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Writing Companion, High School Level-B
by Perfection LearningThe first chapter of this book provides instruction and activities to help develop the characteristics of good writing listed above. Each of the next five chapters focuses on a different type of writing. In each of these five chapters, the first several lessons highlight the elements particularly important to one type of writing. For example, the chapter on arguments includes lessons that focus on claims and counterclaims. The next-to-last lesson in each chapter takes you, step-by-step, through writing a text. Built into these lessons are instruction and practice in grammar and usage that address the most common writing problems. The final lesson in each chapter provides prompts for you to demonstrate your skills in gathering, analyzing, and using information in your writing. This lesson ends with a checklist based on the characteristics of good writing.
Writing Compelling Dialogue for Film and TV: The Art & Craft of Raising Your Voice on Screen
by Loren-Paul CaplinWriting Compelling Dialogue for Film and TV is a practical guide that provides you, the screenwriter, with a clear set of exercises, tools, and methods to raise your ability to hear and discern conversation at a more complex level, in turn allowing you to create better, more nuanced, complex and compelling dialogue. The process of understanding dialogue writing begins with increasing writers’ awareness of what they hear. This book provides writers with an assortment of dialogue and language tools, techniques, and exercises and teaches them how to perceive and understand the function, intent and thematic/psychological elements that dialogue can convey about character, tone, and story. Text, subtext, voice, conflict, exposition, rhythm and style are among the many aspects covered. This book reminds us of the sheer joy of great dialogue and will change and enhance the way writers hear, listen to, and write dialogue, and along the way aid the writers’ confidence in their own voice allowing them to become more proficient writers of dialogue. Written by veteran screenwriter, playwright, and screenwriting professor Loren-Paul Caplin, Writing Compelling Dialogue is an invaluable writing tool for any aspiring screenwriter who wants to improve their ability to write dialogue for film and television, as well as students, professionals, and educators.
Writing Complete Collection: Being A Guide To Friendly, Affectionate, Polite And Business Correspondence, Containing A Large Collection Of The Most Valuable Information Relative To The Art Of Letter-writing, With Clear And Complete Ins
by UnknownThe editors of Writer's Digest are pleased to share with you the winning entries in each category of the 80th Annual Writer's Digest Writing Competition, along with the Grand Prize-winning story, Boy Witch, by John T. Biggs.
Writing Conscience and the Nation in Revolutionary England
by Giuseppina Iacona LoboExamining works by well-known figures of the English Revolution, including John Milton, Oliver Cromwell, Margaret Fell Fox, Lucy Hutchinson, Thomas Hobbes, and King Charles I, Giuseppina Iacono Lobo presents the first comprehensive study of conscience during this crucial and turbulent period. Writing Conscience and the Nation in Revolutionary England argues that the discourse of conscience emerged as a means of critiquing, discerning, and ultimately reimagining the nation during the English Revolution. Focusing on the etymology of the term conscience, to know with, this book demonstrates how the idea of a shared knowledge uniquely equips conscience with the potential to forge dynamic connections between the self and nation, a potential only amplified by the surge in conscience writing in the mid-seventeenth-century. Iacono Lobo recovers a larger cultural discourse at the heart of which is a revolution of conscience itself through her readings of poetry, prose, political pamphlets and philosophy, letters, and biography. This revolution of conscience is marked by a distinct and radical connection between conscience and the nation as writers struggle to redefine, reimagine, and even render anew what it means to know with as an English people.
Writing Copy For Dummies
by Jonathan KranzTips on writing to consumers and business-to-business Create captivating, results-oriented, sales-generating copy Need to produce winning copy for your business? This fast, fun guide takes you through every step of a successful copywriting project, from direct mail, print ads, and radio spots to Web sites, articles, and press releases. You'll see how to gather crucial information before you write, build awareness, land sales, and keep customers coming back for more. Discover How To: * Write compelling headlines and body copy * Turn your research into brilliant ideas * Create motivational materials for worthy causes * Fix projects when they go wrong * Land a job as a copywriter
Writing Creative Nonfiction: Instruction and Insights from the Teachers of the Associated Writing Program
by Carolyn Forché Philip GerardExperience the power and the promise of working in today' most exciting literary form: Creative Nonfiction Writing Creative Nonfiction presents more than thirty essays examining every key element of the craft, from researching ideas and structuring the story, to reportage and personal reflection. You'll learn from some of today's top creative nonfiction writers, including: Terry Tempest Williams - Analyze your motivation for writing, its value, and its strength. Alan Cheuse - Discover how interesting, compelling essays can be drawn from every corner of your life and the world in which you live. Phillip Lopate - Build your narrator–yourself–into a fully fleshed-out character, giving your readers a clearer, more compelling idea of who is speaking and why they should listen. Robin Hemley - Develop a narrative strategy for structuring your story and making it cohesive. Carolyn Forche - Master the journalistic ethics of creative nonfiction. Dinty W. Moore - Use satire, exaggeration, juxtaposition, and other forms of humor in creative nonfiction. Philip Gerard - Understand the narrative stance–why and how an author should, or should not, enter into the story. Through insightful prompts and exercises, these contributors help make the challenge of writing creative nonfiction–whether biography, true-life adventure, memoir, or narrative history–a welcome, rewarding endeavor. You'll also find an exciting, creative nonfiction "reader" comprising the final third of the book, featuring pieces from Barry Lopez, Annie Dillard, Beverly Lowry, Phillip Lopate, and more–selections so extraordinary, they will teach, delight, inspire, and entertain you for years to come!
Writing Creative Writing: Essays from the Field
by Rishma Dunlop Daniel Scott Tysdal Priscila UppalEssential and engaging essays about the joys and challenges of creative writing and teaching creative writing by a host of Canada’s leading writers. Writing Creative Writing is filled with thoughtful and entertaining essays on the joys and challenges of creative writing, the complexities of the creative writing classroom, the place of writing programs in the twenty-first century, and exciting strategies and exercises for writing and teaching different genres. Written by a host of Canada’s leading writers, including Christian Bök, Catherine Bush, Suzette Mayr, Yvette Nolan, Judith Thompson, and thom vernon, this book is the first of its kind and destined to be a milestone for every creative writing student, teacher, aspirant, and professional.
Writing Crime Fiction
by H. R. F. KeatingIn this slender volume, H. R. F. Keating distills nearly thirty years of experience into a thorough guide to the history and craft of detective stories.
The Writing & Critique Group Survival Guide: How to Make Revisions, Self-Edit, and Give and Receive Feedback
by Becky LevineTrying to Finish Your Book? There's Strength in Numbers Whether you're trying to revise your novel or polish up an article to pitch to magazines, it pays to have a few sets of eyes look over your work. But, how can you be sure you're getting an unbiased and objective opinion? A writing critique group may be the answer you're looking for, and this book arms you with everything you need to find a group that suits your specific writing needs. Whether you're looking to join an existing group or start one of your own, you'll learn how to: Find compatible critique partners Develop your "editor's eye" and analyze writing like a professional Construct organized and well thought-out critiques Give and receive constructive feedback Run efficient critique meetings and maintain a good group dynamic Apply the feedback you receive to your own writing and make revisions Complete with worksheets, sample critiques and examples,The Writing & Critique Group Survival Guidegives you tools to hone your editing skills and deepen your understanding of how to revise your own work as well as someone else's. With the help of this guide your writing critique group can be a helpful resource for you and your writing partners for years to come.
Writing Cultures and Literary Media: Publishing and Reception in the Digital Age (New Directions in Book History)
by Anna KiernanThis Pivot investigates the impact of the digital on literary culture through the analysis of selected marketing narratives, social media stories, and reading communities. Drawing on the work of contemporary writers, from Bernardine Evaristo to Patricia Lockwood, each chapter addresses a specific tension arising from the overarching question: How has writing culture changed in this digital age? By examining shifting modes of literary production, this book considers how discourses of writing and publishing and hierarchies of cultural capital circulate in a socially motivated post-digital environment. Writing Cultures and Literary Media combines compelling accounts of book trends, reader reception, and interviews with writers and publishers to reveal fresh insights for students, practitioners, and scholars of writing, publishing, and communications.
Writing Cyprus: Postcolonial and Partitioned Literatures of Place and Space (Routledge Research in Postcolonial Literatures)
by Bahriye KemalBahriye Kemal's ground-breaking new work serves as the first study of the literatures of Cyprus from a postcolonial and partition perspective. Her book explores Anglophone, Hellenophone and Turkophone writings from the 1920s to the present. Drawing on Yi-Fu Tuan’s humanistic geography and Henri Lefebvre’s Marxist philosophy, Kemal proposes a new interdisciplinary spatial model, at once theoretical and empirical, that shows the power of space and place in postcolonial partition cases. The book shows the ways that place and space determine identity so it is understood as identification, together these places, spaces and identifications are always in production. In analysing practices towards writing, inventing, experiencing, reading and construction, the book offers a distinct ‘solidarity’ that captures the ‘truth of space’ and place for the production of multiple-mutable Cypruses shaped by and for multiple-mutable selves, ending in a 'differential’ Cyprus, Mediterranean, and world. Writing Cyprus presents not only a nuanced understanding of the actual and active production of colonialism, postcolonialism and partition that dismantles the dominant binary legacy of historical-political deadlock discourse, but a fruitful model for understanding other sites of conflict and division.
The Writing Dead: Talking Terror with TV'S Top Horror Writers (Television Conversations Series)
by Thomas FahyThe Writing Dead features original interviews with the writers of today's most frightening and fascinating shows. They include some of television's biggest names—Carlton Cuse (Lost and Bates Motel), Bryan Fuller (Hannibal, Dead Like Me, Wonderfalls, and Pushing Daisies), David Greenwalt (Angel and Grimm), Gale Anne Hurd (The Walking Dead, The Terminator series, Aliens, and The Abyss), Jane Espenson (Buffy the Vampire Slayer and Battlestar Galactica), Brian McGreevy (Hemlock Grove), Alexander Woo (True Blood), James Wong (The X-Files, Millennium, American Horror Story, and Final Destination), Frank Spotnitz (The X-Files and Millennium), Richard Hatem (Supernatural, The Dead Zone, and The Mothman Prophecies), Scott Buck (Dexter), Anna Fricke (Being Human), and Jim Dunn (Haven). The Writing Dead features thought-provoking, never-before-published interviews with these top writers and gives the creators an opportunity to delve more deeply into the subject of television horror than anything found online. In addition to revealing behind-the-scene glimpses, these writers discuss favorite characters and storylines and talk about what they find most frightening. They offer insights into the writing process reflecting on the scary works that influenced their careers. And they reveal their own personal fascinations with the genre. The thirteen interviews in The Writing Dead also mirror the changing landscape of horror on TV—from the shows produced by major networks and cable channels to shows made exclusively for online streaming services such as Netflix and Amazon Studios. The Writing Dead will appeal to numerous fans of these shows, to horror fans, to aspiring writers and filmmakers, and to anyone who wants to learn more about why we like being scared.
Writing Deafness
by Christopher KrentzTaking an original approach to American literature, Christopher Krentz examines nineteenth-century writing from a new angle: that of deafness, which he shows to have surprising importance in identity formation. The rise of deaf education during this period made deaf people much more visible in American society. Krentz demonstrates that deaf and hearing authors used writing to explore their similarities and differences, trying to work out the invisible boundary, analogous to Du Bois's color line, that Krentz calls the "hearing line." Writing Deafness examines previously overlooked literature by deaf authors, who turned to writing to find a voice in public discourse and to demonstrate their intelligence and humanity to the majority. Hearing authors such as James Fenimore Cooper, Lydia Huntley Sigourney, Herman Melville, and Mark Twain often subtly took on deaf-related issues, using deafness to define not just deaf others, but also themselves (as competent and rational), helping form a self-consciously hearing identity. Offering insights for theories of identity, physical difference, minority writing, race, and postcolonialism, this compelling book makes essential reading for students of American literature and culture, deaf studies, and disability studies.
Writing Death and Absence in the Victorian Novel
by Jolene ZigarovichThis book asks why Bront#65533;, Dickens, and Collins saw the narrative act as a series of textual murders and resurrections? Drawing on theorists such as Derrida, Blanchot, and de Man, Zigarovich maintains that narrating death was important to the understanding of absence, separation, and displacement in an industrial and destabilized culture.
Writing Deep Scenes: Plotting Your Story Through Action, Emotion, and Theme
by Martha Alderson Jordan RosenfeldTake a Deep Dive into Plot and Scene and Improve Your WritingWhether you're planning your first novel or have already written a first draft, you need to master the concepts of plot and scene to truly realize your story's potential. Writing Deep Scenes teaches you how to write strong, layered, and engaging scenes--the secret to memorable, page-turning plots. It's filled with practical tools for building layers and nuance into your scenes, employing the right scene types at the right junctures, and developing a profound understanding of how plot and scene intertwine.Inside you'll learn:How scenes are comprised of three key layers: action, emotion, and theme.How to recognize each layer and weave them seamlessly into a scene.How to develop an intricate relationship between the action and emotion in every scene.How thematic imagery embedded in scenes increases a story's tension and contributes to the story's meaning.Using contemporary examples from a variety of genres, Writing Deep Scenes provides an effective method for plotting at the scene level. Use these techniques and enrich your fiction and memoirs with page-turning suspense and pathos, and explore new depths in every story you write.
Writing Democracy: The Political Turn in and Beyond the Trump Era (Routledge Research in Writing Studies)
by Shannon Carter Deborah Mutnick Jessica Pauszek Steve ParksWriting Democracy: The Political Turn in and Beyond the Trump Era calls on the field of writing studies to take up a necessary agenda of social and economic change in its classrooms, its scholarship, and its communities to challenge the rise of neoliberalism and right-wing nationalism. Grown out of an extended national dialogue among public intellectuals, academic scholars, and writing teachers, collectively known as the Writing Democracy project, the book creates a strategic roadmap for how to reclaim the progressive and political possibilities of our field in response to the "twilight of neoliberalism" (Cox and Nilsen), ascendant right-wing nationalism at home (Trump) and abroad (Le Pen, Golden Dawn, UKIP), and hopeful radical uprisings (Black Lives Matter, Occupy Wall Street, Arab Spring). As such, the book tracks the emergence of a renewed left wing in rhetoric and activism post-2008, suggests how our work as teachers, scholars, and administrators can bring this new progressive framework into our institutions, and then moves outward to our role in activist campaigns that are reshaping public debate. Part history, part theory, this book will be an essential read for faculty, graduate students, and advanced undergraduate students in composition and rhetoric and related fields focused on progressive pedagogy, university-community partnerships, and politics.
Writing/Disciplinarity: A Sociohistoric Account of Literate Activity in the Academy (Rhetoric, Knowledge, and Society Series)
by Paul PriorOver the past century, the explosive growth of scientific, technical, and cultural disciplines has profoundly affected our daily lives. However, processes of enculturation in sites such as graduate education that have helped to form these disciplines have received very limited research attention. In those sites, graduate students write diverse documents, including course papers, departmental examinations, theses and dissertations, grant and fellowship applications, and disciplinary publications. Thus, writing is one of the central domains of enculturation--an activity through which graduate students and professors display and negotiate disciplinary knowledge, genres, identities, and institutional contexts. This volume explores this intersection of writing and disciplinary enculturation through a series of ethnographic case studies. These case studies provide the most thorough descriptions available today of the lived experience of graduate seminars, combining analysis of classroom talk, students' texts and professor's written responses, institutional contexts, students' representations of their writing and its contexts, and professors' representations of their tasks and their students. Given the complexities that the ethnographic data displayed, the author found that conventional notions of writing as a process of transcription and of disciplines as unified discourse communities were inadequate. As such, this book also offers an in-depth exploration of sociohistoric theory in relation to writing and disciplinary enculturation. Specific case studies introduce, apply, and further elaborate notions of: * writing as literate activity, * authorship as mediated by other people and artifacts, * classroom tasks as speech genres, * enculturation as the interplay of authoritative and internally persuasive discourses, and * disciplinarity as a deeply heterogeneous, laminated, and dialogic process. This blend of research and theory should be of interest to scholars and students in such fields as writing studies, rhetoric, writing across the curriculum, applied linguistics, English for academic purposes, science and technology studies, higher education, and the ethnography of communication.
Writing Displacement: Home and Identity in Contemporary Post-Colonial English Fiction
by Akram Al DeekUses the Palestinian exilic displacements as a tool and compass to find intersecting points of reference with the Caribbean, Indian, African, Chinese, and Pakistani dispersions, Writing Displacement studies the metamorphosis of the politics of home and identity amongst different migrant nationals from the end of WWII into the new millennium.
Writing Doesn't Have To Be Lonely: 14 Ways to Get the Help of Other People When You Write
by Lawrence WeinsteinOne big reason many people dread to write is that their writing habits don't satisfy their inborn need for company. For many, their writing will go best when they alternate the solitary times with times of companionship and sharing.<P> This is not a book just about the company and help available for writing at school, either. The array of types of help described here should prove valuable in any environment.
Writing Down the Bones: Freeing the Writer Within (Shambhala Pocket Classics Ser.)
by Julia Cameron Natalie GoldbergFor more than thirty years Natalie Goldberg has been challenging and cheering on writers with her books and workshops. In her groundbreaking first book, she brings together Zen meditation and writing in a new way. Writing practice, as she calls it, is no different from other forms of Zen practice--"it is backed by two thousand years of studying the mind."This thirtieth-anniversary edition includes new forewords by Julia Cameron and Bill Addison. It also includes a new preface in which Goldberg reflects on the enduring quality of the teachings here. She writes, "What have I learned about writing over these thirty years? I've written fourteen books, and it's the practice here in Bones that is the foundation, sustaining and building my writing voice, that keeps me honest, teaches me how to endure the hard times and how to drop below discursive thinking, to taste the real meat of our minds and the life around us."
Writing Down the Bones: Freeing the Writer Within
by Natalie GoldbergNatalie Goldberg's word-of-mouth hit has sold well over half a million copies. Goldberg, who has conducted writing workshops for both beginners and professionals all over the United States, sees writing as a practice that helps us comprehend the value of our lives. With insight, humor, and practicality, she inspires writers and would-be writers alike to take the leap into writing creatively and well.
Writing Early Modern London
by Andrew GordonWhat does it mean to write the city? How could the myriad experiences of life in early modern London be translated into textual form? In a detailed study of works ranging from little known manuscript accounts to major canonical texts from the pen of Thomas Middleton and Isabella Whitney, WritingEarly Modern Londonpursues these questions. Arguing that the impulse to record and reflect upon the early modern city was fuelled by the process of religious reformation, it traces the profound impact of these upheavals upon how community was experienced and imagined. The authors studied here show how rites of community were appropriated and re-imagined in texts which responded creatively to the transformation of urban life. Contesting London's future involved contesting the past, and WritingEarly Modern Londondemonstrates how memory became a key cultural battleground, one in which writing itself was implicated, as a far-reaching 'reformation of the archive' challenged the habits of memory within early modern culture. "
Writing Early Modern Loneliness (Early Modern Literature in History)
by Hannah Yip Thomas CliftonThis interdisciplinary collection of ten essays is the first to redefine historical conceptions of “loneliness” in the Western world by exploring its manifestation in early modern textual sources. Contrary to current scholarly consensus that loneliness in Britain was understood as an emotion from the late eighteenth century, only beginning to emerge in its literary form in the writings of the Romantic poets, the contributors in this volume argue that early modern people were capable of complex and conflicting feelings of social and emotional isolation which were expressed in a wide range of writings. Moreover, these products of loneliness continue to resonate poignantly with humanity today.
Writing Ecofiction: Navigating the Challenges of Environmental Narrative
by Kevan ManwaringThis creative writing textbook introduces students to ecofiction: narrative writing that focuses on the environment. Also known as ‘climate fiction’ or ‘cli-fi’, an increasing number of short story writers, novelists and pioneers of emerging forms such as interactive fiction are taking up the call to develop their own creative responses to the climate crisis. This guide explores a cross-section of genres and ways of writing about our world, as well as the ethical and technical challenges involved. It offers a discussion of classic and contemporary texts, literary criticism and creative writing exercises. The book covers a broad range of themes and styles of writing, from works that engage with nature and landscape writing to those that take a more activist approach to climate change. With an awareness of the Global South and the subaltern, the framing of the Anthropocene, wilderness and nature writing is challenged. Each chapter offers a new perspective on ecofiction for the creative writer, with reading suggestions and connections to other writers and texts, and writing activities. Designed for upper-level undergraduate and postgraduate writing modules on the environment, the book is also suitable for independent writers looking to expand their skillset. Featuring 20 interviews with ecofiction authors: Ana Filomena Amaral, Austin Aslan, Denise Baden, David Barker, TC Boyle, Lynn Buckle, Adam Connor, Michelle Cook, Julie Carrick Dalton, April Doyle, Anna Holmes, Somto Ihezue, RB Kelly, Gill Lewis, Anne Mordell, Anthony Nanson, Midge Raymond, Manda Scott, Mary Woodbury, John Yunker. ‘An extensive and enthusiastic guide into the wild and varied worlds of eco-fiction.’ --James Canton, Director of Wild Writing MA, University of Essex, UK
Writing Empirical Research Reports: A Basic Guide For Students Of The Social And Behavioral Sciences
by Fred Pyrczak Randall R. Bruce• Designed for students who will be writing research proposals, reports, theses, and dissertations. • The 15 chapters cover 191 guidelines for effective scientific writing. The guidelines are fully illustrated with easy-to-follow examples. • The guidelines describe the types of information that should be included, how this information should be expressed, and where various types of information should be placed within a research report. • End-of-chapter questions help students master the writing process.