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Belle Turnbull: On the Life and Work of an American Master (The Unsung Masters Series)

by David Rothman Jeffrey Villines

Belle Turnbull (1881-1970) gained regional and even national popularity during her lifetime, but sank into obscurity after her death. This volume contains a selection of her poetry and prose as well as a series of essays that provide commentary on her work and times. Much of Turnbull's work is inspired by the rough-hewn lives of prospectors in the early 20th century. This book contains several excerpts from Turnbull's narrative poem "Goldboat," which tells the story of John Dorn, who arrives in Colorado to head a crew of dredgers. In contrast to the hardscrabble lives of the miners, Turnbull brings out the beauty of the landscape with its trees, birds, and wildflowers. She offers us a profoundly original vision of the American west that transcends the region.

Belles and Poets: Intertextuality in the Civil War Diaries of White Southern Women

by Julia Nitz

In Belles and Poets, Julia Nitz analyzes the Civil War diary writing of eight white women from the U.S. South, focusing specifically on how they made sense of the world around them through references to literary texts. Nitz finds that many diarists incorporated allusions to poems, plays, and novels, especially works by Shakespeare and the British Romantic poets, in moments of uncertainty and crisis. While previous studies have overlooked or neglected such literary allusions in personal writings, regarding them as mere embellishments or signs of elite social status, Nitz reveals that these references functioned as codes through which women diarists contemplated their roles in society and addressed topics related to slavery, Confederate politics, gender, and personal identity.Nitz’s innovative study of identity construction and literary intertextuality focuses on diaries written by the following women: Eliza Frances (Fanny) Andrews of Georgia (1840–1931), Mary Boykin Miller Chesnut of South Carolina (1823–1886), Malvina Sara Black Gist of South Carolina (1842–1930), Sarah Ida Fowler Morgan of Louisiana (1842–1909), Cornelia Peake McDonald of Virginia (1822–1909), Judith White Brockenbrough McGuire of Virginia (1813–1897), Sarah Katherine (Kate) Stone of Louisiana (1841–1907), and Ella Gertrude Clanton Thomas of Georgia (1843–1907). These women’s diaries circulated in postwar commemoration associations, and several saw publication. The public acclaim they received helped shape the collective memory of the war and, according to Nitz, further legitimized notions of racial supremacy and segregation. Comparing and contrasting their own lives to literary precedents and fictional role models allowed the diarists to process the privations of war, the loss of family members, and the looming defeat of the Confederacy. Belles and Poets establishes the extent to which literature offered a means of exploring ideas and convictions about class, gender, and racial hierarchies in the Civil War–era South. Nitz’s work shows that literary allusions in wartime diaries expose the ways in which some white southern women coped with the war and its potential threats to their way of life.

Belligerent Muse: Five Northern Writers and How They Shaped Our Understanding of the Civil War (Civil War America)

by Gary W. Gallagher Stephen Cushman

War destroys, but it also inspires, stimulates, and creates. It is, in this way, a muse, and a powerful one at that. The American Civil War was a particularly prolific muse--unleashing with its violent realities a torrent of language, from soldiers' intimate letters and diaries to everyday newspaper accounts, great speeches, and enduring literary works. In Belligerent Muse, Stephen Cushman considers the Civil War writings of five of the most significant and best known narrators of the conflict: Abraham Lincoln, Walt Whitman, William Tecumseh Sherman, Ambrose Bierce, and Joshua Lawrence Chamberlain. Considering their writings both as literary expressions and as efforts to record the rigors of the war, Cushman analyzes their narratives and the aesthetics underlying them to offer a richer understanding of how Civil War writing chronicled the events of the conflict as they unfolded and then served to frame the memory of the war afterward.Elegantly interweaving military and literary history, Cushman uses some of the war's most famous writers and their works to explore the profound ways in which our nation's great conflict not only changed the lives of its combatants and chroniclers but also fundamentally transformed American letters.

Bellow's People: How Saul Bellow Made Life Into Art

by David Mikics

A leading literary critic's innovative study of how the Nobel Prize-winning author turned life into art. Saul Bellow was the most lauded American writer of the twentieth century--the winner of the Nobel Prize in Literature and the Pulitzer Prize in Fiction, and the only novelist to be awarded the National Book Award in Fiction three times. Preeminently a novelist of personality in all its wrinkles, its glories and shortcomings, Bellow filled his work with vibrant, garrulous, particular people--people who are somehow exceptionally alive on the page. In Bellow's People, literary historian and critic David Mikics explores Bellow's life and work through the real-life relationships and friendships that Bellow transmuted into the genius of his art. Mikics covers ten of the extraordinary people who mattered most to Bellow, such as his irascible older brother, Morrie, a key inspiration for The Adventures of Augie March; the writer Delmore Schwartz and the philosopher Allan Bloom, who were the originals for the protagonists of Humboldt's Gift and Ravelstein; the novelist Ralph Ellison, with whom he shared a house every summer in the late 1950s, when Ellison was coming off the mammoth success of Invisible Man and Bellow was trying to write Herzog; and Bellow's wife, Sondra Tschacbasov, and his best friend, Jack Ludwig, whose love affair Bellow fictionalized in Herzog. A perfect introduction to Bellow's life and work, Bellow's People is an incisive critical study of the novelist and a memorable account of a vibrant and tempestuous circle of midcentury American intellectuals.

Belly Laugh Beach Jokes for Pirates and Mermaids: 350 Hilarious Jokes!

by Sky Pony Press

A hilarious collection of 350 hysterical beach jokes for kids (and pirates and mermaids!), complete with hysterical illustrations and a laugh noise button! What's a mermaid's favorite letter? The C! What's a pirate's least favorite letter? RRRRR!Belly Laugh Beach Jokes for Pirates and Mermaids is full of hilarious fun for anyone who loves the beach! From snappy one-liners to hilarious puns, this collection is complete with 350 of the best jokes for ocean-loving kids and is complemented by sidesplitting line drawings. Perfect for long car rides, rainy days on vacation, and hanging out with friends on the shore, this book is sure to bring laughter and fun into your home!

Belly Laugh Brilliant Jokes for Smart Kids: 350 Genius Jokes!

by Sky Pony Press

A hilarious collection of 350 uniquely clever jokes for smart kids, complete with hysterical illustrations and a laugh noise button! What did the wall say to the perpendicular wall? Meet you at the corner!What snack do computers like? Microchips! I love the way the Earth rotates . . . it really makes my day!Belly Laugh Brilliant Jokes for Smart Kids is full of hilarious fun for bright kids! From snappy puns to brilliant one-liners to fun wordplay, this collection is complete with 350 of the smartest jokes for kids and is complemented by sidesplitting line drawings. Perfect for long car rides, rainy days, and hanging out with friends, this book is sure to bring laughter and fun (and some knowledge!) into your home. For kids ages five and up, this book is ideal for home, school, or really anywhere!

Belly Laugh Funniest, Grossest Jokes for Kids: 350 Hilarious Jokes!

by Sky Pony Press

A hilarious collection of 350 unique gross jokes, complete with hysterical illustrations and a laugh noise button! How do you make a tissue dance? Put a little boogie in it! What did one toilet say to the other toilet? You look a bit flushed! Belly Laugh Funniest, Grossest Jokes for Kids is full of hilarious and disgusting fun! From snappy one-liners to hilarious puns, this collection is complete with 350 jokes for kids and is complemented by sidesplitting line drawings. Perfect for long car rides, rainy days, and hanging out with friends, this book is sure to bring laughter and fun into your home. For kids ages five and up, this book is perfect for home, school, or really anywhere! Also included is a laughing-sound button for added entertainment!

Belly Laugh Hilarious School's Out for Summer Jokes for Kids: 350 Hilarious Summer Jokes!

by Sky Pony Press

A hilarious collection of 350 unique jokes for school-free summertime fun, complete with hysterical illustrations and a laugh noise button! Q: During the summer, when do you go at red and stop at green? A: When you’re eating a slice of watermelon! Q: What did the beach say to the people who came back for the summer? A: Long time no sea! Belly Laugh Hilarious School’s Out Summer Jokes for Kids is full of hilarious summertime fun! From snappy one-liners to uproarious puns, this collection is complete with 350 jokes for kids and is complemented by sidesplitting line drawings. Perfect for long car rides, rainy days, and hanging out with friends, this book is sure to bring laughter and fun into your home. For kids ages five and up, this book is ideal for home, school, or really anywhere! Also included is a laughing-sound button for added entertainment!

Belly Laugh Hysterical Schoolyard Riddles and Puns for Kids: 350 Hilarious Riddles and Puns!

by Sky Pony Press

A hilarious collection of 350 unique riddles and puns for smart back-to-school fun, complete with hysterical illustrations and a laugh noise button! Q: Why did the music teacher need a ladder? A: To reach the high notes! Q: What object is king of the classroom? A: The ruler! Belly Laugh Hysterical Schoolyard Riddles and Puns for Kids is full of hilarious back-to-school fun! From snappy puns to clever riddles, this collection is complete with 350 jokes for kids and is complemented by sidesplitting line drawings. Perfect for long car rides, rainy days, and hanging out with friends, this book is sure to bring laughter and fun into your home. For kids ages five and up, this book is ideal for home, school, or really anywhere! Also included is a laughing-sound button for added entertainment!

Belly Laugh Sidesplitting Santa Claus and Christmas Jokes for Kids: 350 Hilarious Christmas Jokes!

by Sky Pony Press

Why does Santa take presents to children at Christmas? The presents won't take themselves! Why is it so cold at Christmas? Because it's in Decembrrrr! What comes at the end of Christmas day? The letter "Y!" What looks like half a Christmas tree? The other half! Belly Laugh Sidesplitting Santa Claus and Christmas Jokes for Kids is full of hilarious holiday fun! From snappy one-liners to hilarious puns, this collection is complete with 350 jokes for kids and is complemented by sidesplitting line drawings and an uproarious "HO HO HO!" sound-effect button. Perfect for snowy days, long car rides to visit relatives, and get-togethers with friends, this book is sure to bring jolly laughter and Christmas fun into your home.

Belly Laugh Totally Terrific Tongue Twisters for Kids: 350 Terribly Tangled Tongue Twisters! (Belly Laughs Ser.)

by Sky Pony Press

One-one was a racehorse. Two-two was one too. One-one won one race. Two-two won one too. How much wood would a groundhog chuck if a groundhog could chuck wood? The instinct of an extinct insect stinks!Belly Laugh Totally Terrific Tongue Twisters for Kids is full of hilarious tongue-twisting fun! From snappy one-liners to hilarious stories and jokes, this collection is complemented by sidesplitting line drawings and an uproarious tongue-tied babbling sound-effect button. Perfect for rainy spring days, long car rides to visit relatives, and get-togethers with friends, this book is sure to bring silly laughter and comical wordplay fun into your home.

Belonging and Estrangement in the Poetry of Philip Larkin, R.S. Thomas and Charles Causley

by Rory Waterman

Focusing on the significance of place, connection and relationship in three poets who are seldom considered in conjunction, Rory Waterman argues that Philip Larkin, R.S. Thomas and Charles Causley epitomize many of the emotional and societal shifts and mores of their age. Waterman looks at the foundations underpinning their poetry; the attempts of all three to forge a sense of belonging with or separateness from their readers; the poets’ varying responses to their geographical and cultural origins; the belonging and estrangement that inheres in relationships, including marriage; the forced estrangements of war; the antagonism between social belonging and a need for isolation; and, finally, the charged issues of faith and mortality in an increasingly secularized country.

Beloved (MAXNotes Literature Guides)

by Gail Rae

REA's MAXnotes for Toni Morrison's Beloved MAXnotes offer a fresh look at masterpieces of literature, presented in a lively and interesting fashion. Written by literary experts who currently teach the subject, MAXnotes will enhance your understanding and enjoyment of the work. MAXnotes are designed to stimulate independent thought about the literary work by raising various issues and thought-provoking ideas and questions. MAXnotes cover the essentials of what one should know about each work, including an overall summary, character lists, an explanation and discussion of the plot, the work's historical context, illustrations to convey the mood of the work, and a biography of the author. Each chapter is individually summarized and analyzed, and has study questions and answers.

Beloved (SparkNotes Literature Guide Series)

by SparkNotes

Beloved (SparkNotes Literature Guide) by Toni Morrison Making the reading experience fun! Created by Harvard students for students everywhere, SparkNotes is a new breed of study guide: smarter, better, faster.Geared to what today's students need to know, SparkNotes provides:chapter-by-chapter analysis explanations of key themes, motifs, and symbols a review quiz and essay topicsLively and accessible, these guides are perfect for late-night studying and writing papers.

Beloved Community

by Casey Nelson Blake

The "Young American" critics -- Randolph Bourne, Van Wyck Brooks, Waldo Frank, and Lewis Mumford -- are well known as central figures in the Greenwich Village "Little Renaissance" of the 1910s and in the postwar debates about American culture and politics. In Beloved Community, Casey Blake considers these intellectuals as a coherant group and assesses the connection between thier cultural criticisms and their attempts to forge a communitarian alternative to liberal and socialist poitics. Blake draws on biography to emphasize the intersection of questions of self, culture, and society in their calls for a culture of "personality" and "self-fulfillment." In contrast to the tendency of previous analyses to separate these critics' cultural and autobiographical writings from their politics, Blake argues that their cultural criticism grew out of a radical vision of self-realization through participation in a democratic culture and polity. He also examines the Young American writers' interpretations of such turn-of-the-century radicals as William Morris, Henry George, John Dewey, and Patrick Geddes and shows that this adversary tradition still offers important insights into contemporary issues in American politics and culture.Beloved Community reestablishes the democratic content of the Young Americans' ideal of "personality" and argues against viewing a monolithic therapeutic culture as the sole successor to a Victorian "culture of character." The politics of selfhood that was so critical to the Young Americans' project has remained a contested terrain throughout the twentieth century.

Beltaine: The Organ of the Irish Literary Theatre (Routledge Revivals)

by W. B. Yeats

First published in 1970, this book is a faithful representation of the original edition of Beltaine, a literary magazine edited by W. B. Yeats from May 1899 to April 1900. Beltaine was the first of several magazines of the Irish Literary Theatre (later to become The Abbey Theatre) in which Yeats’s editorial role was of utmost importance. It was an occasional publication and focused on promoting current works of Irish playwrights whilst challenging those of their English opponents. The magazine mainly consists of a series of essays on the theatre in Dublin, and supplementing these are explanations and discussions of new plays, excerpts from which are often included. This book will be of interest to those with an interest in Yeats, early nineteenth-century literature, and Irish theatre.

Ben Bug

by Barbara W. Makar

A systematic, phonics-based early reading program that includes: the most practice for every skill, decodable readers for every skill, and reinforcement materials--help struggling students succeed in the regular classroom

Ben Goes To School class 1 - MIE

by Aruna Ankiah-Gangadeen

"Ben Goes to School" is a captivating big book designed for Grade 1 pupils, aiming to enhance literacy skills in English. Illustrated with colorful images and featuring simple language, the book follows Ben's experiences at school. Through a three-day guided reading plan, teachers engage students in interactive sessions, introducing them to the book's elements, reading it expressively, and encouraging active participation. The story revolves around Ben's school routine—playing with friends, listening to stories, reading words on the board, creating colorful drawings, writing new words, and counting various objects. The sessions prompt discussions about Ben's activities, encouraging students to relate their own experiences and learn key vocabulary associated with school life.

Ben Hecht's Theatre of Jewish Protest

by Garrett Eisler

Ben Hecht is most remembered as a famous Hollywood screenwriter and Broadway playwright, but only recently has his extensive Jewish activism during the Holocaust and its aftermath received scholarly attention. Unlike other, more expansive Hecht biographies, this book focuses in depth on his Jewish political theatre, drawing on extensive archival research of four dramas: We Will Never Die (1943), A Jewish Fairy Tale (1944), A Flag Is Born (1946), and The Terrorist (1947). Garrett Eisler's readings of these little-known (and out of print) texts reclaim them as pivotal to the history of Jewish American drama, being among the first works of U.S. theatre to address the Holocaust. The full texts of all four works are republished here for the first time, along with production details and full performance histories. Hecht also introduced a new heroic Jewish identity to the American stage, one that challenged popular stereotypes of villainy or weakness. This powerful and (still) controversial body of work stands as a striking testament to the power of theatre to rise to the moment. In Hecht's use of the stage to aggressively engage with history as it was happening, his story is a compelling case of an artist who made a difference.

Ben Hecht: Fighting Words, Moving Pictures (Jewish Lives)

by Adina Hoffman

A vibrant portrait of one of the most accomplished and prolific American screenwriters, by an award-winning biographer and essayistHe was, according to Pauline Kael, “the greatest American screenwriter.” Jean-Luc Godard called him “a genius” who “invented 80 percent of what is used in Hollywood movies today.” Besides tossing off dozens of now-classic scripts—including Scarface,Twentieth Century, and Notorious—Ben Hecht was known in his day as ace reporter, celebrated playwright, taboo-busting novelist, and the most quick-witted of provocateurs. During World War II, he also emerged as an outspoken crusader for the imperiled Jews of Europe, and later he became a fierce propagandist for pre-1948 Palestine’s Jewish terrorist underground. Whatever the outrage he stirred, this self-declared “child of the century” came to embody much that defined America—especially Jewish America—in his time. Hecht's fame has dimmed with the decades, but Adina Hoffman’s vivid portrait brings this charismatic and contradictory figure back to life on the page. Hecht was a renaissance man of dazzling sorts, and Hoffman—critically acclaimed biographer, former film critic, and eloquent commentator on Middle Eastern culture and politics—is uniquely suited to capture him in all his modes.

Ben Jonson (Longman Critical Readers)

by Richard Dutton

Interest in Ben Jonson is higher today than at any time since his death. This new collection offers detailed readings of all the major plays - Volpone, Epicene, The Alchemist and Bartholomew Fair - and the poems. It also provides significant insights into the court masques and the later plays which have only recently been rediscovered as genuinely engaging stage pieces.

Ben Jonson (Routledge Revivals)

by John Palmer

Originally published in 1934, Palmer’s biography of famous playwright Ben Jonson delves into his life and works and what he achieved in both. As first poet laureate of England, Jonson’s life presents a fascinating look into the state of literature and theatre in renaissance Britain which Palmer presents in great detail. This title will be of interest to students of literature.

Ben Jonson and Posterity: Reception, Reputation, Legacy

by Martin Butler Jane Rickard

Bringing together leading Jonson scholars, Ben Jonson and Posterity provides new insights into this remarkable writer's reception and legacy over four centuries. Jonson was recognised as the outstanding English writer of his day and has had a powerful influence on later generations, yet his reputation is one of the most multifaceted and conflicted for any writer of the early modern period. The volume brings together multiple critical perspectives, addressing book history, the practice of reading, theatrical influence and adaptation, the history of performance, cultural representation in portraiture, film, fiction, and anecdotes to interrogate Jonson's 'myth'. The collection will be of great interest to all Jonson scholars, as well as having a wider appeal among early modern literary scholars, theatre historians, and scholars interested in intertextuality and reception from the Renaissance to the present day.

Ben Jonson and the Art of Secrecy

by William W. Slights

Secrets accomplish their cultural work by distinguishing the knowable from the (at least temporarily) unknowable, those who know from those who don't. Within these distinctions resides an enormous power that Ben Jonson (1572-1637) both deplored and exploited in his art of making plays.Conspiracies and intrigues are the driving force of Jonson's dramatic universe. Focusing on Sejanus, His Fall; Volpone, or the Fox; Epicoene, or the Silent Woman; The Alchemist; Catiline, His Conspiracy, and Bartholomew Fair, William Slights places Jonson within the context of the secrecy- ridden culture of the court of King James I and provides illuminating readings of his best-known plays.Slights draws on the sociology of secrecy, the history of censorship, and the theory of hermeneutics to investigate secrecy, intrigue, and conspiracy as aspects of Jonsonian dramatic form, contemporary court/city/church politics, and textual interpretation. He argues that the tension between concealment and revelation in the plays affords a model for the poise that sustained Jonson in the intricately linked worlds of royal court and commercial theatre and that made him a pivotal figure in the cultural history of early modern England.Equally rejecting the position that Jonson was a renegade subverter of the arcana imperii and that he was a thorough-going court apologist, Slights finds that the playwright redraws the lines between private and public discourse for his own and subsequent ages.

Ben Jonson's Antimasques: A History of Growth and Decline (Routledge Revivals)

by Lesley Mickel

First published in 1999, this volume examines how under the patronage of James I and then Charles I, Ben Jonson wrote no less than 28 court masques. Paying particular attention to the antimasque, Lesley Mickel discusses in detail those court entertainments which contributed significantly to the genre’s evolution and development. Her approach is innovative in that she examines these court entertainments in relation to Jonson’s poetry and dramatic works. This reveals some idea of the way in which Jonson perceived the relationship between satire and panegyric, as well as highlighting the related, if oppositional, views of state power which he expresses in the Roman plays and in the masques.

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