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Buñuel y Remedios Varo: Dos momentos del surrealismo en México
by Varios autoresDos excepcionales entrevistas de Raquel Tibol a referentes internacionales del surrealismo que tuvo lugar en México: Remedios Varo y Luis Buñuel. La autora, una de las más importantes periodistas culturales que ha dado el país, da cátedra en estos textos sobre el arte de la conversación. Hace 61 años Raquel Tibol realizó una entrevista a Luis Buñuel como uno de sus primeros trabajos en nuestro país, publicada el 29 de noviembre de 1953 en México en la Cultura, suplemento del periódico Novedades. De acuerdo con el anecdotario, para hacerla lo abordó en los estudios cinematográficos donde filmaba La ilusión viaja en tranvía, y la conversación, -"cálida y sincera", se lee- tuvo lugar en la que fue la casa del cineasta en México. En definitiva, este libro recoge dos de las voces más claramente identificadas como parte del surrealismo, corriente artística de la Benjamin Péret dijo: "En nuestro tiempo se necesita un lenguaje nuevo y una manera de ver e interpretar al hombre y al mundo muy diferente de la que está en uso. ¿Cómo se podría dar una imagen o un trasunto de la vida actual, si no es por medio del surealismo? Guerras, revoluciones, angustia sin fin: los prodigios de la técnica empleados para aniquilar a los pueblos y desatar por todas partes el caos y la destrucción. Un enorme cambio se está produciendo. Una honda y enorme revolución camina hacia su meta en todos los continentes. El parto del futuro es siempre doloroso, pero nunca lo ha sido tanto como ahora. Un mundo se hunde envuelto en sus propias contradicciones."
By Great Waters
by Patrick O'Flahertyp>This anthology offers readers a selection of Newfoundland writing which will illuminate the unfolding of the province's history and culture and at the same time command respect as literature. It is comprised of 65 selections from literary and historical sources, which range in time from an extract from the Vinland sagas to a poem written in 1968 by a Newfoundlander. The selections are arranged in four parts: Discovery and Exploration; Transatlantic Outpost; Colonial Era; Breakers Ahead (contemporary). Each selection is prefaced by a brief introduction.
By the Book: Writers on Literature and the Literary Life from The New York Times Book Review
by Pamela PaulSixty-five of the world's leading writers open up about the books and authors that have meant the most to themEvery Sunday, readers of The New York Times Book Review turn with anticipation to see which novelist, historian, short story writer, or artist will be the subject of the popular By the Book feature. These wide-ranging interviews are conducted by Pamela Paul, the editor of the Book Review, and here she brings together sixty-five of the most intriguing and fascinating exchanges, featuring personalities as varied as David Sedaris, Hilary Mantel, Michael Chabon, Khaled Hosseini, Anne Lamott, and James Patterson. The questions and answers admit us into the private worlds of these authors, as they reflect on their work habits, reading preferences, inspirations, pet peeves, and recommendations.By the Book contains the full uncut interviews, offering a range of experiences and observations that deepens readers' understanding of the literary sensibility and the writing process. It also features dozens of sidebars that reveal the commonalities and conflicts among the participants, underscoring those influences that are truly universal and those that remain matters of individual taste.For the devoted reader, By the Book is a way to invite sixty-five of the most interesting guests into your world. It's a book party not to be missed.
By the Grace of God
by William R. ViestenzThough neither king nor priest, Spanish dictator Francisco Franco nevertheless conceptualized his right to sovereignty around a political theology in which national identity resembled a sacred cult. Using Franco's Spain and la España sagrada as a counterpoint to European secularity's own development, By the Grace of God is the first sustained analysis within Spanish cultural studies of the sacred as a political category and a tool for political organization.William Viestenz shows how imagining national identity as a sacred absolute within a pluralistic, multicultural state leads to dictatorship, scapegoating, and exceptional violence. Using novels and poetry from the Catalan literary tradition and stalwarts of the Castilian canon, his analysis demonstrates that the sacred is a concept that spills over into key areas of secular political imagination.By the Grace of God offers an original theory of the sacred that challenges our understanding of twentieth-century political thought.
By the Late John Brockman
by Mr John BrockmanA radical, experimental work that challenges the boundaries of poetry, philosophy, and science. First published in 1969, this new and expanded edition of John Brockman's first book, By The Late John Brockman, also includes the full text of 37 (1971), and Afterwords (1973).This edition features a new foreword by Hans Ulrich Obrist, co-director of the Serpentine Gallery and author of Ways of Curating.
By-Line Ernest Hemingway: Selected Articles and Dispatches of Four Decades
by Ernest HemingwaySpanning the years 1920 to 1956, this priceless collection shows Hemingway's work as a reporter, from correspondent for the Toronto Star to contributor to Esquire, Colliers, and Look. As fledgling reporter, war correspondent, and seasoned journalist, Hemingway provides access to a range of experiences, including vivid eyewitness accounts of the Spanish Civil War and World War II. By-Line: Ernest Hemingway offers a glimpse into the world behind the popular fiction of one of America's greatest writers.
Bye Bye I Love You: The Story of Our First and Last Words
by Michael ErardA beautiful and intimate exploration of first and last words—and the many facets of how language begins and ends—from a pioneering language writer.With our earliest utterances, we announce ourselves—and are recognized—as persons ready for social life. With our final ones, we mark where others must release us to death&’s embrace. In Bye Bye I Love You, linguist and author Michael Erard explores these phenomena, commonly called &“first words&” and &“last words,&” uncovering their cultural, historical, and biological entanglements and honoring their deep private significance. Erard draws from personal, historical, and anthropological sources to provide a sense of the breadth of beliefs and practices about these phenomena across eras, religions, and cultures around the world.What do babies&’ first words have in common? How do people really communicate at the end of life? In the first half of the book, Erard tells the story of first words in human development and evolution, and how the attention to children&’s early language—a modern phenomenon—arose. In the second half, he provides a groundbreaking overview of language at the end of life and the cultural conventions that surround it. Throughout he reveals the many parallels and asymmetries between first and last words and asks whether we might be able to use a linguistic understanding of end of life to discover what we truly want.
Byron & Shakespeare - Wils Kni
by Wilson KnightIn this volume, G. Wilson Knight deals with the "superabundance of analogies between Byron and Shakespeare" through analysis and literarty criticism of poetry, sonnets and essays.
Byron (Longman Critical Readers)
by Jane StablerOften seen as the exception to generalisations about Romanticism, Byron's poetry - and its intricate relationship with a brilliant, scandalous life - has remained a source of controversy throughout the twentieth century. This book brings together recent work on Byron by leading British and American scholars and critics, guiding undergraduate students and sixth-form pupils through the different ways in which new literary theory has enriched readings of Byron's work, and showing how his poetry offers a rewarding focus for questions about the relationship between historical contexts and literary form in the Romantic period.Diverse and fresh perspectives on canonical texts such as Don Juan, Childe Harold's Pilgrimage and Manfred are included together with stimulating analyses of less well-known narrative poems, lyrics and dramas. A clearly structured introduction traces key developments in Byron criticism and locates the essays within wider debates in Romantic studies. Detailed headnotes to each essay and a guide to further reading help to orientate the reader and offer pointers for further discussion.The collection will enable students of English literature, Romantic studies and nineteenth-century cultural studies to assess the contribution that different critical methodologies have made to our understanding of individual poems by Byron, as well as concepts like the Byronic hero and evolving definitions of Romanticism.
Byron (Routledge Library Editions: Lord Byron #4)
by John D. JumpFirst published in 1972. John D. Jump, a leading authority on Byron and the Romantic period, here gives an account of Byron’s literary achievement in relation to the age of revolutions in which he lived and in relation to his own character and personal circumstances. Professor Jump focuses upon the major poems and also discusses Byron’s prose, principally his letters and journals. In doing so he covers all of the important aspects of Byron’s work.
Byron Among the English Poets: Literary Tradition and Poetic Legacy
by Matthew Ward Clare BucknellFor Byron, poetic achievement was always relative. Writing meant dwelling in an echo chamber of other voices that enriched and contextualised what he had to say. He believed that literary traditions mattered and regarded poetic form as something embedded in historical moments and places. His poetry, as this volume demonstrates, engaged richly and experimentally with English influences and in turn licenced experimentation in multiple strands of post-Romantic English verse. In Byron Among the English Poets he is seen as a poet's poet, a writer whose verse has served as both echo of and prompt for a host of other voices. Here, leading international scholars consider both the contours of individual literary relationships and broader questions regarding the workings of intertextuality, exploring the many ways Byron might be thought to be 'among' the poets: alluding and alluded to; collaborative; competitive; parodied; worked and reworked in imitations, critiques, tributes, travesties and biographies.
Byron and the Jews
by Sheila A. SpectorA full-length critical inquiry into the complex interrelationship between the British poet and the Jews.
Byron and the Poetics of Adversity
by Jerome McGannA long line of traditional, often conservative, criticism and cultural commentary deplored Byron as a slipshod poet. This pithy yet aptly poetic book, written by one of the world's foremost Romantic scholars, argues that assessment is badly mistaken. Byron's great subject is what he called 'Cant': the habit of abusing the world through misusing language. Setting up his poetry as a laboratory to investigate failures of writing, reading, and thinking, Byron delivered sharp critical judgment on the costs exacted by a careless approach to his Mother Tongue. Perspicuous readings of Byron alongside some of his Romantic contemporaries – Burns, Blake, Wordsworth, Coleridge, Shelley – reveal Byron's startling reconfiguration of poetry as a 'broken mirror' and shattered lamp. The paradoxical result was to argue that his age's contradictions, and his own, offered both ethical opportunities and a promise of poetic – broadly cultural – emancipation. This book represents a major contribution to ideas about Romanticism.
Byron and the Politics of Freedom and Terror
by Matthew J. A. Green Piya Pal-LapinskiThis interdisciplinary collection explores the divergence or convergence of freedom and terror in a range of Byron's works. Challenging the binary opposition of historicism and critical theory, it combines topical debates in a manner that is sensitive both to the circumstances of their emergence and to their relevance for the twenty-first century.
Byron in Context (Literature in Context)
by Clara TuiteGeorge Gordon, the sixth Lord Byron (1788–1824), was one of the most celebrated poets of the Romantic period, as well as a peer, politician and global celebrity, famed not only for his verse, but for his controversial lifestyle and involvement in the Greek War of Independence. In thirty-seven concise, accessible essays, by leading international scholars, this volume explores the social and intertextual relationships that informed Byron's writing; the geopolitical contexts in which he travelled, lived and worked; the cultural and philosophical movements that influenced changing outlooks on religion, science, modern society and sexuality; the dramatic landscape of war, conflict and upheaval that shaped Napoleonic and post-Napoleonic Europe and Regency Britain; and the diverse cultures of reception that mark the ongoing Byron phenomenon as a living ecology in the twenty-first century. This volume illuminates how we might think of Byron in context, but also as a context in his own right.
Byron's Don Juan (Routledge Library Editions: Lord Byron #1)
by Bernard BeattyFirst published in 1985. What sort of poem is Don Juan, and how does it maintain its momentum through its long and often struggling narrative? These are the questions that Bernard Beatty proposes in this subtle and elegant discussion of Byron’s masterwork. The legend of Don Juan was entrenched in European literature and other arts long before it came under Byron’s hands, yet Byron’s treatment of the story is often almost unrecognisably far from its forebears. Beatty indicates how deeply Byron has assimilated his predecessors in order to produce his own work. The sustained argument of this book raises questions of interest not only to students of Byron but of comedy in general, as well as of the place of religious motifs in apparently secularised modes.
Byron's Don Juan: A Critical Study (Routledge Library Editions: Lord Byron #2)
by Elizabeth French BoydWhen this book was published in 1945, interest in Byron’s poetry and appreciation of his titanic role in Romanticism had been steadily increasing. Of all his vast poetic production, Don Juan, the last and greatest of his major works, offers the highest rewards to the modern reader. It not only stands out among his poems as the best expression of Byron, but it ranks with the great poems of the nineteenth century as representative of the era, and of modern European civilization. This title will be of interest to students of literature.
Byron's Don Juan: The Liberal Epic of the Nineteenth Century (Cambridge Studies in Romanticism)
by Richard CroninIn this first full-length study of Byron's masterpiece in over thirty years, Richard Cronin boldly presents Don Juan as the epic poem of its age. Impressively illuminating the whole literary nineteenth century through a single work, he asks what kind of epic can be said to represent an era more readily defined by newspapers and magazines than by competitors such as Wordsworth's Excursion or Southey's Joan of Arc arose. Delving into questions of form and choice of hero, he also explores the controversies that informed the poem's reception, its contemporary interactions, and its influence on later nineteenth-century literature. Don Juan, he argues, is the epic poem demanded by an age of cant and dissembling, when people's feelings and the world they lived in had become disconnected. In it, he finds a powerful defence of liberal thinking at a time when that kind of thinking was under threat.
Byron's Letters and Journals: The complete and unexpurgated text of all the letters available in manuscript and the full printed version of all others
by Leslie A. Marchand George Gordon ByronFirst volume in Marchand's series of Byron's collected letters and journals.
Byron's Nature: A Romantic Vision of Cultural Ecology
by J. Andrew HubbellThis book is a thorough, eco-critical re-evaluation of Lord Byron (1789-1824), claiming him as one of the most important ecological poets in the British Romantic tradition. Using political ecology, post-humanist theory, new materialism, and ecological science, the book shows that Byron’s major poems—Childe Harold’s Pilgrimage, the metaphysical dramas, and Don Juan—are deeply engaged with developing a cultural ecology that could account for the co-creative synergies in human and natural systems, and ground an emancipatory ecopolitics and ecopoetics scaled to address globalized human threats to socio-environmental thriving in the post-Waterloo era. In counterpointing Byron’s eco-cosmopolitanism to the localist dwelling praxis advocated by Romantic Lake poets, Byron’s Nature seeks to enlarge our understanding of the extraordinary range, depth, and importance of Romanticism’s inquiry into the meaning of nature and our ethical relation to it.
Byron's War
by Roderick BeatonRoderick Beaton re-examines Lord Byron's life and writing through the long trajectory of his relationship with Greece. Beginning with the poet's youthful travels in 1809-1811, 'Byron's War traces his years of fame in London and self-imposed exile in Italy, that culminated in the decision to devote himself to the cause of Greek independence. Then comes Byron's dramatic self-transformation, while in Cephalonia, from Romantic rebel to 'new statesman', subordinating himself for the first time to a defined, political cause, in order to begin laying the foundations, during his 'hundred days' at Missolonghi, for a new kind of polity in Europe - that of the nation-state as we know it today. Byron's War draws extensively on Greek historical sources and other unpublished documents, to tell an individual story that also offers a new understanding of the significance that Greece had for Byron, and of Byron's contribution to the origin of the present-day Greek state.
Byron, Hunt, and the Politics of Literary Engagement (Routledge Studies in Romanticism)
by Michael SteierIn the second decade of the nineteenth century, the British press began a campaign of critical abuse against Leigh Hunt, caricaturing the radical journalist as an upstart "Cockney" author whose literary talents were as disreputable as his politics. Lord Byron, on the other hand, was revered as a peer and a poetical genius who, the conservative press argued, would never befriend and collaborate with a writer like Hunt. Yet Byron did just that. Byron, Hunt, and the Politics of Literary Engagement is the first full-length study of the friendship and literary relationship of two of the most important second-generation Romantic authors. Challenging long-held critical attitudes, this study shows that Byron and Hunt engaged in a creative and meaningful dialogue at each major stage in their careers, from their earliest published volumes of juvenile poetry and verse satire to their most celebrated contributions to Romantic literature: The Story of Rimini and Don Juan. Drawing upon newly recovered letters and unpublished manuscript material, this book illuminates the surprisingly durable and artistically significant friendship of Lord Byron and Leigh Hunt.
Byron, Shelley and Goethe's Faust: An Epic Connection
by Ben HewittThe first part of Goethe's dramatic poem Faust (1808), one of the great works of German literature, grabbed the attention of Byron and Percy Shelley in the 1810s, engaging them in a shared fascination that was to exert an important influence over their writings. In this comparative study, Ben Hewitt explores the links between Faust and Byron's and Shelley's works, connecting Goethe and the two English Romantic poets in terms of their differing, intricately related experiments with epic. In so doing, Hewitt enters the three writers into a literary and philosophical dialogue concerning 'epic' and 'tragic' perspectives on human knowledge and potential - perspectives crucial to the very structure and significance of Goethe's masterpiece - and illuminates hitherto unacknowledged affinities between these key figures in Romantic literature, and between British and German Romanticisms.
Byron, Sully, and the Power of Portraiture (Routledge Library Editions: Lord Byron #3)
by John ClubbeFirst published in 2005. Since the early nineteenth century, Byron, the man and his image, have captured the hearts and minds of untold legions of people of all political and social stripes in Britain, Europe, America, and around the world. This book focuses on the history and cultural significance for Federal America of the only portrait of Byron known to have been painted by a major artist. In private hands from 1826 until this day, Thomas Sulley’s Byron has never before been the subject of scholarly study. Beginning with the discovery of the portrait in 1999 and a 200-year narrative of the portrait’s provenance and its relation to other well-known Byron portraits, the author discusses the work within the broad context of British and American portraiture of the late eighteenth and early nineteenth centuries.
Byron, Sully, and the Power of Portraiture (Routledge Library Editions: Lord Byron Ser. #3)
by John ClubbeSince the early nineteenth century, Byron, the man and his image, have captured the hearts and minds of untold legions of people of all political and social stripes in Britain, Europe, America, and around the world. This book focuses on the history and cultural significance for Federal America of the only portrait of Byron known to have been painted by a major artist. In private hands from 1826 until this day, Thomas Sully's Byron has never before been the subject of scholarly study. Beginning with his discovery of the portrait in 1999 and a 200-year narrative of the portrait's provenance and its relation to other well-known Byron portraits, the author discusses the work within the broad context of British and American portraiture of the late eighteenth and early nineteenth centuries. Receiving most attention are Thomas Lawrence and Sully, his American counterpart. The author gives the fullest account to date of Sully's career and his relation to English influences and to figures prominent in the early-nineteenth-century American imagination, among them, Washington, Fanny Kemble, Lafayette, Joseph Bonaparte, and Nicholas Biddle. Byron is discussed as an icon of the young American Republic whose Jubilee year coincided with Sully's initial work on the poet's portrait. Later chapters offer a close reading of the portrait, arguing that Sully has given a visual interpretation truly worthy of his celebrated, controversial, and famously handsome subject.