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Unnamable: The Ends of Asian American Art
by Susette MinRedraws the contours of Asian American art, attempting to free it from a categorization that stifles more than it reveals. Charting its historical conditions and the expansive contexts of its emergence, Susette Min challenges the notion of Asian American art as a site of reconciliation or as a way for marginalized artists to enter into the canon or mainstream art scene. Pressing critically on the politics of visibility and how this categorization reduces artworks by Asian American artists within narrow parameters of interpretation, Unnamable reconceives Asian American art not as a subset of objects, but as a medium that disrupts representations and embedded knowledge. By approaching Asian American art in this way, Min refigures the way we see Asian American art as an oppositional practice, less in terms of its aspirations to be seen—its greater visibility—and more in terms of how it models a different way of seeing and encountering the world. Uniquely presented, the chapters are organized thematically as mini-exhibitions, and offer readings of select works by contemporary artists including Tehching Hsieh, Byron Kim, Simon Leung, Mary Lum, and Nikki S. Lee. Min displays a curatorial practice and reading method that conceives of these works not as “exemplary” instances of Asian American art, but as engaged in an aesthetic practice that is open-ended. Ultimately, Unnamable insists that in order to reassess Asian American art and its place in art history, we need to let go not only of established viewing practices, but potentially even the category of Asian American art itself.
The Unnameable Monster in Literature and Film (Routledge Interdisciplinary Perspectives on Literature)
by Maria BevilleThis book visits the 'Thing' in its various manifestations as an unnameable monster in literature and film, reinforcing the idea that the very essence of the monster is its excess and its indeterminacy. Tied primarily to the artistic modes of the gothic, science fiction, and horror, the unnameable monster retains a persistent presence in literary forms as a reminder of the sublime object that exceeds our worst fears. Beville examines various representations of this elusive monster and argues that we must looks at the monster, rather than through it, at ourselves. As such, this book responds to the obsessive manner in which the monsters of literature and culture are ‘managed’ in processes of classification and in claims that they serve a social function by embodying all that is horrible in the human imagination. The book primarily considers literature from the Romantic period to the present, and film that leans toward postmodernism. Incorporating disciplines such as cultural theory, film theory, literary criticism, and continental philosophy, it focuses on that most difficult but interesting quality of the monster, its unnameability, in order to transform and accelerate current readings of not only the monsters of literature and film, but also those that are the focus of contemporary theoretical discussion.
The Unnaming of Kroeber Hall: Language, Memory, and Indigenous California
by Andrew GarrettA critical examination of the complex legacies of early Californian anthropology and linguistics for twenty-first-century communities.In January 2021, at a time when many institutions were reevaluating fraught histories, the University of California removed anthropologist and linguist Alfred Kroeber&’s name from a building on its Berkeley campus. Critics accused Kroeber of racist and dehumanizing practices that harmed Indigenous people; university leaders repudiated his values. In The Unnaming of Kroeber Hall, Andrew Garrett examines Kroeber&’s work in the early twentieth century and his legacy today, asking how a vigorous opponent of racism and advocate for Indigenous rights in his own era became a symbol of his university&’s failed relationships with Native communities. Garrett argues that Kroeber&’s most important work has been overlooked: his collaborations with Indigenous people throughout California to record their languages and stories.The Unnaming of Kroeber Hall offers new perspectives on the early practice of anthropology and linguistics and on its significance today and in the future. Kroeber&’s documentation was broader and more collaborative and multifaceted than is usually recognized. As a result, the records Indigenous people created while working with him are relevant throughout California as communities revive languages, names, songs, and stories. Garrett asks readers to consider these legacies, arguing that the University of California chose to reject critical self-examination when it unnamed Kroeber Hall.
Unnatural Narrative: Impossible Worlds in Fiction and Drama (Frontiers of Narrative #9)
by Jan AlberA talking body part, a character that is simultaneously alive and dead, a shape-changing setting, or time travel: although impossible in the real world, such narrative elements do appear in the storyworlds of novels, short stories, and plays. Impossibilities of narrator, character, time, and space are not only common in today’s world of postmodernist literature but can also be found throughout the history of literature. Examples include the beast fable, the heroic epic, the romance, the eighteenth-century circulation novel, the Gothic novel, the ghost play, the fantasy narrative, and the science-fiction novel, among others.Unnatural Narrative looks at the startling and persistent presence of the impossible or “the unnatural” throughout British and American literary history. Layering the lenses of cognitive narratology, frame theory, and possible-worlds theory, Unnatural Narrative offers a rigorous and engaging new characterization of the unnatural and what it yields for individual readers as well as literary culture. Jan Alber demonstrates compelling interpretations of the unnatural in literature and shows the ways in which such unnatural phenomena become conventional in readers’ minds, altogether expanding our sense of the imaginable and informing new structures and genres of narrative engagement.
Unnatural Narrative across Borders: Transnational and Comparative Perspectives (China Perspectives)
by Biwu ShangThis book actively engages with current discussion of narratology, and unnatural narrative theory in particular. Unsatisfied with the hegemony of European and Anglo-American narrative theory, it calls for a transnational and comparative turn in unnatural narrative theory, the purpose of which is to draw readers’ attention to those periphery and marginalized narratives produced in places other than England and America. It places equal weight on theoretical exploration and critical practice. The book, in addition to offering a detailed account of current scholarship of unnatural narratology, examines its core issues and critical debates as well as outlining a set of directions for its future development. To present a counterpart of Western unnatural narrative studies, this book specifically takes a close look at the experimental narratives in China and Iraq either synchronically or diachronically. In doing so, it aims, on the one hand, to show how the unnatural narratives are written and to be explained differently from those Western unnatural narrative works, and on the other hand, to use the particular cases to challenge the existing narratological framework so as to further enrich and supplement it. The book will be useful and inspiring to those scholars working in such broad fields as narrative theory, literary criticism, cultural studies, semiotics, media studies, and comparative literature and world literature studies.
Unnatural Selections
by Daylanne K. EnglishChallenging conventional constructions of the Harlem Renaissance and American modernism, Daylanne English links writers from both movements to debates about eugenics in the Progressive Era. She argues that, in the 1920s, the form and content of writings by figures as disparate as W. E. B. Du Bois, T. S. Eliot, Gertrude Stein, and Nella Larsen were shaped by anxieties regarding immigration, migration, and intraracial breeding. English's interdisciplinary approach brings together the work of those canonical writers with relatively neglected literary, social scientific, and visual texts. She examines antilynching plays by Angelina Weld Grimke as well as the provocative writings of white female eugenics field workers. English also analyzes the Crisis magazine as a family album filtering uplift through eugenics by means of photographic documentation of an ever-improving black race.English suggests that current scholarship often misreads early-twentieth-century visual, literary, and political culture by applying contemporary social and moral standards to the past. Du Bois, she argues, was actually more of a eugenicist than Eliot. Through such reconfiguration of the modern period, English creates an allegory for the American present: because eugenics was, in its time, widely accepted as a reasonable, progressive ideology, we need to consider the long-term implications of contemporary genetic engineering, fertility enhancement and control, and legislation promoting or discouraging family growth.
Unnoticed in the Casual Light of Day: Phillip Larkin and the Plain Style (Studies in Major Literary Authors)
by Tijana StojkovicLarkin's poems are often regarded as falling somewhere between the traditional 'plain' and the more contemporary 'postmodern' categories. This study undertakes a comprehensive linguistic and historical study of the plain style tradition in poetry, its relationship with so-called 'difficult' poetry, and its particular realization in the cultural and historical context of 20th-century Britain. The author examines the nature of poetry as a type of discourse, the elements of, and factors in, the development of literary styles, a close rhetorical examination of Larkin's poems within the described poetic frameworks, and his position in the British twentieth-century poetic canon.
The Unofficial Heroes of Olympus Companion: Gods, Monsters, Myths and What's in Store for Jason, Piper and Leo
by Richard Marcus Natalie Buczynsky Jonathan ShelnuttDELVE INTO THE WORLD OF THE OLYMPIANSIn the ancient world, the gods and their heroic half-blood children were legendary. Now in the modern world, they regain their glory in the pages of Rick Riordan's captivating novels. Providing everything you'll need to become a Hero of Olympus, the book looks back at the stories of Percy Jackson while exploring how Riordan hints at but keeps readers guessing what's in a store for Jason, Piper and Leo.In this handy companion, the Olympic gods are fully detailed, from origin and family relationships to famous tales and an expressive illustration, including:Zeus * Hera * Poseidon * Athena * Apollo * AphroditeThe vast array of other gods and fantastical creatures are also cataloged:* Atlas who literally carries the weight of the world on his shoulders* Kronos a Titan who swallows his newborn children* Persephone a kidnapped goddess who becomes queen of the Underworld* Minotaur a half-bull, half-man imprisoned in a labyrinth* Hydra a poisonous serpent who grows two heads when one is severed* Sirens deadly nymphs whose irresistibly beautiful singing lures sailors to their doomIMPORTANT NOTE TO READERS: This book is an independent and unauthorized fan publication.
The Unofficial Wordle Strategy Guide: How to Play—and Win—Everyone's Favorite Online Game
by Adams MediaDiscover winning strategies and hints for playing Wordle, the wildly popular once-a-day word puzzle with The Unofficial Wordle Strategy Guide.Are you a Wordle player? Or are you just wondering why Twitter is full of green, yellow, and gray grids lately? Wordle is our newest obsession—a deceptively simple game that gives you six chances to guess a common five-letter word. The Unofficial Wordle Strategy Guide is the perfect companion to this addictive game. It&’s full of tips for solving the daily puzzle, strategies for reducing the number of guesses, and lists of the best starter words and two-word combinations. Don&’t play another day without the info you need for the game you love in The Strategy Unofficial Wordle Guide!
Unorthodox Minds in Contemporary Fiction (Routledge Studies in Contemporary Literature)
by Grzegorz Maziarczyk Joanna Klara TeskeUnorthodox Minds in Contemporary Fiction seeks to provide an overview of the ways in which broadly understood contemporary fiction envisions, explores and engenders minds going beyond the classical models. The opening essay discusses the complex relationships between such innovative concepts of the mind and experimental techniques for presenting mentality. The chapters which follow focus on (dis)embodied and/or extended mind, virtuality of avatar minds, intermental thought of reader communities, the capability of artificial intelligence (and humans) for genuine selfless love, the interplay between technology and affect in posthuman consciousness. The books under discussion include Murmur by Will Eaves, The Unfortunates by B.S. Johnson, The Satanic Verses by Salman Rushdie, H(A)PPY by Nicola Barker and Machines Like Me by Ian McEwan. A piece of conceptual fiction by Steve Tomasula, one of the most innovative American novelists of our times, exploring the human mind’s alleged power to transcend its biological limits, complements these scholarly inquiries.
Unpacking Complexity in Informational Texts
by Sunday CumminsTo acquire content knowledge through reading, students must understand the complex components and diverse purposes of informational texts, as emphasized in the Common Core State Standards (CCSS). This practical book illuminates the ways in which a text's purpose, structure, details, connective language, and construction of themes combine to create meaning. Classroom-tested instructional recommendations and "kid-friendly" explanations guide teachers in helping students to identify and understand the role of these elements in different types of informational texts. Numerous student work samples, excerpts from exemplary books and articles, and a Study Guide with discussion questions and activities for professional learning add to the book's utility.
Unpacking Creativity: The Power of Figurative Communication in Advertising
by Paula Pérez Sobrino Jeannette Littlemore Samantha FordFigurative communication (the use of metaphor, metonymy, hyperbole and irony) provides economy of expression, clarity, persuasiveness, politeness, evaluation, and communication of emotions. However, it also increases the potential for misunderstanding in situations when people lack shared background knowledge. This book combines theoretical frameworks with empirical studies that measure the effectiveness of different approaches to the use of figurative language in advertisements, to show how to maximise the benefits of creative metaphor and metonymy in global advertising. It highlights how subtle differences in colour, layout, and combinations of different kinds of figurative language affect the reception and appreciation of creative advertising, shedding new light on the nature of figurative communication itself. With a balance between theory, experiments and practical case studies, this book is accessible for academics in linguistics and communication studies, as well as advertising and marketing professionals.
Unpacking Creativity for Language Teaching
by Tan Bee TinBefore unlocking creativity, we must first unpack what it means. In this book, creativity is unravelled from various perspectives and the relevance for language teaching and learning is explored. Tin offers a coherent discussion of creativity, adopting an inclusive and integrated but, at the same time, focused approach to creativity. Divided into 12 chapters, the book covers: A critical review of the way the term ‘creativity’ is used, defined and written about in various disciplines Various models and theories of creativity, the product- and process-oriented views of creativity and their relevance for language teaching Three pillars on which creative language pedagogy should be based Over 60 practical tasks, applying theoretical arguments and principles of creativity to language teaching and learning Based on the author’s own practice and research on creativity over the last two decades, the book provides exciting new ideas for scholars and practitioners interested in creativity and creative language pedagogy. The book serves as an important contribution for students, teachers and scholars in the field of applied linguistics, language teaching and education.
Unpacking Metaphor-related Prepositions in Political Discourse: From Polysemous to Powerful (Routledge Research on New Waves in Pragmatics)
by Mokhtar OunisThis book explores the context around why English prepositions are used in figurative language more frequently than nouns and verbs, using corpus-based evidence to examine the most often used prepositions and how they are employed and for what purpose. While research on cognitive approaches to metaphor has significantly expanded in recent decades, little attention has been paid to prepositions as vehicles of figurative language, owing to their polysemous, complex, and inconsistent nature. To bridge this gap, Ounis introduces an innovative conceptual framework that integrates conceptual metaphor theory, diachronic linguistics, and discourse pragmatics. Drawing upon an extensive corpus of American presidential inaugural addresses, this book considers the linguistic, conceptual, pragmatic, and contextual dimensions of English prepositions, revealing the fascinating interplay between language, culture, and cognition. This volume will be of interest to scholars in pragmatics, metaphor studies, English language, rhetoric studies, and historical linguistics.
Unpacking My Library: Writers and Their Books
by Leah PriceThis gorgeous second volume in the popular Unpacking My Library series explores the bookshelves of favorite novelists. 208 pp.
Unpalatable: Stories of Pain and Pleasure in Southern Cookbooks (Ingrid G. Houck Series in Food and Foodways)
by Carrie Helms TippenThe cookbook genre is highly conventional with an orientation toward celebration and success. From glossy photographs to heartwarming stories and adjective-rich ingredient lists, the cookbook tradition primes readers for pleasure. Yet the overarching narrative of the region is often one of pain, loss, privation, exploitation, poverty, and suffering of various kinds. While some cookbook writers go to great lengths to avoid reminding readers of this painful past, others invoke that pain as a marker of southern authenticity. Still others use stories of southern suffering as an opportunity to make space for reconciliation, reparation, or apology for past wrongs. In Unpalatable: Stories of Pain and Pleasure in Southern Cookbooks, author Carrie Helms Tippen attempts to understand the unique rhetorical situation of the southern cookbook as it negotiates a tension between the expectations of the genre and the prevailing metanarratives of the southern experience, one focused on pleasure and the other rooted in pain. Through an analysis of commercially published “southern” cookbooks from the 1990s to the present, Tippen examines the range of rhetorical purposes and strategies writers have employed, some of which undermine the reality of a painful past and cause harm or violence, and others which serve as tools for truth and reconciliation.
Unpathed Waters: Studies in the Influence of the Voyages on Elizabethan Literature
by Robert R CawleyFirst Published in 1968. Routledge is an imprint of Taylor & Francis, an informa company.
The Unpolitical: On the Radical Critique of Political Reason
by Massimo CacciariMassimo Cacciari is one of the leading public intellectuals in today's Italy, both as an outstanding philosopher and political thinker and as now three times (and currently) the mayor of Venice. This collection of essays on political topics provides the best introduction in English to his thought to date. The political focus does not, however, prevent these essays from being an introduction to the full range of Cacciari's thought.The present collection includes chapters on Hofmannstahl, Lukács, Benjamin, Nietzsche, Weber, Derrida, Schmitt, Canetti, and Aeschylus. Written between 1978 and 2006, these essays engagingly address the most hidden tradition in European political thought: the Unpolitical. Far from being a refusal of politics, the Unpolitical represents a merciless critique of political reason and a way out of the now impracticable consolations of utopia and harmonious community. Drawing freely from philosophy and literature, The Unpolitical represents a powerful contribution to contemporary political theory.A lucid and engaging Introduction by Alessandro Carrera sets these essays in the context of Cacciari's work generally and in the broadest context of its historical and geographical backdrop.
Unpopular Culture: Transforming the European Comic Book in the 1990s
by Bart BeatyIn the last fifteen years or so, a wide community of artists working in a variety of western European nations have overturned the dominant traditions of comic book publishing as it has existed since the end of the Second World War. These artists reject both the traditional form and content of comic books (hardcover, full-colour 'albums' of humour or adventure stories, generally geared towards children), seeking instead to instil the medium with experimental and avant-garde tendencies commonly associated with the visual arts. Unpopular Culture addresses the transformation of the status of the comic book in Europe since 1990. Increasingly, comic book artists seek to render a traditionally degraded aspect of popular culture un-popular, transforming it through the adoption of values borrowed from the field of 'high art.' The first English-language book to explore these issues, Unpopular Culture represents a challenge to received histories of art and popular culture that downplay significant historical anomalies in favour of more conventional narratives. In tracing the efforts of a large number of artists to disrupt the hegemony of high culture, Bart Beaty raises important questions about cultural value and its place as an important structuring element in contemporary social processes.
Unprinted: Publication Beyond the Press (Elements in Publishing and Book Culture)
by Daria Kohler Daniel Wakelin Natascha Domeisen Daniel Haywood Edward Jones Micah Mackay Rosie Maxton Brian M. Moore Katie Noble Felix M. Simon Daniel WojahnThis Element explores the idea of publication in media used before, alongside, and after print. It contrasts multiple traditions of unprinted communication in their diversity and particularity. This decentres print as the means for understanding publication; instead, publication is seen as an heuristic term which identifies activities these traditions share, but which also differ in ways not reducible to comparisons with printing. The Element engages with texts written on papyrus, chiselled in stone, and created digitally; sung, proclaimed, and put on stage; banned, hidden and rediscovered. The authors move between Greek inscriptions and Tibetan edicts, early modern manuscripts and AI-assisted composition, monasteries and courts, constantly questioning the term 'publication' and considering the agency of people publishing and the publics they address. The picture that transpires is that of a colourful variety of contexts of production and dissemination, underlining the value of studying 'unprinted' publication in its own right.
The Unpublished Letters of Henry St John, First Viscount Bolingbroke Vol 1 (The\pickering Masters Ser.)
by Adrian Lashmore-Davies Mark GoldieHenry St John, First Viscount Bolingbroke (1678-1751) enjoyed varied political and literary careers. This five-volume edition draws together his letters. It includes a general introduction, headnotes, biographical index and a consolidated index. It is suitable for historians and literary scholars working in the eighteenth century.
The Unpublished Letters of Henry St John, First Viscount Bolingbroke Vol 2
by Adrian Lashmore-Davies Mark GoldieHenry St John, First Viscount Bolingbroke (1678-1751) enjoyed varied political and literary careers. This five-volume edition draws together his letters. It includes a general introduction, headnotes, biographical index and a consolidated index. It is suitable for historians and literary scholars working in the eighteenth century.
The Unpublished Letters of Henry St John, First Viscount Bolingbroke Vol 3 (The\pickering Masters Ser.)
by Adrian Lashmore-Davies Mark GoldieHenry St John, First Viscount Bolingbroke (1678-1751) enjoyed varied political and literary careers. This five-volume edition draws together his letters. It includes a general introduction, headnotes, biographical index and a consolidated index. It is suitable for historians and literary scholars working in the eighteenth century.
The Unpublished Letters of Henry St John, First Viscount Bolingbroke Vol 4
by Mark Goldie Adrian Lashmore-DaviesHenry St John, First Viscount Bolingbroke (1678-1751) enjoyed varied political and literary careers. This five-volume edition draws together his letters. It includes a general introduction, headnotes, biographical index and a consolidated index. It is suitable for historians and literary scholars working in the eighteenth century.