- Table View
- List View
The View from the Masthead
by Hester BlumWith long, solitary periods at sea, far from literary and cultural centers, sailors comprise a remarkable population of readers and writers. Although their contributions have been little recognized in literary history, seamen were important figures in the nineteenth-century American literary sphere. In the first book to explore their unique contribution to literary culture, Hester Blum examines the first-person narratives of working sailors, from little-known sea tales to more famous works by Herman Melville, James Fenimore Cooper, Edgar Allan Poe, and Richard Henry Dana.In their narratives, sailors wrote about how their working lives coexisted with--indeed, mutually drove--their imaginative lives. Even at leisure, they were always on the job site. Blum analyzes seamen's libraries, Barbary captivity narratives, naval memoirs, writings about the Galapagos Islands, Melville's sea vision, and the crisis of death and burial at sea. She argues that the extent of sailors' literacy and the range of their reading were unusual for a laboring class, belying the popular image of Jack Tar as merely a swaggering, profane, or marginal figure. As Blum demonstrates, seamen's narratives propose a method for aligning labor and contemplation that has broader applications for the study of American literature and history.
The Viking Age: A Reader, Fourth Edition (Readings in Medieval Civilizations and Cultures #XIV)
by Angus A. Somerville R. Andrew McDonaldThe fourth edition of The Viking Age provides an extensive deep dive into the world of the Vikings, spanning from the eighth and ninth centuries to the present, while also featuring key scholarly interpretations from the late twentieth and early twenty-first centuries. Building on the structure and content of previous editions, nearly every chapter has been reworked and expanded, with the addition of an entirely new chapter on commerce and trade. This edition broadens the range of materials while preserving the innovations of earlier editions and advancing them in new directions. In The Viking Age, readers are submerged in a comprehensive exploration of the Viking era, covering essential topics such as the role of women in Viking society, the significance of slavery in the Viking economy, commerce and trade, the use of Arabic sources, Viking religion, fertility gods, guardian spirits, the exploits of the Norse kings of Man and the Isles, the importance of Scandinavian and maritime law, the enduring legacy of the Vikings, and more. This extensively revised edition ultimately brings the Vikings and their world to life for twenty-first-century students and instructors.
The Viking Age: A Reader, Third Edition (Readings in Medieval Civilizations and Cultures)
In this extensively revised third edition of The Viking Age: A Reader, Somerville and McDonald successfully bring the Vikings and their world to life for twenty-first-century students and instructors. The diversity of the Viking era is revealed through the remarkable range and variety of sources presented as well as the geographical and chronological coverage of the readings. The third edition has been reorganized into fifteen chapters. Many new sources have been added, including material on gender and warrior women, and a completely new final chapter traces the continuing cultural influence of the Vikings to the present day. into the twenty-first century. The use of visual material has been expanded significantly, and updated maps illustrate historical developments throughout the Viking Age. The NorseEnglish translations of Norse texts, many of them new to this collection, are straightforward and easily accessible, while chapter introductions contextualize the readings.
The Violence of Modernity: Baudelaire, Irony, and the Politics of Form (Parallax: Re-visions of Culture and Society)
by Debarati SanyalThe Violence of Modernity turns to Charles Baudelaire, one of the most canonical figures of literary modernism, in order to reclaim an aesthetic legacy for ethical inquiry and historical critique. Works of modern literature are commonly theorized as symptomatic responses to the trauma of history. In a climate that tends to privilege crisis over critique, Debarati Sanyal argues that it is urgent to rethink literary experience in terms that recall its contestatory potential. Examining Baudelaire's poems afresh, she shifts the focus of critical attention toward an account of modernism as an active engagement with violence, specifically the violence of history in nineteenth-century France.Sanyal analyzes a literary current that uses the traditional hallmarks of modernism—irony, intertextuality, self-reflexivity, and formalism—to challenge the historical violence of modernity. Baudelaire and the committed ironists writing in his wake teach us how to read and resist the violence of history, and thereby to challenge the melancholy tenor of our contemporary "wound culture." In a series of provocative readings, Sanyal presents Baudelaire's poetry as an aesthetic form that contests historical violence through rhetorical strategies of complicity, counterviolence, and critique. The book develops a new account of Baudelaire's significance as a modernist by dislodging him both from his traditional status as a practitioner of "art for art's sake" and from his more recent incarnation as the poet of trauma. Following her extended analysis of Baudelaire's poetry, Sanyal in later chapters considers a number of authors influenced by his strategies—including Rachilde, Virginie Despentes, Albert Camus, and Jean-Paul Sartre—to examine the relevance of their interventions for our current climate of trauma and terror. The result is a study that underscores how Baudelaire's legacy continues to energize literary engagements with the violence of modernity.
The Violence of Reading: Literature and Philosophy at the Threshold of Pain
by Dominik ZechnerThe Violence of Reading: Literature and Philosophy at the Threshold of Pain expounds the scene of reading as one that produces an overwhelmed body exposed to uncontainable forms of violence. The book argues that the act of reading induces a representational instability that causes the referential function of language to collapse. This breakdown releases a type of “linguistic pain” (Scarry; Butler; Hamacher) that indicates a constitutive wounding of the reading body. The wound of language marks a rupture between linguistic reality and the phenomenal world. Exploring this rupture in various ways, the book brings together texts and genres from diverse traditions and offers close examinations of the rhetoric of masochism (Sacher-Masoch; Deleuze), the relation between reading and abuse (Nietzsche; Proust; Jelinek), the sublime experience of reading (Kant; Kafka; de Man), the “novel of the institution” (Musil; Campe), and literary suicide (Bachmann; Berryman; Okkervil River).
The Violence of Representation: Literature and the History of Violence (Routledge Revivals)
by Nancy Armstrong Leonard TennenhouseFirst published in 1989, this collection of essays brings into focus the history of a specific form of violence – that of representation. The contributors identify representations of self and other that empower a particular class, gender, nation, or race, constructing a history of the west as the history of changing modes of subjugation. The essays bring together a wide range of literary and historical work to show how writing became an increasingly important mode of domination during the modern period as ruling ideas became a form of violence in their own right. This reissue will be of particular value to literature students with an interest in the concept of violence, and the boundaries and capacity of discourse.
The Violence of Victimhood
by Diane EnnsWe know that violence breeds violence. We need look no further than the wars in the western Balkans, the genocide in Rwanda, or the ongoing crisis in Israel and Palestine. But we don’t know how to deal with the messy moral and political quandaries that result when victims become perpetrators. When the line between guilt and innocence wavers and we are confronted by the suffering of the victim who turns to violence, judgment may give way to moral relativism or liberal tolerance, compassion to a pity that denies culpability. This is the point of departure in The Violence of Victimhood and the impetus for its call for renewed considerations of responsibility, judgment, compassion, and nonviolent politics.To address her provocative questions, Diane Enns draws on an unusually wide-ranging cast of characters from the fields of feminism, philosophy, peacebuilding, political theory, and psychoanalysis. In the process, she makes an original contribution to each, enriching discussions that are otherwise constricted by disciplinary boundaries and an arid distinction between theory and practice.
The Violence of Victimhood
by Diane EnnsWe know that violence breeds violence. We need look no further than the wars in the western Balkans, the genocide in Rwanda, or the ongoing crisis in Israel and Palestine. But we don’t know how to deal with the messy moral and political quandaries that result when victims become perpetrators. When the line between guilt and innocence wavers and we are confronted by the suffering of the victim who turns to violence, judgment may give way to moral relativism or liberal tolerance, compassion to a pity that denies culpability. This is the point of departure in The Violence of Victimhood and the impetus for its call for renewed considerations of responsibility, judgment, compassion, and nonviolent politics.To address her provocative questions, Diane Enns draws on an unusually wide-ranging cast of characters from the fields of feminism, philosophy, peacebuilding, political theory, and psychoanalysis. In the process, she makes an original contribution to each, enriching discussions that are otherwise constricted by disciplinary boundaries and an arid distinction between theory and practice.
The Violet Hour
by Katie RoipheFrom one of our most perceptive and provocative voices comes a deeply researched account of the last days of Susan Sontag, Sigmund Freud, John Updike, Dylan Thomas, and Maurice Sendak--an arresting and wholly original meditation on mortality. In The Violet Hour, Katie Roiphe takes an unexpected and liberating approach to the most unavoidable of subjects. She investigates the last days of five great thinkers, writers, and artists as they come to terms with the reality of approaching death, or what T. S. Eliot called "the evening hour that strives Homeward, and brings the sailor home from sea." Roiphe draws on her own extraordinary research and access to the family, friends, and caretakers of her subjects. Here is Susan Sontag, the consummate public intellectual, who finds her commitment to rational thinking tested during her third bout with cancer. Roiphe takes us to the hospital room where, after receiving the worst possible diagnosis, seventy-six-year-old John Updike begins writing a poem. She vividly re-creates the fortnight of almost suicidal excess that culminated in Dylan Thomas's fatal collapse on the floor of a Greenwich Village tavern. She gives us a bracing portrait of Sigmund Freud fleeing Nazi-occupied Vienna only to continue in his London exile the compulsive cigar smoking that he knows will hasten his decline. And she shows us how Maurice Sendak's beloved books for children are infused with his lifelong obsession with death, if you know where to look. The Violet Hour is a book filled with intimate and surprising revelations. In the final acts of each of these creative geniuses are examples of courage, passion, self-delusion, pointless suffering, and superb devotion. There are also moments of sublime insight and understanding where the mind creates its own comfort. As the author writes, "If it's nearly impossible to capture the approach of death in words, who would have the most hope of doing it?" By bringing these great writers' final days to urgent, unsentimental life, Katie Roiphe helps us to look boldly in the face of death and be less afraid.From the Hardcover edition.
The Violet Hour: The Violet Quill and the Making of Gay Culture (Between Men-Between Women: Lesbian and Gay Studies)
by David BergmanThe members of the literary circle known as the Violet Quill—Andrew Holleran, Felice Picano, Edmund White, Christopher Cox, Michael Grumley, Robert Ferro, and George Whitmore—collectively represent the aspirations and the achievement of gay writing during and after the gay liberation movement. David Bergman's social history shows how the works of these authors reflected, advanced, and criticized the values, principles, and prejudices of the culture of gay liberation. In spinning many of the most important stories gay men told of themselves in the short period between the 1969 Stonewall Riots and the devastation of the AIDS epidemic during the 1980s, the Violet Quill exerted an enormous influence on gay culture. The death toll of the AIDS epidemic, including four of the Violet Quill's seven members, has made putting such recent events into a historical context all the more important and difficult. The work of the Violet Quill expresses the joy, suffering, grief, hope, activism, and caregiving of their generation. The Violet Hour meets the urgent need for a history of the men who bore witness not only to the birth but also to the decimation of a culture.
The Virago Book of Friendship
by Rachel CookeA fond, fascinated look at women's friendship through the fiction, diaries, and letters of friends Friendship, a timeless subject, has never been more debated, something that has to do both with the internet - the perils of WhatsApp groups, the agony of ghosting - as well as with a growing awareness that loneliness is increasing in our society. Friendship has become a matter of urgent inquiry to therapists, scientists and sociologists. We understand its importance more and more, not only as a comfort and a privilege, but as vital to our health. But it's hard to get inside friendship: its particular intensity and its miraculous ease; its tendency to wax and wane; its ability to inspire both delight and despair. This is the territory of novels and poems, diaries and letters, comics and graphic novels - and it is where the innovative and wide ranging Virago Book of Friendship steps in, bringing together work by more than 100 writers. From Jane Austen to Edith Wharton and Virginia Woolf, from Dolly Alderton to Sarah Waters and Meg Wolitzer and, it celebrates and investigates friendship between women from first encounters to final goodbyes, from falling out to making up again.
The Virago Book of Friendship
by Rachel CookeA fond, fascinated look at women's friendship through the fiction, diaries, and letters of friends Friendship, a timeless subject, has never been more debated, something that has to do both with the internet - the perils of WhatsApp groups, the agony of ghosting - as well as with a growing awareness that loneliness is increasing in our society. Friendship has become a matter of urgent inquiry to therapists, scientists and sociologists. We understand its importance more and more, not only as a comfort and a privilege, but as vital to our health. But it's hard to get inside friendship: its particular intensity and its miraculous ease; its tendency to wax and wane; its ability to inspire both delight and despair. This is the territory of novels and poems, diaries and letters, comics and graphic novels - and it is where the innovative and wide ranging Virago Book of Friendship steps in, bringing together work by more than 100 writers. From Jane Austen to Edith Wharton and Virginia Woolf, from Dolly Alderton to Sarah Waters and Meg Wolitzer and, it celebrates and investigates friendship between women from first encounters to final goodbyes, from falling out to making up again.
The Virgin Suicides (SparkNotes Literature Guide Series)
by SparkNotesThe Virgin Suicides (SparkNotes Literature Guide) by Jeffrey Eugenides Making the reading experience fun! Created by Harvard students for students everywhere, SparkNotes is a new breed of study guide: smarter, better, faster. Geared to what today's students need to know, SparkNotes provides: *Chapter-by-chapter analysis *Explanations of key themes, motifs, and symbols *A review quiz and essay topicsLively and accessible, these guides are perfect for late-night studying and writing papers
The Virgin and the Grail: Origins of a Legend
by Joseph Ward GoeringSome fifty years before Chrétien de Troyes wrote what is probably the first and certainly the most influential story of the Holy Grail, images of the Virgin Mary with a simple but radiant bowl (called a "grail" in local dialect) appeared in churches in the Spanish Pyrenees. In this fascinating book, Joseph Goering explores the links between these sacred images and the origins of one of the West's most enduring legends. While tracing the early history of the grail, Goering looks back to the Pyrenean religious paintings and argues that they were the original inspiration of the grail legend. He explains how storytellers in northern France could have learned of these paintings and how the enigmatic "grail" in the hands of the Virgin came to form the centerpiece of a story about a knight in King Arthur's court. Part of the allure of the grail, Goering argues, was that neither Chrétien nor his audience knew exactly what it represented or why it was so important. And out of the attempts to answer those questions the literature of the Holy Grail was born.
The Virgin in Song: Mary and the Poetry of Romanos the Melodist (Divinations: Rereading Late Ancient Religion)
by Thomas ArentzenAccording to legend, the Virgin appeared one Christmas Eve to an artless young man standing in one of Constantinople's most famous Marian shrines. She offered him a scroll of papyrus with the injunction that he swallow it, and following the Virgin's command, he did so. Immediately his voice turned sweet and gentle as he spontaneously intoned his hymn "The Virgin today gives birth." So was born the career of Romanos the Melodist (ca. 485-560), one of the greatest liturgical poets of Byzantium, author of at least sixty long hymns, or kontakia, that were chanted during the night vigils preceding major feasts and festivals.In The Virgin in Song, Thomas Arentzen explores the characterization of Mary in these kontakia and the ways in which the kontakia echoed the cult of the Virgin. He focuses on three key moments in her story as marked in the liturgical calendar: her encounter with Gabriel at the Annunciation, her child's birth at Christmas, and the death of her son on Good Friday. Consistently, Arentzen contends, Romanos counters expectations by shifting emphasis away from Christ himself to focus on Mary—as the subject of the erotic gaze, as a breastfeeding figure of abundance and fertility, and finally as an authoritatively vocal woman who conveys the secrets of her son and the joys of the resurrection.Through his hymns, Romanos inspired an affective relationship between Mary and his audience, bringing the human and the holy into dialogue. By plumbing her emotional depths, the poet traces her process of understanding as she apprehends the mysteries that she embodies. By giving her a powerful voice, he grants subjectivity to a maiden who becomes a mediator. Romanos shaped a figure, Arentzen argues, who related intimately to her flock in a formative period of Christian orthodoxy.
The Virginia Woolf Writers' Workshop
by Danell JonesIn this brilliantly imagined book, author Danell Jones mines the diaries, essays, correspondence, and fiction of a literary legend to create an unforgettable master class in the art of writing. Using Virginia Woolf's own words, this inspiring, instructive, and entertaining guide will delight fans, students, and teachers alike--and at last give Woolf a classroom of her own. Imagine what it might be like if Virginia Woolf were teaching a writers' workshop. What would she say? What elements of her own experience would writers today find valuable? Now one need only to look within these pages to delight in her magic. For here, perched at the podium of a classroom, Woolf is ready to discuss the advice for writers that she scattered throughout her work. From nurturing ideas and dealing with self-doubt to creating a completed work and getting published, here is a wellspring of practical advice, invaluable insights on the creative life, and dozens of "writing sparks"-- exercises for writers of all levels-- inspired by Woolf's most well-known works. Take your seat in class as she shares her wisdom, wit, and expertise on a range of matters, including: *The value of experimentation*How to use a journal for inspiration*The importance of reading, walking, and practicing*Methods for learning from great writersAlso provided are recommendations for further reading as well as the original sources of all of Woolf's quotes For deeper exploration. Let Woolf's utterly unique vision guide you to your own distinct voice at the same time that you deepen your appreciation and knowledge of her as a revolutionary writer and thinker.From the Hardcover edition.
The Virtue of Sympathy
by Prof. Seth LobisBeginning with an analysis of Shakespeare's The Tempest and building to a new reading of Milton's Paradise Lost, author Seth Lobis charts a profound change in the cultural meaning of sympathy during the seventeenth century. Having long referred to magical affinities in the universe, sympathy was increasingly understood to be a force of connection between people. By examining sympathy in literary and philosophical writing of the period, Lobis illuminates an extraordinary shift in human understanding.
The Virtues Reconciled: An Iconographical Study
by Samuel C. ChewThis volume contains the Alexander Lectures in University College, University of Toronto, for the session 1945-46, delivered by Samuel C. Chew, Professor of English Literature at Bryn Mawr College and author of Byron in England and The Crescent and the Rose. For a number of years Professor Chew has been engaged in the study of relation between poetry and the visual arts, especially in the English Renaissance. The Virtues Reconciled embodies his results in an important and more or less self-contained division of this general field. It deals with the allegorical representation, visual and verbal, of the four Virtues, Truth and Justice, Mercy and Peace. The first lecture, "The Friendship of the Arts," considers generally, but with abundant illustrative example, the nature and the relation of verbal and visual imagery. The second lecture, "The Parliament of Heaven," traces the history of the allegory of the Four Daughters of God (Truth, Justice, Mercy, and Peace), who enters into debate upon the Fall of Man and his future destiny. The problem is resolved, and the Virtues are reconciled, when the Son of God offers Himself in the Atonement. The third lecture examines more closely the various forms in which Truth and Justice are personified, both in art and literature; and the final lecture affords a similar treatment of Mercy and Peace. The argument is illustrated by eighteen plates from paintings, drawings, and title-pages. Many others are described in the text, together with the works of literature which present analogous ideas and images. Of equal value for the light which it throws on the literature of the past and on an aspect of the history of the visual arts, The Virtues Reconciled will also interest the general reader. For, as Professor Chew remarks, "by means of these images our forefathers sought to express their experiences of the changes and chances of this mortal life, and one cannot contemplate them without recognizing that these great commonplaces are still applicable to the human situation."
The Virtues of Poetry
by James LongenbachAn illuminating look at the many forms of poetry's essential excellence by James Longenbach, a writer with "an ear as subtle and assured as any American poet now writing" (John Koethe)"This book proposes some of the virtues to which the next poem might aspire: boldness, change, compression, dilation, doubt, excess, inevitability, intimacy, otherness, particularity, restraint, shyness, surprise, and worldliness. The word ‘virtue' came to English from Latin, via Old French, and while it has acquired a moral valence, the word in its earliest uses gestured toward a magical or transcendental power, a power that might be embodied by any particular substance or act. With vices I am not concerned. Unlike the short-term history of taste, which is fueled by reprimand or correction, the history of art moves from achievement to achievement. Contemporary embodiments of poetry's virtues abound, and only our devotion to a long history of excellence allows us to recognize them." –from James Longenbach's prefaceThe Virtues of Poetry is a resplendent and ultimately moving work of twelve interconnected essays, each of which describes the way in which a particular excellence is enacted in poetry. Longenbach closely reads poems by Shakespeare, Donne, Blake, Keats, Dickinson, Yeats, Pound, Bishop, and Ashbery (among others), sometimes exploring the ways in which these writers transmuted the material of their lives into art, and always emphasizing that the notions of excellence we derive from art are fluid, never fixed. Provocative, funny, and astute, The Virtues of Poetry is indispensable for readers, teachers, and writers. Longenbach reminds us that poetry delivers meaning in exacting ways, and that it is through its precision that we experience this art's lasting virtues.
The Virus Paradigm: A Planetary Ecology of the Mind (Elements in Environmental Humanities)
by Roberto MarchesiniIn recent years, the word 'virus' has lost its biological perimeter of reference to acquire a much broader – could say 'paradigmatic' – meaning. The term 'virus' can be seen as a key word or an explanatory model also for processes that go beyond the infectious sphere. Every event appears to have a viral character: from the way information is transmitted to the processes of cultural globalization, from the impact of human beings on the planet to the subversion of ecosystems, from pandemic risks to the demographic increase on the planet. This seems to be indeed the Age of the Virus. Its model can be applied to most of the phenomena that characterize the twenty-first. Its profile – its looming and invisible nature, its ability to use other people's resources to spread and to transform into a dangerous doppelganger – is perfect to represent the fears of the contemporary age.
The Visceral Logics of Decolonization
by Neetu KhannaIn The Visceral Logics of Decolonization Neetu Khanna rethinks the project of decolonization by exploring a knotted set of relations between embodied experience and political feeling that she conceptualizes as the visceral. Khanna focuses on the work of the Progressive Writers' Association (PWA)—a Marxist anticolonial literary group active in India between the 1930s and 1950s—to show how anticolonial literature is a staging ground for exploring racialized emotion and revolutionary feeling. Among others, Khanna examines novels by Mulk Raj Anand, Ahmed Ali, and Khwaja Ahmad Abbas, as well as the feminist writing of Rashid Jahan and Ismat Chughtai, who each center the somatic life of the body as a fundamental site of colonial subjugation. In this way, decolonial action comes not solely from mental transformation, but from a reconstitution of the sensorial nodes of the body. The visceral, Khanna contends, therefore becomes a critical dimension of Marxist theories of revolutionary consciousness. In tracing the contours of the visceral's role in decolonial literature and politics, Khanna bridges affect and postcolonial theory in new and provocative ways.
The Vision of Richard Weaver (The Library of Conservative Thought)
by Joseph A. ScotchieRichard M. Weaver was one of the founders of modern conservatism. He is an enduring intellectual figure of twentieth-century America. Weaver was dedicated to examining the dual nature of human beings and the quest for civilized communities in a corrupted age that believed in the religion of science and in the "natural goodness" of man. The Vision of Richard Weaver is the first collection of essays about this seminal thinker.Thirty years after his untimely death, Richard Weaver remains a heroic figure to many conservatives and traditionalists concerned about the state of American culture. Now a new generation of readers can understand the importance of this pioneer of thought. The Vision of Richard Weaver will be of significant value to political theorists, philosophers, and students of American civilization.
The Visionary Company: A Reading of English Romantic Poetry
by Harold BloomThis is a revised and enlarged edition of the most extensive and detailed critical reading of English Romantic poetry ever attempted in a single volume. It is both a valuable introduction to the Romantics and an influential work of literary criticism. The perceptive interpretations of the major poems of Blake, Wordsworth, Coleridge, Byron, Shelley, Keats, Beddoes, Clare, and Darley develop the themes of Romantic myth-making and the dialectical relationship between nature and imagination. For this new edition, Harold Bloom has added an introductory essay on the historical backgrounds of English Romantic poetry and an epilogue relating his book to literary trends.
The Visionary Queen: Justice, Reform, and the Labyrinth in Marguerite de Navarre (EARLY MODERN FEMINISMS)
by Theresa BrockThe Visionary Queen affirms Marguerite de Navarre’s status not only as a political figure, author, or proponent of nonschismatic reform but also as a visionary. In her life and writings, the queen of Navarre dissected the injustices that her society and its institutions perpetuated against women. We also see evidence that she used her literary texts, especially the Heptaméron, as an exploratory space in which to generate a creative vision for institutional reform. The Heptaméron’s approach to reform emerges from statistical analysis of the text’s seventy-two tales, which reveals new insights into trends within the work, including the different categories of wrongdoing by male, institutional representatives from the Church and aristocracy, as well as the varying responses to injustice that characters in the tales employ as they pursue reform. Throughout its chapters, The Visionary Queen foregrounds the trope of the labyrinth, a potent symbol in early modern Europe that encapsulated both the fallen world and redemption, two themes that underlie Marguerite's project of reform.
The Visual Life of Romantic Theater, 1780-1830
by Diane Piccitto Terry F. RobinsonThe Visual Life of Romantic Theater examines the dynamism and vibrancy of stage spectacle and its impact in an era of momentous social upheaval and aesthetic change. Situating theatrical production as key to understanding visuality ca. 1780-1830, this book places the stage front and center in Romantic scholarship by re-envisioning traditional approaches to artistic and social creation in the period. How, it asks, did dramaturgy and stagecraft influence aesthetic and sociopolitical concerns? How does a focus on visuality expand our understanding of the historical experience of theatergoing? In what ways did stage performance converge with visual culture beyond the theater? How did extratheatrical genres engage with theatrical sight and spectacle? Finally, how does a focus on dramatic vision change the way we conceive of Romanticism itself? The volume’s essays by emerging and established scholars provide exciting and suggestive answers to these questions, along with a more capacious conception of Romantic theater as a locus of visual culture that reached well beyond playhouse walls.