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Unfelt: The Language of Affect in the British Enlightenment

by James Noggle

Unfelt offers a new account of feeling during the British Enlightenment, finding that the passions and sentiments long considered as preoccupations of the era depend on a potent insensibility, the secret emergence of pronounced emotions that only become apparent with time. Surveying a range of affects including primary sensation, love and self-love, greed, happiness, and patriotic ardor, James Noggle explores literary evocations of imperceptibility and unfeeling that pervade and support the period's understanding of sensibility.Each of the four sections of Unfelt—on philosophy, the novel, historiography, and political economy—charts the development of these idioms from early in the long eighteenth century to their culmination in the age of sensibility. From Locke to Eliza Haywood, Henry Fielding, and Frances Burney, and from Dudley North to Hume and Adam Smith, Noggle's exploration of the insensible dramatically expands the scope of affect in the period's writing and thought.Drawing inspiration from contemporary affect theory, Noggle charts how feeling and unfeeling flow and feed back into each other, identifying emotional dynamics at their most elusive and powerful: the potential, the incipient, the emergent, the virtual.

Unfinished Business: Notes of a Chronic Re-reader

by Vivian Gornick

A New York Times Book Review Editors' Choice. One of Library Journal's Best Books of 2020. One of our most beloved writers reassess the electrifying works of literature that have shaped her lifeI sometimes think I was born reading . . . I can’t remember the time when I didn’t have a book in my hands, my head lost to the world around me.Unfinished Business: Notes of a Chronic Re-reader is Vivian Gornick’s celebration of passionate reading, of returning again and again to the books that have shaped her at crucial points in her life. In nine essays that traverse literary criticism, memoir, and biography, one of our most celebrated critics writes about the importance of reading—and re-reading—as life progresses. Gornick finds herself in contradictory characters within D. H. Lawrence’s Sons and Lovers, assesses womanhood in Colette’s The Vagabond and The Shackle, and considers the veracity of memory in Marguerite Duras’s The Lover. She revisits Great War novels by J. L. Carr and Pat Barker, uncovers the psychological complexity of Elizabeth Bowen’s prose, and soaks in Natalia Ginzburg, “a writer whose work has often made me love life more.” After adopting two cats, whose erratic behavior she finds vexing, she discovers Doris Lessing’s Particularly Cats. Guided by Gornick’s trademark verve and insight, Unfinished Business is a masterful appreciation of literature’s power to illuminate our lives from a peerless writer and thinker who “still read[s] to feel the power of Life with a capital L.”

Unfinished Spirit: Muriel Rukeyser's Twentieth Century

by Rowena Kennedy-Epstein

In Unfinished Spirit, Rowena Kennedy-Epstein brings to light the extraordinary archive of Muriel Rukeyser's (1913–1980) unpublished and incomplete literary works, revealing the ways in which misogyny influences the kinds of texts we read and value. Despite her status today as an influential poet, much of Rukeyser's critical and feminist writing remained unfinished, suppressed by the sexism of editors, political censure, the withdrawal of funding and publishing contracts, as well the conditions of single motherhood and economic precarity.From Savage Coast, her novel of the Spanish Civil War (which Kennedy-Epstein recovered, edited, and published to great acclaim in 2013) to her photo-text collaboration with Berenice Abbott, essays on women writers, radio scripts, and biographies, Unfinished Spirit traces the creation, reception, and rejection of Rukeyser's most ambitious texts—works that continued the radical, avant-garde project of modernism and challenged an increasingly hegemonic Cold War culture. Bound together by Rukeyser's radical vision of artistic creation and political engagement, these incomplete texts open a space to theorize the politics of the unfinished for understanding women's artistic production, reasserting the importance of the archive as a primary site of feminist criticism.

Unfixable Forms: Disability, Performance, and the Early Modern English Theater

by Katherine Schaap Williams

Unfixable Forms explores how theatrical form remakes—and is in turn remade by—early modern disability. Figures described as "deformed," "lame," "crippled," "ugly," "sick," and "monstrous" crowd the stage in English drama of the sixteenth and seventeenth centuries. In each case, such a description distills cultural expectations about how a body should look and what a body should do—yet, crucially, demands the actor's embodied performance. In the early modern theater, concepts of disability collide with the deforming, vulnerable body of the actor. Reading dramatic texts alongside a diverse array of sources, ranging from physic manuals to philosophical essays to monster pamphlets, Katherine Schaap Williams excavates an archive of formal innovation to argue that disability is at the heart of the early modern theater's exploration of what it means to put the body of an actor on the stage. Offering new interpretations of canonical works by William Shakespeare, Ben Jonson, Thomas Dekker, Thomas Middleton, and William Rowley, and close readings of little-known plays such as The Fair Maid of the Exchange and A Larum For London, Williams demonstrates how disability cuts across foundational distinctions between nature and art, form and matter, and being and seeming. Situated at the intersections of early modern drama, disability studies, and performance theory, Unfixable Forms locates disability on the early modern stage as both a product of cultural constraints and a spark for performance's unsettling demands and electrifying eventfulness.

Unfolding the Mind: The Unconscious in American Romanticism and Literary Theory (Routledge Library Editions: Literary Theory #25)

by Jeffrey Steele

American writers in the 1830’s and 1840’s felt the need for a new terminology to express their awakening perception of "new" aspects of the mind. Without words like the "unconscious" vast areas of the psyche would have remained unexpressed and thus unapproachable. This "discovery" of the unconscious constitutes to the theme of this study, which was first published in 1987. This title will be of interest to students of literary theory.

Unfolding the Mind: The Unconscious in American Romanticism and Literary Theory (Routledge Library Editions: Literary Theory)

by Jeffrey Steele

American writers in the 1830s and 1840s felt the need for a new terminology to express their awakening perception of "new" aspects of the mind. Without words like the "unconscious" vast areas of the psyche would have remained unexpressed and thus unapproachable. This "discovery" of the unconscious constitutes to the theme of this study, which was first published in 1987. This title will be of interest to students of literary theory.

Unforced Flourishing

by Thomas Salumets

Are we ill-suited for this world? Among Europe's major contemporary poets, Estonia's Jaan Kaplinski offers a rare vision of human advancement and fulfillment: the less we intervene the more we flourish. But how then can we remain involved in what evolves of its own accord? How can we move away from a life forged by human design towards a quietly attentive yet spontaneous responsiveness? In Unforced Flourishing, Thomas Salumets seeks access to Kaplinski's life and work and finds a path to the signature of his thinking. He uncovers a man who craves human closeness that few, if any, can provide, a writer drawn towards wordless communication in a world of words, signs, and symbols, who yearns for the sacred in secular times, and who detects more richness in nature than in the human imagination. Salumets describes Kaplinski as an intellectual attracted to a contrarian sense of self, art, and culture, who searches for his homeland's mystical connections at a time when Estonia firmly aligns with values and modes of thought vastly different from his own. What emerges is a mentality firmly rooted in the belief that the greatest risk to human fulfillment results from human beings themselves. The first major study in English of one of Eastern Europe's most important literary figures, Unforced Flourishing details Kaplinski's embrace of that which is undifferentiated, intuitive, non-calculative, and natural in the modern world.

Unforced Flourishing: Understanding Jaan Kaplinski

by Thomas Salumets

Are we ill-suited for this world? Among Europe's major contemporary poets, Estonia's Jaan Kaplinski offers a rare vision of human advancement and fulfillment: the less we intervene the more we flourish. But how then can we remain involved in what evolves of its own accord? How can we move away from a life forged by human design towards a quietly attentive yet spontaneous responsiveness? In Unforced Flourishing, Thomas Salumets seeks access to Kaplinski's life and work and finds a path to the signature of his thinking. He uncovers a man who craves human closeness that few, if any, can provide, a writer drawn towards wordless communication in a world of words, signs, and symbols, who yearns for the sacred in secular times, and who detects more richness in nature than in the human imagination. Salumets describes Kaplinski as an intellectual attracted to a contrarian sense of self, art, and culture, who searches for his homeland's mystical connections at a time when Estonia firmly aligns with values and modes of thought vastly different from his own. What emerges is a mentality firmly rooted in the belief that the greatest risk to human fulfillment results from human beings themselves. The first major study in English of one of Eastern Europe's most important literary figures, Unforced Flourishing details Kaplinski’s embrace of that which is undifferentiated, intuitive, non-calculative, and natural in the modern world.

Unfuck Your Writing: Write Better, Reach Readers, & Share Your Inner World

by Joe Biel Faith G. Harper, PhD, LPC-S, ACS, ACN

Want to be a writer, but the words won't come? Do you have a lot to say but don't know how to write it so people will read it? Do you struggle with anxiety, procrastination, or feeling like an imposter around your writing? Microcosm's two most prolific authors teach you their tricks of the trade in this no-nonsense, practical guide to the craft of writing longform work. Learn skills like setting and sticking to goals, communicating effectively with your writing, having fun while writing, working with an editor, and creating reader-oriented work. This is not a book about crafting beautiful sentences with perfect grammar; instead Harper and Biel will teach you to write so that your words have the greatest possible impact on the world.

Unhappy Beginnings: Narratives of Precarity, Failure, and Resistance in North American Texts (Routledge Research in American Literature and Culture)

by Isabel González-Díaz Fabián Orán-Llarena

This book offers the analysis of a selection of North American texts that dismantle and resist normative frames through the resignification of concepts such as unhappiness, precarity, failure, and vulnerability. The chapters bring to the fore how those potentially negative elements can be refigured as ambivalent sites of resistance and social bonding. Following Sara Ahmed’s rereading of happiness, other authors such as Judith Butler, Wendy Brown, Jack Halberstam, Lauren Berlant, or Henry Giroux are mobilized to interrogate films, memoirs, and novels that deal with precarity, alienation, and inequality. The monograph contributes to enlarging the archives of unhappiness by changing the focus from prescribed norms and happy endings to unruly practices and unhappy beginnings. As the different contributors show, unhappiness, precarity, vulnerability, or failure can be harnessed to illuminate ways of navigating the world and framing society that do not necessarily conform to the script of happiness—whatever that means.

Unheard Voices: An Anthology of Stories and Poems to Commemorate the Bicentenary Anniversary of the Abolition of the Slave Trade

by Malorie Blackman

In March 1807, the British Parliament passed an Act making the trading and transportation of slaves illegal. It was many years before slavery, as it was known then, was abolished, and slavery still continues today in different ways, but it was a big step forward towards the empancipation of a people. Malorie Blackman has drawn together some of the finest of today's writers and poets to contribute to this important anthology. Their short stories and poems sit alongside first-hand accounts of slavery from freed slaves, making a fascinating and absorbing collection that remembers and commemorates one of the most brutal and long-lasting inflictions of misery that human beings have inflicted upon other human beings.

Unheard Voices: Finding language and belonging in the Deaf and hearing worlds

by Dawn Mauldon

In this poignant and powerful memoir, the author tells the story of their childhood growing up with Deaf parents. Through intimate and evocative prose, Dawn explores the challenges and joys of living in a world that is often hostile and unwelcoming to those who are different.From the isolation and challenges that come with being a child of Deaf parents, to the strength and resilience that comes with love and belonging, the author shares their unique and deeply personal perspective on what it means to see and communicate in a richly silent world.This book is a must-read for anyone interested in the Deaf experience, and the power of love and belonging to overcome adversity. Beautifully written and deeply moving, Unheard Voices is an exploration of what it means to be a part of a diverse and vibrant culture.

Unhomely Wests: Essays from A to Z (Postwestern Horizons)

by Stephen Tatum

In Unhomely Wests Stephen Tatum presents twenty-six essays exploring selected literary, visual art, cinematic, and musical representations of homelessness as a theme, a trope, an affliction, a threat, and a condition of alienation in the late modern and postmodern American West. Arranged in alphabetical order, from &“Alphabet/Abecedario&” to &“Zombieland,&” Tatum&’s essays aim to discover how his eclectic selection of texts both produce uncanny literary effects and bear witness to the entangled capitalist, geopolitical, and ecological crises that shape our external world and our &“unhomely&” textual worlds. In keeping with the etymological and conceptual linkage between the unhomely and the uncanny, Tatum&’s critical meditations focus on both uncanny textual architectures and architecturally unhomely junkspaces of abandonment and ruin, of corporeal displacement, and of cognitive or affective disorientation. And since an emergent unhomely structure of feeling exposes how our lived present is saturated with history&’s apparitional revenants, this collection of essays—comprising a new lexicon of unhomely Wests—conveys a hauntology underwritten by spectrality as a theme, a trope, an image. Committed to revising the conventional academic text, Unhomely Wests exemplifies Roland Barthes&’s directive that we consider the alphabetic order as a call to &“Cut! Resume the story in another way!&”

Unhuman Culture

by Daniel Cottom

It is widely acknowledged that the unhuman plays a significant role in the definition of humanity in contemporary thought. It appears in the thematization of "the Other" in philosophical, psychoanalytic, anthropological, and postcolonial studies, and shows up in the "antihumanism" associated with figures such as Heidegger, Foucault, and Derrida. One might trace its genealogy, as Freud did, to the Copernican, Darwinian, and psychoanalytic revolutions that displaced humanity from the center of the universe. Or as Karl Marx and others suggested, one might lose human identity in the face of economic, technological, political, and ideological forces and structures.With dazzling breadth, wit, and intelligence, Unhuman Culture ranges over literature, art, and theory, ancient to postmodern, to explore the ways in which contemporary culture defines humanity in terms of all that it is not. Daniel Cottom is equally at home reading medieval saints' lives and the fiction of Angela Carter, plumbing the implications of Napoleon's self-coronation and the attacks of 9/11, considering the paintings of Pieter Bruegel and the plastic-surgery-as-performance of the body artist Orlan.For Cottom, the unhuman does not necessarily signify the inhuman, in the sense of conspicuous or extraordinary cruelty. It embraces, too, the superhuman, the supernatural, the demonic, and the subhuman; the supposedly disjunctive animal, vegetable, and mineral kingdoms; the realms of artifice, technology, and fantasy. It plays a role in theoretical discussions of the sublime, personal memoirs of the Holocaust, aesthetic reflections on technology, economic discourses on globalization, and popular accounts of terrorism. Whereas it once may have seemed that the concept of culture always, by definition, pertained to humanity, it now may seem impossible to avoid the realization that we must look at things differently. It is not only art, in the narrow sense of the word, that we must recognize as unhuman. For better or worse, ours is now an unhuman culture.

Unified Discourse Analysis: Language, Reality, Virtual Worlds and Video Games

by James Paul Gee

Discourse Analysis is becoming increasingly "multimodal", concerned primarily with the interplay of language, image and sound. Video Games allow humans to create, live in and have conversations with new multimodal worlds. In this ground-breaking new textbook, best-selling author and experienced gamer, James Paul Gee, sets out a new theory and method of discourse analysis which applies to language, the real world, science and video games. Rather than analysing the language of video games, this book uses discourse analysis to study games as communicational forms. Gee argues that language, science, games and everyday life are deeply related and each is a series of conversations. Discourse analysis should not be just about language, but about human interactions with the world, with games, and with each other, interactions that make meaning and sustain lives amid risk and complexity. Written in a highly accessible style and drawing on a wide range of video games from World of Warcraft and Chibi-Robo to Tetris, this engaging textbook is essential reading for students in discourse analysis, new media and digital culture.

Unified Fields

by Janine Rogers

Literary form presents an important opportunity for understanding the relationship between literature and science. Through a series of close readings of poetry and prose, Unified Fields demonstrates that formal structures in literature can relate to scientific concepts through their essential interpretive functions. Janine Rogers engages with a wide range of writing from Canadian, British, and American authors, including the poetry of Elizabeth Bishop and Robyn Sarah as well as prose by Margaret Atwood, Ian McEwan, and Stephen Hawking. She employs an interdisciplinary approach combining formalist, historical, and theoretical literary practice, informed by interpretive frameworks developed in the philosophy of science. Although dedicated to contemporary texts, Rogers's analysis is frequently rooted in historical contexts of form, including Euclidean geometry and medieval romance, developed when the distinction between literature and science was not so drastic. These historical connections demonstrate that continuities of form resonate in both contemporary literature and science. Through critical analysis and engaging prose, Unified Fields bridges an important disciplinary gap by revealing how literary practice informs scientific understanding.

Unified Fields: Science and Literary Form

by Janine Rogers

Literary form presents an important opportunity for understanding the relationship between literature and science. Through a series of close readings of poetry and prose, Unified Fields demonstrates that formal structures in literature can relate to scientific concepts through their essential interpretive functions. Janine Rogers engages with a wide range of writing from Canadian, British, and American authors, including the poetry of Elizabeth Bishop and Robyn Sarah as well as prose by Margaret Atwood, Ian McEwan, and Stephen Hawking. She employs an interdisciplinary approach combining formalist, historical, and theoretical literary practice, informed by interpretive frameworks developed in the philosophy of science. Although dedicated to contemporary texts, Rogers's analysis is frequently rooted in historical contexts of form, including Euclidean geometry and medieval romance, developed when the distinction between literature and science was not so drastic. These historical connections demonstrate that continuities of form resonate in both contemporary literature and science. Through critical analysis and engaging prose, Unified Fields bridges an important disciplinary gap by revealing how literary practice informs scientific understanding.

Uniformity and Variability in the Indian English Accent (Elements in World Englishes)

by Caroline R. Wiltshire

The sounds of Indian English are distinct and recognizable to outsiders, while insiders perceive variations in how English has developed in this large diverse population. What characteristics mark the unity? Which are clues to a speaker's origins or identity? This Element synthesizes research over the past fifty years and adds to it, focusing on selected features of consonants, vowels, and suprasegmentals (stress, intonation, rhythm) to understand the characteristics of Indian English accents and sources of its uniformity and variability. These accent features, perceptible by humans and discoverable by computational approaches, may be used in expressing identity, both local and pan-Indian.

Unison Reading: Socially Inclusive Group Instruction for Equity and Achievement

by Cynthia Mccallister

Unison Reading engages students as they read content aloud in small, diverse groups. Results include increased equity, social engagement, collaborative learning, and student achievement.

United Islands? The Languages of Resistance (Poetry and Song in the Age of Revolution #1)

by John Kirk

This is the first title in a new series called Poetry and Song in the Age of Revolution. This series will appeal to those involved in English literary studies, as well as those working in fields of study that cover Enlightenment, Romanticism and Revolution in the last quarter of the eighteenth century.

United States Government: Democracy in Action, Guided Reading Activities

by McGraw-Hill Staff

The United States Government: Democracy in Action Guided Reading Activities provides activities for students who would benefit from a review of the material. By focusing on key information and concepts, Guided Reading Activities help students to understand and make appropriate connections among the ideas and facts they encounter in the student text.

Unity and Design in Horace's Odes

by Matthew S. Santirocco

Horace's first three books of Odes, published together in 23 B.C., are a masterpiece of Augustan literature and the culmination of classical lyric. Matthew Santirocco provides the first new critical approach to them in English in more than two decades.Drawing on recent works on ancient and modern poetry books and using several contemporary critical methodologies, Santirocco reveals the Odes both as individual poems and as components in a larger poetic design. His reading of Horace demonstrates that the ensemble is itself an important context for understanding and appreciating the poetry.Reconstructing the history of the ancient poetry book, both Greek and Roman, Santirocco challenges certain common assumptions about its origin and development. He argues that true parallels for the Odes are not to be found in the other Augustan books, which are relatively homogeneous in content and form, but in the heterogeneous collections of Hellenistic writers.Odes I-III comprise eighty-eight poems in twelve different meters, and in tone and topic they vary widely. Avoiding the two extremes of past scholarship, which either has searched for a single underlying unity or else has denied any meaningful design, Santirocco uncovers a variety of both static and dynamic structures and shows their relevance to the literary interpretation of the poems at all levels. Ultimately, the composition of a poem and the disposition of the group are shown to be analogous activities. Odes I-III do not constitute a medley of discrete poems but, instead, approximate the unity of a single ode.

Unity in Diversity: Current Trends in Translation Studies

by Lynne Bowker Michael Cronin Jennifer Pearson Dorothy Kenny

Translation studies as a discipline has grown enormously in recent decades. Contributions to the discipline have come from a variety of fields, including machine translation, history, literature, philosophy, linguistics, terminology, signed language interpreting, screen translation, translation pedagogy, software localization and lexicography. There is evidently great diversity in translation studies, but is there much unity? Have the different branches of translation studies become so specialized that they can no longer talk to each other? Would translation studies be strengthened or weakened by the search for or the existence of unifying principles? This volume brings together contributions from feminist theory, screen translation, terminology, interpreting, computer-assisted translation, advertising, literature, linguistics, and translation pedagogy in order to counter the tendency to partition or exclude in translation studies. Machine translation specialists and literary translators should be found between the same book covers, if only because the nomadic journeying of concepts is often the key to intellectual discovery and renewal. Celebrating our differences does not mean ignoring what we have in common. Unity in Diversity offers a valuable overview of the current state of translation studies from both theoretical and practical perspectives and makes an important contribution to debates on the future direction of translation studies.

Universal Design for Learning in the Classroom

by Anne Meyer Tracey Hall

Clearly written and well organized, this book shows how to apply the principles of universal design for learning (UDL) across all subject areas and grade levels. The editors and contributors describe practical ways to develop classroom goals, assessments, materials, and methods that use UDL to meet the needs of all learners. Specific teaching ideas are presented for reading, writing, science, mathematics, history, and the arts, including detailed examples and troubleshooting tips. Particular attention is given to how UDL can inform effective, innovative uses of technology in the inclusive classroom.

Universal Design for Learning in the Classroom: Practical Applications for K-12 and Beyond

by David Gordon Tracey E. Hall Kristin H. Robinson

The Universal Design for Learning (UDL) framework has grown from its origins in special education to being widely used to support all students, making the fully rewritten second edition of this indispensable guide more relevant than ever. Filled with practical, vivid examples and tips, the book demonstrates the power of UDL when applied to particular content areas. Specific teaching ideas are presented for literacy, STEM, project-based learning, career and technical education, and the arts. The editors and contributors describe practical ways to create thriving learning environments that use UDL to meet diverse learners' needs. New to This Edition *Entirely new content. *Coverage expanded from elementary and middle grades to secondary and beyond. *Innovative approaches embracing the growth of UDL and the ubiquity of digital technologies in today&’s classrooms. *Spotlight on issues of equity and inclusion. *Chapters on antiracism, social–emotional learning, career and technical education, journey mapping, and curriculum design. *Compelling discussions of advances in UDL principles and research directions.

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Showing 57,851 through 57,875 of 62,128 results