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What's a Pair? What's a Dozen?
by Stephen R. SwinburneThe world is filled with numbers. From learning to count their fingers to learning to put on their shoes, children encounter mathematical concepts early in life. Steve Swinburne introduces children to number-related words in this bouncy, colorful photo-essay. From one to a dozen, lively photographs illustrated math words such as single, double, couple, and prefixes such as uni-, bi-, and tri-. The second half of the book is presented as a guessing game. Following Lots and Lots of Zebra Stripes and Guess Whose Shadow?, Steve Swinburne offers children another entertaining look at an all-important concept.
What's in Shakespeare's Names (Routledge Library Editions: Study of Shakespeare)
by Murray J. Levith‘What’s in a name? That which we call a rose/By any other name would smell as sweet.’ So says Juliet in the balcony scene from Romeo and Juliet but, originally published in 1978, Murray Levith shows just how wrong Juliet was. Shakespeare was extremely careful in his selection of names. Not only the obvious Hotspur or the descriptive Bottom or Snout, but most names in Shakespeare’s thirty-seven plays had a more than superficial significance. Beginning with what has been written previously, Levith illustrates how Shakespeare used names – not only those he invented in the later comedies, but those names bequeathed to him by history, myth, classical literature, or the Bible. Levith moves from the histories through the tragedies to the comedies, listing each significant name play by play, giving the allusions, references, and suggestions that show how each name enriches interpretations of action, character, and tone. Dr. Levith examines Shakespeare’s own name, and speculates upon the playwright’s identification with his characters and the often whimsical naming games he played or that were played upon him. A separate alphabetical index is provided to facilitate the location of individual names and, in addition, cross references to plays are given so that each name can be considered in the context of all the plays in which it appears.
What's in a Name?
by Philip DoddA brilliant and personal literary journey, in which Philip Dodd tells the curious tales of people whose names?deliberately or by chance?became household words What?s in a name? For Philip Dodd, this question led to an international tour, sleuthing the history of some of our most intriguing eponyms. The result is a collection of surprising, stranger-than-fiction stories from history, the arts, the halls of science, and sometimes simply the realm of serendipity. This armchair traveler?s delight contains little-known tales of such immortal figures as: · Roy Jacuzzi, alive and well and still bubbling with ideas in Happy Valley, California · Joseph P. Frisbie, the baker whose pie tins inspired Wham-O?s ubiquitous flying disc · Ernst Gräfenberg, for whom the G-spot was named ? Samuel Maverick, the Texas pioneer who refused to brand his calves · And many other colorful figures From Belgium to Buenos Aires, from Orlando to Los Angeles, Dodd?s readers go along for the ride. What?s In a Name? is a marvelous tribute to people who changed our language?whether through hard work, creativity, or the luck of the draw. .
What's in a Name?
by Philip DoddA brilliant and personal literary journey, in which Philip Dodd tells the curious tales of people whose names?deliberately or by chance?became household words What?s in a name? For Philip Dodd, this question led to an international tour, sleuthing the history of some of our most intriguing eponyms. The result is a collection of surprising, stranger-than-fiction stories from history, the arts, the halls of science, and sometimes simply the realm of serendipity. This armchair traveler?s delight contains little-known tales of such immortal figures as: · Roy Jacuzzi, alive and well and still bubbling with ideas in Happy Valley, California · Joseph P. Frisbie, the baker whose pie tins inspired Wham-O?s ubiquitous flying disc · Ernst Gräfenberg, for whom the G-spot was named ? Samuel Maverick, the Texas pioneer who refused to brand his calves · And many other colorful figures From Belgium to Buenos Aires, from Orlando to Los Angeles, Dodd?s readers go along for the ride. What?s In a Name? is a marvelous tribute to people who changed our language?whether through hard work, creativity, or the luck of the draw.
What's in a Name?: Friendship, Identity and History in Modern Multicultural Britain
by Sheela BanerjeeA sharp and timely examination of Britain's history, through the prism of something intimate and everyday - everyone's name tells a story, no matter how ordinary'Our names reveal a multitude of stories, reveal feelings, states of consciousness and lost histories that embody who we really are and where we come from . . . This is a personal journey to reveal the worlds which gave rise to what we are called'Our names are so mundane that we barely notice them. Yet each contains countless stories of tradition and belonging - be that a legacy of colonialism or persecution, the desire to fit in, or the complex cultural inheritance from one's parents. In What's in a Name?, Sheela Banerjee unravels the personal histories of friends and family through their names. And while tracing their heritage across centuries and continents - from west London to British India, and from 1960s Jamaica to pre-Revolutionary Russia - Sheela also tells the story of twentieth-century immigration to the UK.Blending history, memoir and politics, What's in a Name? is a celebration of Britain's rich multiculturalism, an ode to friendship and a testament to all the stories held within our names.(P)2023 Hodder & Stoughton Limited
What's in a Name?: Friendship, Identity and History in Modern Multicultural Britain
by Sheela Banerjee'A brilliantly enlightening book . . . at times moving, at others ironic, full of insights and detail' Michael RosenOur names are so mundane that we barely notice them. Yet each contains countless stories of tradition and belonging - be that a legacy of colonialism or persecution, the desire to fit in, or the complex cultural inheritance from one's parents. In What's in a Name?, Sheela Banerjee unravels the personal histories of friends and family through their names. And while tracing their heritage across centuries and continents - from west London to British India, and from 1960s Jamaica to pre-Revolutionary Russia - Sheela also tells the story of twentieth-century immigration to the UK.Blending history, memoir and politics, What's in a Name? is a celebration of Britain's rich multiculturalism, an ode to friendship and a testament to all the stories held within our names.
What's in a Word?: Fascinating Stories of More Than 350 Everyday Words and Phrases
by Webb GarrisonA compendium containing the origins and history of some of the most common words and phrases in the English language.Once upon a time . . . Tying the knot actually involved tying a knot—not saying vows. Meanwhile, a thinking cap wasn’t just a cute idea for schoolchildren, but an actual hat worn by scholars in the Middle Ages. Oh, and when you make no bones about something, you should consider yourself lucky you aren’t choking on a chicken foot. What’s in a Word? answers the question it poses, more than three hundred times over. You’ll learn which side of the bed is the wrong side, and why the word “nickname” is simply the product of slurred speech. Webb Garrison’s etymological journey through the origins of words and phrases, both common and obscure, is sure to fascinate wordsmiths of every stripe.
What's the Big Idea?
by Tracey TurnerHave you ever wondered what capitalism is? How about feminism, ecology, epidemiology or astronomy? Well, this book will give you straightforward, easy-to-understand answers to all your troublesome-word questions WITHOUT going on and on for ages OR using even BIGGER words to explain them. Informative, bite-sized explanations alongside beautiful, eye-catching illustrations will help readers aged 8+ understand crucial concepts, giving them the power to take part in the most important conversations on the planet. Perfect for inquisitive minds, this book will appeal to fans of Goodnight Stories for Rebel Girls, Big Ideas for Curious Minds and beyond.More than 100 big words and ideas, simply explained.
What's the Import?: Nineteenth-Century Poems and Contemporary Critical Practice
by Kerry McSweeneyKerry McSweeney critiques such readings of Romantic, Victorian, and 19th-century American poems. In What's the Import? he proposes and exemplifies an aesthetic or intrinsic critical model rooted in literary-historical contextualization that considers the determination of meanings to be only one of the qualities that full engagement with a poem requires. His wide-ranging study discusses poems by Wordsworth, Keats, Tennyson, Browning, Whitman, Dickinson, Carroll, Dante and Christina Rossetti, Swinburne, Hopkins, Hardy, and the Michael Field poets. What's the Import? contributes to the current debates in North America about the state and direction of English studies and the teaching of literature in general.
What's the Opposite?: A Turn-and-See Book (What's Next?)
by Cari MeisterWah! Wah! A crying baby is loud. But what about a sleeping baby? You guessed it! A sleeping baby is quiet. With a flip of the page you will discover that opposites are everywhere.
What's the Point of News?: A Study in Ethical Journalism
by Tony HarcupThis book questions whether the news we get is as useful for citizens as it could, or should, be. This international study of news is based on re-thinking and re-conceptualising the news values that underpin understandings of journalism. It goes beyond empirical descriptions of what journalism is to explore normative ideas of what it might become if practised alongside commitments to ethical listening, active citizenship and social justice. It draws lessons from both alternative and mainstream media output; from both journalists and scholars; from both practice and theory. It challenges dominant news values by drawing on insights from feminism, peace journalism and other forms of critical thinking that are usually found on the margins of journalism studies. This original and engaging contribution to knowledge proposes an alternative set of contemporary news values that have significant implications for the news industry, for journalism education and for democracy itself.
WhatAMelon: Comforting pick-you-ups for epic fails
by PyramidIf you know a pearfect numpty who needs a bit of sage advice, chia them up with this little book of upbeat and adorkable fruit puns.#youokalehun?About the seriesThis cute and colourful series of fruit-pun-filled gift books are the perfect pick-me-ups for you, your friend or your partner in crime. Do you need to avocuddle, or are you grapeful for someone who's a bit of a melon? Then share the clove with these little books: AvoCuddle, WhataMelon, You are my Raisin for Living, Don't Give a Fig, I am Grapeful, You are 24 Carrot Gold.*veg, nuts and seeds are fair game
WhatAMelon: Comforting pick-you-ups for epic fails
by WhatAMelonIf you know a pearfect numpty who needs a bit of sage advice, chia them up with this little book of upbeat and adorkable fruit puns.#youokalehun?About the seriesThis cute and colourful series of fruit-pun-filled gift books are the perfect pick-me-ups for you, your friend or your partner in crime. Do you need to avocuddle, or are you grapeful for someone who's a bit of a melon? Then share the clove with these little books: AvoCuddle, WhataMelon, You are my Raisin for Living, Don't Give a Fig, I am Grapeful, You are 24 Carrot Gold.*veg, nuts and seeds are fair game
Whatever Happened to the Washington Reporters, 1978-2012
by Stephen HessWhatever Happened to the Washington Reporters, 1978-2012, is the first book to comprehensively examine career patterns in American journalism. In 1978 Brookings Senior Fellow Stephen Hess surveyed 450 journalists who were covering national government for U.S. commercial news organizations. His study became the award-winning The Washington Reporters (Brookings, 1981), the first volume in his Newswork series. Now, a generation later, Hess and his team from Brookings and the George Washington University have tracked down 90 percent of the original group, interviewing 283, some as far afield as France, England, Italy, and Australia.What happened to the reporters within their organizations? Did they change jobs? Move from reporter to editor or producer? Jump from one type of medium to another--from print to TV? Did they remain in Washington or go somewhere else? Which ones left journalism? Why? Where did they go?A few of them have become quite famous, including television correspondents Ted Koppel, Sam Donaldson, Brit Hume, Carole Simpson, Judy Woodruff, and Marvin Kalb; some have become editors or publishers of the New York Times, Wall Street Journal, Chicago Tribune, Miami Herald, or Baltimore Sun; some have had substantial careers outside of journalism. Most, however, did not become household names.The book is designed as a series of self-contained essays, each concentrating on one characteristic, such as age, gender, or place of employment, including newspapers, television networks, wire services, and niche publications. The reporters speak for themselves. When all of these lively portraits are analyzed--one by one--the results are surprisingly different from what journalists and sociologists in 1978 had predicted.
Whatever Happened to the Washington Reporters, 1978-2012
by Stephen HessWhatever Happened to the Washington Reporters, 1978-2012, is the first book to comprehensively examine career patterns in American journalism. In 1978 Brookings Senior Fellow Stephen Hess surveyed 450 journalists who were covering national government for U.S. commercial news organizations. His study became the award-winning The Washington Reporters (Brookings, 1981), the first volume in his Newswork series. Now, a generation later, Hess and his team from Brookings and the George Washington University have tracked down 90 percent of the original group, interviewing 283, some as far afield as France, England, Italy, and Australia. What happened to the reporters within their organizations? Did they change jobs? Move from reporter to editor or producer? Jump from one type of medium to another-from print to TV? Did they remain in Washington or go somewhere else? Which ones left journalism? Why? Where did they go? A few of them have become quite famous, including television correspondents Ted Koppel, Sam Donaldson, Brit Hume, Carole Simpson, Judy Woodruff, and Marvin Kalb; some have become editors or publishers of the New York Times, Wall Street Journal, Chicago Tribune, Miami Herald, or Baltimore Sun; some have had substantial careers outside of journalism. Most, however, did not become household names. The book is designed as a series of self-contained essays, each concentrating on one characteristic, such as age, gender, or place of employment, including newspapers, television networks, wire services, and niche publications. The reporters speak for themselves. When all of these lively portraits are analyzed-one by one-the results are surprisingly different from what journalists and sociologists in 1978 had predicted.
What’s for lunch? class 1 - MIE
by Aruna Ankiah Gangadeen"What's for Lunch?" invites Grade 1 readers into a delightful lunchtime scene with Ben and his friends. As the bell rings, signaling lunch, the children eagerly gather under a tree, unpacking their lunch bags filled with delectable treats. Excitement fills the air as they share their delicious meals – from Ben's favorite sausage and lettuce sandwich to Sara's crispy chips with ketchup, Rishi's flavorful fried rice with vegetables and chicken, and Anna's tempting chocolate cake, generously offered to her friends. Through engaging illustrations and simple language, the book captures the joy of mealtime and sharing, fostering discussions among young readers about their own lunch preferences and the importance of sharing and expressing gratitude.
What’s the Worst Thing You Can Do to Shakespeare?
by Richard BurtWhat's the worst thing you can do to Shakespeare? The answer is simple: don't read him. To that end, Richard Burt and Julian Yates embark on a project of un/reading the Bard, turning the conventional challenges into a roadmap for textual analysis and a thorough reconsideration of the plays in light of their absorption into global culture.
Wheelock's Latin Reader: Selections from Latin Literature
by Frederick M. WheelockOriginally intended by Professor Frederic M. Wheelock as a sequel to Wheelock's Latin, his classic introductory Latin textbook, Wheelock's Latin Reader, newly revised and updated by Richard A. LaFleur, is the ideal text for any intermediate-level Latin course. You'll find a rich selection of of prose and poetry from a wide range of classical authors, as well as briefer passages from medieval and Late Latin writers, each presented in the Latin in which it was originally written. Useful features include extensive notes; a complete Latin-English vocabulary; maps of ancient Italy, Greece, and the Roman Empire; and numerous photographs illustrating aspects of classical culture, mythology, and history featured in the readings.
Wheelock's Latin: The Classic Introductory Latin Course, Based on Ancient Authors
by Frederic M. WheelockThe classic introductory Latin textbook, first published in 1956, and still the bestselling and most highly regarded textbook of its kind.Revised and expanded, this sixth edition of classics professor Frederic M. Wheelock's Latin has all the features that have made it the bestselling single-volume beginning Latin textbook and more:* Forty chapters with grammatical explanations and readings based on ancient Roman authors* Self-tutorial exercises with an answer key for independent study* An extensive English-Latin/Latin-English vocabulary section* A rich selection of original Latin readings—unlike other textbooks which contain primarily made-up Latin texts* Etymological aidsAlso includes maps of the Mediterranean, Italy and the Aegean area, as well as numerous photographs illustrating aspects of classical culture, mythology, and historical and literary figures presented in the chapter readings.
When Bad Grammar Happens to Good People: How to Avoid Common Errors in English
by Ann BatkoDiscover an easy way to polish up your English with this guide to avoiding common mistakes people make when writing and speaking.Good news—you’re definitely not the only person who struggles to keep “who” and “whom,” “affect” and “effect,” or “lay” and “lie” straight. Bad news: Frequent grammatical errors can affect (not effect) your success at work and in other areas of life.This comprehensive, easy-to-use reference is a program designed to help you identify and correct the most common errors in written and spoken English. After a short, simple review of some basic principles, When Bad Grammar Happens to Good People is organized by error type, such as Mangled Modifiers or Mixing up Words that Sound the Same. You choose how to work your way through, either sequentially or in the order most relevant to you. Each unit contains tests at the end to help you reinforce what you’ve learned. Best of all, the information is presented in a clear, lively, and conversational style—unlike your eighth-grade grammar textbook!
When Blackness Rhymes with Blackness
by Rowan Ricardo PhillipsIn When Blackness Rhymes with Blackness, Rowan Ricardo Phillips pushes African American poetry to its limits by unraveling "our desire to think of African American poetry as African American poetry." Phillips reads African American poetry as inherently allegorical and thus "a successful shorthand for the survival of a poetry but unsuccessful shorthand for the sustenance of its poems." Arguing in favor of the "counterintuitive imagination," Phillips demonstrates how these poems tend to refuse their logical insertion into a larger vision and instead dwell indefinitely at the crux between poetry and race, "where, when blackness rhymes with blackness, it is left for us to determine whether this juxtaposition contains a vital difference or is just mere repetition." From When Blackness Rhymes with Blackness: Phillis Wheatley, like the epigraphs that writers fit into the beginning of their texts, is first and foremost a cultural sign, a performance. It is either in the midst of that performance ("at a concert"), or in that performance's retrospection ("in a cafe´"), that a retrievable form emerges from the work of a poet whose biography casts a far longer shadow than her poems ever have. Next to Langston Hughes, of all African American poets Wheatley's visual image carries the most weight, recognizable to a larger audience by her famed frontispiece, her statue in Boston, and the drama behind the publication of her book, Poems on Various Subjects Religious and Moral. All of this will be fruit for discussion in the pages that follow. Yet, I will also be discussing the proleptic nature with which African American literature talks, if you will, Phillis Wheatley.
When Blackness Rhymes with Blackness
by Rowan Ricardo PhillipsIn When Blackness Rhymes with Blackness, Rowan Ricardo Phillips pushes African American poetry to its limits by unraveling "our desire to think of African American poetry as African American poetry." Phillips reads African American poetry as inherently allegorical and thus "a successful shorthand for the survival of a poetry but unsuccessful shorthand for the sustenance of its poems." Arguing in favor of the "counterintuitive imagination," Phillips demonstrates how these poems tend to refuse their logical insertion into a larger vision and instead dwell indefinitely at the crux between poetry and race, "where, when blackness rhymes with blackness, it is left for us to determine whether this juxtaposition contains a vital difference or is just mere repetition." From When Blackness Rhymes with Blackness: Phillis Wheatley, like the epigraphs that writers fit into the beginning of their texts, is first and foremost a cultural sign, a performance. It is either in the midst of that performance ("at a concert"), or in that performance's retrospection ("in a cafe´"), that a retrievable form emerges from the work of a poet whose biography casts a far longer shadow than her poems ever have. Next to Langston Hughes, of all African American poets Wheatley's visual image carries the most weight, recognizable to a larger audience by her famed frontispiece, her statue in Boston, and the drama behind the publication of her book, Poems on Various Subjects Religious and Moral. All of this will be fruit for discussion in the pages that follow. Yet, I will also be discussing the proleptic nature with which African American literature talks, if you will, Phillis Wheatley.
When Cowboys Come Home: Veterans, Authenticity, and Manhood in Post–World War II America
by Aaron GeorgeWhen Cowboys Come Home: Veterans, Authenticity, and Manhood in Post–World War II America is a cultural and intellectual history of the 1950s that argues that World War II led to a breakdown of traditional markers of manhood and opened space for veterans to reimagine what masculinity could mean. One particularly important strand of thought, which influenced later anxieties over “other-direction” and “conformity,” argued that masculinity was not defined by traits like bravery, stoicism, and competitiveness but instead by authenticity, shared camaraderie, and emotional honesty. To elucidate this challenge to traditional “frontiersman” masculinity, Aaron George presents three intellectual biographies of important veterans who became writers after the war: James Jones, the writer of the monumentally important war novel From Here to Eternity; Stewart Stern, one of the most important screenwriters of the fifties and sixties, including for Rebel without a Cause; and Edward Field, a bohemian poet who used poetry to explore his love for other men. Through their lives, George shows how wartime disabused men of the notion that war was inherently a brave or heroic enterprise and how the alienation they felt upon their return led them to value the authentic connections they made with other men during the war.
When Dreams Came True: Classical Fairy Tales and Their Tradition
by Jack ZipesFirst Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
When Dreams Came True: Classical Fairy Tales and Their Tradition
by Jack ZipesFor centuries fairy tales have been a powerful mode of passing cultural values onto our children, and for many these stories delight and haunt us from cradle to grave. But how have these stories become so powerful and why? In When Dreams Came True, Jack Zipes explains the social life of the fairy tale, from the sixteenth century on into the twenty-first. Whether exploring Charles Perrault or the Brothers Grimm, Hans Christian Andersen or The Thousand and One Nights, The Happy Prince or Pinocchio, L. Frank Baum or Hermann Hesse, Zipes shows how the authors of our beloved fairy tales used the genre to articulate personal desires, political views, and aesthetic preferences within particular social contexts. Above all, he demonstrates the role that the fairy tale has assumed in the civilizing process—the way it imparts values, norms, and aesthetic taste to children and adults. This second edition of one of Jack Zipes’s best-loved books includes a new preface and two new chapters on J.M. Barrie’s Peter Pan and E.T.A. Hoffman’s The Nutcracker and the Mouse King.