- Table View
- List View
Trauma in Sentient Beings: Nature, Nurture and Nim
by Robert Ingersoll Antonina Anna ScarnàThis is a book about the bond between sentient beings. It explores the non-verbal space between two entities, and asks questions like: What is a healthy human being? Is it nature? Nurture? Nature via nurture? How are we born with personality traits, emotion, mood, language abilities, and intelligence? What do we know about attachment, family structure, and genetic inheritance?Dr Anna Scarnà and Robert Ingersoll use the life history of the chimpanzee, Nim Chimpsky and his family: parents Carolyn and Pan, companion Lilly, their daughter, Sheba, and an assortment of human carers, to explain the hallmarks of healthy human psychological development. What makes humans "human", and chimpanzees, "chimpanzees"? Do chimpanzees have a personality, or should we consider them to have a “chimpanality?”Robert, close friend and carer of Nim, gives the facts about Nim’s upbringing and first-degree relatives, and Anna reports with reference to theories of brain, personality, self, and language. Together they explain what can be drawn from psychological research and reanalyse the chimpanzee work from the 1960s and 1970s in order to honour and respect the memory of those animals.
Trauma, Memory and Silence of the Irish Woman in Contemporary Literature: Wounds of the Body and the Soul (Routledge Studies in Irish Literature)
by Madalina Armie Veronica MembriveThis volume studies the manifestations of female trauma through the exploration of multiple wounds, inflicted on both body and mind (Caruth 1996, 3) and the soul of Irish women from Northern Ireland and the Republic within a contemporary context, and in literary works written at the turn of the twenty-first century and beyond. These artistic manifestations connect tradition and modernity, debunk myths, break the silence with the exposure of uncomfortable realities, dismantle stereotypes and reflect reality with precision. Women’s issues and female experiences depicted in contemporary fiction may provide an explanation for past and present gender dynamics, revealing a pathway for further renegotiation of gender roles and the achievement of equilibrium and equality between sexes. These works might help to seal and heal wounds both old and new and offer solutions to the quandaries of tomorrow.
Trauma Narratives and Herstory
by Sonya Andermahr Silvia Pellicer-OrtínFeaturing contributions from a wide array of international scholars, the book explores the variety of representational strategies used to depict female traumatic experiences in texts by or about women, and in so doing articulates the complex relation between trauma, gender and signification.
Trauma Plot: A Life
by Jamie HoodFrom a rising literary star and the author of how to be a good girl comes a brilliant, biting, and beautifully wrought memoir of trauma and the cost of survival"Hood descends into the terrifying dark of the unsayable with the dimmest of flashlights and returns bearing verbal gems, treasures, and marvels. Trauma Plot is a glass case of such wonders."—Torrey Peters, bestselling author of Detransition, Baby and Stag DanceIn the thick of lockdown, 2020, poet, critic, and memoirist Jamie Hood published her debut, how to be a good girl, an interrogation of modern femininity and the narratives of love, desire, and violence yoked to it. The Rumpus praised Hood&’s &“bold vulnerability,&” and Vogue named it a Best Book of 2020. In Trauma Plot, Hood draws on disparate literary forms to tell the story that lurked in good girl&’s margins—of three decades marred by sexual violence and the wreckage left behind. With her trademark critical remove, Hood interrogates the archetype of the rape survivor, who must perform penitence long after living through the unthinkable, invoking some of art&’s most infamous women to have played the role: Ovid&’s Philomela, David Lynch&’s Laura Palmer, and Artemisia Gentileschi, who captured Judith&’s wrath. In so doing, she asks: What do we as a culture demand of survivors? And what do survivors, in turn, owe a world that has abandoned them? Trauma Plot is a scalding work of personal and literary criticism. It is a send-up of our culture's pious disdain for &“trauma porn,&” a dirge for the broken promises of #MeToo, and a paean to finding life after death.
Trauma, Posttraumatic Growth, and World Literature: Metamorphoses and a Literary Arts Praxis (Literary Criticism and Cultural Theory)
by Suzanne LaLondePandemics, global climate chaos, worldwide migration crises? These phenomena are provoking traumatic experiences in unprecedented ways and numbers. This book is targeted for clinicians, scientists, cultural theorists, and other scholars and students of trauma studies interested in cultivating interdisciplinary understandings of trauma and posttraumatic conditions, especially resistance, resilience, and posttraumatic growth. Following clinicians’ invitation for trauma survivors to wear a philosopher’s hat, to engage in creative activities, and to employ cognitive exercises to combat psychic constriction, I introduce the concept of a Literary Arts Praxis. The Praxis is built on clinical research and literature seeped in existential, phenomenological, and aesthetic themes. I argue that an educational training in a Praxis might help trauma survivors to get at trauma, as they engage in imaginative escapades, while forging alliances with characters; interpretative exercises, such as triggering emotions through phenomenological experiences; and creative writing endeavors, that include turning testimonies into imaginative stories.
Trauma, Precarity and War Memories in Asian American Writings
by Jade Tsui-yu LeeDeparting from Jacques Derrida’s appropriations of cinders as a trope of war atrocity aftermath, this book examines writings that deal with war trauma memories in Asian-American communities. Seeing war experiences and their associative diasporas and affects as the core and axis, it considers the multifarious poetics and politics of minority trauma writings, and posits a possible interpretive framework for contemporary Asian-American writings, including those written by Julie Otsuka, Joseph Craig Danner, Monique Truong, Nguyen Viet Thanh, Janice Lowe Shinebourne, and Andre Lamontagne. As these writings contain works regarding Japanese-American, Indo-Chinese Guyanese, Chinese Quebeçois, Vietnamese exiles/refugees, and Vietnam-American experiences, this book presents a broad cross-cultural view on migration and minority issues triggered by wars and precarious conditions, as the diversified experiences examined here epitomize an intricate historical intimacy across four continents: Asia, the Americas, Africa and Europe.
The Trauma Question
by Roger LuckhurstIn this book, Roger Luckhurst both introduces and advances the fields of cultural memory and trauma studies, tracing the ways in which ideas of trauma have become a major element in contemporary Western conceptions of the self. The Trauma Question outlines the origins of the concept of trauma across psychiatric, legal and cultural-political sources from the 1860s to the coining of Post-Traumatic Stress Disorder in 1980. It further explores the nature and extent of ‘trauma culture’ from 1980 to the present, drawing upon a range of cultural practices from literature, memoirs and confessional journalism through to photography and film. The study covers a diverse range of cultural works, including writers such as Toni Morrison, Stephen King and W. G. Sebald, artists Tracey Emin, Christian Boltanski and Tracey Moffatt, and film-makers David Lynch and Atom Egoyan. The Trauma Question offers a significant and fascinating step forward for those seeking a greater understanding of the controversial and ever-expanding field of trauma research.
Trauma Texts (Life Writing)
by Gillian Whitlock Kate DouglasThese chapters gathered from two special issues of the journal Life Writing take up a major theme of recent work in the Humanities: Trauma. Autobiography has had a major role to play in this ‘age of trauma’, and these essays turn to diverse contexts that have received little attention to date: partition narratives in India, Cambodian and Iranian rap, refugee letters from Nauru, graffiti in Tanzania, and the silent spaces of trauma in Chile and Guantanamo. The contexts and media of these autobiographical trauma texts are diverse, yet they are linked by attention to questions of who gets to speak/write/inscribe autobiographically and how and where and why, and how can silences in the wake of traumatic experiences be read. These essays deliberately set out to establish some new fields for research in trauma studies by reaching out to a broader global context, into various texts, media and artifacts, representing diverse histories with specific attention to different voices, bodies, memories and subjectivities. This collection addresses the contemporary circuits of trauma story, and the media and icons and narratives that carry trauma story to political effect and emotional affect.This book was previously published as two special issues of Life Writing.
Trauma, Transcendence, and Trust
by Thomas J. Brennan S. J.Thomas Brennan finds roots of the 'sensibility of trauma' by returning to the work of Wordsworth, Tennyson, and Eliot. By reading these poets of mourning through the framework of trauma, Brennan reflects on our traumatized moment and weighs two potential responses - the fantasy of transcendence and the ethic of trust.
Traumatic Memory and the Ethical, Political and Transhistorical Functions of Literature
by Susana Onega Constanza Del Río Maite Escudero-AlíasThis volume addresses the construction and artistic representation of traumatic memories in the contemporary Western world from a variety of inter- and trans-disciplinarity critical approaches and perspectives, ranging from the cultural, political, historical, and ideological to the ethical and aesthetic, and distinguishing between individual, collective, and cultural traumas. The chapters introduce complementary concepts from diverse thinkers including Cathy Caruth, Jacques Derrida, Judith Butler, Homi Bhabha, Abraham and Torok, and Joyce Carol Oates; they also draw from fields of study such as Memory Studies, Theory of Affects, Narrative and Genre Theory, and Cultural Studies. Traumatic Memory and the Political, Economic, and Transhistorical Functions of Literature addresses trauma as a culturally embedded phenomenon and deconstructs the idea of trauma as universal, transhistorical, and abstract.
Traumatic Tales: British Nationhood and National Trauma in Nineteenth-Century Literature (Routledge Studies in Nineteenth Century Literature)
by Lisa KasmerTraumatic Tales: British Nationhood and National Trauma in Nineteenth-Century Literature explores intersections of nationalism and trauma in Romantic and Victorian literature from the emergence of British nationalism through the height of the British Empire. From the national tales of the early nineteenth century to the socially incisive realist novels that emerged later in the century, nationalism is inescapable in this literature, as much current scholarship acknowledges. Nineteenth-century national trauma, however, has only recently begun to be explored. Taking as its starting point the unsettling effects of nationalism, the essays in this collection expose the violence underlying empire-building, particularly in regard to subject identity. National violence—imperialism, colonialism and warfare—necessarily grounds nation-formation in deep-lying trauma. As the essays demonstrate, such fraught nexus are made visible in national tales as well as in political policy, exposed by means of theoretical and historical analyses to reveal psychological, political, social and individual trauma. This exploration of violence in the construction of national ideology in nineteenth-century Britain rethinks our understanding of cultural memory, national identity, imperialism, and colonialism, recent thrusts of Romantic and Victorian study in nineteenth-century literature.
Travel and Colonialism in 21st Century Romantic Historical Fiction: Exotic Journeys, Reparative Histories? (Routledge Research in Women's Literature)
by Paloma Fresno-Calleja Hsu-Ming TeoRomantic fiction has often involved stories of travel. In narratives of the journey towards love, "romance" often involves encounters with "exotic" places and peoples. When history is invoked in such stories, the past itself is exoticised and treated as "other" to the present to serve the purposes of romanticisation: a narrative strategy by which all manner of things – settings, characters, costumes, customs, consumables – are made to perform a luxuriant otherness that amplifies the experience of love. This volume questions the reparative function of Anglophone romantic historical fiction to ask: can plots of travel and discourses of tourism empower women while narrating stories of healing for the wounds of the past? This is the first volume to consider how romanticised and exoticised women’s historical fiction not only serves the purposes of armchair travel but may also replicate colonial discourse, unintentionally positioning readers as neocolonial, neo-Orientalist cultural voyeurs as well as voyagers.
Travel and Dislocation in Contemporary American Fiction (Routledge Transnational Perspectives on American Literature)
by Aliki VarvogliThis book offers a critical study and analysis of American fiction at the beginning of the twenty-first century. It focuses on novels that ‘go outward’ literally and metaphorically, and it concentrates on narratives that take place mainly away from the US’s geographical borders. Varvogli draws on current theories of travel globalization and post-national studies, and proposes a dynamic model that will enable scholars to approach contemporary American fiction and assess recent changes and continuities. Concentrating on work by Philip Caputo, Dave Eggers, Norman Rush and Russell Banks, the book proposes that American literature’s engagement with Africa has shifted and needs to be approached using new methodologies. Novels by Amy Tan, Garrison Keillor, Jonathan Safran Foer and Dave Eggers are examined in the context of travel and globalization, and works by Chang-rae Lee, Ethan Canin, Dinaw Mengestu and Jhumpa Lahiri are used as examples of the changing face of the American immigrant novel, and the changing meaning of national belonging.
Travel and Drama in Early Modern England: The Journeying Play (Early Modern Literature in History)
by Claire Jowitt David McInnisThis agenda-setting volume on travel and drama in early modern England provides new insights into Renaissance stage practice, performance history, and theatre's transnational exchanges. It advances our understanding of theatre history, drama's generic conventions, and what constitutes plays about travel at a time when the professional theatre was rapidly developing and England was attempting to announce its presence within a global economy. Recent critical studies have shown that the reach of early modern travel was global in scope, and its cultural consequences more important than narratives that are dominated by the Atlantic world suggest. This collection of essays by world-leading scholars redefines the field by expanding the canon of recognized plays concerned with travel. Re-assessing the parameters of the genre, the chapters offer fresh perspectives on how these plays communicated with their audiences and readers.
Travel and Drugs in Twentieth-Century Literature (Routledge Studies in Twentieth-Century Literature #11)
by Lindsey Michael BancoThis book examines the connections between two disparate yet persistently bound thematics -- mobility and intoxication -- and explores their central yet frequently misunderstood role in constructing subjectivity following the 1960s. Emerging from profound mid-twentieth-century changes in how drugs and travel were imagined, the conceptual nexus discussed sheds new light on British and North American responses to sixties counterculture. With readings of Aldous Huxley, William Burroughs, Alex Garland, Hunter S. Thompson, and Robert Sedlack, Banco traces twin arguments, looking at the ways travel is imagined as a disciplinary force acting upon the creative, destabilizing powers of psychedelic intoxication; and exploring the ways drugs help construct travel spaces and practices as, at times, revolutionary, and at other times, neo-colonial. By following a sequence of shifting understandings of drug and travel orthodoxies, this book traverses fraught and irresistibly linked terrains from the late 1950s up to a period marked by international, postmodern tourism. As such, it helps illuminate a world where tourism is continually expanding yet constantly circumscribed, and where illegal drugs are both increasingly unregulated in the global economy and perceived more and more as crucial agents in the construction of human subjectivity.
Travel and Ethics: Theory and Practice (Routledge Research in Travel Writing)
by Charles Forsdick Corinne Fowler Ludmilla KostovaDespite the recent increase in scholarly activity regarding travel writing and the accompanying proliferation of publications relating to the form, its ethical dimensions have yet to be theorized with sufficient rigour. Drawing from the disciplines of anthropology, linguistics, literary studies and modern languages, the contributors in this volume apply themselves to a number of key theoretical questions pertaining to travel writing and ethics, ranging from travel-as-commoditization to encounters with minority languages under threat. Taken collectively, the essays assess key critical legacies from parallel disciplines to the debate so far, such as anthropological theory and postcolonial criticism. Also considered, and of equal significance, are the ethical implications of the form’s parallel genres of writing, such as ethnography and journalism. As some of the contributors argue, innovations in these genres have important implications for the act of theorizing travel writing itself and the mode and spirit in which it continues to be conducted. In the light of such innovations, how might ethical theory maintain its critical edge?
Travel and Identity: Studies in Literature, Culture and Language (Second Language Learning and Teaching)
by Jakub LipskiThis book presents a selection of research papers dealing with the notions of travel and identity in Anglophone literature and culture. Collectively, the chapters ponder such notions as self and other, race, centre and periphery, thus shedding new light on a number of issues that are highly relevant in the context of the ongoing migration crisis. The contributors employ a diverse range of theoretical standpoints – from close reading to deconstruction, from historically informed approaches to linguistic analysis – and thus offer a nuanced panorama of these issues, especially from the nineteenth century onwards.
Travel and Modernist Literature: Sacred and Ethical Journeys (Routledge Studies In Twentieth-century Literature Ser. #15)
by Alexandra PeatThrough close readings of works from Henry James to W. E. B. Du Bois, and from Virginia Woolf to Jean Rhys, this book discusses how fictional travelers negotiate and adapt various tropes of travel (such as quest, expatriation, displacement, and exile) as models for their own journeys. Specifically, Peat considers the ethical dimensions of modernist travel from two distinct vantages. The first focuses on the relationship between the secular and the sacred in modernist travel literature, arguing that the recurrent narrative of secular travel is haunted by a desire for spiritual transcendence. The second posits modernist travel fiction as a potentially positive example of transcultural relations, consciously arguing against the received notion that travel during an imperial era is always by nature itself imperialist. Throughout, particular attention is paid to the transnational nature of modernism and the various global flows traced by modernist literature.
Travel Culture, Travel Writing and Bengali Women, 1870–1940
by Jayati GuptaThis book chronicles travel writings of Bengali women in colonial India and explores the intersections of power, indigeneity, and the representations of the ‘self’ and the ‘other’ in these writings. It documents the transgressive histories of these women who stepped out to create emancipatory identities for themselves. The book brings together a selection of travelogues from various Bengali women and their journeys to the West, the Aryavarta, and Japan. These writings challenge stereotypes of the 'circumscribed native woman’ and explore the complex personal and socio-political histories of women in colonial India. Reading these from a feminist, postcolonial perspective, the volume highlights how these women from different castes, class and ages confront the changing realities of their lives in colonial India in the backdrop of the independence movement and the second world war. The author draws attention to the personal histories of these women, which informed their views on education, womanhood, marriage, female autonomy, family, and politics in the late 19th and early 20th centuries. Engaging and insightful, this volume will be of interest to students and researchers of literature and history, gender and culture studies, and for general readers interested in women and travel writing.
Travel, Discovery, Transformation (Culture And Civilization Ser.)
by Gabriel R. RicciThis latest volume in the Culture & Civilization series gathers interdisciplinary voices to present a collection of essays on travel and travel narratives. The essays span a range of topics from iconic ancient travel stories to modern tourism. They discuss travel in the ancient world, modern heroic travels, the literary culture of missionary travel, the intersection of fiction and travel narratives, modern literary traditions and visions of Greece, personal identity, and expatriation. Essays also address travel memoirs, the re-imagining of worlds through travel, transformed landscapes and animals in travel narratives, diplomacy, English women travel writers, and pilgrimage and health in the medieval world.The history of travel writing takes in multiple pursuits: exploration and conquest, religious pilgrimage and missionary work, educational tourism and diplomacy, scientific and personal discovery, and natural history and oral history. As a literary genre, it has enhanced a wide range of disciplines, including geography, ethnography, anthropology, and linguistics. Moreover, twenty-first-century interests in travel and travel writing have produced a global framework that promises to expand travel's theoretical reach into the depths of the Internet, thus challenging our conventional concept of what it means to travel.The fact that travel and travel writing have a prehistory that is embedded in foundational religious texts and ancient narratives of journey, like the Odyssey and the Epic of Gilgamesh, makes both travel and travel writing fundamental and essential expressions of humanity. Travel encourages writing, particularly as epistolary and poetic chronicling. This is clearly a history and tradition that began with human communication and which has kept pace with our collective development.
Travel in Victorian Periodicals, 1850-1900: Media Logic and Cultural Work
by Barbara KorteThis is the first study to explore the connections between the development of travel and the rapid expansion of the periodicals market in the second half of the nineteenth century in Britain. By the 1860s, travel articles had become a staple of the periodicals market and reached readers who might never have travelled far themselves or bought a travel book. This monograph demonstrates that the representation of travel in Victorian periodicals came in forms and with cultural functions that differed from book publication, and that this media-specific representation helped to inscribe travel into the Victorian lifeworld. Based on a corpus of several general-interest periodicals targeted at different audiences, this book investigates how different readers - the family, women, young people and the working classes - engaged with travel. It argues that travel articles in periodicals performed significant cultural work because they accommodated readers to travel.
Travel Journalism: Exploring Production, Impact and Culture
by F. Hanusch E. FürsichContributors from diverse backgrounds explore a range of issues in relation to the media and journalism's role in ascribing meaning to tourism practices. This fascinating account offers a thoroughly international and interdisciplinary perspective on an increasingly important field of journalism scholarship.
Travel Journalism
by Folker Hanusch Elfriede FürsichTravel journalism has experienced enormous growth over recent decades, with a record number of media organizations now involved in producing information for tourists in one way or another. Correspondingly, journalism and media scholars have begun to pay more attention to this phenomenon. This book gives a comprehensive overview of the burgeoning field of travel journalism studies. The contributors explore travel journalism in newspapers and magazines, on television and online, across a wide range of national and cultural contexts. Individual chapters provide critical discussions of theoretical approaches, present studies of production, content and impact, and explain how travel journalism can be understood through the lenses of postcolonialism, sustainability and cosmopolitanism. This fascinating account offers a thoroughly international and interdisciplinary perspective on an increasingly important field of journalism scholarship.
Travel, Modernism and Modernity
by Robert BurdenFocusing on the significance of travel in Joseph Conrad, E.M. Forster, D.H. Lawrence, Henry James, and Edith Wharton, Robert Burden shows how travel enabled a new consciousness of mobility and borders during the modernist period. For these authors, Burden suggests, travel becomes a narrative paradigm and dominant trope by which they explore questions of identity and otherness related to deep-seated concerns with the crisis of national cultural identity. He pays particular attention to the important distinction between travel and tourism, at the same time that he attends to the slippage between seeing and sightseeing, between the local character and the stereotype, between art and kitsch, and between older and newer ways of storytelling in the representational crisis of modernism. Burden argues that the greater awareness of cultural difference that characterizes both the travel writing and fiction of these expatriate writers became a defining feature of literary modernism, resulting in a consciousness of cultural difference that challenged the ethnographic project of empire.
Travel Narrative and the Ends of Modernity
by Stacy BurtonOver the past century, narratives of travel changed in response to modernist and postmodernist literary innovation, world wars, the demise of European empires, and the effect of new technologies and media on travel experience. Yet existing critical studies have not examined fully how the genre changes or theorized why. This study investigates the evolution of Anglophone travel narrative from the 1920s to the present, addressing the work of canonical authors such as T. E. Lawrence, W. H. Auden, and Rebecca West; best-sellers by Peter Fleming and H. V. Morton; and texts by Colin Thubron, Andrew X. Pham, Rosemary Mahoney, and others. It argues that the genre's most important transformation lies in its reinvention as a means of narrating the subjective experience of violence, cultural upheaval, and decline. It will interest scholars and students of travel writing, modernism and postmodernism, English and American literature, and the history and sociology of travel.