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Threshold Phenomena: Derrida and the Question of Hospitality
by Michael NaasThreshold Phenomena reexamines Jacques Derrida’s thinking of hospitality, from his well-known writings of the 1990s to his recently-published seminars on the same topic. The book follows Derrida’s rereading of several central figures and texts on hospitality (Sophocles’ Oedipus at Colonus, Kant’s Perpetual Peace, Levinas’s Totality and Infinity) and his attempt to rethink questions surrounding not only private but also public hospitality in the form of immigration law, the contemporary treatment of migrants or stateless peoples, and the establishment of cities of asylum.Naas develops many of the central themes of Derrida’s seminar—the relationship between hospitality and teletechnology (telephone, internet, cyberspace, etc.), the role of fatherlands and mother tongues in hospitality, questions of purity, immunity, and xenophobia, and the possibility of extending hospitality beyond the human—to animals, plants, gods, and clones. Reframing Derrida’s approach to ethics, Naas reconsiders the relationship between hospitality and deconstruction, concluding that hospitality is not merely a theme to be treated by deconstruction but one of the best ways of describing its work. Naas’s book turns around a figure that Derrida himself returns to several times throughout the seminar: the threshold—a figure of hospitality par excellence, but also, in his seminars, another name for what Derrida in the 1960s began calling différance. Threshold Phenomena concludes that Derrida’s seminar on hospitality is one of the best introductions we have to Derrida’s work in general and one of the surest signs of its continuing relevance, a seminar that is at once fascinating and engaging in its own right and necessary for analyzing today’s increasingly nationalistic and xenophobic political climate.
Thresholds and Boundaries: Liminality in Netherlandish Art (1385-1530) (Visual Culture in Early Modernity)
by Lynn F. JacobsAlthough liminality has been studied by scholars of medieval and seventeenth-century art, the role of the threshold motif in Netherlandish art of the late fourteenth, fifteenth and early sixteenth centuries -- this late medieval/early ‘early modern’ period -- has been much less fully investigated. Thresholds and Boundaries: Liminality in Netherlandish Art (1385-1550) addresses this issue through a focus on key case studies (Sluter's portal of the Chartreuse de Champmol and the calendar pages of the Limbourg Brothers' Très Riches Heures), and on important formats (altarpieces and illuminated manuscripts). Lynn F. Jacobs examines how the visual thresholds established within Netherlandish paintings, sculptures, and manuscript illuminations become sites where artists could address relations between life and death, aristocrat and peasant, holy and profane, and man and God—and where artists could exploit the "betwixt and between" nature of the threshold to communicate, paradoxically, both connections and divisions between these different states and different worlds. Building on literary and anthropological interpretations of liminality, this book demonstrates how the exploration of boundaries in Netherlandish art infused the works with greater meaning. The book's probing of the -- often ignored --meanings of the threshold motif casts new light on key works of Netherlandish art.
Thresholds, Encounters: Paul Celan and the Claim of Philology (SUNY series, Literature . . . in Theory)
by Kristina Mendicino; Dominik ZechnerPaul Celan's works dwell on the threshold between the extremes of poetic expression and philosophical reflection. The divergent literary and critical idioms that have marked Celan's writing—and that Celan's writing has come to mark for others (Hamacher, Derrida, Szondi)—thus call for a new philology. This philology cannot be situated within presupposed genres or fields but rather explores the ways in which poetic and philosophical ambitions meet in texts by, and on, Celan. The first part of Thresholds, Encounters ("Ex-posing the Poem") speaks to issues of history, ecology, and aurality; the second part ("Language Dislodged") delves into Celan's articulations of encounter, positionality, and translation. Throughout, contributors probe the consequences of Celan's poetry for thinking and writing, while inviting readers from different disciplinary spaces to further pace out the liminal zones opened by his oeuvre.
Thresholds of Illiteracy: Theory, Latin America, and the Crisis of Resistance (Just Ideas)
by Abraham AcostaThresholds of Illiteracy reevaluates Latin American theories and narratives of cultural resistance by advancing the concept of “illiteracy” as a new critical approach to understanding scenes or moments of social antagonism. “Illiteracy,” Acosta claims, can offer us a way of talking about what cannot be subsumed within prevailing modes of reading, such as the opposition between writing and orality, that have frequently been deployed to distinguish between modern and archaic peoples and societies.This book is organized as a series of literary and cultural analyses of internationally recognized postcolonial narratives. It tackles a series of the most important political/aesthetic issues in Latin America that have arisen over the past thirty years or so, including indigenism, testimonio, the Zapatista movement in Chiapas, and migration to the United States via the U.S.–Mexican border.Through a critical examination of the “illiterate” effects and contradictions at work in these resistant narratives, the book goes beyond current theories of culture and politics to reveal radically unpredictable forms of antagonism that advance the possibility for an ever more democratic model of cultural analysis.
Thresholds of Translation: Paratexts, Print, and Cultural Exchange in Early Modern Britain (1473-1660) (Early Modern Literature in History)
by Marie-Alice Belle Brenda M. HosingtonThis volume revisits Genette’s definition of the printed book’s liminal devices, or paratexts, as ‘thresholds of interpretation’ by focussing specifically on translations produced in Britain in the early age of print (1473-1660). At a time when translation played a major role in shaping English and Scottish literary culture, paratexts afforded translators and their printers a privileged space in which to advertise their activities, display their social and ideological affiliations, influence literary tastes, and fashion Britain’s representations of the cultural ‘other’.Written by an international team of scholars of translation and material culture, the ten essays in the volume examine the various material shapes, textual forms, and cultural uses of paratexts as markers (and makers) of cultural exchange in early modern Britain. The collection will be of interest to scholars of early modern translation, print, and literary culture, and, more broadly, to those studying the material and cultural aspects of text production and circulation in early modern Europe.
Thrill Me: Essays on Fiction
by Benjamin PercyBold new essays on how to craft a thrilling read--in any genre--from the bestselling author of The Dead LandsAnyone familiar with the meteoric rise of Benjamin Percy's career will surely have noticed a certain shift: After writing two short-story collections and a literary novel, he delivered the werewolf thriller Red Moon and the postapocalyptic epic The Dead Lands. Now, in his first book of nonfiction, Percy challenges the notion that literary and genre fiction are somehow mutually exclusive. The title essay is an ode to the kinds of books that make many readers fall in love with fiction: science fiction, fantasy, mysteries, horror, from J.R.R. Tolkien to Anne Rice, Ursula K. Le Guin to Stephen King. Percy's own academic experience banished many of these writers in the name of what is "literary" and what is "genre." Then he discovered Michael Chabon, Aimee Bender, Cormac McCarthy, Margaret Atwood, and others who employ techniques of genre fiction while remaining literary writers. In fifteen essays on the craft of fiction, Percy looks to disparate sources such as Jaws, Blood Meridian, and The Girl with the Dragon Tattoo to discover how contemporary writers engage issues of plot, suspense, momentum, and the speculative, as well as character, setting, and dialogue. An urgent and entertaining missive on craft, Thrill Me brims with Percy's distinctive blend of anecdotes, advice, and close reading, all in the service of one dictum: Thrill the reader.
The Thrill of Repulsion: Excursions into Horror Culture
by William BurnsA collection of lists, reviews, and interviews about the horror genre in film and beyondIncludes categorical lists and in-depth articles covering horror movies, literature, television, graphic novels, and musicHorror is a dominant form of cultural expression in the 20th/21st centuries
Thrill of the Chaste: The Allure of Amish Romance Novels (Young Center Books in Anabaptist and Pietist Studies)
by Valerie Weaver-ZercherTake a peek beneath the bonnet.Browse the inspirational fiction section of your local bookstore, and you will likely find cover after cover depicting virtuous young women cloaked in modest dresses and wearing a pensive or playful expression. They hover innocently above sun-drenched pastures or rustic country lanes, often with a horse-drawn buggy in the background—or the occasional brawny stranger. Romance novels with Amish protagonists, such as the best-selling trailblazer The Shunning by Beverly Lewis, are becoming increasingly popular with a largely evangelical female audience. Thrill of the Chaste is the first book to analyze this growing trend in romance fiction and to place it into the context of contemporary literature, religion, and popular culture.Valerie Weaver-Zercher combines research and interviews with devoted readers, publishers, and authors to produce a lively and provocative examination of the Amish romance novel. She discusses strategies that literary agents and booksellers use to drive the genre’s popularity. By asking questions about authenticity, cultural appropriation, and commodification, Thrill of the Chaste also considers Amish fiction’s effects on Amish and non-Amish audiences alike.
The Thriller and Northern Ireland since 1969: Utterly Resigned Terror (Studies in European Cultural Transition #Vol. 28)
by Aaron KellyFor the past 30 years, the so-called 'Troubles' thriller has been the dominant fictional mode for representing Northern Ireland, leading to the charge that the crudity of this popular genre appropriately reflects the social degradation of the North. Aaron Kelly challenges both these judgments, showing that the historical questions raised by setting a thriller in Northern Ireland disrupt the conventions of the crime novel and allow for a new understanding of both the genre and the country. Two essays on crime fiction by Walter Benjamin and Berthold Brecht appear here for the first time in English translation. By demonstrating the relevance of these theorists as well as other key European thinkers such as Antonio Gramsci, Louis Althusser, and Slavoj Zizek to his interdisciplinary study of Irish culture and the crime novel, Kelly refutes the idea that Northern Ireland is a stagnate anomaly that has been bypassed by European history and remained impervious to cultural transformation. On the contrary, Kelly's examination of authors such as Jack Higgins, Tom Clancy, Gerald Seymour, Colin Bateman, and Eoin McNamee shows that profound historical change and complexity have characterized both Northern Ireland and the thriller form.
Thrillers: 100 Must-Reads
by David Morrell Hank WagnerThe most riveting reads in history meet today's biggest thriller writers in Thrillers: 100 Must-Reads.Edited by David Morrell and Hank Wagner, Thrillers: 100 Must-Reads examines 100 seminal works of suspense through essays contributed by such esteemed modern thriller writers as: David Baldacci, Steve Berry, Sandra Brown, Lee Child, Jeffery Deaver, Tess Gerritsen, Heather Graham, John Lescroart, Gayle Lynds, Katherine Neville, Michael Palmer, James Rollins, R. L. Stine, and many more.Thrillers: 100 Must-Reads features 100 works - from Beowulf to The Bourne Identity, Dracula to Deliverance, Heart of Darkness to The Hunt for Red October - deemed must-reads by the International Thriller Writers organization.Much more than an anthology, Thrillers: 100 Must-Reads goes deep inside the most notable thrillers published over the centuries. Through lively, spirited, and thoughtful essays that examine each work's significance, impact, and influence, Thrillers: 100 Must-Reads provides both historical and personal perspective on those spellbinding works that have kept readers on the edge of their seats for centuries.
Through an Indian's Looking-Glass: A Cultural Biography of William Apess, Pequot (Native Americans of the Northeast)
by Drew LopenzinaThis biography of the Native American writer, activist, and minister &“brings Apess nearly fully to life, which no one else, among many scholars, has.&” (Barry O&’Connell, editor of On Our Own Ground: The Complete Writings of William Apess, a Pequot) The life of William Apess (1798–1839), a Pequot Indian, Methodist preacher, and widely celebrated writer, provides a lens through which to comprehend the complex dynamics of indigenous survival and resistance in the era of America&’s early nationhood. Apess&’s life intersects with multiple aspects of indigenous identity and existence in this period, including indentured servitude, slavery, service in the armed forces, syncretic engagements with Christian spirituality, and Native struggles for political and cultural autonomy. Even more, Apess offers a powerful and provocative voice for the persistence of Native presence in a time and place that was long supposed to have settled its &“Indian question&” in favor of extinction. Through meticulous archival research, close readings of Apess&’s key works, and informed and imaginative speculation about his largely enigmatic life, Drew Lopenzina provides a vivid portrait of this singular Native American figure. This new biography will sit alongside Apess&’s own writing as vital reading for those interested in early American history and indigeneity.
Through A Classical Eye
by R. F. Yeager Andrew GallowayAs students and scholars of Boccaccio, Chaucer, and Dante know, late medieval writers were influenced greatly by the work of peers that crossed historical, national, cultural, linguistic boundaries. Through a Classical Eye contains first-rate essays that demonstrate a range of strategies for undertaking transcultural and transhistorical studies of the late medieval period, and examines medieval literature and culture where English, Italian, and Latin materials overlap. Written in honour of the groundbreaking contributions that Winthrop Wetherbee made to this growing area of study, the volume's contributors advance his legacy and add to the burgeoning interest in setting medieval literary studies into wide intellectual and historical horizons. Divided into three illuminating sections on Medieval Latin authorship, Italy and the world, and England and beyond, and including a personal reminiscence of Wetherbee by the noted novelist Robert Morgan, Through a Classical Eye is an outstanding collection that provides key insights into medieval literature and culture.
Through The Lens Of Whiteness: Challenging Racialized Imagery In Pop Culture
by Diane S. Grimes Liz Cooney
Through the Children's Gate: A Home in New York
by Adam GopnikFollowing the best-selling Paris to the Moon,the continuation of the Gopniks' adventures against the panorama of a different though no less storied city as they attempt to make a new home for themselves. Autumn 2000: After five years in Paris, Adam Gopnik moves his family back to a New York that seems, at first, safer and shinier than ever. Here in the wondrously strange "neighborhood" of Manhattan we observe the triumphs and travails of father, mother, son, and daughter; and of the teachers, coaches, therapists, adversaries, and friends who round out the extended urban family. From Bluie, a goldfish fated to meet a Hitchcockian end, to Charlie Ravioli, an imaginary playmate who, being a New Yorker, is too busy to play, the Gopniks' new home is under the spell of the sort of characters only the city's unique civilization of childhood could produce. Not long after their return, the fabric of living will be rent by the events of 9/11, but like a magic garment will reweave itself, reviving normalcy in a world where Jewish jokes mingle with debates about the problem of consciousness, the price of real estate, and the meaning of modern art. Along the way, the impermanence and transcendence of life will be embodied in the person of a beloved teacher and coach who, even facing death, radiates a distinctively local light. Written with Gopnik's signature mix of mind and heart, elegant and exultantly alert to the minute miracles that bring a place to life, Through the Children's Gate is a chronicle, by turns tender and hilarious, of a family taking root in the unlikeliest patch of earth.
Through the Daemon's Gate: Kepler's Somnium, Medieval Dream Narratives, and the Polysemy of Allegorical Motifs (Studies in Medieval History and Culture)
by Dean SwinfordThis book tells the story of the early modern astronomer Johannes Kepler’s Somnium, which has been regarded by science historians and literary critics alike as the first true example of science fiction. Kepler began writing his complex and heavily-footnoted tale of a fictional Icelandic astronomer as an undergraduate and added to it throughout his life. The Somnium fuses supernatural and scientific models of the cosmos through a satirical defense of Copernicanism that features witches, lunar inhabitants, and a daemon who speaks in the empirical language of modern science. Swinford’s looks at the ways that Kepler’s Somnium is influenced by the cosmic dream, a literary genre that enjoyed considerable popularity among medieval authors, including Geoffrey Chaucer, Dante, John of Salisbury, Macrobius, and Alan of Lille. He examines the generic conventions of the cosmic dream, also studying the poetic and theological sensibilities underlying the categories of dreams formulated by Macrobius and Artemidorus that were widely used to interpret specific symbols in dreams and to assess their overall reliability. Swinford develops a key claim about the form of the Somnium as it relates to early science: Kepler relies on a genre that is closely connected to a Ptolemaic, or earth-centered, model of the cosmos as a way of explaining and justifying a model of the cosmos that does not posit the same connections between the individual and the divine that are so important for the Ptolemaic model. In effect, Kepler uses the cosmic dream to describe a universe that cannot lay claim to the same correspondences between an individual’s dream and the order of the cosmos understood within the rules of the genre itself. To that end, Kepler’s Somnium is the first example of science fiction, but the last example of Neoplatonic allegory.
Through the Eyes of a Child: An Introduction to Children's Literature
by Donna E. Norton Saundra NortonNo text better prepares you for evaluating, choosing, and sharing quality children's literature thanThrough the Eyes of a Child: An Introduction to Children's Literature. This streamlined eighth edition continues to provide a visually stunning, theoretically sound, comprehensive overview of children's literature. Sharpened focus on contemporary issues in the field, deepened coverage of biography and informational books, and newly integrated technology give this new edition added relevance in the changing field. In addition to the text's contemporary and valuable information on literature for younger readers, some of the brightest stars of children's literature lend their talents to the new edition, providing insight into the craft and addressing the changing needs of middle grades readers.
Through the Language Glass: Why The World Looks Different in Other Languages
by Guy DeutscherA masterpiece of linguistics scholarship, at once erudite and entertaining, confronts the thorny question of how - and whether - culture shapes language and language, culture. Linguistics has long shied away from claiming any link between a language and the culture of its speakers: too much simplistic (even bigoted) chatter about the romance of Italian and the goose-stepping orderliness of German has made serious thinkers wary of the entire subject. But now, acclaimed linguist Guy Deutscher has dared to reopen the issue. Can culture influence language - and vice versa? Can different languages lead their speakers to different thoughts? Could our experience of the world depend on whether our language has a word for "blue"? Challenging the consensus that the fundaments of language are hard-wired in our genes and thus universal, Deutscher argues that the answer to all these questions is - yes. In thrilling fashion, he takes us from Homer to Darwin, from Yale to the Amazon, from how to name the rainbow to why Russian water - a "she"& - becomes a "he" once you dip a tea bag into her, demonstrating that language does in fact reflect culture in ways that are anything but trivial. Audacious, delightful, and field-changing,Through the Language Glass is a classic of intellectual discovery.
Through the Lens of Cultural Anthropology: Second Edition
by Laura Tubelle GonzálezThrough the Lens of Cultural Anthropology presents an introduction to cultural anthropology designed to engage students who are learning about the anthropological perspective for the first time. The book offers a sustained focus on language, food, and sustainability in an inclusive format that is sensitive to issues of gender, sexuality, race, and ethnicity. Integrating personal stories from her own fieldwork, Laura Tubelle de González brings her passion for transformative learning to students in a way that is both timely and thought-provoking. The second edition has been revised and updated throughout to reflect recent developments in the field. It includes further discussion of globalization, an expanded focus on Indigenous peoples in the United States and Canada, revised discussion of sexuality and gender identities across the globe, a brief introduction to the anthropology of science, and updated box features and additional discussion questions that focus on applying concepts. Beautifully illustrated with over sixty full-color images, including comics and maps, Through the Lens of Cultural Anthropology brings concepts to life in a way that resonates with student readers. The second edition is supplemented by a full suite of updated instructor and student resources. For more information, go to lensofculturalanthropology.com.
Through the Looking Glass
by Paul FrenchThe convulsive history of foreign journalists in China starts with the newspapers printed in the European Factories of Canton in the 1820s and ends with the Communist revolution in 1949. It also starts with a duel between two editors over the China's future and ends with a fistfight in Shanghai over the revolution.
Through the Negative: The Photographic Image and the Written Word in Nineteenth-Century American Literature
by Megan WilliamsThe Civil War was the first 'image war', as photographs of the battlefields became the dominant means for capturing an epochal historical moment. At the same time, writers used the Civil War to present both their notions of nation and their ideas about the new intersections between photography and literary form. Through The Negative offers an accou
Through the Periscope: Changing Culture, Italian America (SUNY series in Italian/American Culture)
by Martino MarazziThe constant dialogue between literary forms of the Old and the New World is the core concern of the essays in Through the Periscope, which examine these ever-changing historical, intellectual, and psychological landscapes through the lens of Italian American culture. Moving beyond Little Italy, the book widens the spectrum of "pure" immigrant studies. It analyzes the longue durée of the revolutionary energies of 1848, an arc that leads from Margaret Fuller to Bob Dylan via the Great Migration of European peoples and languages, as well as the merging of various immigrant voices in the "changing culture" of turn-of-the-century New York. It reclaims the importance of Dante for Italian American writers and follows the metamorphosis of a Romance language dense in masterworks and oral nuances through the multiple signs of a new "illiterature." Points of arrival are both the majestic proletarian novels of the 1930s and a contemporary poem like Robert Viscusi's Ellis Island. Martino Marazzi's volume underlines the richness of such an epic cultural transformation and its fundamental importance for a more thorough understanding of Euro-American relations.
Through the Window: Seventeen Essays and a Short Story (Vintage International)
by Julian BarnesFrom the bestselling, Booker Prize-winning author of The Sense of an Ending and one of Britain&’s greatest writers: a brilliant collection of essays on the books and authors that have meant the most to him throughout his illustrious career. • "[A] blissfully intelligent gathering of literary essays." —Financial Times In these seventeen essays (plus a short story and a special preface, &“A Life with Books&”), Julian Barnes examines the British, French and American writers who have shaped his writing, as well as the cross-currents and overlappings of their different cultures. From the deceptiveness of Penelope Fitzgerald to the directness of Hemingway, from Kipling&’s view of France to the French view of Kipling, from the many translations of Madame Bovary to the fabulations of Ford Madox Ford, from the National Treasure status of George Orwell to the despair of Michel Houellebecq, Julian Barnes considers what fiction is, and what it can do. As he writes, &“Novels tell us the most truth about life: what it is, how we live it, what it might be for, how we enjoy and value it, and how we lose it.&”
Through the Window
by Julian BarnesFrom the Man Booker Prize-winning author of The Sense of an Ending and one of Britain's greatest writers: a brilliant collection of essays on the books and authors that have meant the most to him throughout his illustrious career. In these seventeen essays (plus a short story and a special preface, "A Life with Books"), Julian Barnes examines the British, French and American writers who have shaped his writing, as well as the cross-currents and overlappings of their different cultures. From the deceptiveness of Penelope Fitzgerald to the directness of Hemingway, from Kipling's view of France to the French view of Kipling, from the many translations of Madame Bovary to the fabulations of Ford Madox Ford, from the National Treasure status of George Orwell to the despair of Michel Houellebecq, Julian Barnes considers what fiction is, and what it can do. As he writes, "Novels tell us the most truth about life: what it is, how we live it, what it might be for, how we enjoy and value it, and how we lose it."
Throw Yourself Away: Writing and Masochism (Thinking Literature)
by Julia JarchoProposes that we can best understand literature’s relationship to sex through a renewed focus on masochism. In a series of readings that engage American and European works of fiction, drama, and theory from the late nineteenth through the early twenty-first centuries, critic and playwright Julia Jarcho argues that these works conceive writing itself as masochistic, and masochism as sexuality enacted in writing. Throw Yourself Away is distinctive in its sustained focus on masochism as an engine of literary production across multiple authors and genres. In particular, Jarcho shows that theater has played a central role in modern erotic fantasies of the literary. Jarcho foregrounds writing as a project of distressed subjects: When masochistic writing is examined as a strategy of response to injurious social systems, it yields a surprisingly feminized—and less uniformly white—image of both masochism and authorship. Ultimately, Jarcho argues that a retheorized concept of masochism helps us understand literature itself as a sex act and shows us how writing can tend to our burdened, desirous bodies. With startling insights into such writers as Henry James, Henrik Ibsen, Mary Gaitskill, and Adrienne Kennedy, Throw Yourself Away furnishes a new masochistic theory of literature itself.
Throwing the Moral Dice: Ethics and the Problem of Contingency (Just Ideas)
by Thomas Claviez and Viola MarchiMore than a purely philosophical problem, straddling the ambivalent terrain between necessity and impossibility, contingency has become the very horizon of everyday life. Often used as a synonym for the precariousness of working conditions under neoliberalism, for the unknown threats posed by terrorism, or for the uncertain future of the planet itself, contingency needs to be calculated and controlled in the name of the protection of life. The overcoming of contingency is not only called upon to justify questionable mechanisms of political control; it serves as a central legitimating factor for Enlightenment itself. In this volume, nine major philosophers and theorists address a range of questions around contingency and moral philosophy. How can we rethink contingency in its creative aspects, outside the dominant rhetoric of risk and dangerous exposure? What is the status of contingency—as the unnecessary and law-defying—in or for ethics? What would an alternative “ethics of contingency”—one that does not simply attempt to sublate it out of existence—look like?The volume tackles the problem contingency has always posed to both ethical theory and dialectics: that of difference itself, in the difficult mediation between the particular and the universal, same and other, the contingent singularity of the event and the necessary generality of the norms and laws.From deconstruction to feminism to ecological thought, some of today’s most influential thinkers reshape many of the most debated concepts in moral philosophy: difference, agency, community, and life itself.Contributors: Étienne Balibar, Rosi Braidotti, Thomas Claviez, Drucilla Cornell, Hans Ulrich Gumbrecht, Viola Marchi, Michael Naas, Cary Wolfe, Slavoj Žižek