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Chaucer (Routledge Library Editions: Chaucer)

by John Lawlor

Originally published in 1968. A critical interpretation of Chaucer's narrative poetry which concentrates on three major groupings - the early love-visions, the ‘tragedye’ of Troilus and Criseyde, and the Canterbury Tales. Emphasis is laid on Chaucer as an oral narrator and on the varying skills which this role encourages and sustains. The quotations are liberal and throughout help is given to the reader unfamiliar with Middle English.

Chaucer (Routledge Revivals)

by George H. Cowling

First Published in 1927, this volume provides a discourse on both the literary works of Chaucer, as well as Chaucer as a person, considering his mythology, and the various roles he fulfilled throughout his life.

Chaucer Name Dictionary: A Guide to Astrological, Biblical, Historical, Literary, and Mythological Names in the Works of Geoffrey Chaucer (Garland Reference Library Of The Humanities #Vol. 709)

by Jacqueline de Weever

Praised by reviewers as highly recommended, indispensable, and thorough, comprehensive, usable, and unquestionably useful, theChaucer Name Dictionary is the ultimate A-Z guide to the writer who stands at the head of the English curriculum. It provides full information on all the hundreds of proper names mentioned throughout Chaucer and essential to an understanding of his works. Each entry provides historical and/or literary definition, references to occurrences in Chaucer's works with explanations of the context, a list of related words, etymology, and a bibliography of primary and secondary works. Special Features The only reference source that identifies the hundreds of historical, literary, and mythological names mentioned in Chaucer, Provides reliable background information essential to understanding Chaucer's text, Alphabetical arrangement and clear format allow quick answers to reference questions, Includes an important Glossary of Astronomical and Astrological Terms, along with six astrological maps Suitable for courses in:Chaucer, Medieval English Poetry, Medieval Literature in Translation, Old and Middle English Literature, Glossary Also includes maps.

Chaucer Source and Analogue Criticism: A Cross-Referenced Guide (Routledge Library Editions: Chaucer)

by Lynn King Morris

Originally published in 1985. This impressive research tool offers four different indexes to cross-reference works on the sources of Chaucer. The user can look up sources by author, genre type or title, or look up the title of one of Chaucer’s works to find which bibliographic entries they are mentioned within. This is a useful reference work on Chaucer source and analogue scholarship, including 1477 entries.

Chaucer and His Readers: Imagining the Author in Late-Medieval England

by Seth Lerer

Challenging the view that the fifteenth century was the "Drab Age" of English literary history, Seth Lerer seeks to recover the late-medieval literary system that defined the canon of Chaucer's work and the canonical approaches to its understanding. Lerer shows how the poets, scribes, and printers of the period constructed Chaucer as the "poet laureate" and "father" of English verse. Chaucer appears throughout the fifteenth century as an adviser to kings and master of technique, and Lerer reveals the patterns of subjection, childishness, and inability that characterize the stance of Chaucer's imitators and his readers. In figures from the Canterbury Tales such as the abused Clerk, the boyish Squire, and the infantilized narrator of the "Tale of Sir Thopas," in the excuse-ridden narrator of Troilus and Criseyde, and in Chaucer's cursed Adam Scriveyn, the poet's inheritors found their oppressed personae. Through close readings of poetry from Lydgate to Skelton, detailed analysis of manuscript anthologies and early printed books, and inquiries into the political environments and the social contexts of bookmaking, Lerer charts the construction of a Chaucer unassailable in rhetorical prowess and political sanction, a Chaucer aureate and laureate.

Chaucer and Langland: Historical Textual Approaches (Bloomsbury Academic Collections: English Literary Criticism Ser.)

by George Kane

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1989.

Chaucer and Middle English Studies: In Honour of Rossell Hope Robbins (Routledge Library Editions: Chaucer)

by Beryl Rowland

Originally published in 1974. The thirty-six essays of this book were written and assembled in hour of an internationally recognised scholar of medieval literature. Written by a diverse range of contributors, the chapters cover not only various studies of aspects of Chaucer’s poetry, but also some other medieval authors and investigations about the period, particularly referencing carols and hymns.

Chaucer and Trauma

by Susanna Fein David Raybin

Trauma is an inescapable condition of Chaucer’s works. From the ravaging of Troy and the abandonment of Dido to the devastating aftereffects of sexual assault, Chaucer portrayed the most unsettling, searing aspects of human experience. While the term “trauma” was not part of Chaucer’s vocabulary, the author was assuredly aware of its causes and consequences, its victims and symptoms.This timely volume explores depictions of violence, victimhood, and overwhelming grief or loss in Chaucer’s most ambitious texts, Troilus and Criseyde and the Canterbury Tales. The authors examine layers of deep emotional suffering in Chaucer’s works, as well as those forces that perpetrate injustices against human beings. The essays scrutinize Chaucer’s narratives through close textual analysis and modern theoretical approaches, offering original perspectives and treating subjects relevant to contemporary concerns—rape, domestic violence, slavery, forced consent, family separation, natural catastrophe, pandemic, and more. Written by leading voices in the field, Chaucer and Trauma is designed to introduce readers of Chaucer to a topic of intense present interest.Along with the volume editors, the contributors include Sarah Baechle, David K. Coley, Suzanne M. Edwards, Carissa M. Harris, Matthew W. Irvin, Kate Koppelman, Samuel F. McMillan, and Lynn Staley.

Chaucer and the Art of Storytelling

by Leonard Michael Koff

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1988.

Chaucer and the Bible: A Critical Review of Research, Indexes, and Bibliography (Routledge Library Editions: Chaucer)

by Lawrence Besserman

Originally published in 1988. This book offers a very useful source of information on Chaucer’s relationship to the Bible. It contains a detailed chapter on research into this connection and then presents two indexes. The first is organised by title of Chaucer’s work and then line number detailing the biblical reference. Each entry, if relevant, also notes works listed in the Bibliography that discuss that link. The second index is reversed and so organised by scriptural reference. Detailed guides to each index also discuss interesting facets to how Chaucer drew on the Bible for his works.

Chaucer and the Child (The New Middle Ages)

by Eve Salisbury

This book addresses portrayals of children in a wide array of Chaucerian works. Situated within a larger discourse on childhood, Ages of Man theories, and debates about the status of the child in the late fourteenth century, Chaucer's literary children--from infant to adolescent--offer a means by which to hear the voices of youth not prominently treated in social history. The readings in this study urge our attention to literary children, encouraging us to think more thoroughly about the Chaucerian collection from their perspectives. Eve Salisbury argues that the child is neither missing in the late Middle Ages nor in Chaucer's work, but is,rather, fundamental to the institutions of the time and central to the poet's concerns.

Chaucer and the Fictions of Gender

by Elaine Tuttle Hansen

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1992.

Chaucer and the Jews (Multicultural Middle Ages Ser.)

by Sheila Delany

This edited collection explores the importance of the Jews in the English Christian imagination of the 14th and 15th centuries - long after their expulsion from Britain in 1290.

Chaucer and the Legend of Good Women: A Medieval Murder Mystery

by Philippa Morgan

Three years after his secret mission to Aquitaine, the poet and diplomat Geoffrey Chaucer finds himself once more embarked on royal business. After an arduous journey in the spring of 1373, he reaches Florence, a city twice the size of London and the banking center of Europe. Chaucer has come for money for Edward III, who needs a loan to prop up the ongoing English campaign against France. Arrangements have been made with the banking house run by Antonio Lipari. It should be a straightforward exchange, but Chaucer soon discovers that various people are opposed to the deal, including Lipari's blind brother and his ambitious secretary. Within days Antonio Lipari has died in suspicious circumstances. Violence is bubbling under the surface of this city of stone towers and golden vistas. Outside the walls is camped a band of English mercenaries while, inside, Chaucer himself is aware of shadowy pursuers. Following a trail of fish and the clues provided by a fallen statue, Chaucer must establish the truth about Lipari¹s death and others before he can return home to England. Meanwhile back in London, Chaucer's wife suspects a plot against her sister Katherine--one of the most powerful women in England.

Chaucer and the Making of English Poetry, Volume 1: Love Vision and Debate (Routledge Library Editions: Chaucer)

by P. M. Kean

Originally published in 1972. This important work of Chaucerian scholarship deals with two aspects of the poet and his work - his individual achievement and his place in history - and demonstrates that in both these senses Chaucer is a maker of English poetry. The author assesses the extent of Chaucer’s debt to the English tradition. She considers the development of his ‘urbane’ manner as a new poetic technique and, with reference to such poems as the Parlement of Foules and the House of Fame, discusses new themes in the Love Vision. She concludes with a detailed study of Chaucer’s great debate on love Troilus and Criseyde.

Chaucer and the Making of English Poetry, Volume 2: The Art of Narrative (Routledge Library Editions: Chaucer)

by P. M. Kean

Originally published in 1972. This important work of Chaucerian scholarship deals with two aspects of the poet and his work - his individual achievement and his place in history - and demonstrates that in both these senses Chaucer is a maker of English poetry. The author explores Chaucer’s narrative art. The book includes an examination of the puzzling question of narrative structure in the Canterbury Tales and of the nature of Chaucerian comedy in these works. The author surveys the major themes of the poems: Fortune and free will, marriage, and the nobleness of man. In the final chapter she treats of the meaning of Chaucer’s art for his successors. Throughout the work, Miss Kean deals extensively with the sources which Chaucer used for the writing of his poems, in a way which directs light on the more difficult aspects of his art.

Chaucer and the Norse and Celtic Worlds

by Rory McTurk

Through an examination of Old Norse and Celtic parallels to certain works of Chaucer, McTurk here identifies hitherto unrecognized sources for these works in early Irish tradition. He revives the idea that Chaucer visited Ireland between 1361 and 1366, placing new emphasis on the date of the enactment of the Statute of Kilkenny. Examining Chaucer’s House of Fame, McTurk uncovers parallels involving eagles, perilous entrances, and scatological jokes about poetry in the Topographia Hibernie by Gerald of Wales, Snorri Sturluson’s Edda, and the Old Irish sagas Fled Bricrend and Togail Bruidne Da Derga. He compares The Canterbury Tales, with its use of the motif of a journey as a framework for a tale-collection, with both Snorri’s Edda and the Middle Irish saga Acallam na Senórach. McTurk presents a compelling argument that these works represent Irish traditions which influenced Chaucer’s writing. In this study, McTurk also argues that the thirteenth-century Icelandic Laxdæla Saga and Chaucer’s Wife of Bath’s Prologue and Tale each descend from an Irish version of the Loathly Lady story. Further, he surmises that Chaucer’s five-stress line may derive from the tradition of Irish song known as amhrán, which, there is reason to suppose, existed in Ireland well before Chaucer’s time.

Chaucer and the Poets: An Essay on Troilus and Criseyde

by Winthrop Wetherbee

In this sensitive reading of Chaucer’s Troilus and Criseyde, Winthrop Wetherbee redefines the nature of Chaucer’s poetic vision. Using as a starting point Chaucer’s profound admiration for the achievement of Dante and the classical poets, Wetherbee sees the Troilus as much more than a courtly treatment of an event in ancient history—it is, he asserts, a major statement about the poetic tradition from which it emerges. Wetherbee demonstrates the evolution of the poet-narrator of the Troilus, who begins as a poet of romance, bound by the characters’ limited worldview, but who in the end becomes a poet capable of realizing the tragic and ultimately the spiritual implications of his story.

Chaucer and the Social Contest (Routledge Revivals)

by Peggy Knapp

First published in 1990, Chaucer and the Social Contest takes a fresh view of The Canterbury Tales, by placing the storytelling contest among the Canterbury pilgrims within the larger social contests in the changing England of the late fourteenth century. The author focuses on three crucial fields of contention: the division of social duties into the three estates, the controversies around Wycliffite thought and practice, and the roles of women. Drawing on recent literary theory, particularly Bakhtin and Foucault, Peggy Knapp offers both a reading of nearly all the tales and an argument about how such readings come about, both for Chaucer’s earliest audiences and for us.

Chaucer and the Subversion of Form (Cambridge Studies in Medieval Literature #104)

by Jessica Rosenfeld Thomas A. Prendergast

Responding to the lively resurgence of literary formalism, this volume delivers a timely and fresh exploration of the works of Geoffrey Chaucer. Advancing 'new formalist' approaches, medieval scholars have begun to ask what happens when structure fails to yield meaning, probing the very limits of poetic organization. While Chaucer is acknowledged as a master of form, his work also foregrounds troubling questions about formal agency: the disparate forces of narrative and poetic practice, readerly reception, intertextuality, genre, scribal attention, patronage, and historical change. This definitive collection of essays offers diverse perspectives on Chaucer and a varied analysis of these problems, asking what happens when form is resisted by author or reader, when it fails by accident or by design, and how it can be misleading, errant, or even dangerous.

Chaucer at Work: The Making of The Canterbury Tales

by Peter Brown

Chaucer at Work is a new kind of introduction to the Canterbury Tales. It avoids excessive amounts of background information and involves the reader in the discovery of how Chaucer composed his famous work. It presents a series of sources and contexts to be considered in conjunction with key passages from Chaucer's poems. It includes sets of questions to encourage the reader to examine the text in detail and to build on his or her observations. This well-informed and practical guide will prove invaluable reading to those studying medieval literature at undergraduate level and English literature at A level.

Chaucer for Children: A Golden Key

by H. Haweis

Illustrated with pictures and woodcuts by the authorA beautifully laid out—and perfectly accurate to the original—copy of one of the most famous books on how to teach Chaucer to children ever issued. Despite its name, this work is directed at explaining and teaching Chaucer—and is equally presentable to both youngsters and adults.This book, and its author, Mary Eliza Haweis (who wrote using her married name), are widely credited with reviving Chaucer’s poetry in the modern world.These stories from The Canterbury Tales, along with some of Chaucer’s shorter poems, were the first to be presented in their original Middle English format alongside contemporary English.

Chaucer from Prentice to Poet: The Metaphor of Love in Dream Visions and Troilus and Criseyde

by Edward I. Condren

A comprehensive reevaluation of Chaucer's early poetry, from the "dream visions" to Troilus and CriseydeWhile covering all the major work produced by Geoffrey Chaucer in his pre-Canterbury Tales career, Chaucer from Prentice to Poet seeks to correct the traditional interpretations of these poems. Edward Condren provides new and provocative interpretations of the three "dream visions"—Book of the Duchess, Parliament of Fowls, and House of Fame—as well as Chaucer's early masterwork Troilus and Criseyde. Condren draws an arresting series of portraits of Chaucer as glimpsed in his work: the fledgling poet seeking to master the artificial style of French love poetry; the passionate author attempting to rebut critics of his work; and, finally, the master of a naturalistic style entirely his own. This book is one of the few works written in the past century that reevaluates Chaucer's early poetry and the only one that examines the Dream Visions in conjunction with the Troilus.It should frame the discourse of Chaucer scholarship for many generations to come.

Chaucer's Clerk's Tale: The Griselda Story Received, Rewritten, Illustrated (Routledge Library Editions: Chaucer)

by Judith Bronfman

Originally published in 1994. This surveys the origin and development of one of Chaucer’s most problematic characters, Griselda, who through the centuries has challenged the horizon of expectations of many an audience. Starting with Boccaccio’s Decameron and suggesting in turn its precursors in whole or in part, Bronfman goes on to summarize the reigning opinions of Chaucer’s heroine and her situation. The advance of feminist perspectives on medieval literature had the result that for many the Clerk’s Tale has political overtones where the Walter-Griselda marriage may serve as a metaphor for, among other things, the state or right order. This study looks at the story from a long view, from its sources to the flood of critical interpretations - the creative reception of Chaucer’s story, outlining the many rewritings of Griselda from Chaucer to the twentieth century. A special chapter considers the Griselda story as represented in illustrations as well.

Chaucer's Cultural Geography: Chaucer's Cultural Geography (Basic Readings in Chaucer and His Time #5)

by Kathryn L. Lynch

First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

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