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The Subversive Copy Editor, Second Edition: Advice from Chicago (or, How to Negotiate Good Relationships with Your Writers, Your Colleagues, and Yourself)
by Carol Fisher SallerLongtime manuscript editor and Chicago Manual of Style guru Carol Fisher Saller has negotiated many a standoff between a writer and editor refusing to compromise on the "rights" and "wrongs" of prose styling. Saller realized that when these sides squared off, it was often the reader who lost. In her search for practical strategies for keeping the peace, The Subversive Copy Editor was born. Saller's ideas struck a chord, and the little book with big advice quickly became a must-have reference for copy editors everywhere. In this second edition, Saller adds new chapters, on the dangers of allegiance to outdated grammar and style rules and on ways to stay current in language and technology. She expands her advice for writers on formatting manuscripts for publication, on self-editing, and on how not to be "difficult." Saller's own gaffes provide firsthand (and sometimes humorous) examples of exactly what not to do. The revised content reflects today's publishing practices while retaining the self-deprecating tone and sharp humor that helped make the first edition so popular. Saller maintains that through carefulness, transparency, and flexibility, editors can build trust and cooperation with writers. The Subversive Copy Editor brings a refreshingly levelheaded approach to the classic battle between writers and editors. This sage advice will prove useful and entertaining to anyone charged with the sometimes perilous task of improving the writing of others.
The Subversive Copy Editor: Advice From Chicago (or, How to Negotiate Good Relationships with Your Writers, Your Colleagues, and Yourself)
by Carol Fisher SallerEach year writers and editors submit over three thousand grammar and style questions to the Q&A page at The Chicago Manual of Style Online. Some are arcane, some simply hilarious -- and one editor, Carol Fisher Saller, reads every single one of them. All too often she notes a classic author-editor standoff, wherein both parties refuse to compromise on the "rights" and "wrongs" of prose styling: "This author is giving me a fit". "I wish that I could just DEMAND the use of the serial comma at all times". "My author wants his preface to come at the end of the book. This just seems ridiculous to me. I mean, it's not a post-face".
The Subversive Poetics of Alfred Jarry: Ubusing Culture in the Almanachs Du Pere Ubu
by Marieke DubbelboerParadox and provocation were essential features of all of the work of Alfred Jarry (1873-1907). His non-conformist attitude, whether employed to subvert literary or artistic conventions or to scrutinize social and political issues, marked both his literary writing and his view of the world. Nowhere is this more apparent than in the experimental and satirical Almanachs du Pere Ubu (1898 and 1901), which to date have received little critical attention. Jarry's groundbreaking use of collage in these early works, his absurdist humour and his rethinking of literary authorship and artistic originality foreshadow many innovations of twentieth-century art and literature. In this generously illustrated study Marieke Dubbelboer examines key characteristics of Jarry's poetics through an analysis of the Almanachs and addresses their role within the European avant-garde.
The Suicide Archive: Reading Resistance in the Wake of French Empire
by Doyle D. CalhounThroughout the French empire, from the Atlantic and the Caribbean to West and North Africa, men, women, and children responded to enslavement, colonization, and oppression through acts of suicide. In The Suicide Archive, Doyle D. Calhoun charts a long history of suicidal resistance to French colonialism and neocolonialism, from the time of slavery to the Algerian War for Independence to the “Arab Spring.” Noting that suicide was either obscured in or occluded from French colonial archives, Calhoun turns to literature and film to show how aesthetic forms and narrative accounts can keep alive the silenced histories of suicide as a political language. Drawing on scientific texts, police files, and legal proceedings alongside contemporary African and Afro-Caribbean novels, film, and Senegalese oral history, Calhoun outlines how such aesthetic works rewrite histories of resistance and loss. Consequently, Calhoun offers a new way of writing about suicide, slavery, and coloniality in relation to literary history.
The Summer of 2020: George Floyd and the Resurgence of the Black Lives Matter Movement (Race, Rhetoric, and Media Series)
by Andre E. Johnson Amanda Nell EdgarIn the wake of George Floyd’s murder in May 2020, protests broke out in Minneapolis and quickly spread across the United States. National unrest led to the resurgence of the Black Lives Matter movement and added to calls for justice in other American cities, including Los Angeles, Atlanta, Tulsa, and Louisville, Kentucky, where only months earlier, Breonna Taylor was killed by police. By some estimates, BLM protesters numbered between fifteen million and twenty-six million in the US and abroad. The Summer of 2020: George Floyd and the Resurgence of the Black Lives Matter Movement spotlights the perspectives of individual participants who contributed to the movement’s revived impact and global success throughout 2020. Authors Andre E. Johnson and Amanda Nell Edgar interview the movement’s activists—from seasoned organizers to first-time protesters—to discover what Black Lives Matter meant to those who participated in one of America’s largest social movements. Johnson and Edgar’s fieldwork reveals the complexity of taking a stand, especially in the face of increasing threats from white supremacist groups, continuing police aggression, and a persisting global pandemic. In a time with unprecedented levels of political polarization, the wave of support for the Black Lives Matter movement powerfully disrupted that expectation. Without a clear sense of what led to the surge in support for Black Lives Matter, racial justice advocates are left ill-equipped to maintain and harness the political momentum necessary to achieve lasting equity and justice. In delving beyond a conventional focus on leaders and figureheads, this volume bolsters social movement research by accounting for the increasing numbers of Black Lives Matter supporters and demonstrators and the lasting power of their message.
The Sun Also Rises
by Connie Hunter-GillepsieREA's MAXnotes for Ernest Hemmingway's The Sun Also Rises MAXnotes offer a fresh look at masterpieces of literature, presented in a lively and interesting fashion. Written by literary experts who currently teach the subject, MAXnotes will enhance your understanding and enjoyment of the work. MAXnotes are designed to stimulate independent thought about the literary work by raising various issues and thought-provoking ideas and questions. MAXnotes cover the essentials of what one should know about each work, including an overall summary, character lists, an explanation and discussion of the plot, the work's historical context, illustrations to convey the mood of the work, and a biography of the author. Each section of the work is individually summarized and analyzed, and has study questions and answers.
The Sun Also Rises (Norton Critical Editions #0)
by Ernest Hemingway“Finally, the first of Norton’s long-awaited treatments of Ernest Hemingway, the American who, more than anyone, changed the look and sound of modern American prose. Academic rigor and impeccable attention to detail are the hallmarks of the Norton Critical Edition, and this volume on The Sun Also Rises is no exception. In addition to the usual suspects of contemporary reviews and early criticism, this volume draws on an exceptional pool of resources and ancillary material to tell this novel’s story: biographical excerpts from the likes of Sylvia Beach and Harold Loeb, original expurgated text, epistolary exchanges with Max Perkins and F. Scott Fitzgerald, and hefty segments on expatriation, the bullfights, and Hemingway’s own literary influences. Add to this a generous sampling of new, exceptional criticism that speaks to a modern audience about issues of gender and sexuality and about race, and a wonderful, spirited introduction, and this critical edition edited by Michael Thurston becomes the definitive edition of Hemingway’s star-making novel and a necessary comprehensive guide for both teachers and students.” —Marc Dudley, North Carolina State University This Norton Critical Edition includes: The text of Ernest Hemingway's best-known novel. Introduction and explanatory footnotes by Michael Thurston. A rich selection of background and contextual materials carefully chosen to enhance the reader’s understanding of and appreciation for Hemingway’s prose style and his famous 1926 novel. Topics include “Biographical and Autobiographical Background,” “Composition and Revision,” “Letters,” “On Postwar Paris and Expatriates,” “On Bullfighting,” and “Literary Influences.” Six major early reviews and ten recent critical essays. A chronology of Ernest Hemingway's life and work and a selected bibliography. About the Series Read by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts, and criticism—helps students to better understand, analyze, and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need. “This edition of The Sun Also Rises is to be celebrated. Michael Thurston has assembled materials so today’s readers will appreciate the drama of the novel’s composition, its reception and critical legacy, and its historical context making Hemingway’s genius feel fresh and vital.”--Mark Cirino, University of Evansville
The Sun Also Rises (SparkNotes Literature Guide Series)
by SparkNotesThe Sun Also Rises (SparkNotes Literature Guide) by Ernest Hemingway Making the reading experience fun! Created by Harvard students for students everywhere, SparkNotes is a new breed of study guide: smarter, better, faster.Geared to what today's students need to know, SparkNotes provides:*Chapter-by-chapter analysis *Explanations of key themes, motifs, and symbols *A review quiz and essay topicsLively and accessible, these guides are perfect for late-night studying and writing papers
The Sun God's Children: The History, Culture, and Legends of the Blackfeet Indians
by James Willard SchultzThe Blackfeet were people of the buffalo. They originated on the plains of today's southern Alberta, western Saskatchewan, and central Montana. In the 1830s famed artist and explorer George Catlin called the Blackfeet the most powerful tribe of Indians on the continent.
The Sun Never Sets: Reflections on a Western Life
by L. W. Bill" Lane Jr.The Sun Never Sets tells the extraordinary story of L.W. "Bill" Lane, Jr., longtime publisher of Sunset magazine, pioneering environmentalist, and U.S. ambassador. Written with Stanford historian Bertrand Patenaude, this fascinating memoir traces Sunset's profound impact on a new generation of Americans seeking opportunity and adventure in the great American West. Bill Lane was a Californian whose life spanned a vital period of the state's emergence as the embodiment (or symbol) of the country's aspirations. His recollections offer readers a rich slice of the history of California and the West in the 20th century. Recounting his boyhood move from Iowa to California after his father purchased Sunset magazine in 1928, and his subsequent rise through the ranks of Sunset, Bill Lane's memoir evokes the American West that his magazine helped to shape. It illuminates the sources of Sunset's canny appeal and its manifold influence in the four major editorial fields it covered--travel, home, gardening, and cooking--while taking readers behind the scenes of American magazine publishing in the 20th century. The Sun Never Sets also reveals the evolution of Bill Lane's views and roles as an influential environmentalist and conservationist with strong connections to the national and California state parks, and it recounts his two stints as U.S. ambassador: in Japan in the 1970s, and in Australia in the 1980s. This memoir will especially appeal to readers interested in the history of the American West, environmental conservation and preservation, and publishing.
The Sun and the Moon: The Remarkable True Account of Hoaxers, Showmen, Dueling Journalists, and Lunar Man-Bats in Nineteen
by Matthew GoodmanOn August 26, 1835, a fledgling newspaper called the Sun brought to New York the first accounts of remarkable lunar discoveries. A series of six articles reported the existence of life on the moon--including unicorns, beavers that walked on their hind legs, and four-foot-tall flying man-bats. In a matter of weeks it was the most broadly circulated newspaper story of the era, and the Sun, a working-class upstart, became the most widely read paper in the world. An exhilarating narrative history of a divided city on the cusp of greatness, and tale of a crew of writers, editors, and charlatans who stumbled on a new kind of journalism, The Sun and the Moon tells the surprisingly true story of the penny papers that made America a nation of newspaper readers.
The Sun of Jesús del Monte: A Cuban Antislavery Novel (Writing the Early Americas)
by Andrés Avelino OrihuelaTranslated into English for the first time, Andrés Avelino de Orihuela’s El Sol de Jesús del Monte is a landmark Cuban antislavery novel. Published originally in 1852, the same year as Harriet Beecher Stowe’s Uncle Tom’s Cabin (which Orihuela had translated into Spanish), it provides an uncompromising critique of discourses of white superiority and an endorsement of equality for free people of color. Despite its historical and literary value, The Sun of Jesús del Monte is a long-neglected text, languishing for 150 years until its republication in 2008 in the original Spanish. The Sun of Jesús del Monte is the only Cuban novel of its time to focus on La Escalera, or the Ladder Rebellion, a major anticolonial and slave insurrection of nineteenth-century Cuba that shook the world’s wealthiest colony in 1843–44. It is also the only Cuban novel of its time to take direct aim at white privilege and unsparingly denounce the oppression of free people of color that intensified after the insurrection. This new critical edition—featuring an invaluable, contextualizing introduction and afterword in addition to the new English translation—offers readers the most detailed portrait of the everyday lives and plight of free people of color in Cuba in any novel up to the 1850s.Writing the Early Americas
The Sundance Reader (6th edition)
by Mark ConnellyThis edition has been updated to include over two dozen new readings, a four-part questioning strategy that follows each entry, expanded descriptions of the writing process to include thesis statements and outlines, sample student essays, a sample MLA-documented essay, materials on social issues, new visuals, expanded coverage on analyzing media, critiques of how writers use more than one method of development, and information on writing beyond the classroom. Connelly (Milwaukee Area Technical College) works thematically, focusing on the writing context and process, critical reading, narration, description, definition, comparison and contrast, analysis, division and classification, process, cause and effect, argument and persuasion. Along with a range of worthy readings, Connelly provides useful samples of writing students can analyze and many tips on organizing ideas and getting them down on paper. The result would work in survey literature and composition undergraduate courses.
The Sundance Reader, 7th edition
by Mark ConnellyTHE SUNDANCE READER, Seventh Edition, features more than 70 concise yet distinct essays drawn from a range of academic disciplines and professions to appeal to a variety backgrounds and interests. Combining classic and contemporary, traditional and provocative, this rich collection of engaging essays and articles emphasizes critical thinking, careful analysis, and effective writing and composition skills. Topics are as varied as the environment, culture, social issues, the media, and business. Selections include works by William Safire, Jessica Valenti, Robert Reich and Al Gore.
The Sundance Writer: A Rhetoric, Reader, Handbook (Third Edition)
by Mark ConnellyThis successful 4-in-1-- handbook, reader, rhetoric, and research guide-- text incorporates electronic writing and visual rhetoric. Practical strategies, real-world emphasis and focus on critical thinking are the highlights of this book.
The Sundance Writer: A Rhetoric, Reader, Research Guide, and Handbook
by Mark ConnellyPraised for its practical strategies, real-world emphasis, and focus on critical thinking, this successful 4-in-1 text (rhetoric, reading, research guide, and handbook) prepares students for writing in college and the workplace. This edition has been revised so that students move more quickly from the writing process to writing in the modes and incorporating research into their writing projects.
The Sunday Paper: A Media History (The History of Media and Communication)
by Paul Moore Sandra GabrielePullout sections, poster supplements, contests, puzzles, and the funny pages--the Sunday newspaper once delivered a parade of information, entertainment, and spectacle for just a few pennies each weekend. Paul Moore and Sandra Gabriele return to an era of experimentation in early twentieth-century news publishing to chart how the Sunday paper became an essential part of American leisure. Transcending the constraints of newsprint while facing competition from other media, Sunday editions borrowed forms from and eventually partnered with magazines, film, and radio, inviting people to not only read but watch and listen. This drive for mass circulation transformed metropolitan news reading into a national pastime, a change that encouraged newspapers to bundle Sunday supplements into a panorama of popular culture that offered something for everyone.
The Supergirls
by Mike Madrid"The Supergirls is a long overdue tribute to the fabulous fighting females whose beauty and bravery brighten the pages of your favorite comics."-STAN LEE"A thoughtful, comprehensive history of women in comics . . . The Supergirls gleefully celebrates the medium itself, in all its goofy, glorious excess." -NPR "Best Five Books To Share With Your Friends" citation"Sharp and lively-and just obsessive enough about women who wear capes and boots to be cool but not creepy. [Madrid] clearly loves this stuff. And he's enough of a historian to be able to trace the ways in which the portrayal of sirens and supergirls has echoed society's ever-changing feelings about women and sex." -Entertainment WeeklyHas Wonder Woman hit the comic book glass ceiling? Is that the one opposition that even her Amazonian strength can't defeat? Entertaining and informative, The Supergirls explores iconic superheroines and what it means for the culture when they do everything the superhero does, only in thongs and high heels.This much-needed alternative history of American comic book icons-from Wonder Woman to Supergirl and beyond-delves into where these crime-fighting females fit in popular culture and why, and what their stories say about the role of women in society from their creation to now, and into the future.Mike Madrid is the author of Divas, Dames & Daredevils: Lost Heroines of Golden Age Comics (forthcoming from Exterminating Angel Press in October 2013) and The Supergirls: Fashion, Feminism, Fantasy, and the History of Comic Book Heroines, an NPR "Best Book To Share With Your Friends" and American Library Association Amelia Bloomer Project Notable Book. Madrid, a San Francisco native and lifelong fan of comic books and popular culture, also appears in the documentary Wonder Women! The Untold Story of American Superheroines.
The Superhero Blockbuster: Adaptation, Style, and Meaning
by James C. TaylorThe Superhero Blockbuster: Adaptation, Style, and Meaning builds an innovative framework for analyzing one of the most prominent genres in twenty-first-century Hollywood. In combining theories of adaptation with close textual analysis, James C. Taylor provides a set of analytical tools with which to undertake nuanced exploration of superhero blockbusters’ meanings. This deep understanding of the films attends to historical, sociopolitical, and industrial contexts and also illuminates key ways in which the superhero genre has contributed to the development of the Hollywood blockbuster. Each chapter focuses on a different superhero or superhero team, covering some of the most popular superhero blockbusters based on DC and Marvel superheroes. The chapters cover different aspects of the films’ adaptive practices, exploring the adaptation of stylistic strategies, narrative models, and modes of seriality from superhero comic books, while being attentive to the ways in which the films engage with the wider networks of texts in various media that comprise a given superhero franchise. Chapter 1 looks back to the first superhero blockbuster, 1978’s Superman: The Movie, examining its cinematic re-envisioning of the quintessential superhero and role in establishing Hollywood’s emerging model of blockbuster filmmaking. Subsequent chapters analyze the twenty-first-century boom in superhero blockbusters and examine digital imaging and nostalgia in Spider-Man films, Marvel Studios’ adaptation of a shared universe model of seriality in the Marvel Cinematic Universe, and the use of alternate timeline narratives in X-Men films. The book concludes by turning its analytical toolkit to analysis of DC Studios’ cinematic universe, the DC Extended Universe.
The Superhero Reader
by Charles HatfieldWith contributions from Will Brooker, Jeffrey A. Brown, Scott Bukatman, John G. Cawelti, Peter Coogan, Jules Feiffer, Charles Hatfield, Henry Jenkins, Robert Jewett and John Shelton Lawrence, Gerard Jones, Geoff Klock, Karin Kukkonen, Andy Medhurst, Adilifu Nama, Walter Ong, Lorrie Palmer, Richard Reynolds, Trina Robbins, Lillian Robinson, Roger B. Rollin, Gloria Steinem, Jennifer Stuller, Fredric Wertham, and Philip Wylie Despite their commercial appeal and cross-media reach, superheroes are only recently starting to attract sustained scholarly attention. This groundbreaking collection brings together essays and book excerpts by major writers on comics and popular culture. While superhero comics are a distinct and sometimes disdained branch of comics creation, they are integral to the development of the North American comic book and the history of the medium. For the past half-century, they have also been the one overwhelmingly dominant market genre. The sheer volume of superhero comics that have been published over the years is staggering. Major superhero universes constitute one of the most expansive storytelling canvases ever fashioned. Moreover, characters inhabiting these fictional universes are immensely influential, having achieved iconic recognition around the globe. Their images and adventures have shaped many other media, such as film, videogames, and even prose fiction. The primary aim of this reader is twofold: first, to collect in a single volume a sampling of the most sophisticated commentary on superheroes, and second, to bring into sharper focus the ways in which superheroes connect with larger social, cultural, literary, aesthetic, and historical themes that are of interest to a great many readers both in the academy and beyond.
The Superhero Symbol: Media, Culture, and Politics
by Henry Jenkins Dan Golding Ian Gordon Neal Curtis John McGuire Steven Conway Liam Burke Jason Bainbridge Mitchell Adams Tara Lomax Claire Langsford Vladislav Iouchkov Naja Later Paul M. Malone Shan Mu Zhao Kevin Patrick“As a man, I'm flesh and blood, I can be ignored, I can be destroyed; but as a symbol... as a symbol I can be incorruptible, I can be everlasting”. In the 2005 reboot of the Batman film franchise, Batman Begins, Bruce Wayne articulates how the figure of the superhero can serve as a transcendent icon. It is hard to imagine a time when superheroes have been more pervasive in our culture. Today, superheroes are intellectual property jealously guarded by media conglomerates, icons co-opted by grassroots groups as a four-color rebuttal to social inequities, masks people wear to more confidently walk convention floors and city streets, and bulletproof banners that embody regional and national identities. From activism to cosplay, this collection unmasks the symbolic function of superheroes. Bringing together superhero scholars from a range of disciplines, alongside key industry figures such as Harley Quinn co-creator Paul Dini, The Superhero Symbol provides fresh perspectives on how characters like Captain America, Iron Man, and Wonder Woman have engaged with media, culture, and politics, to become the “everlasting” symbols to which a young Bruce Wayne once aspired.
The Superior Person's Book of Words
by Peter BowlerA resource for those who consider themselves superior to discover if they really are. Only those who are truly superior will know how to use these words though some will be familiar.
The Superkids Hit Second Grade, Word Work Book Level 5, Grade 2
by Valerie Tripp Pleasant T. Rowland Norm BendellNIMAC-sourced textbook
The Superkids Take Off, Second Grade (The Superkids Reading Program)
by Valerie Tripp Pleasant T. RowlandA Language Arts skill development book intended for second grade.
The Superlative A. Lincoln: Poems About Our 16th President
by Eileen R. MeyerTallest, wisest, most studious--Lincoln was simply superlative!Get to know the personal side of Honest Abe (his LEAST FAVORITE nickname) through fresh and funny poems expressing his superlative nature. Abraham Lincoln is famous for many extremes: he was the TALLEST president, who gave the GREATEST SPEECH and had the STRONGEST conviction. But did you know that he was also the MOST DISTRACTED farmer, the BEST wrestler, and the CRAFTIEST storyteller? Nineteen poems share fascinating stories about events in Lincoln's life, while history notes go even deeper into how he excelled. Don't forget to think of all the ways you, too, are superlative!