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Violence in the Black Imagination: Essays and Documents
by Ronald T. TakakiIn "Violence in the Black Imagination", Ronald T. Takaki presents three short novels by major African-American leaders in the nineteenth century: "The Heroic Slave", by Frederick Douglass, the leading black abolitionist; "Blake", by Martin Delany, the father of black nationalism; and "Clotelle", by William Wells Brown, a pioneer of the black novel. The novels are accompanied by substantive essays which provide biographical information on the authors and explore the common theme of their works -- the issue of black revolutionary violence in antebellum America.
Violence in the Work of Composition: Recognizing, Intervening, Ameliorating
by Scott Gage Kristie S. FleckensteinFocusing on overt and covert violence and bringing attention to the many ways violence inflects and infects the teaching, administration, and scholarship of composition, Violence in the Work of Composition examines both forms of violence and the reciprocal relationships uniting them across the discipline. Addressing a range of spaces, the collection features chapters on classroom practices, writing centers, and writing program administration, examining the complicated ways writing instruction is interwoven with violence, as well as the equally complicated ways writing teachers may recognize and resist the presence and influence of violence in their work. This book provides a focused, nuanced, and systematic discussion of violence and its presence and influence across pedagogical and administrative sites. Violence in the Work of Composition offers a close look at the nature of violence as it emerges in the work of composition; provides strategies for identifying violence, especially covert violence, addressing its impact and preventing its eruption across many sites; and invites readers to reflect on both the presence of violence and the hope for its cessation. Contributors consider, first, how compositionists can recognize the ways their work inadvertently enacts and/or perpetuates violence and, second, how they can intervene and mitigate that violence. Rich with the voices of myriad stakeholders, Violence in the Work of Composition initiates an essential conversation about violence and literacy education at a time when violence in its many forms continues to shape our culture, communities, and educational systems. Contributors: Kerry Banazek, Katherine Bridgman, Eric Camarillo, Elizabeth Chilbert Powers, Joshua Daniel, Lisa Dooley, Allison Hargreaves, Jamila Kareem, Lynn C. Lewis, Trevor Meyer, Cathryn Molloy, Kellie Sharp-Hoskins, Ellen Skirvin, Krista Speicher Sarraf, Thomas Sura, James Zimmerman
Violence, Narrative and Myth in Joyce and Yeats
by Tudor BalinisteanuHow can we use art to reconstruct ourselves and the material world? Is every individual an art object? Is the material world an art text? This book answers these questions by examining modernist literature, especially James Joyce and W. B. Yeats, in the context of anarchist intellectual thought and Georges Sorel's theory of social myth.
The Violence of Modernity: Baudelaire, Irony, and the Politics of Form (Parallax: Re-visions of Culture and Society)
by Debarati SanyalThe Violence of Modernity turns to Charles Baudelaire, one of the most canonical figures of literary modernism, in order to reclaim an aesthetic legacy for ethical inquiry and historical critique. Works of modern literature are commonly theorized as symptomatic responses to the trauma of history. In a climate that tends to privilege crisis over critique, Debarati Sanyal argues that it is urgent to rethink literary experience in terms that recall its contestatory potential. Examining Baudelaire's poems afresh, she shifts the focus of critical attention toward an account of modernism as an active engagement with violence, specifically the violence of history in nineteenth-century France.Sanyal analyzes a literary current that uses the traditional hallmarks of modernism—irony, intertextuality, self-reflexivity, and formalism—to challenge the historical violence of modernity. Baudelaire and the committed ironists writing in his wake teach us how to read and resist the violence of history, and thereby to challenge the melancholy tenor of our contemporary "wound culture." In a series of provocative readings, Sanyal presents Baudelaire's poetry as an aesthetic form that contests historical violence through rhetorical strategies of complicity, counterviolence, and critique. The book develops a new account of Baudelaire's significance as a modernist by dislodging him both from his traditional status as a practitioner of "art for art's sake" and from his more recent incarnation as the poet of trauma. Following her extended analysis of Baudelaire's poetry, Sanyal in later chapters considers a number of authors influenced by his strategies—including Rachilde, Virginie Despentes, Albert Camus, and Jean-Paul Sartre—to examine the relevance of their interventions for our current climate of trauma and terror. The result is a study that underscores how Baudelaire's legacy continues to energize literary engagements with the violence of modernity.
The Violence of Reading: Literature and Philosophy at the Threshold of Pain
by Dominik ZechnerThe Violence of Reading: Literature and Philosophy at the Threshold of Pain expounds the scene of reading as one that produces an overwhelmed body exposed to uncontainable forms of violence. The book argues that the act of reading induces a representational instability that causes the referential function of language to collapse. This breakdown releases a type of “linguistic pain” (Scarry; Butler; Hamacher) that indicates a constitutive wounding of the reading body. The wound of language marks a rupture between linguistic reality and the phenomenal world. Exploring this rupture in various ways, the book brings together texts and genres from diverse traditions and offers close examinations of the rhetoric of masochism (Sacher-Masoch; Deleuze), the relation between reading and abuse (Nietzsche; Proust; Jelinek), the sublime experience of reading (Kant; Kafka; de Man), the “novel of the institution” (Musil; Campe), and literary suicide (Bachmann; Berryman; Okkervil River).
The Violence of Representation: Literature and the History of Violence (Routledge Revivals)
by Nancy Armstrong Leonard TennenhouseFirst published in 1989, this collection of essays brings into focus the history of a specific form of violence – that of representation. The contributors identify representations of self and other that empower a particular class, gender, nation, or race, constructing a history of the west as the history of changing modes of subjugation. The essays bring together a wide range of literary and historical work to show how writing became an increasingly important mode of domination during the modern period as ruling ideas became a form of violence in their own right. This reissue will be of particular value to literature students with an interest in the concept of violence, and the boundaries and capacity of discourse.
The Violence of Victimhood
by Diane EnnsWe know that violence breeds violence. We need look no further than the wars in the western Balkans, the genocide in Rwanda, or the ongoing crisis in Israel and Palestine. But we don’t know how to deal with the messy moral and political quandaries that result when victims become perpetrators. When the line between guilt and innocence wavers and we are confronted by the suffering of the victim who turns to violence, judgment may give way to moral relativism or liberal tolerance, compassion to a pity that denies culpability. This is the point of departure in The Violence of Victimhood and the impetus for its call for renewed considerations of responsibility, judgment, compassion, and nonviolent politics.To address her provocative questions, Diane Enns draws on an unusually wide-ranging cast of characters from the fields of feminism, philosophy, peacebuilding, political theory, and psychoanalysis. In the process, she makes an original contribution to each, enriching discussions that are otherwise constricted by disciplinary boundaries and an arid distinction between theory and practice.
The Violence of Victimhood
by Diane EnnsWe know that violence breeds violence. We need look no further than the wars in the western Balkans, the genocide in Rwanda, or the ongoing crisis in Israel and Palestine. But we don’t know how to deal with the messy moral and political quandaries that result when victims become perpetrators. When the line between guilt and innocence wavers and we are confronted by the suffering of the victim who turns to violence, judgment may give way to moral relativism or liberal tolerance, compassion to a pity that denies culpability. This is the point of departure in The Violence of Victimhood and the impetus for its call for renewed considerations of responsibility, judgment, compassion, and nonviolent politics.To address her provocative questions, Diane Enns draws on an unusually wide-ranging cast of characters from the fields of feminism, philosophy, peacebuilding, political theory, and psychoanalysis. In the process, she makes an original contribution to each, enriching discussions that are otherwise constricted by disciplinary boundaries and an arid distinction between theory and practice.
Violence on Television: Distribution, Form, Context, and Themes (Routledge Communication Series)
by Barrie Gunter Jackie Harrison Maggie WykesConcern about violence on television has been publicly debated for the past 50 years. TV violence has repeatedly been identified as a significant causal agent in relation to the prevalence of crime and violence in society. Critics have accused the medium of presenting excessive quantities of violence, to the point where it is virtually impossible for viewers to avoid it. This book presents the findings of the largest British study of violence on TV ever undertaken, funded by the broadcasting industry. The study was carried out at the same time as similar industry-sponsored research was being conducted in the United States, and one chapter compares findings from Britain and the U.S.A. The book concludes that it is misleading to accuse all broadcasters of presenting excessive quantities of violence in their schedules. This does not deny that problematic portrayals were found. But the most gory, horrific and graphic scenes of violence were generally contained within broadcasts available on a subscription basis or in programs shown at times when few children were expected to be watching. This factual analysis proves that broadcasters were meeting their obligations under their national regulatory codes of practice.
Violence, Silence, and Rhetorical Cultures of Champion-Building in Sports (Routledge Studies in Rhetoric and Communication)
by Kathleen Sandell HardestyThis book takes a close look at systems and rhetorics of silencing in sports training. Using the case study of the Larry Nassar abuse scandal at Michigan State University and within USA Gymnastics, the book explores multifaceted problems of speaking, silencing, and listening in youth and college athletic organizations, investigating the cultures of abuse and discursive practices that silence victims while protecting abusers. The author foregrounds the victims’ voices through an analysis of victim impact statements and victim interviews, while examining other textual artifacts to understand the institutional behaviors and actions both before and after the case caught public attention. Exploring the issue far beyond the single organization, the author discusses the norms, values, ideologies, and expected behaviors of youth and college sports programs as institutions to help describe “rhetorical cultures of champion-building.” This innovative study offers new perspectives that will interest students and scholars of sport communication, rhetoric, organizational communication, criminology, and feminist theory.
Violence, Trauma, and Virtus in Shakespeare’s Roman Poems and Plays
by Lisa S. Starks-EstesEmploying psychoanalysis, trauma theory, and materialist perspectives, this book examines Shakespeare's appropriations of Ovid's poetry in his Roman poems and plays. It argues that Shakespeare uses Ovid to explore violence, trauma, and virtus - the traumatic effects of aggression, sadomasochism, and the shifting notions of selfhood and masculinity.
La violencia en el conflicto palestino-israelí: La separación de dos pueblos
by Mari Carmen Forriol CamposLa violencia en el conflicto palestino israelí, una de las causantes de la desunión de dos pueblos. <P><P>El objeto del libro es, por un lado, conocer en profundidad el origen, la evolución histórica del conflicto, los factores que podrían haberlo originado y los actores participantes en el conflicto como generadores de paz y de violencia. <P><P> Por otro lado, lo que se pretende es conocer los diferentes tipos de violencia que han llevado a cabo cada una de las partes del conflicto y en qué medida la violencia en sus diferentes tipos podría estar impidiendo alcanzar la paz.
Violent Belongings: Partition, Gender, and National Culture in Postcolonial India
by Kavita DaiyaFocusing on the historical and contemporary narration of the Partition of India,Violent Belongingsexamines transnational South Asian culture from 1947 onwards. Spanning the Indian subcontinent and its diasporas in the United Kingdom and the United States, it asks how postcolonial/diasporic literature (eg. , Rushdie, Mistry, Sidwa and Lahiri), Bollywood film, personal testimonies and journalism represent the violence, migration and questions of national belonging unleashed by that pivotal event during which two million people died and sixteen million were displaced. In addition to challenging the official narratives of independence and Partition, these narratives challenge our contemporary understanding of gender and ethnicity in history and politics. Violent Belongingsargues that both male and female bodies, and heterosexual coupledom, became symbols of the nation in public life. In the newly independent Indian nation both men and women were transformed into ideal citizens or troubling bodies, immigrants or refugees, depending on whether they were ethnically Hindu, Muslim, Jewish or Sikh. The divisions set in motion during Partition continue into our own time and account for ethnic violence in South Asia.
Violent Inheritance: Sexuality, Land, and Energy in Making the North American West (Environmental Communication, Power, and Culture #3)
by E CramViolent Inheritance deepens the analysis of settler colonialism's endurance in the North American West and how infrastructures that ground sexual modernity are both reproduced and challenged by publics who have inherited them. E Cram redefines sexual modernity through extractivism, wherein sexuality functions to extract value from life including land, air, minerals, and bodies. Analyzing struggles over memory cultures through the region's land use controversies at the turn of and well into the twentieth century, Cram unpacks the consequences of western settlement and the energy regimes that fueled it. Transfusing queer eco-criticism with archival and ethnographic research, Cram reconstructs the linkages—"land lines"—between infrastructure, violence, sexuality, and energy and shows how racialized sexual knowledges cultivated settler colonial cultures of both innervation and enervation. From the residential school system to elite health seekers desiring the "electric" climates of the Rocky Mountains to the wartime incarceration of Japanese Americans, Cram demonstrates how the environment promised to some individuals access to vital energy and to others the exhaustion of populations through state violence and racial capitalism. Grappling with these land lines, Cram insists, helps interrogate regimes of value and build otherwise unrealized connections between queer studies and the environmental and energy humanities.
Violent Liminalities in Early Modern Culture: Inhabiting Contested Thresholds (Routledge Studies in Shakespeare)
by Kaye McLellandViolent liminalities in Early Modern Culture is a methodologically innovative book combining the twin disciplines of queer theory and disability studies. It investigates the violence feared from, and directed at, inhabitants of the ‘betwixt and between’ spaces of early modern literature and culture, through a focus on the perpetuated metamorphic states of Shakespeare’s and Spenser’s liminal figures including Lavinia, Puck, and Britomart. With chapters on gender, sexuality, adolescence, madness, and physical disability, Kaye McLelland applies a bi-theoretical lens to interrogate the ways in which being simultaneously ‘neither’ and ‘both’ brings to bear the non-normative disruption identified by queer theory in ways that use binary systems against themselves. For many of Spenser’s and Shakespeare’s characters, the ‘in-between’ state, whether ritually or otherwise induced, transforms the instantaneous binary threshold of the limen into a permanent ‘habitation’. This created space is one of great power that is feared and violently countered by those who would shut it down. Set against the literary history of Spenser’s and Shakespeare’s Ovidianism and festivity, and the historical context of the post-Reformation transformation from a tertiary to a binary model of the afterlife, this volume identifies a persistent positioning of liminal literary figures in proximity to the liminality of the dead and dying, whilst simultaneously tracing the positive ways in which these inhabitants of the powerful ‘betwixt and between’ are depicted.
Violent Masculinities
by Jennifer Feather Catherine E. ThomasDuring the early modern period in England, social expectations for men came under extreme pressure - the armed knight went into decline and humanism appeared. Here, original essays analyze a wide-range of violent acts in literature and culture, from civic violence to chivalric combat to brawls and battles.
Violent Minds: Modernism and the Criminal
by Matthew LevayJust as cultural attitudes toward criminality were undergoing profound shifts in the late nineteenth and early twentieth centuries, modernist authors became fascinated by crime and its perpetrators, as well as the burgeoning genre of crime fiction. Throughout the period, a diverse range of British and American novelists took the criminal as a case study for experimenting with forms of psychological representation while also drawing on the conventions of crime fiction in order to imagine new ways of conceptualizing the criminal mind. Matthew Levay traces the history of that attention to criminal psychology in modernist fiction, placing understudied authors like Wyndham Lewis, Dorothy Sayers, Graham Greene, and Patricia Highsmith in dialogue with more canonical contemporaries like Joseph Conrad, Henry James, Dashiell Hammett, and Gertrude Stein. Levay demonstrates criminality's pivotal role in establishing quintessentially modernist forms of psychological representation and brings to light modernism's deep but understudied connections to popular literature, especially crime fiction.
A Violent Peace: Race, U.S. Militarism, and Cultures of Democratization in Cold War Asia and the Pacific (Post*45)
by Christine HongA Violent Peace offers a radical cultural account of the midcentury transformation of the United States into a total-war state. As the Cold War turned hot in the Pacific, antifascist critique disclosed a continuity between U.S. police actions in Asia and a rising police state at home. Writers including James Baldwin, Ralph Ellison, and W.E.B. Du Bois discerned in U.S. domestic strategies to quell racial protests and urban riots the same logic of racial counterintelligence structuring America's devastating hot wars in Asia. Christine Hong examines the centrality of U.S. militarism to the Cold War cultural imagination. She assembles a transpacific archive—including war writings, Japanese accounts of the U.S. atomic bombing of Hiroshima, black radical human rights petitions, Korean War–era G.I. photographs, Filipino novels on guerrilla resistance, and Marshallese critiques of U.S. human radiation experiments—and places these materials alongside U.S. government documents to theorize these works as homologous responses to unchecked U.S. war and police power. In so doing, Hong shows how the so-called Pax Americana laid the grounds for solidarity—for imagining collective futures of total liberation.
The Violet Hour: The Violet Quill and the Making of Gay Culture (Between Men-Between Women: Lesbian and Gay Studies)
by David BergmanThe members of the literary circle known as the Violet Quill—Andrew Holleran, Felice Picano, Edmund White, Christopher Cox, Michael Grumley, Robert Ferro, and George Whitmore—collectively represent the aspirations and the achievement of gay writing during and after the gay liberation movement. David Bergman's social history shows how the works of these authors reflected, advanced, and criticized the values, principles, and prejudices of the culture of gay liberation. In spinning many of the most important stories gay men told of themselves in the short period between the 1969 Stonewall Riots and the devastation of the AIDS epidemic during the 1980s, the Violet Quill exerted an enormous influence on gay culture. The death toll of the AIDS epidemic, including four of the Violet Quill's seven members, has made putting such recent events into a historical context all the more important and difficult. The work of the Violet Quill expresses the joy, suffering, grief, hope, activism, and caregiving of their generation. The Violet Hour meets the urgent need for a history of the men who bore witness not only to the birth but also to the decimation of a culture.
The Violet Hour
by Katie RoipheFrom one of our most perceptive and provocative voices comes a deeply researched account of the last days of Susan Sontag, Sigmund Freud, John Updike, Dylan Thomas, and Maurice Sendak--an arresting and wholly original meditation on mortality. In The Violet Hour, Katie Roiphe takes an unexpected and liberating approach to the most unavoidable of subjects. She investigates the last days of five great thinkers, writers, and artists as they come to terms with the reality of approaching death, or what T. S. Eliot called "the evening hour that strives Homeward, and brings the sailor home from sea." Roiphe draws on her own extraordinary research and access to the family, friends, and caretakers of her subjects. Here is Susan Sontag, the consummate public intellectual, who finds her commitment to rational thinking tested during her third bout with cancer. Roiphe takes us to the hospital room where, after receiving the worst possible diagnosis, seventy-six-year-old John Updike begins writing a poem. She vividly re-creates the fortnight of almost suicidal excess that culminated in Dylan Thomas's fatal collapse on the floor of a Greenwich Village tavern. She gives us a bracing portrait of Sigmund Freud fleeing Nazi-occupied Vienna only to continue in his London exile the compulsive cigar smoking that he knows will hasten his decline. And she shows us how Maurice Sendak's beloved books for children are infused with his lifelong obsession with death, if you know where to look. The Violet Hour is a book filled with intimate and surprising revelations. In the final acts of each of these creative geniuses are examples of courage, passion, self-delusion, pointless suffering, and superb devotion. There are also moments of sublime insight and understanding where the mind creates its own comfort. As the author writes, "If it's nearly impossible to capture the approach of death in words, who would have the most hope of doing it?" By bringing these great writers' final days to urgent, unsentimental life, Katie Roiphe helps us to look boldly in the face of death and be less afraid.From the Hardcover edition.
The Virago Book of Friendship
by Rachel CookeA fond, fascinated look at women's friendship through the fiction, diaries, and letters of friends Friendship, a timeless subject, has never been more debated, something that has to do both with the internet - the perils of WhatsApp groups, the agony of ghosting - as well as with a growing awareness that loneliness is increasing in our society. Friendship has become a matter of urgent inquiry to therapists, scientists and sociologists. We understand its importance more and more, not only as a comfort and a privilege, but as vital to our health. But it's hard to get inside friendship: its particular intensity and its miraculous ease; its tendency to wax and wane; its ability to inspire both delight and despair. This is the territory of novels and poems, diaries and letters, comics and graphic novels - and it is where the innovative and wide ranging Virago Book of Friendship steps in, bringing together work by more than 100 writers. From Jane Austen to Edith Wharton and Virginia Woolf, from Dolly Alderton to Sarah Waters and Meg Wolitzer and, it celebrates and investigates friendship between women from first encounters to final goodbyes, from falling out to making up again.
The Virago Book of Friendship
by Rachel CookeA fond, fascinated look at women's friendship through the fiction, diaries, and letters of friends Friendship, a timeless subject, has never been more debated, something that has to do both with the internet - the perils of WhatsApp groups, the agony of ghosting - as well as with a growing awareness that loneliness is increasing in our society. Friendship has become a matter of urgent inquiry to therapists, scientists and sociologists. We understand its importance more and more, not only as a comfort and a privilege, but as vital to our health. But it's hard to get inside friendship: its particular intensity and its miraculous ease; its tendency to wax and wane; its ability to inspire both delight and despair. This is the territory of novels and poems, diaries and letters, comics and graphic novels - and it is where the innovative and wide ranging Virago Book of Friendship steps in, bringing together work by more than 100 writers. From Jane Austen to Edith Wharton and Virginia Woolf, from Dolly Alderton to Sarah Waters and Meg Wolitzer and, it celebrates and investigates friendship between women from first encounters to final goodbyes, from falling out to making up again.
Virago Reprints and Modern Classics: The Timely Business of Feminist Publishing (Elements in Publishing and Book Culture)
by D-M WithersReprinting, republishing and re-covering old books in new clothes is an established publishing practice. How are books that have fallen out of taste and favour resituated by publishers, and recognised by readers, as relevant and timely? This Element outlines three historical textures within British culture of the late 1970s and early 1980s – History, Remembrance and Heritage – that enabled Virago's reprint publishing to become a commercial and cultural success. With detailed archival case studies of the Virago Reprint Library, Testament of Youth and the Virago Modern Classics, it elaborates how reprints were profitable for the publisher and moved Virago's books - and the Virago brand name - from the periphery of culture to the centre. Throughout Virago's reprint publishing - and especially with the Modern Classics - the epistemic revelation that women writers were forgotten and could, therefore, be rediscovered, was repeated, again and again, and made culturally productive through the marketplace.
Viral Discourse (Elements in Applied Linguistics)
by Rodney H. JonesThis Element consists of ten short pieces written by prominent discourse analysts in the midst of the COVID-19 pandemic. Each piece focuses on a different aspect of the pandemic, from the debate over wearing face masks to the metaphors used by politicians and journalists in different countries to talk about the virus. Each of the pieces also makes use of a different approach to analysing discourse (e.g. Critical Discourse Analysis, Genre Analysis, Corpus Assisted Discourse Analysis) and demonstrates how that approach can be applied to a small set of data. The aim of the Element is to show how the range of tools available to discourse analysts can be brought to bear on a pressing, 'real-world' problem, and how discourse analysis can contribute to formulating 'real-world' solutions to the problem.
Viral Language: Analysing the Covid-19 Pandemic in Public Discourse
by Luke C. Collins Veronika KollerViral Language considers a range of different types of public communication and their discussion of the Covid-19 pandemic as a way to investigate health communication. The authors introduce and apply a range of approaches informed by linguistic theory to investigate experiences of the pandemic across a variety of public contexts. In doing so, they demonstrate how experiences of health and illness can be shaped by political messaging, scientific research, news articles and advertising. Through a series of case studies of Covid-related texts, the authors consider aspects of language instruction, information and innovation, showcasing the breadth of topics that can be studied as part of health communication. Furthermore, each case study provides practical guidance on how to carry out investigations using social media texts, how to analyse metaphor, how to track language innovation and how to work with text and images. Viral Language is critical reading for postgraduate and upper undergraduate students of applied linguistics and health communication.