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Cambridge Studies in Nineteenth-Century Literature and Culture: Everyday Words and the Character of Prose in Nineteenth-Century Britain (Cambridge Studies in Nineteenth-Century Literature and Culture #107)

by Jonathan Farina

Everyday Words is an original and innovative study of the stylistic tics of canonical novelists including Austen, Dickens, Trollope, Thackeray and Eliot. Jonathan Farina shows how ordinary locutions such as 'a decided turn', 'as if' and 'that sort of thing' condense nineteenth-century manners, tacit aesthetics and assumptions about what counts as knowledge. Writers recognized these recurrent 'everyday words' as signatures of 'character'. Attending to them reveals how many of the fundamental forms of characterizing fictional characters also turn out to be forms of characterizing objects, natural phenomena and inanimate, abstract things, such as physical laws, the economy and legal practice. Ultimately, this book revises what 'character' meant to nineteenth-century Britons by respecting the overlapping, transdisciplinary connotations of the category.

Cambridge Studies in Nineteenth-Century Literature and Culture: Gerard Manley Hopkins and the Poetry of Religious Experience (Cambridge Studies in Nineteenth-Century Literature and Culture #108)

by Martin Dubois

This nuanced yet accessible study is the first to examine the range of religious experience imagined in Hopkins's writing. By exploring the shifting way in which Hopkins imagines religious belief in individual history, Martin Dubois contests established views of his poetry as a unified project. Combining detailed close readings with extensive historical research, Dubois argues that the spiritual awareness manifest in Hopkins's poetry is varied and fluctuating, and that this is less a failure of his intellectual system than a sign of the experiential character of much of his poetry's thought. Individual chapters focus on biblical language and prayer, as well as on the spiritual ideal seen in the figures of the soldier and the martyr, and on Hopkins's ideas of death, judgement, heaven and hell. Offering fresh interpretations of the major poems, this volume reveals a more diverse and exploratory poet than has been recognised.

Cambridge Studies in Nineteenth-Century Literature and Culture: The Bigamy Plot

by Maia Mcaleavey

The courtship plot dominates accounts of the Victorian novel, but this innovative study turns instead to a narrative phenomenon that upends its familiar conventions: the bigamy plot. In hundreds of novels, plays, and poems published in Victorian Great Britain, husbands or wives thought dead suddenly reappear to their newly remarried spouses. In the sensation fiction of Braddon and Collins, these bigamous revelations lead to bribery, arson, and murder, but the same plot operates in the canonical fiction of Charlotte Brontë, Dickens, Eliot, Thackeray, and Hardy. These authors employ bigamy plots to destabilize the apparently conventional form and values of the Victorian novel. By close examination of this plot, including an index of nearly 300 bigamy novels, Maia McAleavey makes the case for a historical approach to narrative, one that is grounded in the legal and social changes of the period but that runs counter to our own formal and cultural expectations.

Cambridge Studies in Nineteenth-Century Literature and Culture: Translation as Transformation in Victorian Poetry

by Annmarie Drury

Translation as Transformation in Victorian Poetry illuminates the dynamic mutual influences of poetic and translation cultures in Victorian Britain, drawing on new materials, archival and periodical, to reveal the range of thinking about translation in the era. The results are a new account of Victorian translation and fresh readings both of canonical poems (including those by Browning and Tennyson) and of non-canonical poems (including those by Michael Field). Revealing Victorian poets to be crucial agents of intercultural negotiation in an era of empire, Annmarie Drury shows why and how meter matters so much to them, and locates the origins of translation studies within Victorian conundrums. She explores what it means to 'sound Victorian' in twentieth-century poetic translation, using Swahili as a case study, and demonstrates how and why it makes sense to consider Victorian translation as world literature in action.

Cambridge Studies in Nineteenth-Century Literature and Culture: Writing Arctic Disaster

by Adriana Craciun

How did the Victorian fixation on the disastrous John Franklin expedition transform our understanding of the Northwest Passage and the Arctic? Today we still tend to see the Arctic and the Northwest Passage through nineteenth-century perspectives, which focused on the discoveries of individual explorers, their illustrated books, visual culture, imperial ambitions, and high-profile disasters. However, the farther back one looks, the more striking the differences appear in how Arctic exploration was envisioned. Writing Arctic Disaster uncovers a wide range of exploration cultures: from the manuscripts of secretive corporations like the Hudson's Bay Company, to the nationalist Admiralty and its innovative illustrated books, to the searches for and exhibits of disaster relics in the Victorian era. This innovative study reveals the dangerous afterlife of this Victorian conflation of exploration and disaster, in the geopolitical significance accruing around the 2014 discovery of Franklin's ship Erebus in the Northwest Passage.

Cambridge Studies in Nineteenth-Century literature and Culture: The Racial Hand in the Victorian Imagination

by Aviva Briefel

The hands of colonized subjects - South Asian craftsmen, Egyptian mummies, harem women, and Congolese children - were at the crux of Victorian discussions of the body that tried to come to terms with the limits of racial identification. While religious, scientific, and literary discourses privileged hands as sites of physiognomic information, none of these found plausible explanations for what these body parts could convey about ethnicity. As compensation for this absence, which might betray the fact that race was not actually inscribed on the body, fin-de-siècle narratives sought to generate models for how non-white hands might offer crucial means of identifying and theorizing racial identity. They removed hands from a holistic corporeal context and allowed them to circulate independently from the body to which they originally belonged. Severed hands consequently served as 'human tools' that could be put to use in a number of political, aesthetic, and ideological contexts.

Cambridge Studies in Nineteenth-Century literature and culture: Art and the Politics of Public Life (Cambridge Studies in Nineteenth-Century Literature and Culture #106)

by Lucy Hartley

Could the self-interested pursuit of beauty actually help to establish the moral and political norms that enable democratic society to flourish? In this book, Lucy Hartley identifies a new language for speaking about beauty, which begins to be articulated from the 1830s in a climate of political reform and becomes linked to emerging ideals of equality, liberty, and individuality. Examining British art and art writing by Charles Lock Eastlake, John Ruskin, Walter Pater, Edward Poynter, William Morris, and John Addington Symonds, Hartley traces a debate about what it means to be interested in beauty and whether this preoccupation is necessary to public political life. Drawing together political history, art history, and theories of society, and supplemented by numerous illustrations, Democratising Beauty in Nineteenth-Century Britain offers a fresh interdisciplinary understanding of the relation of art to its publics.

Cambridge Studies in Nineteenth-century Literature and Culture: Chartism, Radical Print Culture, and the Social Problem Novel (Cambridge Studies in Nineteenth-Century Literature and Culture #110)

by Gregory Vargo

How does the literature and culture of early Victorian Britain look different if viewed from below? Exploring the interplay between canonical social problem novels and the journalism and fiction appearing in the periodical press associated with working-class protest movements, Gregory Vargo challenges long-held assumptions about the cultural separation between the 'two nations' of rich and poor in the Victorian era. The flourishing radical press was home to daring literary experiments that embraced themes including empire and economic inequality, helping to shape mainstream literature. Reconstructing social and institutional networks that connected middle-class writers to the world of working-class politics, this book reveals for the first time acknowledged and unacknowledged debts to the radical canon in the work of such authors as Charles Dickens, Thomas Carlyle, Harriet Martineau and Elizabeth Gaskell. What emerges is a new vision of Victorian social life, in which fierce debates and surprising exchanges spanned the class divide.

Cambridge Textbooks in Linguistics: Analysing English Sentences

by Andrew Radford

Andrew Radford has acquired an unrivalled reputation over the past thirty years for writing syntax textbooks in which difficult concepts are clearly explained without the excessive use of technical jargon. Analysing English Sentences continues in this tradition, offering a well-structured introduction to English syntax and contemporary syntactic theory which is supported throughout with learning aids such as summaries, lists of key hypotheses and principles, extensive references, handy hints and exercises. Instructors will also benefit from the book's free online resources, which include PowerPoint slides of chapter key points and analyses of exercise material, as well as an answer key for all the in-book exercises. This second edition has been thoroughly revised and updated throughout, and includes additional exercises, and an entirely new chapter on exclamative and relative clauses. Assuming no prior knowledge of grammar, this is an approachable introduction to the subject for undergraduate and graduate students.

Cambridge Textbooks in Linguistics: Conversation Analysis

by Rebecca Clift

We live our lives in conversation, building families, societies and civilisations. In over seven thousand languages across the world, the basic infrastructure by which we communicate remains the same. This is the first ever book-length linguistic introduction to conversation analysis (CA), the field that has done more than any other to illuminate the mechanics of interaction. Starting by locating CA by reference to a number of cognate disciplines investigating language in use, it provides an overview of the origins and methodology of CA. By using conversational data from a range of languages, it examines the basic apparatus of sequence organisation: turn-taking, preference, identity construction and repair. As the basis for these investigations, the book uses the twin analytic resources of action and sequence to throw new light on the origins and nature of language use.

Cambridge Texts in the History of Political Thought: Plato

by Tom Griffith Malcolm Schofield

Presented in the popular Cambridge Texts format are three early Platonic dialogues in a new English translation by Tom Griffith that combines elegance, accuracy, freshness and fluency. Together they offer strikingly varied examples of Plato's critical encounter with the culture and politics of fifth and fourth century Athens. Nowhere does he engage more sharply and vigorously with the presuppositions of democracy. The Gorgias is a long and impassioned confrontation between Socrates and a succession of increasingly heated interlocutors about political rhetoric as an instrument of political power. The short Menexenus contains a pastiche of celebratory public oratory, illustrating its self-delusions. In the Protagoras, another important contribution to moral and political philosophy in its own right, Socrates takes on leading intellectuals (the 'sophists') of the later fifth century BC and their pretensions to knowledge. The dialogues are introduced and annotated by Malcolm Schofield, a leading authority on ancient Greek political philosophy.

Cambridge Texts in the History of Political Thought: The Early Political Writings of the German Romantics

by Frederick C. Beiser

The early romantics had an ambition still relevant today: to find a middle path between conservatism and liberalism, between a community ethic and individual freedom. Frederick Beiser's edition comprises all kinds of texts, from essays to jottings from notebooks. All have been translated anew, many for the first time.

Camera Orientalis: Reflections on Photography of the Middle East

by Ali Behdad

In the decades after its invention in 1839, photography was inextricably linked to the Middle East. Introduced as a crucial tool for Egyptologists and Orientalists who needed to document their archaeological findings, the photograph was easier and faster to produce in intense Middle Eastern light—making the region one of the original sites for the practice of photography. A pioneering study of this intertwined history, Camera Orientalis traces the Middle East’s influences on photography’s evolution, as well as photography’s effect on Europe’s view of “the Orient.” Considering a range of Western and Middle Eastern archival material from the late nineteenth and early twentieth centuries, Ali Behdad offers a rich account of how photography transformed Europe’s distinctly Orientalist vision into what seemed objective fact, a transformation that proved central to the project of European colonialism. At the same time, Orientalism was useful for photographers from both regions, as it gave them a set of conventions by which to frame exotic Middle Eastern cultures for Western audiences. Behdad also shows how Middle Eastern audiences embraced photography as a way to foreground status and patriarchal values while also exoticizing other social classes. An important examination of previously overlooked European and Middle Eastern photographers and studios, Camera Orientalis demonstrates that, far from being a one-sided European development, Orientalist photography was the product of rich cultural contact between the East and the West.

Camino en la oscuridad

by Cassasus Juan

Juan Casassus, en este obra, se atreve a reflexionar sobre la desaparición y tortura -la cuales él sufrió- desde un punto de vista espiritual. En esta impactante obra, el autor decide develar los hechos que le ocurrieron durante el periodo en que estuvo desaparecido. Es un relato donde el horror no alcanza para describir lo que él y otros miles de chilenos sufrieron como consecuencia de la persecución política que se desató tras el golpe de Estado. En su caso, sin embargo, también fue una experiencia que lo llevó a fortalecerse interiormente, gracias a un trabajo espiritual que desarrolló a través de la meditación en las celdas en las que estuvo confinado. Camino en la oscuridad es una exploración personal y una reflexión sobre la condición humana. Es un libro de una profundidad que sorprende y, asimismo, un testimonio capital de los hechos trágicos que tuvieron lugar en Chile.

Camp Austen: My Life as an Accidental Jane Austen Superfan

by Ted Scheinman

A raucous tour through the world of Mr. Darcy imitations, tailored gowns, and tipsy ballroom dancingThe son of a devoted Jane Austen scholar, Ted Scheinman spent his childhood summers eating Yorkshire pudding, singing in an Anglican choir, and watching Laurence Olivier as Mr. Darcy. Determined to leave his mother’s world behind, he nonetheless found himself in grad school organizing the first ever UNC-Chapel Hill Jane Austen Summer Camp, a weekend-long event that sits somewhere between an academic conference and superfan extravaganza.While the long tradition of Austen devotees includes the likes of Henry James and E. M. Forster, it is at the conferences and reenactments where Janeism truly lives. In Camp Austen, Scheinman tells the story of his indoctrination into this enthusiastic world and his struggle to shake his mother’s influence while navigating hasty theatrical adaptations, undaunted scholars in cravats, and unseemly petticoat fittings. In a haze of morning crumpets and restrictive tights, Scheinman delivers a hilarious and poignant survey of one of the most enduring and passionate literary coteries in history. Combining clandestine journalism with frank memoir, academic savvy with insider knowledge, Camp Austen is perhaps the most comprehensive study of Austen that can also be read in a single sitting. Brimming with stockings, culinary etiquette, and scandalous dance partners, this is summer camp like you’ve never seen it before.

Camp Fossil Eyes: Digging for the Origins of Words

by Mark Abley

In this fanciful book about etymology, 15-year-old Jill Boswell and her 13-year-old brother, Alex, are sent to summer camp in a bizarre badlands region -- the only place in the world where words are fossilized in rock.

Camp Sites: Sex, Politics, and Academic Style in Postwar America

by Michael Trask

Reading across the disciplines of the mid-century university, this book argues that the political shift in postwar America from consensus liberalism to New Left radicalism entailed as many continuities as ruptures. Both Cold War liberals and radicals understood the university as a privileged site for "doing politics," and both exiled homosexuality from the political ideals each group favored. Liberals, who advanced a politics of style over substance, saw gay people as unable to separate the two, as incapable of maintaining the opportunistic suspension of disbelief on which a tough-minded liberalism depended. Radicals, committed to a politics of authenticity, saw gay people as hopelessly beholden to the role-playing and duplicity that the radicals condemned in their liberal forebears. Camp Sitesconsiders key themes of postwar culture, from the conflict between performance and authenticity to the rise of the meritocracy, through the lens of camp, the underground sensibility of pre-Stonewall gay life. In so doing, it argues that our basic assumptions about the social style of the postwar milieu are deeply informed by certain presuppositions about homosexual experience and identity, and that these presuppositions remain stubbornly entrenched despite our post-Stonewall consciousness-raising.

Campaign Communication and Political Marketing

by Philippe J. Maarek

Campaign Communication and Political Marketing is a comprehensive, internationalist study of the modern political campaign. It indexes and explains their integral components, strategies, and tactics. Offers comparative analyses of campaigns from country to country Covers topics such as advertising strategy, demography, the effect of campaign finance regulation on funding, and more Draws on a variety of international case studies including the campaigns of Barack Obama and Nicolas Sarkozy Analyses the impact of digital media and 24/7 news cycle on campaign conduct

Campaigns of Knowledge: U.S. Pedagogies of Colonialism and Occupation in the Philippines and Japan (Asian American History & Cultu #204)

by Malini Johar Schueller

The creation of a new school system in the Philippines in 1898 and educational reforms in occupied Japan, both with stated goals of democratization, speaks to a singular vision of America as savior, following its politics of violence with benevolent recuperation. The pedagogy of recovery—in which schooling was central and natives were forced to accept empire through education—might have shown how Americans could be good occupiers, but it also created projects of Orientalist racial management: Filipinos had to be educated and civilized, while the Japanese had to be reeducated and “de-civilized.” In Campaigns of Knowledge, Malini Schueller contrapuntally reads state-sanctioned proclamations, educational agendas, and school textbooks alongside political cartoons, novels, short stories, and films to demonstrate how the U.S. tutelary project was rerouted, appropriated, reinterpreted, and resisted. In doing so, she highlights how schooling was conceived as a process of subjectification, creating particular modes of thought, behaviors, aspirations, and desires that would render the natives docile subjects amenable to American-style colonialism in the Philippines and occupation in Japan.

Campaigns that Shook the World

by Danny Rogers

Over the past four decades, a series of PR campaigns have helped to shape popular culture and influence public opinion. Campaigns that Shook the World provides the inside story on the pivotal PR campaigns of the past four decades, following and celebrating the maturation and expansion of the PR industry towards today's practice. It examines ten of these campaigns in detail from the 1970s to the present day, explaining their strategy and tactics, looking at the imagery and icons they created and interviewing the powerful, flamboyant personalities who crafted and executed these seminal projects. Each chapter is built around extended case studies including Thatcherism (1979), New Labour, The Royal Family, The Rolling Stones (1981), David Beckham, London 2012, Product [RED], The Obama Campaign (2008) and Dove Real Beauty. Featuring campaigns by Saatchi & Saatchi, Bell Pottinger, Ogilvy, Freuds, Pitch and other well-known agencies, Campaigns that Shook the World grapples with PR's uneasy place at the nexus of politics and celebrity, holding the best campaigns up to scrutiny and showcasing just how powerful PR can be as an instrument of change, for the good, and at times for the less than good. It contains insights from Alastair Campbell, Lord Tim Bell, Alan Edwards, Paddy Harverson, Matthew Freud and many others.

Campo de guerreros

by Maria Jiseth Giraldo

«Toma tus armas y pon la frente bien en alto, porque la batalla inicia y debes ganar la guerra que desde que naciste inició.»Maria Jiseth Giraldo Campo de guerreros es un reflejo de aquella batalla interior que cada uno libra día a día, con la diferencia de que al igual que la de los demás, tiene sus propios enemigos, aliados y un sin fin de batallas particulares libradas según la forma de proceder de cada cual. Maria Fernanda Scraus es una mujer que a lo largo de su vida se enfrenta a enfermedades, amores y desamores, vida y muerte. Poniéndose cara a cara con ellos de especial forma. Teniendo como únicos aliados a Dios, su madre, hermanos, amigas, y al amor de su vida.

Campo de retamas: Pecios reunidos

by Rafael Sánchez Ferlosio

El más grande escritor vivo en lengua castellana. «Uno de los libros más hermosos, inquietantes y profundos que se han publicado durante las últimas décadas en lengua castellana.»Fernando Savater El diccionario de María Moliner define «pecio» como «resto de una nave naufragada o de lo que iba en ella». Al llamar así a sus apuntes breves, Rafael Sánchez Ferlosio parece sugerir que, lejos de aspirar a la «sentenciosa lapidariedad» de los aforismos, estos textos testimonian más bien los naufragios de una voluntad que -por inconstancia, pereza, impotencia, o simplemente por una recalcitrante desconfianza hacia «la estúpida arrogancia del convencimiento»- ha desistido del esfuerzo superior de perseguir un razonamiento hasta sus últimas consecuencias, conformándose con su sola silueta, su simple amago o fragmento. Los pecios no obedecen a una fórmula homogénea: mezclan reflexiones, esbozos ensayísticos, recuerdos, comentarios, epigramas, donaires, apólogos, poemas... Ingrávidos por naturaleza, permiten adentrarse sin dificultad en las principales obsesiones de Ferlosio, desplegándose en una panoplia de registros que va del humor al lirismo, de la indignación a la ironía, de lo concluyente a lo especulativo. Reseñas:«Entre los autores de mi generación o de las anteriores, sólo me interesa Ferlosio, que es el mejor escritor español.»Juan Benet «Si se me pidiese un nombre, uno solo, entre los surgidos en la literatura española de posguerra, con categoría suficiente para afrontar la inmortalidad literaria, yo daría, sin vacilar, el de Rafael Sánchez Ferlosio.»Miguel Delibes «El más inmediato reproche que al lector impaciente se le viene a las mientes ante la mayoría de los artículos y ensayos de Rafael Sánchez Ferlosio es el de la prolijidad... Pero en ocasiones Ferlosio también sabe ser voluntaria y hasta voluntariosamente breve. Son estos comprimidos de su maestría -que él suele llamar 'pecios'- lo que algunos de sus lectores impacientes pero devotos preferimos de él.»Fernando Savater «Los pecios de Ferlosio son... ferlosianos. Están escritos como si partiera de cero, del vacío... No sé si alguna vez fueran restos del naufragio, pero ya tienen categoría de género en sí mismos.»Gonzalo Hidalgo Bayal

Campoamor, Spain, and the World

by Ronald Hilton

Like the fame of Pardo-Bazán, the reputation of Campoamor has suffered a rapid decline. The renown of the poet was flimsier and more ephermal than that of Spain's most notable woman writer. It contained more enthusiasm and less respect. Most of his prose works and many of his dramas died young, whereas Dõna Emilia's infinitely more copious production was uniformly living and vigorous . The integral value of Pardo-Bazán's work is beyond measure greater than that of Campoamor. Whereas the novelist deserves a splendid rehabilitation, the modicum of praise still accorded to the poet perhaps exceeds his merits. Apart from a few flashes of genius—to be found in his prose works—Campoamor is intelligently ordinary. This characteristic incidentally makes him most valuable for this study. <P><P>Campoamor offers a triple advantage as a lens through which to inspect the Spain of his day. Although he is now considered as a poet, his prose work, buried in oblivion—this is the first study to give it real attention—completes the authors' picture of him as a man who incorporated, in an admittedly ephermal way, all the spiritual and intellectual currents of his epoch: above all, the old religious traditionalism and the conflicting new scientific positivism. That Campoamor represented the feelings and the thoughts of the Spain of his time is proved by the enthusiastic applause with which his fellow-countrymen greeted his works. Finally, without being impeccably well-informed, Campoamor was deeply interested in the history and affairs of the world at large, and constantly strove to allot to Spain its correct place in his Weltanschauung.

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