Eliza Haywood examines the formal and ideological complexities of her prose and demonstrates how Haywood’s texts defy traditional schematization.