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The Very Thing
by James Flood Elaine Mei Virginia Arnold Diane Lapp [et al.]The Very Thing by Elaine Mei, Virginia Arnold, James Flood, Diane Lapp [et al.]
The Very Thought of Herbert Blau
by Joseph Roach Clark LunberryHerbert Blau (1926–2013) was the most influential theater theorist, practitioner, and educator of his generation. He was the leading American interpreter of the works of Samuel Beckett and as a director was instrumental in introducing works of the European avant-garde to American audiences. He was also one of the most far-reaching and thoughtful American theorists of theater and performance, and author of influential books such as The Dubious Spectacle, The Audience, and Take Up the Bodies: Theater at the Vanishing Point. In The Very Thought of Herbert Blau, distinguished artists and scholars offer reflections on what made Blau's contributions so visionary, transformative, and unforgettable, and why his ideas endure in both seminar rooms and studios. The contributors, including Lee Breuer, Sue-Ellen Case, Gautam Dasgupta, Elin Diamond, S. E. Gontarski, Linda Gregerson, Martin Harries, Bill Irwin, Julia Jarcho, Anthony Kubiak, Daniel Listoe, Clark Lunberry, Bonnie Marranca, Peggy Phelan, Joseph Roach, Richard Schechner, Morton Subotnick, Julie Taymor, and Gregory Whitehead, respond to Blau's fierce and polymorphous intellect, his relentless drive and determination, and his audacity, his authority, to think, as he frequently insisted, "at the very nerve ends of thought."
The Victim of Fancy: by Elizabeth Sophia Tomlins (Chawton House Library: Women's Novels)
by Daniel CookThe Victim of Fancy was first published in December 1787 and, despite favourable reviews, has not been published since. Cook's new scholarly edition of this forgotten novel will be of paramount importance in allowing new insights into the form of the sentimental novel as it actually existed in the 1780s, and not as it is often perceived.
The Victorian Age in Literature
by G. K. Chesterton"I was born a Victorian; and sympathise not a little with the serious Victorian Spirit." In this engaging and extremely personal account G K Chesterton expounds his views on Victorian literature. Many of his opinions reflect the conventions of the age; however of the Victorian novel he refreshingly comments "it is an art in which women are quite beyond controversy". Equally uncompromising about poets and poetry he does not hesitate to call Tennyson "a provincial Virgil". This book is an important landmark in our understanding of an age which produced some of Britain's most widely enjoyed literature.
The Victorian Age in Literature (Barnes And Noble Digital Library)
by G. K. ChestertonA fascinating survey of Victorian literature from one of England's greatest minds Dishing out his signature brand of harsh wit, G. K. Chesterton casts a critical eye on the poets and novelists that defined the Victorian age in English literature. "Her imagination was sometimes superhuman--always inhuman," he writes of Emily Brontë. "Wuthering Heights might have been written by an eagle." Ranging from sharp denunciation to genuine admiration, Chesterton critiques the works of Tennyson, Ruskin, Eliot, Byron, and Shelley, among many others. He explores the influence of religion on the world of art and expounds upon the gridlock he believes to be permeating England in the early twentieth century. Conversational in style but exacting in its commentary, The Victorian Age in Literature is an indispensable account of this influential era in literary history. This ebook has been professionally proofread to ensure accuracy and readability on all devices.
The Victorian Colonial Romance with the Antipodes
by H. BlytheThis study treats the Victorian Antipodes as a compelling site of romance and satire for middle-class writers who went to New Zealand between 1840 and 1872. Blythe's research fits with the rising study of settler colonialism and highlights the intersection of late-Victorian ideas and post-colonial theories.
The Victorian Colonial Romance with the Antipodes
by Helen Lucy BlytheThe Victorian Colonial Romance with the Antipodes.
The Victorian Cult of Shakespeare: Bardology in the Nineteenth Century (Cambridge Studies in Nineteenth-Century Literature and Culture)
by Charles LaPorteIn the Victorian era, William Shakespeare's work was often celebrated as a sacred text: a sort of secular English Bible. Even today, Shakespeare remains a uniquely important literary figure. Yet Victorian criticism took on religious dimensions that now seem outlandish in retrospect. Ministers wrote sermons based upon Shakespearean texts and delivered them from pulpits in Christian churches. Some scholars crafted devotional volumes to compare his texts directly with the Bible's. Still others created Shakespearean societies in the faith that his inspiration was not like that of other playwrights. Charles LaPorte uses such examples from the Victorian cult of Shakespeare to illustrate the complex relationship between religion, literature and secularization. His work helps to illuminate a curious but crucial chapter in the history of modern literary studies in the West, as well as its connections with Biblical scholarship and textual criticism.
The Victorian Diary: Authorship and Emotional Labour (The Nineteenth Century Series)
by Anne-Marie MillimIn her examination of neglected diaristic texts, Anne-Marie Millim expands the field of Victorian diary criticism by complicating the conventional notion of diaries as mainly private sources of biographical information. She argues that for Elizabeth Rigby Eastlake, Henry Crabb Robinson, George Eliot, George Gissing, John Ruskin, Edith Simcox and Gerard Manley Hopkins, the exposure or publication of their diaries was a real possibility that they either coveted or feared. Millim locates the diary at the intersection of the public and private spheres to show that well-known writers and public figures of both sexes exploited the diary's self-reflexive, diurnal structure in order to enhance their creativity and establish themselves as authors. Their object was to manage, rather than to indulge or repress, their emotions for the purposes of perfecting their observational and critical skills. Reading these diaries as literary works in their own right, Millim analyses their crucial role in the construction of authorship. By relating these Victorian writers' diaries to their publications and to contemporary works of cultural criticism, Millim shows the multifarious ways in which diaristic practices, emotional management and professional output corresponded to experiences of the literary marketplace and to nineteenth-century codes of propriety.
The Victorian Era in Twenty-First Century Children’s and Adolescent Literature and Culture (Children's Literature And Culture Ser.)
by Sara K. Day Sonya Sawyer FritzVictorian literature for audiences of all ages provides a broad foundation upon which to explore complex and evolving ideas about young people. In turn, this collection argues, contemporary works for young people that draw on Victorian literature and culture ultimately reflect our own disruptions and upheavals, particularly as they relate to child and adolescent readers and our experiences of them. The essays therein suggest that we struggle now, as the Victorians did then, to assert a cohesive understanding of young readers, and that this lack of cohesion is a result of or a parallel to the disruptions taking place on a larger (even global) scale.
The Victorian Idyll in Art and Literature: Subject, Ecology, Form (Routledge Research in Art History)
by Thomas Hughes Emma MerklingResonating with contemporary ecological and queer theory, this book pioneers the theorization of the Victorian idyll, establishing its nature, lineaments, and significance as a formal mode widely practised in nineteenth-century British culture across media and genre. Chapters trace the Victorian idyll’s emergence in the 1830s, its flourishing in the 1860s, and its evolution up to the century’s close, drawing attention to the radicalism of idyllic experiments with pictorial, photographic, dramatic, literary, and poetic form in the work of canonical and lesser-known figures. Approaching the idyll through three intersecting categories—subject, ecology, and form—this book remaps Victorian culture, reshaping thinking about artistic form in the nineteenth century, and recalibrating accepted chronologies. In the representations by a host of Victorian artists and writers engaging with other-than-human forms, and in the natures of the subjectivities animated by these encounters, we find versions of Victorian ecology providing provocative imaginative material for ecocritics, scholars, writers, and artists today. This book will be of interest to scholars working in art history, English literature, Victorian studies, British history, queer and trans* theory, musicology, and ecocriticism, and will enliven debates pertaining to the environmental across periods.
The Victorian Novel and Masculinity
by Phillip MallettWhat did it mean, in the rapidly changing world of Victorian England, to 'be a man'? In essays written specially for this volume, nine distinguished scholars from Britain and the USA show how Victorian novelists from the Brontës to Conrad sought to discover what made men, what broke them, and what restored them.
The Victorian Novel and the Space of Art
by Dehn GilmoreThis interdisciplinary study argues for the vital importance of visual culture as a force shaping the Victorian novel's formal development and reading history. It shows how authors like Charles Dickens, William Makepeace Thackeray, Wilkie Collins and Thomas Hardy borrowed language and conceptual formations from art world spaces - the art market, the museum, the large-scale exhibition, and art critical discourse - not only when they chose certain subjects or refined certain aspects of realism, but also when they tried to adapt various genres of the novel for a new and newly vociferous mass audience. Quandaries specific to new forms of public display affected authors' sense of their relationship with their own public. Debates about how best to appreciate a new mass of visual information impacted authors' sense of how people read, and consequently the development of particular novel forms like the multi-plot novel, the historical novel, the sensation novel, and fin-de-sicle fiction.
The Victorian Novel, Service Work, and the Nineteenth-Century Economy (Palgrave Studies in Nineteenth-Century Writing and Culture)
by Joshua GoochThis book offers a much-needed study of the Victorian novel's role in representing and shaping the service sector's emergence. Arguing that prior accounts of the novel's relation to the rise of finance have missed the emergence of a wider service sector, it traces the effects of service work's many forms and class positions in the Victorian novel.
The Victorian Novel, Service Work, and the Nineteenth-Century Economy (Palgrave Studies in Nineteenth-Century Writing and Culture)
by Joshua GoochThis book offers a much-needed study of the Victorian novel's role in representing and shaping the service sector's emergence. Arguing that prior accounts of the novel's relation to the rise of finance have missed the emergence of a wider service sector, it traces the effects of service work's many forms and class positions in the Victorian novel.
The Victorian Novelist: Social Problems and Change (Routledge Library Editions: The Nineteenth-Century Novel #14)
by Kate FlintFirst published in 1987. Many Victorian novels that considered social problems made extensive use of contemporary source material for their descriptions. This book aims to provide a greater acquaintance with this non-literary material — illustrating and exemplifying issues that the authors treated imaginatively. The material is divided into parts dealing with: the industrial north of England, London and the agricultural poor. Extracts from writings that bear directly on the fiction of writers like Dickens and Gaskell are featured, as are Government Blue Books and newspaper reports and articles. This volume also contains articles by Dickens and others, from his magazine, Household Words.
The Victorian Period: The Intellectual and Cultural Context of English Literature, 1830 - 1890 (Longman Literature In English Series)
by Robin GilmourThis is a thought-provoking synthesis of the Victorian period, focusing on the themes of science, religion, politics and art. It examines the developments which radically changed the intellectual climate and illustrates how their manifestations permeated Victorian literature.The author begins by establishing the social and institutional framework in which intellectual and cultural life developed. Special attention is paid to the reform agenda of new groups which challenged traditional society, and this perspective informs Gilmour's discussion throughout the book. He assesses Victorian religion, science and politics in their own terms and in relation to the larger cultural politics of the middle-class challenge to traditionalism. Familiar topics, such as the Oxford Movement and Darwinism, are seen afresh, and those once neglected areas which are now increasingly important to modern scholars are brought into clear focus, such as Victorian agnosticism, the politics of gender, 'Englishness', and photography. The most innovative feature of this compelling study is the prominence given to the contemporary preoccupation with time. The Victorians' time-hauntedness emerges as the defining feature of their civilisation - the remote time of geology and evolution, the public time of history, the private time of autobiography.
The Victorian Poet: Poetics and Persona (Routledge Revivals)
by Joseph BristowThe practice of poetry in the Victorian period was characterised by an extreme diversity of styles, preoccupations and subject-matter. This anthology attempts to draw out some of the main focuses of interest in the Victorian poet. No Victorian poet produced an overall theory of poetry, yet all accepted it as a natural vehicle of expression, and for some subjects, in particular sexuality, the only literary mode. Indeed, the sexual question was made even more acute by the sudden phenomenon of the ‘poetess’, and the relation of poetry to gender raised interesting new critical questions. At the same time, the cultural role of the poet came under increasing debate: Victorian poetry was the first contemporary poetry to be studied. This selection of central texts illustrates these pressures on the Victorian practice of poetry, and the introductory remarks suggest ways in which theory can be related to the understanding key poems themselves.
The Victorian Romantics 1850-70: The Early Work of Dante Gabriel Rossetti, William Morris, Burne-Jones, Swinburne, Simeon Solomon and their Associates (Routledge Library Editions: Romanticism #26)
by T. Earle WelbyFirst published in 1929. This title explores the early work of five Victorian Romantics; Dante Gabriel Rossetti, William Morris, Edward Burne Jones, Algernon Charles Swinburne, and Simeon Solomon, and exhibits them at or soon after the moment of entry into the movement. This title will be of interest to students of literature and art history.
The Victorians (Routledge Revivals)
by J. W. Burrow Barry Supple Laurence Lerner Carol Dyhouse Geoffrey HemstedtFirst published in 1978, The Victorians presents a survey of the Victorian era, exploring the relationship between literature and society through three distinct sections. The first delineates the literary history in two chapters on the Victorian novel and Victorian poetry respectively. In the second and largest section of a series of essays discuss various fundamental aspects of Victorian society: the economic and social framework, government and institutions, the sense of the past, painting and illustration, religion and the role of women. The third section offers two essays which explicitly relate a particular work to the society: one on Dicken’s Dombey and Son and the other on Tennyson’s The Princess. By turning to each essay after the rounded picture of Victorian society given in the previous section, the reader will not only find her appreciation enhanced but will also be enabled to argue back on equal terms in a way that is never possible with the survey of literature alone. This book is a must read for scholars and researchers of English literature.
The Victorians and the Eighteenth Century: Reassessing the Tradition
by Francis O'Gorman Katherine TurnerDisrupting the common assumption that the Victorians regarded their eighteenth-century predecessors with little interest or with disdain, the essays in The Victorians and the Eighteenth Century propose a re-examination of these relationships. Together, they expose some of the significant and complex ways in which key aspects and texts of the eighteenth century were situated, read, and transacted within the post-Romantic nineteenth century. Individual essays examine the influence of the work of Pope and the eighteenth-century novelists such as Johnson, Chatterton, and Rousseau on a range of Victorian writers and cultural productions, including Dickens, Eliot, Oliphant, Ruskin, historical fiction, late Victorian art criticism, The English Men of Letters series, and the Oxford English Dictionary. The contributors challenge long-held views about Victorian uses of the past, and offer new insights into how the literature and culture of the eighteenth century helped shape the culture and identity of the nineteenth. This collection of essays by an impressive array of scholars, with a Preface by David Fairer, represents a unique approach to this area of literary history and offers new perspectives on the nature and methodology of 'periodization'. While it is obviously of great interest to students of eighteenth-century and Victorian literature, it will also appeal to readers more broadly concerned with questions of literary influence, periodization, and historiography.
The Victory Garden Vegetable Alphabet Book
by Jerry Pallotta Bob ThomsonFrom asparagus to zucchetta, the author zips through the ABC's while introducing children to edible plants, animals and gardening concepts. "Y y Y is for Yard Long Bean. This bean can grow to be about 36 inches long. You can use it for a belt, you can pretend it is a jumprope, or you can cook it and have a very long lunch." A marvelous alphabet book. This file should make an excellent embossed braille copy.
The Vidas of The Troubadours (Routledge Revivals)
by Margarita EganPublished in 1984: These texts which have been little studied for their literary qualities represent a vital link between the didactic tradition of the Middle Ages and the fictional short stories of the Renaissance, such as the thirteenth-century collection of tales known as the Novellino, and later, Boccaccio's Decameron.
The Vietnam Reader: The Definitive Collection of American Fiction and Nonfiction on the War
by Stewart O'NanThe Vietnam Reader is a selection of the finest and best-known art from the American war in Vietnam, including fiction, nonfiction, poetry, drama, film, still photos, and popular song lyrics. All the strongest work is here, from mainstream bestsellers to radical poetry, from Tim O'Brien to Marvin Gaye. Also included are incisive reader's questions--useful for educators and book clubs--in a volume that makes an essential contribution to a wider understanding of the Vietnam War.This authoritative and accessible volume is sure to become a classic reference, as well as indispensable and provocative reading for anyone who wants to know more about the war that changed the face of late-twentieth-century America.From the Trade Paperback edition.
The View From Serendip
by Arthur C. ClarkeThis book includes many articles on the personal universe of Arthur C. Clarke, including life at home on his island paradise, in ancient times called Serendip, then Ceylon, now Sri Lanka, his continuing involmement with space travel from the earliest days as a member of the British interplanetary Society to his coverage of the Apollo moon shots for CBS television, to the world of 2001 ... or what's in store for us in the nest 20 years, and more