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Writing What You Know: How to Turn Personal Experiences into Publishable Fiction, Nonfiction, and Poetry
by Meg FilesIt's easy for people to write about their feelings in a journal. It's more difficult, however, to convert personal experiences into stories worthy of publication-fiction, non-fiction, or poetry. Filled with engaging exercises, Write from Life guides writers in identifying story-worthy material and transforming their raw material into finished pieces, through conquering fears associated with personal exposure, determining a story's focus, shaping the material into a cohesive whole, and editing and revising as needed. Writers working in any form will find this book invaluable for supplying them with the inspiration and practical instruction they need to get their experiences and emotions into print. In addition, they will learn to:Tap into difficult, guarded parts of their lives to tell the stories they desireWrite emotionally intense materialDecide which literary form is right for their storiesCreate the illusion of real speech with effective dialogueTell their stories with authorityDevelop effective beginnings, middles, and endsShare their work with others and deal with reactions courageouslyFiles' friendly, encouraging advice makes it a pleasure for writers to write the stories they are most passionate about. In an age when publishing can mean pushing a button on Facebook, Twitter, or a blog, there is an enduring urge to send stories out into the world. In an atmosphere of misinformation and lies that social media and the ease of publishing may encourage, we especially crave truth. The time to start telling it is now-so many aspiring writers have truths worth sharing and stories begging to be told!Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
Writing Widowhood: The Landscapes of Bereavement
by Jeffrey BermanThe death of a beloved spouse after a lifetime of companionship is a life-changing experience. To help understand the reality of bereavement, Jeffrey Berman focuses on five extraordinary American writers—Joan Didion, Sandra Gilbert, Gail Godwin, Kay Redfield Jamison, and Joyce Carol Oates—each of whom has written a memoir of spousal loss. In each chapter, Berman gives an overview of the writer's life and art before widowhood, including her early preoccupation with death, and then discusses the writer's memoir and her life as a widow. He discovers that writing was, for all of these authors, both a solace and a lifeline, enabling them to maintain bonds with their lost loved ones while simultaneously moving on with their lives. These memoirs of widowhood, Berman maintains, reveal not only courage and resilience in the face of loss, but also the critical role of writing and reading in bereavement and recovery.
Writing Wild: Women Poets, Ramblers, and Mavericks Who Shape How We See the Natural World
by Kathryn Aalto&“An exciting, expert, and invaluable group portrait of seminal women writers enriching a genre crucial to our future.&” —Booklist In Writing Wild, Kathryn Aalto celebrates 25 women whose influential writing helps deepen our connection to and understanding of the natural world. These inspiring wordsmiths are scholars, spiritual seekers, conservationists, scientists, novelists, and explorers. They defy easy categorization, yet they all share a bold authenticity that makes their work both distinct and universal. Featured writers include: Dorothy Wordsworth, Susan Fenimore Cooper, Gene Stratton-Porter, Mary Austin, and Vita Sackville-WestNan Shepherd, Rachel Carson, Mary Oliver, Carolyn Merchant, and Annie DillardGretel Ehrlich, Leslie Marmon Silko, Diane Ackerman, Robin Wall Kimmerer, and Lauret SavoyRebecca Solnit, Kathleen Jamie, Carolyn Finney, Helen Macdonald, and Saci LloydAndrea Wulf, Camille T. Dungy, Elena Passarello, Amy Liptrot, and Elizabeth Rush Part travel essay, literary biography, and cultural history, Writing Wild ventures into the landscapes and lives of extraordinary writers and encourages a new generation of women to pick up their pens, head outdoors, and start writing wild.
Writing Wild: Forming a Creative Partnership with Nature
by Tina WellingAlign Your Creative Energy with Nature’s “Everything we know about creating,” writes Tina Welling, “we know intuitively from the natural world.” In Writing Wild, Welling details a three-step “Spirit Walk” process for inviting nature to enliven and inspire our creativity.
Writing with a Thesis: A Rhetoric and Reader (Tenth Edition)
by Sarah E. Skwire David SkwireThe development and support of a thesis in order to persuade a reader
Writing with a Vengeance
by Carol A. MossmanWriting with a Vengeance examines the life and works of a nineteenth-century French courtesan, Céleste Vénard, later the Countess de Chabrillan. A notorious Paris courtesan, Chabrillan married into the nobility, taught herself to write (penning two series of memoirs) and, upon being widowed, wrote novels to support herself - ten, between 1857 and 1885. These novels and memoirs constitute exceptional literary and historical documents, particularly as very few sex workers before the twentieth century have left written records of their lives.Writing with a Vengeance intertwines the courtesan's autobiographical account of the horrors of her life on the streets with that era's political, medical, and cultural discourses surrounding prostitution. Though French society both silenced and refused to pardon the prostitute, Carol Mossman's literary analysis of Chabrillan's novels contends that it is through the process of writing itself that she arrived at self-forgiveness and ultimately refashioned for her damaged self a new identity and narrative.
Writing with a Word Processor
by William ZinsserIn this helpful and entertaining book the author of the classic On Writing Well explains that he has always had a love of paper and a fear of mechanical objects. He describes how he confronted his hang-ups, got a word processor, taught himself to use it and gradually overcame his sense of inferiority to the machine. He explains how the word processor--by enabling him to revise his work instantly on a screen--has changed his lifelong methods of writing, rewriting and editing.But William Zinsser's book isn't only for writers. It's for all the people who have to do any kind of writing--memos, letters, reports, directives--as part of their working day. It explains how the word processor will save time and money in an office or a corporation and predicts that it will soon be our primary writing tool.On one level Writing with a Word Processor is a manual for beginners that describes clearly and simply how to use the new technology. But it is also one writer's story. William Zinsser takes the reader along on a highly personal journey, writing with warmth and humor about his anxieties and fears, his setbacks and triumphs. His book is both an informal guide and an encouraging companion.
Writing with Confidence: Writing Effective Sentences and Paragraphs
by Alan MeyersWriting With Confidence, a value-priced developmental writing book, provides essential instruction and practice in basic writing skills at the sentence and paragraph level. The first developmental book to include incorporate high-interest, connected discourse subject matter in its exercises,Writing with Confidenceretains and expands on this feature. Most chapters pursue a theme throughout the exercises-the dreams and premonitions surrounding the death of Abraham Lincoln; animal facts and oddities; the gustatory achievements of Diamond Jim Brady, the world's greatest eater; the voyage of the Kon-Tiki; and so on. The text's six-unit structure includes thirty short chapters on the writing process, paragraph organization and development, the shape of the essay, all the rhetorical modes, and all the sentence skills. The writing chapters are fully process oriented, showing the development of a paragraph in six steps, from planning and outlining through drafting, revising, editing, and proofreading. Optional collaborative activities are provided in the margins of each chapter. This focus on writing is balanced with equal attention to sentence skills, not only for native speakers of English who need help, but for non-English-dominant speakers as well. ESL boxes provide help for readers whose first language is not English, as do the two final chapters of the book, which address troublesome matters such as verb phrases, word order, articles, and prepositions. The reading-writing connection throughout the book has been expanded, with sixteen additional readings in the last unit of the book. And the popular "Blueprints for Writing" found in the rhetorical chapters have been carried into unit ending "Blueprints for Success," in which the most important concepts and practices are summarized in graphs and charts. For those seeking to develop their writing skills at the sentence to paragraph level.
Writing with Deleuze in the Academy: Creating Monsters
by Stewart Riddle David Bright Eileen HonanIn this book, authors working with Deleuzean theories in educational research in Australia and the United Kingdom grapple with how the academic-writing machine might become less contained and bounded, and instead be used to free impulses to generate different creations and connections. The authors experiment with forms of writing that challenge the boundaries of academic language, moving beyond the strictures of the scientific method that governs and controls what works and what counts to make language vibrate with a new intensity.The authors construct monstrous creations, full of vitality and fervor, hybrid texts, part academic part creative assemblages, almost-but-perhaps-not-quite recognisable as research. Stories that blur the lines between true and untrue, re-presentation and invention.The contributors to this book hope that something might happen in its reading; that some new connections might be made, but also acknowledge the contingency of the encounter between text and reader, and the impossibility of presuming to know what may be.
Writing With Emotion, Tension, and Conflict: Techniques for Crafting an Expressive and Compelling Novel
by Cheryl St. JohnToday's highly competitive fiction market requires writers to imbue their novels with that special something - an element that captures readers' hearts and minds. In Writing With Emotion, Tension & Conflict, writers will learn vital techniques for writing emotion into their characters, plots and dialogue in order to instill that special something into every page.
Writing with Pictures: How to Write and Illustrate Children's Books
by Uri ShulevitzA step-by-step guide to creating children's books. The book covers aspects from the preliminary idea to publication, and describes how to tell a story visually, draw characters and develop settings.
Writing with Pleasure (Skills for Scholars)
by Helen SwordAn essential guide to cultivating joy in your professional and personal writingWriting should be a pleasurable challenge, not a painful chore. Writing with Pleasure empowers academic, professional, and creative writers to reframe their negative emotions about writing and reclaim their positive ones. By learning how to cast light on the shadows, you will soon find yourself bringing passion and pleasure to everything you write.Acclaimed international writing expert Helen Sword invites you to step into your “WriteSPACE”—a space of pleasurable writing that is socially balanced, physically engaged, aesthetically nourishing, creatively challenging, and emotionally uplifting. Sword weaves together cutting-edge findings in the sciences and social sciences with compelling narratives gathered from nearly six hundred faculty members and graduate students from across the disciplines and around the world. She provides research-based principles, hands-on strategies, and creative “pleasure prompts” designed to help you ramp up your productivity and enhance the personal rewards of your writing practice. Whether you’re writing a scholarly article, an administrative email, or a love letter, this book will inspire you to find delight in even the most mundane writing tasks and a richer, deeper pleasure in those you already enjoy.Exuberantly illustrated by prizewinning graphic memoirist Selina Tusitala Marsh, Writing with Pleasure is an indispensable resource for academics, students, professionals, and anyone for whom writing has come to feel like a burden rather than a joy.
Writing with Power: Techniques for Mastering the Writing Process,Second Edition
by Peter ElbowEmploying a cookbook approach, Elbow provides the reader (and writer) with various recipes: for getting words down on paper, for revising, for dealing with an audience, for getting feedback on a piece of writing, and still other recipes for approaching the mystery of power in writing. In a new introduction, he offers his reflections on the original edition, discusses the responses from people who have followed his techniques, how his methods may differ from other processes, and how his original topics are still pertinent to today's writer. By taking risks and embracing mistakes, Elbow hopes the writer may somehow find a hold on the creative process and be able to heighten two mentalities--the production of writing and the revision of it.
Writing with Power: Language Composition 21st Century Skills [Grade 10]
by Joyce SennNIMAC-sourced textbook
Writing with Power: Language Composition 21st Century Skills [Grade 8]
by Joyce SennNIMAC-sourced textbook
Writing with Power: Language Composition 21st Century Skills [Grade 11]
by Joyce SennNIMAC-sourced textbook
Writing with Power: Language Composition 21st Century Skills [Grade 12]
by Joyce SennNIMAC-sourced textbook
Writing with Power: Language Composition 21st Century Skills [Grade 9]
by Joyce SennNIMAC-sourced textbook
Writing With Power, Grade 7
by PLC Editors StaffWriting With Power has chapters that will answer students questions and lay the foundation for the writing instruction and activities presented in future chapters.
Writing With Power, Grade 9
by Joyce Senn Constance Weaver Peter SmagorinskyLanguage Arts Textbook Grade 9
Writing with Purpose 3
by Abeka BooksSharpen your 3rd graders’ penmanship skill and teach them to write with purpose. This book begins with various “Practical Penmanship” exercises to give students plenty of practice in the writing of words, letters, numbers –all in ¾” spacing lines! In 2nd semester, the focus will shift from using beautiful penmanship to learning to write compositions creatively. From beautiful penmanship to figurative language and poetry, your child will perfect his craft of writing in appearance and content. Teach him to observe the world around him, and then write about it. Different poem forms, alliteration, metaphors, and more are several English tools that your child will be able to recognize and use. Weekly penmanship test and supplementary writing exercises are also included in the back of the book.
Writing With Quiet Hands: How to Shape Your Writing to Resonate with Readers
by Paula MunierCommit to Your Writing Craft!To write with quiet hands is to embrace the journey all writers must take: from seeking inspiration and shaping raw material to cultivating a personal support network, navigating the various pathways to publication, and committing to a lifelong practice. In Writing with Quiet Hands, author and literary agent Paula Munier helps you hone your words into well-crafted stories and balance this satisfying work with the realities and challenges of the publishing world.You'll learn how to tame your muse, manage your time wisely, and treat your practice with the seriousness it deserves. You'll develop a distinct voice, write with style and substance, employ the tenets of strong structure, and engage your readers by injecting narrative thrust into your stories. You'll explore the finer aspects of craft, refine your work, and boldly bridge the gap between published and unpublished. From drafting and revising to querying agents, you'll discover the secrets to writing artfully, and publishing bravely.Fulfilling and rewarding writing careers are forged from the successful marriage of craft and business know-how. Are you ready to embark on your journey, armed with both grace and grit? Are you ready to write with quiet hands?"Writing with Quiet Hands is loaded tips and tools, firsthand experience, and down-to-earth advice from a writer, editor, and agent who's seen it from all sides. Paula Munier gives it to you straight as she dissects the inspiration, perspiration, and dogged determination it takes to set and meet your writing goals. This book will keep you sane." --Hallie Ephron, New York Times best-selling author of Night Night, Sleep Tight
Writing With Rosie: You Can Write a Story Too
by Patricia Reilly GiffIn a humorous and entertaining guide, two-time Newbery Honor-winning author Patricia Reilly Giff breaks down the process of writing fiction into steps, all while trying to cope with the constant distractions from her exuberant seventy-pound golden retriever puppy, Rosie. Citing examples from her award-winning novels she explains how to proceed with each step in chapter sections titled "Can You See What I Did?" Young writers can find the inspiration and tips they need to try their hand in sections called "Your Turn. " Anecdotes from her writing life and hilarious adventures with her high-energy pet provide entertainment and encouragement.
Writing with Rosie: You Can Write a Story Too
by Patricia Reilly GiffIn a humorous and entertaining guide, two-time Newbery Honor-winning author Patricia Reilly Giff breaks down the process of writing fiction into steps, all while trying to cope with constant distractions from her exuberant seventy-pound golden retriever puppy, Rosie. Citing examples from her award-winning novels she explains how to proceed with each step in chapter sections titled "Can You See What I Did?" Young writers can find the inspiration and tips they need to try their hand in sections called "Your Turn." Anecdotes from her writing life and hilarious adventures with her high-energy pet provide entertainment and encouragement.