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Collage and Literature: The Persistence of Vision (Routledge Studies in Twentieth-Century Literature)
by Scarlett HigginsCollage and Literature analyzes how and why the history of literature and art changed irrevocably beginning in the early years of the twentieth century, and what that change has meant for late modernism and postmodernism. Starting from Pablo Picasso’s 1912 gesture, breaking the fundamental logic of representation, of pasting a piece of oilcloth onto a canvas, and moving up to Kenneth Goldsmith’s 2015 reading of an autopsy report of an unarmed young black man shot by police (which he framed as a poem entitled Michael Brown’s Body) this volume moves through a series of case studies encapsulating issues of juxtaposition and framing, the central ways identify collage. Its thesis is that collage—and, in fact, only collage—meaningfully overcomes formal and generic boundaries between the literary and the non-literary. The overwriting of these traditional boundaries happens in the service of collage’s anti-narrative drive, a drive that may be, in turn, interruptive or destructive. The expansion of collage’s horizons— broadly, to include the use of radical juxtaposition in the arts—reveals a surprisingly wide range of American artists and writers using the logic of juxtaposition as they imagine new worlds, disrupt accepted narratives about society and art, and create meaning through form as much as through paraphrasable content. In addressing a wide range of contested issues, recent artists realize the shocking force of collage. By recovering this shock, Collage and Literature restores collage to its multimedia origins in order to reveal its powerful and political affects.
Collage in Twentieth-Century Art, Literature, and Culture: Joseph Cornell, William Burroughs, Frank O’Hara, and Bob Dylan
by Rona CranEmphasizing the diversity of twentieth-century collage practices, Rona Cran's book explores the role that it played in the work of Joseph Cornell, William Burroughs, Frank O'Hara, and Bob Dylan. For all four, collage was an important creative catalyst, employed cathartically, aggressively, and experimentally. Collage's catalytic effect, Cran argues, enabled each to overcome a potentially destabilizing crisis in representation. Cornell, convinced that he was an artist and yet hampered by his inability to draw or paint, used collage to gain access to the art world and to show what he was capable of given the right medium. Burroughs' formal problems with linear composition were turned to his advantage by collage, which enabled him to move beyond narrative and chronological requirement. O'Hara used collage to navigate an effective path between plastic art and literature, and to choose the facets of each which best suited his compositional style. Bob Dylan's self-conscious application of collage techniques elevated his brand of rock-and-roll to a level of heightened aestheticism. Throughout her book, Cran shows that to delineate collage stringently as one thing or another is to severely limit our understanding of the work of the artists and writers who came to use it in non-traditional ways.
Collage in Twenty-First-Century Literature in English: Art of Crisis (Routledge Studies in Contemporary Literature)
by Wojciech DragCollage in Twenty-First-Century Literature in English: Art of Crisis considers the phenomenon of the continued relevance of collage, a form established over a hundred years ago, to contemporary literature. It argues that collage is a perfect artistic vehicle to represent the crisis-ridden reality of the twenty-first-century. Being a mixture of fragmentary incompatible voices, collage embodies the chaos of the media-dominated world. Examining the artistic, sociopolitical and personal crises addressed in contemporary collage literature, the book argues that the 21st Century has brought a revival of collage-like novels and essays.
Collateral Damage: Women Write about War
by Aminatta Forna Domnica Radulescu V. V. Ganeshananthan Christine Evans Scholastique Mukasonga Marjorie Agosín Nancy Sherman Miyoko Hikiji Carolin Emcke Michèle Sarde Bárbara Mujica Peipei Qiu Ghusoon Mekhaber Al-Taiee Florinda Ruiz Carolina Rivera Escamilla Trudy Mercadal Carmen Duarte Betty MilanFrom Homer to Tim O’Brien, war literature remains largely the domain of male writers, and traditional narratives imply that the burdens of war are carried by men. But women and children disproportionately suffer the consequences of conflict: famine, disease, sexual abuse, and emotional trauma caused by loss of loved ones, property, and means of subsistence.Collateral Damage tells the stories of those who struggle on the margins of armed conflict or who attempt to rebuild their lives after a war. Bringing together the writings of female authors from across the world, this collection animates the wartime experiences of women as military mothers, combatants, supporters, war resisters, and victims. Their stories stretch from Rwanda to El Salvador, Romania to Sri Lanka, Chile to Iraq. Spanning fiction, poetry, drama, essay, memoir, and reportage, the selections are contextualized by brief author commentaries.The first collection to embrace so wide a range of contemporary authors from such diverse backgrounds, Collateral Damage seeks to validate and shine a light on the experiences of women by revealing the consequences of war endured by millions whose voices are rarely heard.
Collected Ancient Greek Novels
by B. P. ReardonProse fiction, although not always associated with classical antiquity, flourished in the early Roman Empire, not only in realistic Latin novels but also and indeed principally in the Greek ideal romance of love and adventure. Enormously popular in the Renaissance, these stories have been less familiar in later centuries. Translations of the Greek stories were not readily available in English before B.P. Reardon’s first appeared in 1989.Nine complete stories are included here as well as ten others, encompassing the whole range of classical themes: romance, travel, adventure, historical fiction, and comic parody. A foreword by J.R. Morgan examines the enormous impact this groundbreaking collection has had on our understanding of classical thought and our concept of the novel.
Collected Ancient Greek Novels
by B. P. Reardon J. R. Morgan<p>Prose fiction, although not always associated with classical antiquity, did in fact flourish in the early Roman Empire, not only in realistic Latin novels but also and indeed principally in the Greek ideal romance of love and adventure to which they are related. Popular in the Renaissance, these stories have been less familiar in later centuries. Translations of the Greek stories were not readily available in English before B.P. Reardon’s excellent volume. <p>Nine complete stories are included here as well as ten others, encompassing the whole range of classical themes: ideal romance, travel adventure, historical fiction, and comic parody. A new foreword by J.R. Morgan examines the enormous impact this groundbreaking collection has had on our understanding of classical thought and our concept of the novel. </p>
Collected Articles on George Gissing
by Pierre CoustillasFirst Published in 1968. Routledge is an imprint of Taylor & Francis, an informa company.
Collected Epiphanies of James Joyce: A Critical Edition (The Florida James Joyce Series)
by James JoyceJoyce’s early texts, which informed his later masterpieces, available for the first time in a comprehensive critical edition This book offers the first critical edition of the forty short texts James Joyce called “epiphanies.” Among Joyce’s earliest literary compositions, although published posthumously, the epiphanies are a series of highly polished miniatures, many of which Joyce reused in his later writings. By presenting the epiphanies with background details and thorough annotations, this edition provides a vivid insight into his art. Collected Epiphanies of James Joyce features an introduction to the texts that summarizes Joyce’s concept of epiphany; their biographical and cultural context; their echoes and adaptations in Stephen Hero, Dubliners, A Portrait of the Artist as a Young Man, Ulysses, and Finnegans Wake; and their critical reception and editorial history. Each epiphany is transcribed directly from its original manuscript, accompanied by extensive notes that include more information specific to each piece, as well as textual variants. Styled as prose poems, dramatic sketches, or combinations of the two, the epiphanies can be seen not only as lyrical counterparts to Joyce’s poetry in Chamber Music but also as bridges to the writer’s landmark fiction. This collection demonstrates that the epiphanies offer a paradigm case for studying the development of Joyce’s work as a whole, prompting a reassessment of their literary significance. A volume in the Florida James Joyce Series, edited by Sam Slote
Collected Essays
by James BaldwinNovelist, essayist, and public intellectual, James Baldwin was one of the most brilliant and provocative literary figures of the postwar era, and one of the greatest African-American writers of this century. A self-described "transatlantic commuter" who spent much of his life in France, Baldwin joined cosmopolitan sophistication with a fierce engagement in social issues. Edited by Nobel laureate Toni Morrison, the Library of America's Collected Essays-the most comprehensive gathering of Baldwin's nonfiction ever published-confirms him as a uniquely prophetic voice in American letters. With burning passion and jabbing, epigrammatic wit, Baldwin fearlessly articulated issues of race and democracy and American identity in such famous essays as "The Harlem Ghetto," "Everybody's Protest Novel," "Many Thousands Gone," and "Stranger in the Village. " Here are the complete texts of his early landmark collections, Notes of a Native Son (1955) and Nobody Knows My Name (1961), which established him as an essential intellectual voice of his time, fusing in unique fashion the personal, the literary, and the political. "One writes," he stated, "out of one thing only-one's own experience. Everything depends on how relentlessly one forces from this experience the last drop, sweet or bitter, it can possibly give. " With singular eloquence and unblinking sharpness of observation he lived up to his credo: "I want to be an honest man and a good writer. " The classic The Fire Next Time (1963), perhaps the most influential of his writings, is his most penetrating analysis of America's racial divide and an impassioned call to "end the racial nightmare. . . and change the history of the world. " The later volumes No Name in the Street (1972) and The Devil Finds Work (1976) chart his continuing response to the social and political turbulence of his era and include his remarkable works of film criticism. A further 36 essays-nine of them previously uncollected-include some of Baldwin's earliest published writings, as well as revealing later insights into the language of Shakespeare, the poetry of Langston Hughes, and the music of Earl Hines.
Collected Papers VI. Literary Reality and Relationships (Phaenomenologica #206)
by Alfred Schutz Michael BarberThis book contains texts devoted by Alfred Schutz to the "normative" areas of literature and ethics. It includes writings dealing with the author-reader relationship, multiple realities, the literary province of meaning, and Schutz's views on equality. Never published in English commentaries on Goethe's novel and the account of personality in the social world appear in this volume.
Collected Poems
by Douglas Lochhead Isabella Valancy Crawford James ReaneyThis volume established Isabella Valancy Crawford as one of Canada's principal poets. Coupled with an introductory collage of viewpoints and reactions to her work by James Reaney its provides a vivid glimpse into the literary past of this country.Although her poetry reflects the patterns of her time, Isabella Valancy Crawford was able to accept the raw and vigorous Canadian landscape on its own terms. She was the first of our poets for whom it became the setting for struggle, passion, love, and death. She celebrated the young land with an imagery enriched by allusions to North American Indian lore reflected in such lines as these:From his far wigwam sprang the strong North Wind And rushed with war-cry down the steep ravine, And wrestled with the giants of the woods; And with his ice-club beat the swelling crests Of the deep water courses into death.'These verses bear the stamp of genius and show a true poetic instinct,' said a critic in The Canadian Magazine in 1895. The poetry of Isabella Valancy Crawford forms a vital part of the body of Canadian writing.
Collected Poems
by John FullerJohn Fuller is one of the most accomplished, prolific and popular of contemporary poets. His Collected Poems brings together most of his poems, from his first collection, Fairground Music (1961) to Stones and Fires (winner of the 1996 Forward Poetry Prize), and enables us to appreciate the full extent of his remarkable talents. From his strikingly assured early poems - dramatic monologues and playful rewritings of myth and fairytale - to his more complex, discursive later work, Fuller displays his virtuosity with a wide variety of subjects, moods and forms. Here are fantasies, poems about nature, riddles and nonsense poems; tender love poems and philosophical meditations; sombre, wistful sonnets and the lightest, most charming songs. But there are consistent themes: romantic love, a potent sense of the physical world, and a constant shifting between exuberant irreverence and the yearning for moral and metaphysical truths. Throughout, the poems are steeped in humour and learning, and display Fuller's easy command of the of the whole scope and richness of the English language.
Collected Poems
by Peter RedgrovePeter Redgrove, who died in 2003, was one of the most prolific of post-war poets and, as this Collected Poems reveals, one of the finest. A friend and contemporary of Ted Hughes and Sylvia Plath in the early 1950s, Redgrove was regarded by many as their equal, and his work has been championed by a wide variety of writers - from Margaret Drabble to Colin Wilson, Douglas Dunn to Seamus Heaney. Ted Hughes once wrote warmly to Redgrove of 'how important you've been to me. You've no idea how much - right from the first time we met.'In this first Collected Poems, Neil Roberts has gathered together the best poems from twenty-six volumes of verse - from The Collector (1959) to the three books published posthumously. The result is an unearthed treasure trove - poems that find new and thrilling ways of celebrating the natural world and the human condition, poems that dazzle with their visual imagination, poems that show the huge range and depth of the poet's art. In Redgrove's poetry there is a unique melding of the erotic, the terrifying, the playful, the strange, and the strangely familiar; his originality and energy is unparalleled in our time and his work was the work of a true visionary.
Collected Poems, 1920-1954
by Eugenio Montale Jonathan GalassiEugenio Montale is universally recognized as having brought the great Italian lyric tradition that begins with Dante into the twentieth century with unrivaled power and brilliance. Montale is a love poet whose deeply beautiful, individual work confronts the dilemmas of modern history, philosophy, and faith with courage and subtlety; he has been widely translated into English and his work has influenced two generations of American and British poets. Jonathan Galassi's versions of Montale's major works -- Ossi di seppia, Le occasioni, and La bufera e altro -- are the clearest and most convincing yet, and his extensive notes discuss in depth the sources and difficulties of this dense, allusive poetry. This book offers English-language readers uniquely informed and readable access to the work of one of the greatest of all modern poets.
Collected Prose (Poets On Poetry)
by Robert Hayden"A collection of essays on poetry and the experiences that influenced poet Robert Hayden. Contents include "The History of Punchinello: A Baroque Play in One Act," Hayden's introductory remarks to volumes like Kaleidoscope: Poems by American Negro Poet and The New Negro, and interviews with Hayden."
Collected Shorter Writings V9
by John Constable I. A. RichardsFirst Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Collected Stories
by Donald MarguliesIn Collected Stories, playwright Donald Margulies explores the vexed emotional and legal question of a writer's right to create art from the biographical material of another person's life--particularly when that other person is also a writer. Meditating upon the recent, real-life conflict between poet Stephen Spender and novelist David Leavitt, Margulies has created two of the most vivid and moving fictional characters of his career: Ruth Steiner, an aging, highly regarded author who never wrote about her youthful affair with real-life poet Delmore Schwartz, and Debra Messing, a student of Steiner's who, after publishing a much-praised first short-story collection under Steiner's direction, follows up with a novel that draws upon the Schwartz affair.
Collected Wisdom of the Early Modern Scholar: Essays in Honor of Mordechai Feingold (Archimedes #64)
by Gideon Manning Anna Marie RoosThis book brings together leading scholars in the history of science, history of universities, intellectual history, and the history of the Royal Society, to honor Professor Mordechai Feingold. The essays collected here reflect the impact Feingold's scholarship has had on a range of fields and address several topics, including: the dynamic pedagogical techniques employed in early modern universities, networks of communication through which scientific knowledge was shared, experimental techniques and knowledge production, the life and times of Isaac Newton, Newton's reception, and the scientific culture of the Royal Society. Modeling the interdisciplinary approaches championed by Feingold as well as the essential role of archival studies, the volume attests to the enduring value of his scholarship and sets a benchmark for future work in the history of science and its allied fields.
Collected Works
by Lydia SandgrenA compelling mystery, a poignant bildungsroman, and a work of great nostalgia for times just past, COLLECTED WORKS is a novel about love, power and art—and what leads us to make the pivotal decisions that change the course of our lives.Martin Berg's wife, Cecilia, disappeared years ago. His memories of their carefree college days seem ever out-of-reach, and the intellectual curiosities that once made him the object of her desire have given way to mid-life uncertainty. The methodical and quiet life he&’s made for himself and his adult children couldn&’t be further from the one he dreamed of in his youth, when the manuscripts lying around his apartment were flush with promise and the ailing publishing house he runs was still new. Perhaps nothing reminds Martin of these failures more than his friend Gustav Becker, a wildly successful painter who&’s returned to Gothenburg on the eve of his career-defining retrospective.Gustav, meanwhile, is hurting too. His obsession with Cecilia&’s inexplicable disappearance had made his art hagiographic, fixated on her image. When posters for Gustav&’s retrospective plaster Cecilia&’s face on major billboards across the city, Martin&’s daughter Rakel learns a haunting fact that points toward her mother&’s whereabouts. She and her brother chase this clue across time, memory, and Europe, to discover why their beloved mother abandoned her family, with the imagined hope that the question of what makes a person can ever be answered.COLLECTED WORKS, a major hit in Sweden, sold over 100,000 copies in its first year in print, instantly making Lydia Sandgren a literary sensation. Winner of the 2020 August Prize for Fiction, the novel is set to publish in 17 territories.
Collected Works of A.M. Klein: Literary Essays and Reviews
by A. M. Klein Usher Caplan M. W. SteinbergThe passionately held views of A.M. Klein are focused in these essays on literature and the arts. Ranging from the formally theoretical to the intensely personal, they reflect the enthusiasm and the conviction characteristic of all Klein's writing. Among the subjects that come under the critic's unblinking eye are various genres of Jewish literature, illuminating not only on their own terms but also for what they reveal about Klein's Jewish poems. There are also essays on Canadian, American, English, and European literature as general subjects, and others on specific works and individual writers, including the acclaimed articles on James Joyce. Throughout this collection is heard a critical voice sharpened with erudition and enriched with emotion. The essays are framed with an introduction, which presents a thematic analysis, and a biographical chronology, which places the essays in the context of Klein's life and work as teacher, poet, novelist, and critic.
Collected Works of A.M. Klein: Short Stories
by A. M. Klein M. W. SteinbergA.M. Klein's reputation as a writer on his poetry and to a lesser extent on his remarkable poetic novel The Second Scroll. But he also wrote many short stories over a period of more than a quarter of a century. Until now few people have been aware of their existence; many exist only in manuscript form, and most of those that were published appeared in magazines that were not readily accessible to the general reading public. This volume bring them together. Klein's range of themes and styles in his short fiction, as in his poetry and in his journalistic writing, is broad. He draws on his Jewish experience, focusing on legends, festivals, and ceremonies, well-known character types, and familiar aspects of Jewish life – in the synagogue, in the home, and on the streets. Klein was not limited, however, by his Jewish concerns, for he also wrote social and political satire and parodies of the detective story and of literary debates. His pervasive sense of humour is often closely associated with his feeling for the macabre, producing a quality of black comedy that is distinctly Kleinian. The stories in this volume are an invaluable addition to the canon of Klein's works and their publication will extend and reinforce his already considerable reputation.
Collected Works of Erasmus Volume 39 and Volume 40
by Desiderius Erasmus Craig R. ThompsonErasmus's familiar colloquies grew from a small collection of phrases, sentences, and snatches of dialogue written in Paris about 1497 to help his private pupils improve their command of Latin. Twenty years later the material was published by Johann Froben (Basel 1518). It was an immediate success and was reprinted thirty times in the next four years. For the edition of March 1522 Erasmus began to add fully developed dialogues, and a book designed to improve boys' use of Latin (and their deportment) soon became a work of literature for adults, although it retained traces of its original purposes. The final Froben edition (March, 1533) had about sixty parts, most of them dialogues.<P><P> It was in the last form that the Colloquies were read and enjoyed for four centuries. For modern readers it is one of the best introductions to European society of the Renaissance and Reformation periods, with lively descriptions of daily life and provocative discussions of political, religious, social, and literary topics, presented with Erasmus's characteristic wit and verve. Each colloquy has its own introduction and full explanatory, historical, and biographical notes.
Collecting Early Christian Letters
by Neil, Bronwen and Allen, Pauline Bronwen Neil Pauline AllenLetter collections in late antiquity give witness to the flourishing of letter-writing, with the development of the mostly formulaic exchanges between elites of the Graeco-Roman world to a more wide-ranging correspondence by bishops and monks, as well as emperors and Gothic kings. The contributors to this volume study individual collections from the first to sixth centuries CE, ranging from the Pauline and Deutero-Pauline letters through monastic letters from Egypt, bishops' letter collections and early papal collections compiled for various purposes. This is the first multi-authored study of New Testament and late antique letter collections, crossing the traditional divide between these disciplines by focusing on Latin, Greek, Coptic and Syriac epistolary sources. It draws together leading scholars in the field of late antique epistolography from Australasia, Sweden, the United Kingdom and the United States.
Collecting Shakespeare: The Story of Henry and Emily Folger
by Stephen H. GrantThe first biography of Henry and Emily Folger, who acquired the largest and finest collection of Shakespeare in the world.In Collecting Shakespeare, Stephen H. Grant recounts the American success story of Henry and Emily Folger of Brooklyn, a couple who were devoted to each other, in love with Shakespeare, and bitten by the collecting bug.Shortly after marrying in 1885, the Folgers started buying, cataloging, and storing all manner of items about Shakespeare and his era. Emily earned a master's degree in Shakespeare studies. The frugal couple worked passionately as a tight-knit team during the Gilded Age, financing their hobby with the fortune Henry earned as president of Standard Oil Company of New York, where he was a trusted associate of John D. Rockefeller Sr.While a number of American universities offered to house the collection, the Folgers wanted to give it to the American people. Afraid the price of antiquarian books would soar if their names were revealed, they secretly acquired prime real estate on Capitol Hill near the Library of Congress. They commissioned the design and construction of an elegant building with a reading room, public exhibition hall, and the Elizabethan Theatre. The Folger Shakespeare Library was dedicated on the Bard's birthday, April 23, 1932.The library houses 82 First Folios, 275,000 books, and 60,000 manuscripts. It welcomes more than 100,000 visitors a year and provides professors, scholars, graduate students, and researchers from around the world with access to the collections. It is also a vibrant center in Washington, D.C., for cultural programs, including theater, concerts, lectures, and poetry readings.The library provided Grant with unprecedented access to the primary sources within the Folger vault. He draws on interviews with surviving Folger relatives and visits to 35 related archives in the United States and in Britain to create a portrait of the remarkable couple who ensured that Shakespeare would have a beautiful home in America.
Collecting as Modernist Practice (Hopkins Studies in Modernism)
by Jeremy BraddockWinner of the Modernist Studies Association Book Prize of the Modernist Studies AssociationIn this highly original study, Jeremy Braddock focuses on collective forms of modernist expression—the art collection, the anthology, and the archive—and their importance in the development of institutional and artistic culture in the United States.Using extensive archival research, Braddock's study synthetically examines the overlooked practices of major American art collectors and literary editors: Albert Barnes, Alain Locke, Duncan Phillips, Alfred Kreymborg, Amy Lowell, Ezra Pound, Katherine Dreier, and Carl Van Vechten. He reveals the way collections were devised as both models for modernism's future institutionalization and culturally productive objects and aesthetic forms in themselves. Rather than anchoring his study in the familiar figures of the individual poet, artist, and work, Braddock gives us an entirely new account of how modernism was made, one centered on the figure of the collector and the practice of collecting.Collecting as Modernist Practice demonstrates that modernism's cultural identity was secured not so much through the selection of a canon of significant works as by the development of new practices that shaped the social meaning of art. Braddock has us revisit the contested terrain of modernist culture prior to the dominance of institutions such as the Museum of Modern Art and the university curriculum so that we might consider modernisms that could have been. Offering the most systematic review to date of the Barnes Foundation, an intellectual genealogy and analysis of The New Negro anthology, and studies of a wide range of hitherto ignored anthologies and archives, Braddock convincingly shows how artistic and literary collections helped define the modernist movement in the United States.