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The Trials and Tribulations of Little Red Riding Hood
by Jack ZipesFirst Published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.
The Trials of Frances Howard: Fact and Fiction at the Court of King James
by David LindleyDavid Lindley re-examines the murder trials of Frances Howard and the historical representations of her as `wife, a witch, a murderess and a whore', challenging the assumptions that have constructed her as a model of female villainy.
The Trials of Orpheus: Poetry, Science, and the Early Modern Sublime
by Jenny C. MannA revealing look at how the Orpheus myth helped Renaissance writers and thinkers understand the force of eloquenceIn ancient Greek mythology, the lyrical songs of Orpheus charmed the gods, and compelled animals, rocks, and trees to obey his commands. This mythic power inspired Renaissance philosophers and poets as they attempted to discover the hidden powers of verbal eloquence. They wanted to know: How do words produce action? In The Trials of Orpheus, Jenny Mann examines the key role the Orpheus story played in helping early modern writers and thinkers understand the mechanisms of rhetorical force. Mann demonstrates that the forms and figures of ancient poetry indelibly shaped the principles of sixteenth- and seventeenth-century scientific knowledge.Mann explores how Ovid’s version of the Orpheus myth gave English poets and natural philosophers the lexicon with which to explain language’s ability to move individuals without physical contact. These writers and thinkers came to see eloquence as an aesthetic force capable of binding, drawing, softening, and scattering audiences. Bringing together a range of examples from drama, poetry, and philosophy by Bacon, Lodge, Marlowe, Montaigne, Shakespeare, and others, Mann demonstrates that the fascination with Orpheus produced some of the most canonical literature of the age.Delving into the impact of ancient Greek thought and poetry in the early modern era, The Trials of Orpheus sheds light on how the powers of rhetoric became a focus of English thought and literature.
The Trials of Phillis Wheatley: America's First Black Poet and Her Encounters with the Founding Fathers
by Jr. GatesIn 1773, the slave Phillis Wheatley literally wrote her way to freedom. The first person of African descent to publish a book of poems in English, she was emancipated by her owners in recognition of her literary achievement. For a time, Wheatley was the most famous black woman in the West. But Thomas Jefferson, unlike his contemporaries Ben Franklin and George Washington, refused to acknowledge her gifts as a writer?a repudiation that eventually inspired generations of black writers to build an extraordinary body of literature in their efforts to prove him wrong. In "The Trials of Phillis Wheatley," Henry Louis Gates Jr. explores the pivotal roles that Wheatley and Jefferson played in shaping the black literary tradition. Writing with all the lyricism and critical skill that place him at the forefront of American letters, Gates brings to life the characters, debates, and controversy that surrounded Wheatley in her day and ours.
The Triangle of Representation
by Christopher PrendergastMoving deftly among literary and visual arts, as well as the modern critical canon, Christopher Prendergast's book explores the meaning and value of representation as both a philosophical challenge (What does it mean to create an image that "stands for" something absent?) and a political issue (Who has the right to represent whom?).The Triangle of Representation raises a range of theoretical, historical, and aesthetic questions, and offers subtle readings of such cultural critics as Raymond Williams, Paul de Man, Edward Said, Walter Benjamin, and Hélène Cixous, in addition to penetrating investigations of visual artists like Gros, Ingres, and Matisse and significant insights into Proust and the onus of translating him. Above all, Prendergast's work is a striking display of how a firm grounding in theory is essential for the exploration of art and literature.
The Tribe Of Pyn: Literary Generations In The Postmodern Period
by David CowartIn The Tribe of Pyn, Cowart offers illuminating readings of several important novelists now at the height of their powers, whose work has received fairly limited scholarly attention thus far. Jonathan Franzen, Alice Walker, David Foster Wallace, Gloria Naylor, Richard Powers, and a raft of others are examined with lapidary care. Wrestling with the challenges inherent to distinguishing generational character (especially in the postmodern context, which is often marked by its disavowal of ideas of origin, etc. ), Cowart teases out interactions and entanglements that help illuminate the work of the younger writers at the center of this study and also that of the trailblazers on its ragged frontiers. By comparing literary figures born in the 1940s, 1950s, 1960s, and later with those born in the 1920s and 1930s, Cowart seeks to map the changing terrain of contemporary letters. Hardly epigones, he argues, the younger writers add fresh inflections to the grammar of literary postmodernism. Younger writers can continue to "make it new," Cowart establishes, without needing to dismantle the aesthetic they have inherited from a parental generation.
The Tribune Saga
by Chicago Tribune Staff Steve Mills Michael OnealReal estate tycoon Sam Zell had big ideas for Tribune Co. when he took control of the media conglomerate in late 2007 through an $8.2 billion leveraged buyout. But the iconic company, parent of the Chicago Tribune, filed for bankruptcy less than a year later. This marked the beginning of a four-year odyssey through Chapter 11 reorganization-brought on by falling advertising revenue amid a $13 billion debt burden that the deal created.The company's saga mirrored the U.S. financial crisis, in which speculative risk using exotic investment instruments helped trigger what became known as the Great Recession. When the company finally emerged from court protection at the end of 2012 under new ownership and a newly appointed board of directors, it did so with a diminished value and a tarnished reputation.Chicago Tribune reporters Michael Oneal and Steve Mills rely on thousands of pages of court documents, dozens of interviews, and hours of observation in U.S. bankruptcy court to tell the story of Tribune Co.'s journey through bankruptcy. They place a spotlight on the key decisions and missed opportunities that marked a perilous time in the history of the company, the media industry, and the economy.Their four-part series, repackaged into The Tribune Saga: A Leveraged Buyout, An Insatiable Wall Street and a Bankruptcy Odyssey, serves as a compelling resource for law, business, and journalism students and for anybody interested in how Zell's buyout of Tribune Co. became "a messy product of the unchecked Wall Street deal-making and aggressive financial engineering that soon would threaten the American economy."
The Trickster Figure In American Literature
by Winifred MorganThis book analyzes and offers fresh insights into the trickster tradition including African American, American Indian, Euro-American, Asian American, and Latino/a stories, Morgan examines the oral roots of each racial/ethnic group to reveal how each group's history, frustrations, and aspirations have molded the tradition in contemporary literature.
The Trident Tragedy
by Robert J. Szilagye Stanley MonroeAMERICA'S MOST AWESOME NUCLEAR WEAPON-IT RETURNED FROM ITS MAIDEN VOYAGE AS FLAWLESS AS IT HAD LEFT-WITH EVERY MAN ABOARD DEAD.... A HANDPICKED CREW One hundred sixty-one men-proud officers and crew-on the test voyage of a submarine unlike any other in the world. They knew their ship. They knew their duty. But they never suspected their fate. A MYSTERIOUS DISASTER What had happened aboard the U.S.S. Trident? Why had it been found with every man lying dead at his station? Was it a freak accident? Criminal negligence? Or was it sabotage? TWO RELENTLESS INVESTIGATORS One was a female reporter who hated the Navy. The other was a Naval Intelligence officer who mistrusted the press. Separately, they were getting nowhere. Together, they were uncovering just enough to get themselves killed. And should they perish, who would be left to uncover the stunning truth behind ....
The Triggering Town: Lectures and Essays on Poetry and Writing
by Richard Hugo"Richard Hugo's free-swinging, go-for-it remarks on poetry and the teaching of poetry are exactly what are needed in classrooms and in the world."--James Dickey Richard Hugo was that rare phenomenon of American letters--a distinguished poet who was also an inspiring teacher. The Triggering Town is Hugo's now-classic collection of lectures, essays, and reflections, all "directed toward helping with that silly, absurd, maddening, futile, enormously rewarding activity: writing poems." Anyone, from the beginning poet to the mature writer to the lover of literature, will benefit greatly from Hugo's sayd, playful, profound insights and advice concerning the mysteries of literary creation.
The Trip to Echo Spring: On Writers and Drinking
by Olivia LaingIn this book, the author takes a journey across America, examining the links between creativity and alcohol in the work and lives of six extraordinary men: F. Scott Fitzgerald, Ernest Hemingway, Tennessee Williams, John Berryman, John Cheever, and Raymond Carver. Captivating and highly original, this book strips away the myth of the alcoholic writer to reveal the terrible price creativity can exert.
The Triple Thinkers: Twelve Essays on Literary Subjects
by Edmund WilsonThe Triple Thinkers: Twelve Essays on Literary Subjects contains some of Edmund Wilson's most significant and brilliant writings on topics and authors ranging from Pushkin, A. E. Housman, Flaubert, Henry James, Marxism, poetry and more.
The Triumph of Human Empire: Verne, Morris, and Stevenson at the End of the World
by Rosalind WilliamsIn the early 1600s, in a haunting tale titled New Atlantis, Sir Francis Bacon imagined the discovery of an uncharted island. This island was home to the descendants of the lost realm of Atlantis, who had organized themselves to seek "the knowledge of Causes, and secret motions of things; and the enlarging of the bounds of Human Empire, to the effecting of all things possible. " Bacon's make-believe island was not an empire in the usual sense, marked by territorial control; instead, it was the center of a vast general expansion of human knowledge and power. Rosalind Williams uses Bacon's island as a jumping-off point to explore the overarching historical event of our time: the rise and triumph of human empire, the apotheosis of the modern ambition to increase knowledge and power in order to achieve world domination. Confronting an intensely humanized world was a singular event of consciousness, which Williams explores through the lives and works of three writers of the late nineteenth century: Jules Verne, William Morris, and Robert Louis Stevenson. As the century drew to a close, these writers were unhappy with the direction in which their world seemed to be headed and worried that organized humanity would use knowledge and power for unworthy ends. In response, Williams shows, each engaged in a lifelong quest to make a home in the midst of human empire, to transcend it, and most of all to understand it. They accomplished this first by taking to the water: in life and in art, the transition from land to water offered them release from the condition of human domination. At the same time, each writer transformed his world by exploring the literary boundary between realism and romance. Williams shows how Verne, Morris, and Stevenson experimented with romance and fantasy and how these traditions allowed them to express their growing awareness of the need for a new relationship between humans and Earth. The Triumph of Human Empire shows that for these writers and their readers romance was an exceptionally powerful way of grappling with the political, technical, and environmental situations of modernity. As environmental consciousness rises in our time, along with evidence that our seeming control over nature is pathological and unpredictable, Williams's history is one that speaks very much to the present.
The Triumph of Narrative: Storytelling in the Age of Mass Culture (The CBC Massey Lectures)
by Robert FulfordNarrative has been central to human life for millennia, and the twentieth century has been preeminently the age of the story. Mass culture and mass leisure have enabled us to spend far more time absorbing stories, real and imaginary, than any of our ancestors. Whether or not this has been to our benefit is one of the questions raised by journalist and 1999 CBC Massey lecturer Robert Fulford. Narrative, Fulford points out, is how we explain, how we teach, how we entertain ourselves - often all at once. It is the bundle in which we wrap truth, hope, and dread. It is crucial to civilization. Fulford writes engagingly and energetically about narrative history, narrative in news coverage, the rise of electronic narrative, and narrative as it flourishes in the form of gossip, "the folk-art version of literature," revealing to us the mystery, power, and importance of story in all our lives.
The Triumph of Venus: The Erotics of the Market
by Jeanne Lorraine SchroederIn this ambitious and innovative work, Professor Schroeder applies Hegelian philosophy and Lacanian psychoanalysis, as well as classical mythologies, to argue for a reinterpretation of our understanding of economic markets.
The Triumph of the Snake Goddess
by Kaiser HaqThe Triumph of the Snake Goddess, a prose translation by the scholar and poet Kaiser Haq, is the first comprehensive retelling of this epic in modern English. Haq's Prologue explores the oral, poetic, and manuscript traditions, and Wendy Doniger's Introduction examines the significance of snake worship in classical Sanskrit texts.
The Triumph of the Thriller: How Cops, Crooks, and Cannibals Captured Popular Fiction
by Patrick AndersonThere's been a revolution in American popular fiction. The writers who dominated the bestseller lists a generation ago with blockbuster novels about movie stars and exotic foreign lands have been replaced by a new generation writing a new kind of bestseller, one that hooks readers with crime, suspense, and ever-increasing violence. Patrick Anderson, The Washington Post'sman on the thriller beat, calls this revolution "the triumph of the thriller," and lists among its stars Thomas Harris, Michael Connel...
The Trivium: The Liberal Arts of Logic, Grammar, and Rhetoric
by Sister Miriam Joseph Marguerite McGlinnWho sets language policy today? Who made whom the grammar doctor? Lacking the equivalent of l'Académie française, we English speakers must find our own way looking for guidance or vindication in source after source. McGuffey's Readers introduced nineteenth-century students to "correct" English. Strunk and White's Elements of Style and William Safire's column, "On Language," provide help on diction and syntax to contemporary writers and speakers. Sister Miriam Joseph's book, The Trivium: The Liberal Arts of Logic, Grammar, and Rhetoric, invites the reader into a deeper understanding—one that includes rules, definitions, and guidelines, but whose ultimate end is to transform the reader into a liberal artist. A liberal artist seeks the perfection of the human faculties. The liberal artist begins with the language arts, the trivium, which is the basis of all learning because it teaches the tools for reading, writing, speaking, and listening. Thinking underlies all these activities. Many readers will recognize elements of this book: parts of speech, syntax, propositions, syllogisms, enthymemes, logical fallacies, scientific method, figures of speech, rhetorical technique, and poetics. The Trivium, however, presents these elements within a philosophy of language that connects thought, expression, and reality. "Trivium" means the crossroads where the three branches of language meet. In the Middle Ages and the Renaissance, students studied and mastered this integrated view of language. Regrettably, modern language teaching keeps the parts without the vision of the whole. Inspired by the possibility of helping students "acquire mastery over the tools of learning" Sister Miriam Joseph and other teachers at Saint Mary's College designed and taught a course on the trivium for all first year students. The Trivium resulted from that noble endeavor. The liberal artist travels in good company. Sister Miriam Joseph frequently cites passages from William Shakespeare, John Milton, Plato, the Bible, Homer, and other great writers. The Paul Dry Books edition of The Trivium provides new graphics and notes to make the book accessible to today's readers. Sister Miriam Joseph told her first audience that "the function of the trivium is the training of the mind for the study of matter and spirit, which constitute the sum of reality. The fruit of education is culture, which Mathew Arnold defined as 'the knowledge of ourselves and the world.'" May this noble endeavor lead many to that end.
The Trojan Epic: Posthomerica (Johns Hopkins New Translations from Antiquity)
by Quintus of SmyrnaComposed in the third century A.D., the Trojan Epic is the earliest surviving literary evidence for many of the traditions of the Trojan War passed down from ancient Greece. Also known as the Posthomerica, or "sequel to Homer," the Trojan Epic chronicles the course of the war after the burial of Troy's greatest hero, Hektor.Quintus, believed to have been an educated Greek living in Roman Asia Minor, included some of the war's most legendary events: the death of Achilles, the Trojan Horse, and the destruction of Troy. But because Quintus deliberately imitated Homer's language and style, his work has been dismissed by many scholars as pastiche. A vivid and entertaining story in its own right, the Trojan Epic is also particularly significant for what it reveals about its sources—the much older, now lost Greek epics about the Trojan War known collectively as the Epic Cycle. Written in the Homeric era, these poems recounted events not included in the Iliad or the Odyssey. As Alan James makes clear in this vibrant and faithful new translation, Quintus's work deserves attention for its literary-historical importance and its narrative power. James's line-by-line verse translation in English reveals the original as an exciting and eloquent tale of gods and heroes, bravery and cunning, hubris and brutality. James includes a substantial introduction which places the work in its literary and historical context, a detailed and annotated book-by-book summary of the epic, a commentary dealing mainly with sources, and an explanatory index of proper names. Brilliantly revitalized by James, the Trojan Epic will appeal to a wide range of readers interested in Greek mythology and the legend of Troy.
The Tropics Bite Back: Culinary Coups in Caribbean Literature
by Valérie LoichotThe ubiquitous presence of food and hunger in Caribbean writing—from folktales, fiction, and poetry to political and historical treatises—signals the traumas that have marked the Caribbean from the Middle Passage to the present day. The Tropics Bite Back traces the evolution of the Caribbean response to the colonial gaze (or rather the colonial mouth) from the late nineteenth century to the twenty-first. Unlike previous scholars, Valérie Loichot does not read food simply as a cultural trope. Instead, she is interested in literary cannibalism, which she interprets in parallel with theories of relation and creolization. For Loichot, &“the culinary&” is an abstract mode of resistance and cultural production. The Francophone and Anglophone authors whose works she interrogates—including Patrick Chamoiseau, Suzanne Césaire, Aimé Césaire, Maryse Condé, Edwidge Danticat, Édouard Glissant, Lafcadio Hearn, and Dany Laferrière—&“bite back&” at the controlling images of the cannibal, the starved and starving, the cunning cook, and the sexualized octoroon with the ultimate goal of constructing humanity through structural, literal, or allegorical acts of ingesting, cooking, and eating. The Tropics Bite Back employs cross-disciplinary methods to rethink notions of race and literary influence by providing a fresh perspective on forms of consumption both metaphorical and material.
The Trouble in Room 519: Money, Matricide, and Marginal Fiction in the Early Twentieth Century
by Thomas AielloAt approximately seven o’clock in the evening on May 7, 1950, Gordon Malherbe Hillman filled an empty bottle with water, capped it, and walked into his mother’s room in the pair’s fifth-floor suite at Boston’s luxurious Copley Plaza Hotel. He then edged up behind the semi-invalid woman and bludgeoned her to death. Hotel staff had planned to evict the two the following day after several weeks of unpaid rent. Mounting debts had finally broken the fifty-year-old Hillman, a now-struggling author of mixed success, but it had not always been that way, as Thomas Aiello shows in his study of the life and work of this forgotten midcentury figure.As a youth, Hillman attended the prestigious Noble and Greenough School near Boston. Pursuing a career as a writer, he published several dozen pieces of short fiction and a critically acclaimed novel, Fortune’s Cup (1941). Hollywood studios purchased the rights to two of his stories and made them into films, The Great Man Votes (1939) and Here I Am a Stranger (1940). But Hillman remained, for the most part, a middling magazine writer like the majority of fiction authors working during the Depression. Although most did not resort to acts of manic violence, Hillman’s tenuous position in literary circles, along with his gradual descent into financial ruin, proved a far more common tale than the stories of literary success often pored over by critics and historians of this period.In The Trouble in Room 519: Money, Matricide, and Marginal Fiction in the Early Twentieth Century, Aiello weaves a compelling true crime narrative into his exploration of the economics of magazine fiction and the strains placed on authors by the publishing industry prior to World War II. Examining Hillman’s writing as exemplary of Depression-era popular fiction, Aiello includes eight stories written by Hillman and originally published in prominent midcentury American magazines, including Collier’s, Liberty, and McCall’s, to provide additional context and insight into this trying time and tragic life.
The Trouble with Being Born (Quartet Encounters Ser.)
by E. CioranIn this volume, which reaffirms the uncompromising brilliance of his mind, Cioran strips the human condition down to its most basic components, birth and death, suggesting that disaster lies not in the prospect of death but in the fact of birth, "that laughable accident." In the lucid, aphoristic style that characterizes his work, Cioran writes of time and death, God and religion, suicide and suffering, and the temptation to silence. Through sharp observation and patient contemplation, Cioran cuts to the heart of the human experience.
The Trouble with Post-Blackness
by K. Merinda Simmons Houston Baker Jr.An America in which the color of one's skin no longer matters would be unprecedented. With the election of President Barack Obama in 2008, that future suddenly seemed possible. Obama's rise reflects a nation of fluid populations and fortunes, a society in which a biracial individual could be embraced as a leader by all. Yet complicating this vision are shifting demographics, rapid redefinitions of race, and the instant invention of brands, trends, and identities that determine how we think about ourselves and the place of others.This collection of original essays confronts the premise, advanced by black intellectuals, that the Obama administration marked the start of a "post-racial" era in the United States. While the "transcendent" and post-racial black elite declare victory over America's longstanding codes of racial exclusion and racist violence, their evidence relies largely on their own salaries and celebrity. These essays strike at the certainty of those who insist that life, liberty, and the pursuit of happiness are now independent of skin color and race in America. They argue, signify, and testify that "post-blackness" is a problematic mythology masquerading as fact—a dangerous new "race science" motivated by black transcendentalist individualism. Through rigorous analysis, these essays expose the idea of a post-racial nation as a pleasurable entitlement for a black elite, enabling them to reject the ethics and urgency of improving the well-being of the black majority.
The Troubles of Journalism
by William A. HachtenTaking stock of the current news environment, author William A. Hachten provides this thorough update to his insider's examination of the U.S. journalism profession. He considers the critiques of journalism and evaluates the changes taking place that have resulted in both positive and negative outcomes.
The Troubles of Journalism: A Critical Look at What's Right and Wrong With the Press
by William A. HachtenThis book looks at criticisms of the journalism profession and evaluates many of the changes in journalism--both positive and negative. In addition, it suggests what the many changes mean for this nation and indeed for the world at large, as American journalism--its methods and standards--has markedly influenced the way many millions overseas receive news and view their world. Based on author William Hachten's 50-year involvement with newspapers and journalism education, The Troubles of Journalism serves as a realistic examination of the profession, and is appropriate for upper-level undergraduate courses in journalism and media criticism. Since the previous edition of The Troubles of Journalism, many significant challenges have occurred in the media: the events of September 11, the war on terrorism, mergers and consolidation of media ownership, new concerns about press credibility, the expanding and controversial role of cable news channels, the growing impact role of news and comment on the Internet, and continuing globalization and controversy over the role of American media in international communications. To do justice to these recent "troubles" of the news media, important additions and modifications have been made in every chapter of this Third Edition.