- Table View
- List View
Cake Wrecks: When Professional Cakes Go Hilariously Wrong
by Jen YatesNew York Times Bestseller: Stories and photos of confectionary calamities that “will have you laughing so hard you’ll forget to eat” (The Washington Post).Have your cake and laugh at it, too, with the sweet treat known as Cake Wrecks: When Professional Cakes Go Hilariously Wrong. From the creator of the award-winning blog, here are the worst cakes ever, including the ugly, the silly, the downright creepy, the unintentionally sad or suggestive, and the just plain funny. With witty commentary and behind-the-scenes tidbits, Cake Wrecks will ensure that you never look at a cake the same way again.Jen Yates’ CakeWrecks site was a winner of a Blogger’s Choice Award for Best Humor Blog, among other honors, and for this inspired and sidesplitting collection, she gathered extensive never-before-seen material to create “a hilarious winner” (The Oregonian).“I haven’t laughed so hard in ages.” —Mary Alice, from the Food Network’s Ace of Cakes“Think of them as epic fails, with frosting.” —TheNew York Times
Calavera Abecedario: A Day Of The Dead Alphabet Book
by Jeanette WinterEvery year Don Pedro and his family make papier-mâché skeletons, or calaveras, for Mexico's Day of the Dead fiesta. From the Angel and Doctor to the Mariachi and Unicornio, there's a special calavera for each letter of the alphabet. Come dance with them!Includes a glossary of Spanish words and an author's note.
Caliban's Voice: The Transformation of English in Post-Colonial Literatures
by Bill AshcroftIn Shakespeare’s Tempest, Caliban says to Miranda and Prospero: "...you taught me language, and my profit on’t Is, I know how to curse. " With this statement, he gives voice to an issue that lies at the centre of post-colonial studies. Can Caliban own Prospero’s language? Can he use it to do more than curse? Caliban’s Voice examines the ways in which post-colonial literatures have transformed English to redefine what we understand to be ‘English Literature’. It investigates the importance of language learning in the imperial mission, the function of language in ideas of race and place, the link between language and identity, the move from orature to literature and the significance of translation. By demonstrating the dialogue that occurs between writers and readers in literature, Bill Ashcroft argues that cultural identity is not locked up in language, but that language, even a dominant colonial language, can be transformed to convey the realities of many different cultures. Using the figure of Caliban, Ashcroft weaves a consistent and resonant thread through his discussion of the post-colonial experience of life in the English language, and the power of its transformation into new and creative forms.
Calidoscopio
by Danielle SteelUn terrible suceso trunca la vida de las tres hermanas Walker, separadas en la infancia y entregadas en adopción a distintas familias. Pero Hilary, la mayor y menos afortunada de las tres, preservará en su memoria su vida en común y alentará durante años la esperanza de, finalmente, volver a reunirse con ellas.
California Collections
by Houghton Mifflin HarcourtCalifornia Collections: A Grade 9 language arts textbook
California Collections, Grade 7
by Houghton Mifflin Harcourt StaffCalifornia Collections, Grade 7 a language arts textbook by Houghton Mifflin Harcourt.
California Dreams and American Contradictions: Women Writers and the Western Ideal
by Monique McDadeCalifornia Dreams and American Contradictions establishes a genealogy of western American women writers publishing between 1870 and 1965 to argue that both white women and women of color regionalized dominant national literary trends to negotiate the contradictions between an American liberal individualism and American equality. Monique McDade analyzes works by María Amparo Ruiz de Burton, Helen Hunt Jackson, Sui Sin Far, and a previously unstudied African American writer, Eva Rutland, to trace an archive of western American women writers who made visible what dominant genres subsumed under images of American progress and westward expansion. Read together these writers provide new entry points into the political debates that have plagued the United States since the nation&’s founding and that set the precedent for westward expansion. Their romances, regional sketches, memoirs, and journalism point to the inherently antagonistic relationship between a Rooseveltian rugged individualism that encouraged an Anglo male–dominated West and the progressive equality and opportunity the West seemingly promised disenfranchised citizens. The writers included in California Dreams and American Contradictions challenged literature&’s role in creating regional division, conformist communities that support nationally sponsored images of gendered, ethnic, and immigrant others, and liberal histories validated through a strategic vocabulary rooted in &“freedom,&” &“equality,&” and &“progress.&”
California Gateways [Anthology, Level 1B]
by Isabel L. Beck Margaret Mckeown Robin ScarcellaNIMAC-sourced textbook
California McDougal Littell Literature: American Literature
by Mcdougal LittellA language arts textbook
California My Perspectives English Language Arts, Grade 9, Volume Two
by PearsonCalifornia My Perspectives English Language Arts, Grade 9, Volume Two
California Treasures, English Language Development, My New Words, A Picture Word Book, Grades K-2
by Macmillan Mcgraw-HillNIMAC-sourced textbook
California Vistas: Family and Friends
by Kevin P. Colleary Ed. D. Stephen F. Cunha James A. Bank Jana Echevarria [et al.]A language arts textbook
California and the Melancholic American Identity in Joan Didion’s Novels: Exiled from Eden (Literary Criticism and Cultural Theory)
by Katarzyna Nowak McNeiceCalifornia and the Melancholic American Identity in Joan Didion’s Novels: Exiled from Eden focuses on the concept of Californian identity in the fiction of Joan Didion. This identity is understood as melancholic, in the sense that the critics following the tradition of both Sigmund Freud and Walter Benjamin use the word. The book traces the progress of the way Californian identity is portrayed in Joan Didion’s novels, starting with the first two in which California plays the central role, Run River and Play It As It Lays, through A Book of Common Prayer to Democracy and The Last Thing He Wanted, where California functions only as a distant point of reference, receding to the background of Didion’s interests. Curiously enough, Didion presents Californian history as a history of white settlement, disregarding whole chapters of the history of the region in which the Californios and Native Americans, among other groups, played a crucial role: it is this reticence that the monograph sees as the main problem of Didion’s fiction and presents it as the silent center of gravity in Didion’s oeuvre. The monograph proposes to see the melancholy expressed by Didion’s fiction organized into four losses: of Nature, History, Ethics, and Language; around which the main analytical chapters are constructed. What remains unrepresented and silenced comes back to haunt Didion’s fiction, and it results in a melancholic portrayal of California and its identity – which is the central theme this monograph addresses.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC BY-NC-ND)] 4.0 license.
Calila: The Later Novels of Carmen Martín Gaite (Campos Ibéricos: Bucknell Studies in Iberian Literatures and Cultures)
by Joan L. BrownCalila: The Later Novels of Carmen Martín Gaite explores the last six novels by Spain´s most honored contemporary woman writer. Its scholarship is enriched by the voice of Calila herself—as Brown called Martín Gaite, who was a dear friend—as they conversed and exchanged letters during the composition of the novels. The book opens with an introduction to Martín Gaite´s life and literature and ends with a consideration of her legacy. Each central chapter analyzes a later novel in its historical, biographical, and critical contexts. From the young adult fantasy Caperucita en Manhattan (Red Riding Hood in Manhattan) to the post-Transition epistolary masterpiece Nubosidad variable (Variable Cloud), the Transition-era saga La Reina de las Nieves (The Farewell Angel), the Proustian reminiscence Lo raro es vivir (Living’s the Strange Thing), the narrative tapestry Irse de casa (Leaving Home), and the memoir of family secrets Los parentescos (Family Relations), these fascinating novels evoke themes that resonate today.
Call It English: The Languages of Jewish American Literature
by Hana Wirth-NesherCall It English identifies the distinctive voice of Jewish American literature by recovering the multilingual Jewish culture that Jews brought to the United States in their creative encounter with English. In transnational readings of works from the late-nineteenth century to the present by both immigrant and postimmigrant generations, Hana Wirth-Nesher traces the evolution of Yiddish and Hebrew in modern Jewish American prose writing through dialect and accent, cross-cultural translations, and bilingual wordplay. Call It English tells a story of preoccupation with pronunciation, diction, translation, the figurality of Hebrew letters, and the linguistic dimension of home and exile in a culture constituted of sacred, secular, familial, and ancestral languages. Through readings of works by Abraham Cahan, Mary Antin, Henry Roth, Delmore Schwartz, Bernard Malamud, Saul Bellow, Cynthia Ozick, Grace Paley, Philip Roth, Aryeh Lev Stollman, and other writers, it demonstrates how inventive literary strategies are sites of loss and gain, evasion and invention. The first part of the book examines immigrant writing that enacts the drama of acquiring and relinquishing language in an America marked by language debates, local color writing, and nativism. The second part addresses multilingual writing by native-born authors in response to Jewish America's postwar social transformation and to the Holocaust. A profound and eloquently written exploration of bilingual aesthetics and cross-cultural translation, Call It English resounds also with pertinence to other minority and ethnic literatures in the United States.
Call Me Commander: A Former Intelligence Officer and the Journalists Who Uncovered His Scheme to Fleece America
by Jeff Testerman Daniel M. FreedWhen Lt. Commander Bobby Thompson surfaced in Tampa in 1998, it was as if he had fallen from the sky, providing no hint of his past life. Eleven years later, St. Petersburg Times investigative reporter Jeff Testerman visited the rundown duplex Thompson used as his home and the epicenter of his sixty-thousand-member charity, the U.S. Navy Veterans Association. But something was amiss. Thompson&’s charity&’s addresses were just maildrops, his members nonexistent, and his past a black hole. Yet, somehow, the Commander had stood for photos with President George W. Bush, Senator John McCain, and other political luminaries. The USNVA, it turned out, was a phony charity where Thompson used pricey telemarketers, savvy lawyers, and political allies to swindle tens of millions from well-meaning donors. After Testerman&’s story revealed that the nonprofit was a sham, the Commander went on the run. U.S. Marshals took up the hunt in 2011 and found themselves searching for an unnamed identity thief who they likened to a real-life Jason Bourne. When finally captured in 2012, Thompson was carrying multiple IDs and a key to a locker that held nearly $1 million in cash. But, who was he? Eventually, investigators discovered he was John Donald Cody, a Harvard Law School graduate and former U.S. Army intelligence officer who had been wanted since the 1980s on theft charges and for questioning in an espionage probe. As Cody&’s decades as a fugitive came to an end, he claimed his charity was run at the behest of the Central Intelligence Agency. After reporting on the story for CNBC&’s American Greed in 2014, Daniel M. Freed dug into Cody&’s backstory—uncovering new information about his intelligence background and the evolution of his con. Watch a book trailer at callmecommander.net.
Call of the Wild (SparkNotes Literature Guide Series)
by SparkNotesCall of the Wild (SparkNotes Literature Guide) by Jack London Making the reading experience fun! Created by Harvard students for students everywhere, SparkNotes is a new breed of study guide: smarter, better, faster.Geared to what today's students need to know, SparkNotes provides:chapter-by-chapter analysis explanations of key themes, motifs, and symbols a review quiz and essay topicsLively and accessible, these guides are perfect for late-night studying and writing papers.
Callaghan's Journey to Downing Street
by P. DeveneyAn account of how one Labour Party politician, after suffering the biggest setback of his political career, used the anti-Vietnam War demonstrations in Grosvenor Square, the battle over trade union reform and the Troubles in Northern Ireland to propel himself to No 10.
Calling Bullshit: The Art of Skepticism in a Data-Driven World
by Carl T. Bergstrom Jevin D. WestBullshit isn&’t what it used to be. Now, two science professors give us the tools to dismantle misinformation and think clearly in a world of fake news and bad data. Misinformation, disinformation, and fake news abound and it&’s increasingly difficult to know what&’s true. Our media environment has become hyperpartisan. Science is conducted by press release. Startup culture elevates bullshit to high art. We are fairly well equipped to spot the sort of old-school bullshit that is based in fancy rhetoric and weasel words, but most of us don&’t feel qualified to challenge the avalanche of new-school bullshit presented in the language of math, science, or statistics. In Calling Bullshit, Professors Carl Bergstrom and Jevin West give us a set of powerful tools to cut through the most intimidating data. You don&’t need a lot of technical expertise to call out problems with data. Are the numbers or results too good or too dramatic to be true? Is the claim comparing like with like? Is it confirming your personal bias? Drawing on a deep well of expertise in statistics and computational biology, Bergstrom and West exuberantly unpack examples of selection bias and muddled data visualization, distinguish between correlation and causation, and examine the susceptibility of science to modern bullshit. We have always needed people who call bullshit when necessary, whether within a circle of friends, a community of scholars, or the citizenry of a nation. Now that bullshit has evolved, we need to relearn the art of skepticism.
Calling Maggie May (Anonymous Diaries)
by AnonymousA dark and edgy first-person cautionary tale about how one girl’s seemingly minor choices quickly spiraled into a life as a sex worker in the tradition of Go Ask Alice and Lucy in the Sky.She had a normal life, until one small decision changed everything. Suddenly, there were new possibilities and new experiences.But not all of those experiences were good.Read her shocking story in the diary she left behind.
Callings: Twenty Centuries of Christian Wisdom on Vocation
by William C. PlacherWhat am I going to do with my life? is a question that young people commonly face, while many not-so-young people continue to wonder about finding direction and purpose in their lives. Whether such purpose has to do with what job to take, whether to get married, or how to incorporate religious faith into the texture of their lives, Christians down the centuries have believed that God has plans for them. This unprecedented anthology gathers select passages on work and vocation from the greatest writers in Christian history. William Placher has written insightful introductions to accompany the selections — an introduction to each of the four main historical sections and a brief introduction to each reading. While the vocational questions faced by Christians have changed through the centuries, this book demonstrates how the distilled wisdom of these saints, preachers, theologians, and teachers remains relevant to Christians today. This rich resource is to be followed by a companion volume, edited by Mark R. Schwehn and Dorothy C. Bass, featuring texts drawn mainly from fiction, memoir, poetry, and other forms of literature. A study guide is available from Programs for the Theological Exploration of Vocation (PTEV) on their website: www.ptev.org
Calls and Responses: The American Novel of Slavery since Gone with the Wind (Southern Literary Studies)
by Tim A. RyanIn this comprehensive, groundbreaking study, Tim A. Ryan explores how American novelists since World War I have imagined the institution of slavery and the experience of those involved in it. Complicating the common assumption that authentic black-authored fiction about slavery is starkly opposed to the traditional, racist fiction (and history) created by whites, Ryan suggests that discourses about American slavery are -- and have always been -- defined by connections rather than disjunctions. Ryan contends that African American writers didn't merely reject and move beyond traditional portrayals of the black past but rather actively engaged in a dynamic dialogue with white-authored versions of slavery and existing historiographical debates. The result is an ongoing cultural conversation that transcends both racial and disciplinary boundaries and is akin to the call-and-response style of African American gospel music.Ryan addresses in detail more than a dozen major American novels of slavery, from the first significant modern fiction about the institution -- Margaret Mitchell's Gone with the Wind and Arna Bontemps's Black Thunder (both published in 1936) -- to recent noteworthy novels on the topic -- Edward P. Jones's The Known World and Valerie Martin's Property (both published in 2003). His insistence upon the necessity of interpreting novels about the past directly in relation to specific historical scholarship makes Calls and Responses especially compelling. He reads Toni Morrison's Beloved not in opposition to a monolithic orthodoxy about slavery but in relation to specific arguments of controversial historian Stanley Elkins. Similarly, he analyzes William Styron's The Confessions of Nat Turner in terms of its rhetorical echoes of Frederick Douglass's famous autobiographical narrative. Ryan shows throughout Calls and Responses how a variety of novelists -- including Alex Haley, Octavia Butler, Ishmael Reed, Margaret Walker, and Frances Gaither -- engage in a dynamic debate with each other and with such historians as Herbert Aptheker, Charles Joyner, Eugene and Elizabeth Genovese, and many others.A substantially new account of the development of American slavery fiction in the last century, Calls and Responses goes beyond merely exalting the expression of black voices and experiences and actually reconfigures the existing view of the American novel of slavery.
Calunga and the Legacy of an African Language in Brazil
by Steven ByrdAlthough millions of slaves were forcibly transported from Africa to Brazil, the languages the slaves brought with them remain little known. Most studies have focused on African contributions to Brazilian Portuguese rather than on the African languages themselves. This book is unusual in focusing on an African-descended language. The author describes and analyzes the Afro- Brazilian speech community of Calunga, in Minas Gerais. Linguistically descended from West African Bantu, Calunga is an endangered Afro-Brazilian language spoken by a few hundred older Afro-Brazilian men, who use it only for specific, secret communications. Unlike most creole languages, which are based largely on the vocabulary of the colonial language, Calunga has a large proportion of African vocabulary items embedded in an essentially Portuguese grammar. A hyrid language, its formation can be seen as a form of cultural resistance.Steven Byrd&’s study provides a comprehensive linguistic description of Calunga based on two years of interviews with speakers of the language. He examines its history and historical context as well as its linguistic context, its sociolinguistic profile, and its lexical and grammatical outlines.
Calvin's Last Word
by Margo SorensonThe dictionary as narrator? YES! <P><P> Calvin's dictionary is proud to be carried everywhere Calvin goes--the breakfast table, school, baseball practice, and home again--because Calvin is determined to find the perfect word to attach to his annoying older brother. The word isn’t exactly revenge, mayhem, bewilderment, subterfuge, pulverize, or even retaliation, though all those words are so close and very tempting. When Calvin finally finds the right word for his rascally brother, his dictionary is surprised and delighted, and readers will enjoy celebrating the triumphant discovery of Calvin's perfect word along with his dictionary.