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The World of Pope's Satires: An Introduction to the Epistles and Imitations of Horace (Routledge Revivals)
by Peter DixonFirst published in 1968, The World of Pope’s Satires is a stimulating and challenging book showing how the satires written by Pope during the 1730s were not only expressions of his own .poetic personality but were also responsive to the habits and attitudes of the age. The author considers Pope’s uses of some current conversational technique (especially that of ‘raillery’) and of the closely related social ideal of the cultivated gentleman. Pope’s regard for certain personal attributes and moral values – notably hospitality, integrity, friendship, charity and self-knowledge – is examined in two ways; as it expresses itself positively in the satires, and as it is defined negatively by his antipathy towards courtly self-seeking and hypocrisy, contemporary manifestations of acquisitiveness, and the pride associated with neo-stoicism. The final chapter is wide ranging and shows that although Pope is at times representative, and therefore limited, in his response to the pressures and uncertainties of the age, his satires live because of the subtlety of his treatment of such Augustan commonplaces as Order and Balance and the passion and spirit of his writing. This will be an interesting read for students of English literature.
A World of Prose: Third Edition
by Hazel Simmons-McDonald Mark McWattInspire students to enjoy literature while helping them to prepare effectively for the CSEC® examination; ensure coverage of all prescribed poems for the revised CSEC® English A and English B syllabuses with an anthology that has been compiled with the approval of the Caribbean Examinations Council by Editors who have served as CSEC® English panel members.- Stimulate an interest in and enjoyment of literature with a wide range of themes and subjects, a balance of well-known texts from the past and more recent works, as well as stories from the Caribbean and the rest of the world.- Support understanding with notes on each text and questions to provoke discussion, and a useful checklist to help with literary analysis.- Consolidate learning with practical guidance on how to tackle examination questions including examples of model answers for reference.
The World of Raymond Chandler: In His Own Words
by Raymond ChandlerRaymond Chandler never wrote a memoir or autobiography. The closest he came to writing either was in—and around—his novels, shorts stories, and letters. There have been books that describe and evaluate Chandler&’s life, but to find out what he himself felt about his life and work, Barry Day, editor of The Letters of Noël Coward (&“There is much to dazzle here in just the way we expect . . . the book is meticulous, artfully structured—splendid&” —Daniel Mendelsohn; The New York Review of Books), has cannily, deftly chosen from Chandler&’s writing, as well as the many interviews he gave over the years as he achieved cult status, to weave together an illuminating narrative that reveals the man, the work, the worlds he created.Using Chandler&’s own words as well as Day&’s text, here is the life of &“the man with no home,&” a man precariously balanced between his classical English education with its immutable values and that of a fast-evolving America during the years before the Great War, and the changing vernacular of the cultural psyche that resulted. Chandler makes clear what it is to be a writer, and in particular what it is to be a writer of &“hardboiled&” fiction in what was for him &“another language.&” Along the way, he discusses the work of his contemporaries: Dashiell Hammett, James M. Cain, Hemingway, Fitzgerald, Agatha Christie, W. Somerset Maugham, and others (&“I wish,&” said Chandler, &“I had one of those facile plotting brains, like Erle Gardner&”).Here is Chandler&’s Los Angeles (&“There is a touch of the desert about everything in California,&” he said, &“and about the minds of the people who live here&”), a city he adopted and that adopted him in the post-World War I period . . . Here is his Hollywood (&“Anyone who doesn&’t like Hollywood,&” he said, &“is either crazy or sober&”) . . . He recounts his own (rocky) experiences working in the town with Billy Wilder, Howard Hawks, Alfred Hitchcock, and others. . .We see Chandler&’s alter ego, Philip Marlowe, private eye, the incorruptible knight with little armor who walks the &“mean streets&” in a world not made for knights (&“If I had ever an opportunity of selecting the movie actor who would best represent Marlowe to my mind, I think it would have been Cary Grant.&”) . . . Here is Chandler on drinking (his life in the end was in a race with alcohol—and loneliness) . . . and here are Chandler&’s women—the Little Sisters, the &“dames&” in his fiction, and in his life (on writing The Long Goodbye, Chandler said, &“I watched my wife die by half inches and I wrote the best book in my agony of that knowledge . . . I was as hollow as the places between the stars.&” After her death Chandler led what he called a &“posthumous life&” writing fiction, but more often than not, his writing life was made up of letters written to women he barely knew.)Interwoven throughout the text are more than one hundred pictures that reveal the psyche and world of Raymond Chandler. &“I have lived my whole life on the edge of nothing,&” he wrote. In his own words, and with Barry Day&’s commentary, we see the shape this took and the way it informed the man and his extraordinary work.
The World of Science Fiction, 1926-1976: The History of a Subculture (Routledge Library Editions: Science Fiction #3)
by Lester del ReyThis book, first published in 1980, is a guide to the major forces in the subculture of science fiction. It analyses the history of the field and the related developments, for instance the Bomb, that have shaped the literature. It examines the complex of activity and background tradition, the body of accepted beliefs and conventions, and the ethics and values of the world of science fiction.
A World of Songs: Selected Poems, 1894–1921 (The L.M. Montgomery Library)
by L. M. Montgomery Benjamin LefebvreCelebrated as a novelist and made famous by her novel Anne of Green Gables and its sequels, L.M. Montgomery (1874–1942) is far less known for also writing and publishing hundreds of poems over a period of half a century.Although this output included a chapbook and a full-length collection in which she presented herself primarily as a nature poet, most of her poems appeared in periodicals, including women’s magazines, farm papers, faith-based periodicals, daily and weekly newspapers, and magazines for children. As a shrewd businesswoman, she learned to find the balance between literary quality and commercial saleability and continued to publish poetry even though it paid less than short fiction. A World of Songs: Selected Poems, 1894–1921, the second volume in The L.M. Montgomery Library, gathers a selection of fifty poems originally published across a twenty-five-year period. Benjamin Lefebvre organizes this work within the context of Montgomery’s life and career, claiming her not only as a nature poet but also as the author of a wider range of "songs": of place, of memory, of lamentation, of war, of land and sea, of death, and of love. Many of these poems echo motifs that readers of Montgomery’s novels will recognize, and many more explore surprising perspectives through the use of male speakers. These poems offer today’s readers a new facet of the career of Canada’s most enduringly popular author.
The World of Tacitus' Dialogus de Oratoribus
by Christopher S. van den BergComing to terms with the rhetorical arts of antiquity necessarily illuminates our own ideas of public discourse and the habits of speech to which they have led. Tacitus wrote the Dialogus at a time (ca. 100 CE) when intense scrutiny of the history, the definitions, and the immediate relevance of public speech were all being challenged and refashioned by a host of vibrant intellects and ambitious practitioners. This book challenges the notion that Tacitus sought to explain the decline of oratory under the Principate. Rather, from examination of the dynamics of argument in the dialogue and the underlying literary traditions there emerges a sophisticated consideration of eloquentia in the Roman Empire. Tacitus emulates Cicero's legacy and challenges his position at the top of Rome's oratorical canon. He further shows that eloquentia is a means by which to compete with the power of the Principate.
The World of the Irish Wonder Tale: An Introduction to the Study of Fairy Tales
by Elliott B. Gose Jr.Fairy tales are a rich element of childhood in many cultures around the world. But in Ireland, where they are known as wonder tales, these stories of magic and enchantment are not restricted to young audiences; Irish wonder tales are told to adults. So that the modern reader can fully appreciate them, Gose provides an interdisciplinary overview. He identifies a number of approaches – psychological, anthropological, structural, comparative, and typological.
The World of the Shining Prince: Court Life in Ancient Japan
by Ivan MorrisIvan Morris’s definitive and widely acclaimed portrait of the ceremonious and melancholy world of ancient Japan.<P> Using The Tale of Genji and other major literary works from Japan’s Heian period as a frame of reference, The World of the Shining Prince recreates an era when women set the cultural tone. Focusing on the world of the emperor’s court—a world deeply admired by Virginia Woolf, among others—renowned scholar of Japanese history and literature Ivan Morris explores the politics, society, religious life, and superstitions of the period.<P> Offering readers detailed portrayals of the daily lives of courtiers, the cult of beauty they espoused, and the intricate relations between the men and women of the age, The World of the Shining Prince has been a cornerstone text on ancient Japan for half a century
The World of Words: An Introduction to Language in General and to English and American in Particular (Routledge Revivals: The Selected Works of Eric Partridge)
by Eric PartridgeFirst published in 1939, this book provides a brief but comprehensive view of language in general, and of English and American language in particular. It is suitable for beginners and those who wish to learn about the basics of linguistics.
A World of Words: Language and Displacement in the Fiction of Edgar Allan Poe
by Michael J. S. WilliamsA World of Words offers a new look at the degree to which language itself is a topic of Poe's texts. Stressing the ways his fiction reflects on the nature of its own signifying practices, Williams sheds new light on such issues as Poe's characterization of the relationship between author and reader as a struggle for authority, on his awareness of the displacement of an "authorial writing self" by a "self as it is written," and on his debunking of the redemptive properties of the romantic symbol.
The World of Yesterday
by Stefan ZweigThis book recalls the golden age of literary Vienna―its seeming permanence, its promise, and its devastating fall. <p><p> Surrounded by the leading literary lights of the epoch, Stefan Zweig draws a vivid and intimate account of his life and travels through Vienna, Paris, Berlin, and London, touching on the very heart of European culture. His passionate, evocative prose paints a stunning portrait of an era that danced brilliantly on the edge of extinction. This new translation by award-winning Anthea Bell captures the spirit of Zweig’s writing in arguably his most revealing work.
World Past to World Present: A Sketch of Global History
by Peter N. StearnsWorld Past to World Present: A Sketch of Global History provides an unusually brief and present-focused treatment of human history beginning with the advent of agriculture and ending with considerable attention to world history developments since World War II. This accessible and concise text covers a very real but selected history of the human experience. The book emphasizes the importance of contacts and exchanges among different cultures and economies up to contemporary globalization, and consistent attention is devoted to comparisons among major regional societies. The characteristics of agricultural, and later industrial, societies help establish a larger framework within the text. Peter N. Stearns works to connect past developments to contemporary global patterns and problems, explicitly balancing major changes with significant continuities. Key features include: A "no-frills" approach to an expansive stretch of human history Encourages students to understand the importance of studying history by focusing on aspects of the past that are particularly useful in assessing the current state of the world Invites instructors to combine the advantages of systematic summary coverage with varied supplementary reading Nine maps illustrate important movements and civilizations throughout the world. Truly international in coverage, this book has been specifically designed as a core text for Global History survey courses.
World Philology
by Sheldon PollockPhilology--the discipline of making sense of texts--is enjoying a renaissance within academia. World Philology charts the evolution of philology across the many cultures and time periods in which it has been practiced and demonstrates how this branch of knowledge, like philosophy and mathematics, is essential to human understanding.
The World Republic of Letters
by Pascale Casanova M. B. DebevoiseCasanova reviews the state of world literature. He shows how language systems, aesthetic orders, and genres struggle for dominance and exposes an emerging regime of inequality in the world of letters, where minor literatures are subject to the invisible violence of their dominant counterparts.
World Television: From Global to Local
by Joseph D. StraubhaarWorld Television: From Global to Local, a new assessment of the interdependence of television across cultures and nations brings together the most current research and theories on the subject. By examining recent developments in the world system of television as well as several theories of culture, industry, genre, and audience, author Joseph D. Straubhaar offers new insights into the topic. He argues that television is being simultaneously globalized, regionalized, nationalized, and even localized, with audiences engaging it at multiple levels of identity and interest; therefore the book looks at all these levels of operation.Key FeaturesDraws upon both international communication and cultural studies perspectives: Presents a new model is presented that attempts to move beyond the current controversies about imperialism and globalization.Looks at historical patterns: Historical patterns across cultures and countries help compare where television has been and where it is going.Takes a contemporary focus: Uses of technology, flows and patterns of program development, genres of television, the interaction of producers and audiences, and patterns of audience choice among emerging alternatives are examined. Explores how the audience for these evolving forms of television is structured: The effects of these forces or patterns of television have on both cultural formations and individual identities are identified.Intended AudienceThis is an excellent text for advanced undergraduate and graduate courses in Globalizatiion and Culture, Global Media, Television Studies, Television Criticism, and International Media.
The World, the Text, and the Critic
by Edward W. SaidThis extraordinarily wide-ranging work represents a new departure for contemporary literary theory. Author of Beginnings and the controversial Orientalism, Edward Said demonstrates that modern critical discourse has been impressively strengthened by the writings of Jacques Derrida and Michel Foucault, for example, and by such influences as Marxism, structuralism, linguistics, and psychoanalysis. He argues, however, that the various methods and schools have had a crippling effect through their tendency to force works of literature to meet the requirements of a theory or system, ignoring the complex affiliations binding the texts to the world.The critic must maintain a distance both from critical systems and from the dogmas and orthodoxies of the dominant culture, Said contends. He advocates freedom of consciousness and responsiveness to history, to the exigencies of the text, to political, social, and human values, to the heterogeneity of human experience. These characteristics are brilliantly exemplified in his own analyses of individual authors and works.Combining the principles and practice of criticism, the book offers illuminating investigations of a number of writers―Swift, Conrad, Lukács, Renan, and many others―and of concepts such as repetition, originality, worldliness, and the roles of audiences, authors, and speakers. It asks daring questions, investigates problems of urgent significance, and gives a subtle yet powerful new meaning to the enterprise of criticism in modern society.
The World, the Text, and the Indian: Global Dimensions of Native American Literature (SUNY series, Native Traces)
by Scott Richard LyonsSince the rise of the Native American Renaissance in literature and culture during the American civil rights period, a rich critical discourse has been developed to provide a range of interpretive frameworks for the study, recovery, and teaching of Native American literary and cultural production. For the past few decades the dominant framework has been nationalism, a critical perspective placing emphasis on specific tribal nations and nationalist concepts. While this nationalist intervention has produced important insights and questions regarding Native American literature, culture, and politics, it has not always attended to the important fact that Native texts and writers have also always been globalized. The World, the Text, and the Indian breaks from this framework by examining Native American literature not for its tribal-national significance but rather its connections to global, transnational, and cosmopolitan forces. Essays by leading scholars in the field assume that Native American literary and cultural production is global in character; even claims to sovereignty and self-determination are made in global contexts and influenced by global forces. Spanning from the nineteenth century to the present day, these analyses of theories, texts, and methods—from trans-indigenous to cosmopolitan, George Copway to Sherman Alexie, and indigenous feminism to book history—interrogate the dialects of global indigeneity and settler colonialism in literary and visual culture.
The World Under My Fingers: Personal Reflections on Braille
by Barbara PierceBraille: What Is It? What Does It Mean to the Blind?
The World Until 1400 According to Ibn Khaldun: A Global History of Humanity
by Abdesselam CheddadiThis book explores the significance of Ibn Khaldun’s magnum opus, the Book of Examples, to our understanding of human history and the disciplines of anthropology, history, and sociology.Operating outside of the confines of the Western intellectual tradition, Ibn Khaldun’s the Book of Examples is perhaps the first attempt to propose a global history of humanity. In doing so, Ibn Khaldun pioneered approaches from what we today term sociology, anthropology, ecology, economics, geography, and urban studies. Drawing upon the Muqaddima and the other volumes of the Kitab al-Ibar, Cheddadi proposes novel ways of viewing human history and classifying societies. While Ibn Khaldun’s attempts to develop a true global history were ultimately flawed, Cheddadi argues that they nevertheless offer pertinent lessons for our attempts to write a global history and to understand the world today.This stimulating and original work on a seminal figure in Islamic sociology and historiography will be of interest to students and researchers across the humanities and social sciences.
The World, Volume 1 [Grade 6] (Ohio Timelinks)
by Linda Greenow James Banks Kevin CollearyNIMAC-sourced textbook <P><P>Macmillian/McGraw-Hill TIMELINKS builds geographic mastery with maps and skills, offers reading skills and strategies to reinforce Reading/Language Arts skills, and integrates Dinah Zike’s Foldables® to help students improve comprehension.
World War I and Southern Modernism
by David A. DavisWinner of the 2018 Eudora Welty PrizeWhen the United States entered World War I, parts of the country had developed industries, urban cultures, and democratic political systems, but the South lagged behind, remaining an impoverished, agriculture region. Despite New South boosterism, the culture of the early twentieth-century South was comparatively artistically arid. Yet, southern writers dominated the literary marketplace by the 1920s and 1930s. World War I brought southerners into contact with modernity before the South fully modernized. This shortfall created an inherent tension between the region's existing agricultural social structure and the processes of modernization, leading to distal modernism, a form of writing that combines elements of modernism to depict non-modern social structures. Critics have struggled to formulate explanations for the eruption of modern southern literature, sometimes called the Southern Renaissance. Pinpointing World War I as the catalyst, David A. Davis argues southern modernism was not a self-generating outburst of writing, but a response to the disruptions modernity generated in the region. In World War I and Southern Modernism, Davis examines dozens of works of literature by writers, including William Faulkner, Ellen Glasgow, and Claude McKay, that depict the South during the war. Topics explored in the book include contact between the North and the South, southerners who served in combat, and the developing southern economy. Davis also provides a new lens for this argument, taking a closer look at African Americans in the military and changing gender roles.
World War II in Contemporary German and Dutch Fiction: The Generation of Meta-Memory (Routledge Studies in Comparative Literature)
by Jan LensenWorld War II in Contemporary German and Dutch Fiction: The Generation of Meta-Memory offers a comparative study of the construction of World War II memory in contemporary German, Flemish, and Dutch literature. More specifically, it investigates in what ways the large temporal distance to the historical events has impacted how literary writers from these three literatures have negotiated its meaning and form during the last decades. To that end, this book offers analyses of nine novels that demonstrate a pronounced reflexivity on the conditions of contemporary remembering. Rather than a dig for historical truth or a struggle with historical trauma, these novels reflect on the transmission, the narrative shapes, the formation processes, and the functions of World War II memory today, while asserting a self-conscious and often irreverent approach toward established mnemonic routines, practices, and rules. As the analyses show, this approach is equally articulated through the novels’ poetics, which are marked by a large formal diversity and a playfulness that highlights mnemonic agency, a posttraumatic positioning, and the ascendency of the literary over the historiographical. Based on these findings, this book proposes the emergence of a new paradigm within the postwar cultural assessment of World War II: the generation of meta-memory.
World War One, American Literature, and the Federal State
by Mark WhalanIn this book, Mark Whalan argues that World War One's major impact on US culture was not the experience of combat trauma, but rather the effects of the expanded federal state bequeathed by US mobilization. Writers bristled at the state's new intrusions and coercions, but were also intrigued by its creation of new social ties and political identities. This excitement informed early American modernism, whose literary experiments often engaged the political innovations of the Progressive state at war. Writers such as Wallace Stevens, John Dos Passos, Willa Cather, Zane Grey, and Edith Wharton were fascinated by wartime discussions over the nature of US citizenship, and also crafted new forms of writing that could represent a state now so complex it seemed to defy representation at all. And many looked to ordinary activities transformed by the war - such as sending mail, receiving healthcare, or driving a car - to explore the state's everyday presence in American lives.