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Watchmen and Philosophy: A Rorschach Test
by William Irwin Mark D. WhiteAlan Moore's "Watchmen" is set in 1985 and chronicles the alternative history of the United States where the US edges dangerously closer to nuclear war with the Soviet Union. Within this world exists a group of crime busters, who don elaborate costumes to conceal their identity and fight crime, and an intricate plot to kill and discredit these "superheroes". This latest book in the popular Blackwell Philosophy and Pop Culture series peers into Moore's deeply philosophical work to parse and deconstruct the ethical issues raised by "Watchmen's" costumed adventurers, their actions, and their world.
Watchwords: Romanticism and the Poetics of Attention
by Lily Gurton-WachterThis book revisits British Romanticism as a poetics of heightened attention. At the turn of the nineteenth century, as Britain was on the alert for a possible French invasion, attention became a phenomenon of widespread interest, one that aligned and distinguished an unusual range of fields (including medicine, aesthetics, theology, ethics, pedagogy, and politics). Within this wartime context, the Romantic aesthetic tradition appears as a response to a crisis in attention caused by demands on both soldiers and civilians to keep watch. Close formal readings of the poetry of Blake, Coleridge, Cowper, Keats, (Charlotte) Smith, and Wordsworth, in conversation with research into Enlightenment philosophy and political and military discourses, suggest the variety of forces competing for--or commanding--attention in the period. This new framework for interpreting Romanticism and its legacy illuminates what turns out to be an ongoing tradition of war literature that, rather than give testimony to or represent warfare, uses rhythm and verse to experiment with how and what we attend to during times of war.
Water Conflicts and Cooperation: A Media Handbook
by Ali ThompsonThis handbook is for journalists, researchers and policy makers that are interested in working on science communication for water peace and cooperation and that are searching for ideas and inspiration. It features descriptions and reflections of the activities (action research, training modules, joint workshops, reporting grants, podcast, online photo campaign...) implemented by Open Water Diplomacy project in the Nile basin, and in the new international basins identified under the top-up activities on capacity development, as well as activities in the field of media and water diplomacy implemented by other actors. It will be an online open access repository of case studies and best practices in the field of journalism and science communication for water peace and cooperation.
Water Graves: The Art of the Unritual in the Greater Caribbean (New World Studies)
by Valérie LoichotWater Graves considers representations of lives lost to water in contemporary poetry, fiction, theory, mixed-media art, video production, and underwater sculptures. From sunken slave ships to the devastation of Hurricane Katrina, Valérie Loichot investigates the lack of official funeral rites in the Atlantic, the Caribbean Sea, and the Gulf of Mexico, waters that constitute both early and contemporary sites of loss for the enslaved, the migrant, the refugee, and the destitute. Unritual, or the privation of ritual, Loichot argues, is a state more absolute than desecration. Desecration implies a previous sacred observance--a temple, a grave, a ceremony. Unritual, by contrast, denies the sacred from the beginning.In coastal Louisiana, Mississippi, Georgia, Miami, Haiti, Martinique, Cancun, and Trinidad and Tobago, the artists and writers featured in Water Graves—an eclectic cast that includes Beyoncé, Radcliffe Bailey, Edwidge Danticat, Édouard Glissant, M. NourbeSe Philip, Jason deCaires Taylor, Édouard Duval-Carrié, Natasha Trethewey, and Kara Walker, among others—are an archipelago connected by a history of the slave trade and environmental vulnerability. In addition to figuring death by drowning in the unritual—whether in the context of the aftermath of slavery or of ecological and human-made catastrophes—their aesthetic creations serve as memorials, dirges, tombstones, and even material supports for the regrowth of life underwater.
Water Lore: Practice, Place and Poetics (Routledge Environmental Humanities)
by Camille Roulière Claudia EgererLocated within the field of environmental humanities, this volume engages with one of the most pressing contemporary environmental challenges of our time: how can we shift our understanding and realign what water means to us? Water is increasingly at the centre of scientific and public debates about climate change. In these debates, rising sea levels compete against desertification; hurricanes and floods follow periods of prolonged drought. As we continue to pollute, canalise and desalinate waters, the ambiguous nature of our relationship with these entities becomes visible. From the paradisiac and pristine scenery of holiday postcards through to the devastated landscapes of post-tsunami news reports, images of waters surround us. And while we continue to damage what most sustains us, collective precarity grows. Breaking down disciplinary boundaries, with contributions from scholars in the visual arts, history, earth systems, anthropology, architecture, literature and creative writing, archaeology and music, this edited collection creates space for less-prominent perspectives, with many authors coming from female, Indigenous and LGBTQIA+ contexts. Combining established and emerging voices, and practice-led research and critical scholarship, the book explores water across its scientific, symbolic, material, imaginary, practical and aesthetic dimensions. It examines and interrogates our cultural construction and representation of water and, through original research and theory, suggests ways in which we can reframe the dialogue to create a better relationship with water sources in diverse contexts and geographies. This expansive book brings together key emerging scholarship on water persona and agency and would be an ideal supplementary text for discussions on the blue humanities, climate change, environmental anthropology and environmental history.
Water Stories in the Anthropocene: Anglophone Climate-Change Fiction (Routledge Studies in World Literatures and the Environment)
by Angelo MonacoWater Stories in the Anthropocene explores how climate change has emerged as a major theme in our daily lives as it poses a myriad of economic, scientific, political and cultural challenges in the age of the Anthropocene. In all its forms and manifestations, climate change is primarily a water crisis. Water scarcity, droughts, floods, deluge, rising sea levels, ice melting, wetlands loss and sea pollution are among the main threats posed by climate change, wreaking havoc on both human and nonhuman forms of life. This book engages with instances of extreme events related to water (droughts, floods, deluges) and the impact of climate change on some waterbodies (seas and wetlands) in contemporary Anglophone novels. By taking into account a corpus of novels ranging from the various areas of the Anglophone world, and thus shuttling between the Global North and the Global South, the book reads these novels as "water stories." This volume pays attention to the pervasive presence of water in all aspects of our lives, thus showing how narratives can offer insightful accounts of the present water crisis. Alternating between an econarratological perspective, reflections on the Anthropocene and the human/nonhuman imbrications within the blue humanities, the book contributes significantly to the considerations of the imaginative possibilities of these water stories, showing how narratives can offer insightful accounts of the present water crisis.
Water and African American Memory: An Ecocritical Perspective
by Anissa J. WardiWhile there is no lack of scholarship on the trans-Atlantic voyage and the Middle Passage as tropes in African diasporic writing, to date there has not been a comprehensive analysis of bodies of water in African American literature and culture.In Water and African American Memory, Anissa Wardi offers the first sustained treatise on watercourses in the African American expressive tradition. Her holistic approach especially highlights the ways that water acts not only as a metaphorical site of trauma, memory, and healing but also as a material site.Using the trans-Atlantic voyage as a starting point and ending with a discussion of Hurricane Katrina, this pioneering ecocritical study delves deeply into the environmental dimension of African American writing. Beyond proposing a new theoretical map for conceptualizing the African Diaspora, Wardi offers a series of engaging and original close readings of major literary, filmic, and blues texts, including the works of Toni Morrison, Ntozake Shange, Julie Dash, Henry Dumas, and Kasi Lemmons.
Water and Dreams: An Essay on the Imagination of Matter
by Gaston BachelardGaston Bachelard, master dreamer of the elements, animates the waters of the soul with his stirring, fluid imagination. With the subtlety of a poet, he ranges from the surface of water with its reflective narcissism to the very depths where water flows into death. Clear waters, deep water, the Charon Complex, water in combination with other elements, maternal waters, water's morality, violent water, water's voice.
Water for Hartford: The Story of the Hartford Water Works and the Metropolitan District Commission (Garnet Books)
by Kevin MurphyHow three men brought clean water to Hartford, on a massive scale As good health is inextricably wedded to pure drinking water—and this particular concern looms larger every day—understanding delivery systems is almost as important as the water itself. Water for Hartford chronicles the century-long effort, beginning in the 1850s, to construct a viable, efficient water system. The story of Hartford's water works is a fascinating one, for it recalls the hard work, great sacrifice, and extraordinary engineering feats necessary to deliver wholesome drinking water to a growing urban center. It also illuminates the ever-changing social, political, and economic milieu in which it was built. The story of its construction is also the story of three men—Hiram Bissell, Ezra Clark, and Caleb Saville. Readers are transported back in time and given a firsthand glimpse of what these champions of a water system faced on a daily basis: unforgiving geography, venal politicians, and an often-indifferent public. The book culminates in the exhilaration of having built a water works from scratch to deliver clean, safe drinking water to the masses. Water for Hartford is a human story, peopled by men of vision and achievement, who understood that their decisions and actions would affect millions of people for decades to come.
Watership Down (SparkNotes Literature Guide Series)
by SparkNotesWatership Down (SparkNotes Literature Guide) by Richard Adams Making the reading experience fun! Created by Harvard students for students everywhere, SparkNotes is a new breed of study guide: smarter, better, faster. Geared to what today's students need to know, SparkNotes provides: *Chapter-by-chapter analysis *Explanations of key themes, motifs, and symbols *A review quiz and essay topicsLively and accessible, these guides are perfect for late-night studying and writing papers
Wax Impressions, Figures, and Forms in Early Modern Literature: Wax Works (Early Modern Cultural Studies 1500–1700)
by Lynn M. MaxwellThis book explores the role of wax as an important conceptual material used to work out the nature and limits of the early modern human. By surveying the use of wax in early modern cultural spaces such as the stage and the artist’s studio and in literary and philosophical texts, including those by William Shakespeare, John Donne, René Descartes, Margaret Cavendish, and Edmund Spenser, this book shows that wax is a flexible material employed to define, explore, and problematize a wide variety of early modern relations including the relationship of man and God, man and woman, mind and the world, and man and machine.
Wax Tablets of the Mind: Cognitive Studies of Memory and Literacy in Classical Antiquity
by Jocelyn Penny SmallIn this volume, the author argues that literacy is a complex combination of various skills, not just the ability to read and write: the technology of writing, the encoding and decoding of text symbols, the interpretation of meaning, the retrieval and display systems which organize how meaning is stored and memory. The book explores the relationship between literacy, orality and memory in classical antiquity, not only from the point of view of antiquity, but also from that of modern cognitive psychology. It examines the contemporary as well as the ancient debate about how the writing tools we possess interact and affect the product, why they should do so and how the tasks required of memory change and develop with literacy's increasing output and evoking technologies.
Ways In
by Gilbert H. Muller John A. WilliamsBridging the gap between literary and composition theory, Ways In is a concise, integrated guide to critical reading, thinking, and writing about literature.
Ways into Literature: Stories, Plays and Poems for Pupils with SEN
by Nicola GroveBy fostering an emotional engagement with literature, teachers can encourage children to make subsequent critical evaluations. Ways into Literature is in line with current guidelines and will help practitioners get started straight away by using the book's storylines, character maps, and story frames. It will also help practitioners learn from the experiences of real children and fellow practitioners. Ways into Literature contains photocopiable and CD ROM resources.
Ways of Being Male: Representing Masculinities in Children's Literature (Children's Literature and Culture)
by John StephensGiven the substantial impact of feminism on children’s literature and culture during the last quarter century, it comes as no surprise that gender studies have focused predominantly on issues of female representation. The question of how the same patriarchal ideology structured representations of male bodies and behaviors was until very recently a marginal discussion. Now that masculinity has emerges as an overt theme in children’s literature and film, critical consideration of the subject is timely, if not long overdue Ways of Being Male addresses this new concern in an unprecedented collection of essays examining how contemporary debates about masculinity are reflected in fiction and film for young adults. An outstanding team of scholars elucidates the ways in which different versions of male identity are constructed and presented to young audiences. The contributors, drawn from a variety of academic disciplines, employ international discourses in literary criticism, feminism, social sciences, film theory, psychoanalytic criticism, and queer theory in their wide-ranging exploration of male representation. With its illuminating array of perspectives, this pioneering survey brings a long neglected subject into sharp focus.
Ways of Forgetting, Ways of Remembering: Japan in the Modern World
by John W. Dower&“A series of astute academic essays on the forging of postwar Japan&” from the winner of the Pulitzer Prize, National Book Award, and Bancroft Prize (Kirkus Reviews). Remembering and reconstructing the past inevitably involves forgetting—and nowhere more so than in the complex relationship between the United States and Japan since the end of World War II. In this provocative and probing series of essays, John W. Dower—one of our leading historians of postwar Japan and author of the Pulitzer Prize–winning Embracing Defeat—explores the uses and abuses to which this history has been subjected and, with deliberation and insight, affirms the urgent need for scholars to ask the questions that are not being asked. Using E. H. Norman, the unjustly neglected historian of prewar Japan, as a starting point, Ways of Forgetting, Ways of Remembering sets out both to challenge historiographical orthodoxy and reveal the configurations of power inherent in scholarly and popular discourse in Japan and America. It is a profound look at American and Japanese perceptions—past and present—of key moments in their shared history. An incisive investigation of the problems of public history and its role in a modern democracy, these essays are essential reading for anyone interested in postwar US-Japan relations, as well as the broader discipline of history. &“A set of serious, cautionary reflections from a superb historian.&” —Publishers Weekly (starred review)
Ways of Knowing in Early Modern Germany: Johannes Praetorius as a Witness to his Time (Literary and Scientific Cultures of Early Modernity)
by Gerhild Scholz WilliamsGerhild Scholz Williams's Ways of Knowing in Early Modern Germany: Johannes Praetorius as a Witness to His Time, reviews key discourses in eight of Praetorius's works. She introduces the modern reader to the kinds of subjects, the intellectual and spiritual approaches to them, and the genres that this educated and productive German scholar and polymath presented to his audience in the seventeenth century. By relating these individual works to a number of contemporaneous writings, Williams shows how Praetorius constructed a panorama in print in which wonders, the occult, the emerging scientific way of thinking, family and social mores are recurrent themes. Included in Praetorius's portrait of the mid-seventeenth-century are discussions of Paracelsus's scientific theories and practice; early modern German theories on witchcraft and demonology and their applications in the seventeenth century. Furthermore, we read about the early modern beginnings of ethnography, anthropology, and physical geography; gender theory, early modern and contemporary notions of intellectual property, and competing and sometimes conflicting early modern scientific and theological explanations of natural anomalies. Moreover, throughout his work and certainly in those texts chosen for this study, Praetorius appears before us as an assiduous reporter of contemporary European and pan-European events and scientific discoveries, a critic of common superstitions, as much a believer in occult causes and signs and in God's communication with His people. In his writings, in his way of telling, he offers strategies by which to comprehend the political, social, and intellectual uncertainties of his century and, in so doing, identifies ways to confront the diverse interpretive authorities and the varieties of structures of knowledge that interacted and conflicted with each other in the public arena of knowing.
Ways of Re-Thinking Literature
by Donatien Grau Tom BishopWays of Re-Thinking Literature creates a unique platform where leading literary thinkers and practitioners provide a multiplicity of views into what literature is today. The texts gathered in this extraordinary collection range from philosophy to poetry, to theater, to cognitive sciences, to art criticism, to fiction, and their authors rank amongst the most significant figures in their fields, in France, the United States, and the United Kingdom. Topics covered include an assessment of the role of literary narratives in contemporary writing, new considerations on the novel, a redefinition of the "poetic" factor in poetry and life, and a discussion of how literature engages with contemporary forms of individuality. Under the auspices of literary luminaries Hélène Cixous and the late John Ashbery, these new pieces of writing bring to light contributions by innovative and well-established authors from the English-speaking sphere, as well as never-before translated prominent new voices in French theory. Featuring original work from some of today’s most influential authors, Ways of Re-Thinking Literature is an indispensable tool for anybody interested in the future and possibilities of literature as an endeavor for life, thought, and creativity. With special cover artwork by Rita Ackermann, the volume includes contributions from Emily Apter, Philippe Artières, John Ashbery, Paul Audi, Dodie Bellamy, Tom Bishop, Hélène Cixous, Laurent Dubreuil, Tristan Garcia, Stathis Gourgouris, Donatien Grau, Boris Groys, Shelley Jackson, Wayne Koestenbaum, Camille Laurens, Vanessa Place, Maël Renouard, Peter Schjeldahl, Adam Thirlwell, and Camille de Toledo.
Ways of Reading: An Anthology for Writers
by David Bartholomae Anthony Petrosky Stacey WaiteSince its first edition, Ways of Reading has offered a uniquely exciting approach to first-year composition, integrating reading, writing, and critical thinking with a challenging selection of readings and editorial support. By engaging students in conversations with key academic and cultural texts, Ways of Reading helps students develop the intellectual skills necessary for academic work; it also bridges the gap between contemporary critical theory and composition so that instructors can connect their own scholarly work with their teaching. With a mix of shorter, more accessible readings from a broader range of academic disciplines, the eleventh edition offers more flexibility for instructors while continuing to help students become better writers by challenging them to be engaged and critical readers.
Ways of Reading: An Anthology for Writers (6th edition)
by David Bartholomae Anthony PetroskyMuch admired, widely adopted, and one-of-a-kind -- Ways of Reading combines lengthy and challenging readings with an innovative and demanding apparatus to engage students in conversations with some of the most powerful voices of our culture.
Ways of Seeking: The Arabic Novel and the Poetics of Investigation (Islamic Humanities #6)
by Emily DrumstaA free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. In Ways of Seeking, Emily Drumsta traces the influence of detective fiction on the twentieth-century Arabic novel. Theorizing a "poetics of investigation," she shows how these novels, far from staging awe-inspiring feats of logical deduction, mock the truth-seeking practices on which modern exercises of colonial and national power are often premised. Their narratives return to the archives of Arabic folklore, Islamic piety, and mysticism to explore less coercive ways of knowing, seeing, and seeking. Drumsta argues that scholars of the Middle East neglect the literary at their peril, overlooking key critiques of colonialism from the intellectuals who shaped and responded through fiction to the transformations of modernity. This book ultimately tells a different story about the novel’s place in the constellation of Arab modernism, modeling an innovative method of open-ended inquiry based on the literary texts themselves.
Ways of Writing
by David D. HallWriters abounded in seventeenth-century New England. From the moment of colonization and constantly thereafter, hundreds of people set pen to paper in the course of their lives, some to write letters that others recopied, some to compose sermons as part of their life work as ministers, dozens to attempt verse, and many more to narrate a remarkable experience, provide written testimony to a civil court, participate in a controversy, or keep some sort of records--and of these everyday forms of writing there was no limit.Every colonial writer knew of two different modes of publication, each with its distinctive benefits and limitations. One was to entrust a manuscript to a printer who would set type and impose it on sheets of paper that were bound up into a book. The other was to make handwritten copies or have others make copies, possibly unauthorized. Among the colonists, the terms "publishing" and "book" referred to both of these technologies. Ways of Writing is about the making of texts in the seventeenth century, whether they were fashioned into printed books or circulated in handwritten form. The latter mode of publishing was remarkably common, yet it is much less understood or acknowledged than transmission in print. Indeed, certain writers, including famous ones such as John Winthrop and William Bradford, employed scribal publication almost exclusively; the Antimonian controversy of 1636-38 was carried out by this means until manuscripts relating to the struggle began to be printed in England.Examining printed texts as well as those that were handwritten, David D. Hall explores the practices associated with anonymity, dedications, prefaces, errata, and the like. He also surveys the meaning of authority and authenticity, demonstrating how so many texts were prepared by intermediaries, not by authors, thus contributing to the history of "social" or collaborative authorship. Finally, he considers the political contexts that affected the transmission and publication of many texts, revealing that a space for dissent and criticism was already present in the colonies by the 1640s, a space exploited mainly by scribally published texts.