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Blues in Stereo: The Early Works of Langston Hughes
by Langston HughesPublishers Weekly&’s Top Ten Fall 2024 Poetry Books From Harlem Renaissance poet Langston Hughes, a stunning collection of early works—both polished poems andraw, unfinished, works-in-progress written from 1921-1927—curated by award winning poet and National Book Award finalist, Danez Smith. Before Langston Hughes and his literary prowess became synonymous with American poetry, he was an eighteen-year-old on a train to Mexico City, seeking funds to pursue his passion. His early poems see Hughes finding his voice and experimenting with style and form. Beloved verses like &“The Negro Speaks of Rivers,&” were written without formal training, often on the back of napkins and envelopes, and were inspired by the sights and sounds of Black working-class people he encountered in his early life. Blues in Stereo is a collection of select early works, all written before the age of twenty-five, in which we see Langston Hughes with fresh eyes. From the intimate pages of his handwritten journals, you will travel with Hughes outside of Harlem as he ventures to the American South and Mexico, sails through the Caribbean, and becomes the only Harlem renaissance poet to visit Africa. His poems and journal entries celebrate love as a tool of liberation. His songs showcase the musicality of verse poetry. And the collection even includes a play he cowrote with Duke Ellington with a full score that experiments with rhythm and structure.Blues in Stereo portrays a young man coming of age in a changing world. Page by page, a young, fresh-faced Hughes contends with matters beyond his years with raw talent. And by keeping his original, handwritten notations found in archival material, we get to witness a genius&’s earliest thought process in real time. National Book Award-nominated poet Danez Smith offers their insight and notes on themes, challenges, and obsessions that Hughes early work contains. Beautifully rendered and thoughtfully curated, Blues in Stereo foreshadows a master poet that will go on to define literature for centuries to come.
Blues in Stereo: The Early Works of Langston Hughes
by Langston HughesPublishers Weekly's Top Ten Fall 2024 Poetry BooksBefore Langston Hughes and his literary prowess became synonymous with American poetry, he was an eighteen-year-old on a train to Mexico City, seeking funds to pursue his passion. His early poems, beloved verses like "The Negro Speaks of Rivers," were written without formal training, often on the back of napkins and envelopes, and were inspired by the sights and sounds of Black working-class people he encountered in his early life.Blues in Stereo is a posthumous collection of these early works, in which we see Langston Hughes like we've never seen him before. In the intimate pages of his handwritten journals, you will travel with Hughes outside of Harlem as he ventures to the American South and Mexico, sails through the Caribbean, and becomes the only Harlem renaissance poet to visit Africa. He celebrates love as a tool of liberation in his poems and journal entries. His songs included showcase musicality of verse poetry. And the book even includes a play he co-wrote with Duke Ellington with a full score that experiments with rhythm and structure.Blues in Stereo portrays a young man coming of age in a changing world. Page by page, a young, fresh-faced Hughes contends with matters beyond his years with raw talent. National Book Award nominated poet Danez Smith offers their insight and notes on themes, challenges, and obsessions that Hughes early work contains. Blues in Stereo foreshadows a master poet that will go on to define literature for centuries to come.
Blues in the Dark: A Thriller
by Raymond BensonFrom the New York Times bestselling and internationally acclaimed author comes a Hollywood crime drama set in the 1940s and present day that tackles racism, sexism, and murder. Karissa Glover is a movie producer who moves into a decrepit but functional old mansion in the West Adams Heights area of Los Angeles, where black celebrities of yesteryear—Hattie McDaniel, Louise Beavers, and others—once resided. The former owner was a white actress, Blair Kendrick, who often starred as the "bad girl"—a femme fatale—in films noirof the 1940s. However, Blair’s career was cut short when she was tragically killed by the mob after allegedly witnessing the slaying of a corrupt studio head in 1949. As Karissa and her producing partner decide to develop a modern film noir about Blair Kendrick, malevolent forces from the past attempt to stop them—first with intimidation, and then with the thread of murder. Is this because Karissa has learned that Blair was involved in a then-taboo interracial relationship with jazz musician Hank Marley? What really happened on the night that death struck in a dimly lit studio mogul’s office? The consequences of Blair and Hank’s doomed love affair still resonate in the present day as Karissa attempts to unravel Blair’s secrets. Seeping with mystery, intrigue, Hollywood history, and forbidden romance, Blues in the Dark is Raymond Benson at his most insightful and page-turning best.
Blues in the Night
by Dick LochteEx-con Dave “Mace” Mason’s favor for an old friend could get him killedin this “fast-moving crime novel” from an award-winning author (Publishers Weekly). When ex-con Dave “Mace” Mason is hired by Paulie Lacotta, an old acquaintance and high-rolling crime boss, to watch his ex-girlfriend, Angela, he knows there's more to the job than he's being told. Angela has fallen in love with one of Paulie's competitors, Tiny, and Paulie wants to know if she's the reason a big deal recently went south. But Mace draws some unwelcome attention as he investigates, and when Tiny is found dead, Mace wonders if he will live long enough to uncover the truth. “Lochte is just as fast-paced and funny flying solo as when he’s wingman for Al Roker or Christopher Darden, both of whom he's collaborated with in the past.” —Kirkus Reviews “Lochte is a somewhat underappreciated writer. This solid, well-crafted thriller with a likable protagonist and an engaging cast of supporting players should remind readers that he is a dependable storyteller in his own right.” —Booklist “Tense, fast-moving crime novel from Nero Wolfe Award–winner Lochte.” —Publishers Weekly
Blues in the Night (Molly Blume #1)
by Rochelle KrichSunday, July 13. 1:46 A.M. Near Lookout Mountain and Laurel Canyon. An unidentified woman in her twenties, wearing a nightgown, was the victim of a hit-and-run accident that left her unconscious and seriously injured. There were no witnesses.So reads the report on the accident off Mulholland Drive in Molly Blume’s Crime Sheet column for a weekly Los Angeles tabloid. Just another small L.A. tragedy, soon forgotten.But the image of the young woman in her nightgown stumbling along a dark, winding road is one Molly, a freelance true-crime writer, cannot shake. In fact, it draws her to a bedside in intensive care, where the victim whispers to her three names: Robbie, Max, and Nina. It’s not a smoking gun, but is sufficient to reinforce Molly’s gut instinct that there are sinister circumstances behind the assault on Lenore Saunders.With fearless conviction, Molly asks questions that nobody—including Lenore’s mom, her ex-husband, her shrink, or even Molly’s L.A.P.D. buddy, Detective Connors—wants to answer. Nevertheless, the astute Molly discovers Lenore lived a fractured life, so different from Molly’s own secure and loving Orthodox Jewish background. And as a chilling picture of the unfortunate woman begins to take shape, the menace of murders past and present stirs and quickens.In her first Molly Blume novel, award-winning novelist Rochelle Krich tells a story in the tradition of the great L.A. mysteries of the past—and introduces an investigator who is pure gold. Twentysomething divorcee Molly Blume, with her deep faith, short skirts, and nose for the truth, is a heroine to cherish.
Blues, Ideology, and Afro-American Literature: A Vernacular Theory
by Houston A. Baker Jr.Relating the blues to American social and literary history and to Afro-American expressive culture, Houston A. Baker, Jr. , offers the basis for a broader study of American culture at its "vernacular" level. He shows how the "blues voice" and its economic undertones are both central to the American narrative and characteristic of the Afro-American way of telling it.
Blues, Ideology, and Afro-American Literature: A Vernacular Theory
by Houston A. Baker Jr.Relating the blues to American social and literary history and to Afro-American expressive culture, Houston A. Baker, Jr., offers the basis for a broader study of American culture at its "vernacular" level. He shows how the "blues voice" and its economic undertones are both central to the American narrative and characteristic of the Afro-American way of telling it.
Blues, Twos and Baby Shoes (The Constable Mavis Upton Series #3)
by Gina KirkhamMavis Upton returns from her adventures in Whiskey Tango Foxtrot, and this time she&’s taking no prisoners—which is never ideal for a police officer . . . Mavis is pregnant, as is her daughter Ella. Facing the prospect of motherhood and being a grandmother simultaneously, the last thing Mavis needs is problems at work. She must contend with a new sexist dinosaur of a Sergeant who is more bully than mentor, and a mysterious case involving a blackmailer sending poison pen letters is baffling the force and tearing the local community apart. Can Mavis juggle impending motherhood and her career, maintain a loving relationship with her other half Joe and deal with being a grandmother, all while solving the case? Well, this is Constable Mavis Upton . . . literally anything is possible . . . Series praise &“Laugh out loud brilliance, so witty and cleverly written.&” —Samantha Magson &“Hilarious! It&’s true, everyone needs Mavis in their life.&” —Sherrie Hewson &“Such a terrific read!&” —Lorraine Kelly
Blueschild Baby: A Novel
by George Cain“The most important work of fiction by an Afro-American since Native Son.” —Addison Gayle, Jr., The New York Times Book ReviewA searing chronicle of the life of a young ex-convict and heroin addict in 1960’s Harlem, an unsparing portrait of a man who couldn’t free himself from the horrors of addiction Blueschild Baby takes place during the summer of 1967—the summer of race riots all across the nation; the Summer of Love in the Haight Ashbury; the summer of Marines dying near Con Thien, across the world in Vietnam—but the novel illuminates the contours of a more private hell: the angry desperation of a heroin addict who returns to his home in Harlem after being in prison.First published in 1970, this frankly autobiographical novel was a revelation, a stunning depiction of a marginal figure, marked literally and figuratively by his drug addiction and navigating a predatory underground of junkies and hustlers—and named George Cain, like his author.Now with a new preface by acclaimed writer Leslie Jamison, this is an unvarnished conjuring of the tyranny of dependence: its desperation, its degradation, its rage and rebellion; the fragile, unsettled, occasional shards of hope it permits; the strange joys of being alive and young and lost and hooked and full of feverish determination anyway.“[A] powerful literary account of addiction.” —The New Yorker
Bluescreen
by Dan Wells"Bluescreen is a stunning deluge of imagination, filled with suspense and twists and unforgettable characters. This book is just plain awesome."--James Dashner, bestselling author of The Maze RunnerFrom Dan Wells, author of the New York Times bestselling Partials Sequence, comes the first book in a new sci-fi-noir series. Los Angeles in 2050 is a city of open doors, as long as you have the right connections. That connection is a djinni--a smart device implanted right in a person's head. In a world where virtually everyone is online twenty-four hours a day, this connection is like oxygen--and a world like that presents plenty of opportunities for someone who knows how to manipulate it.Marisa Carneseca is one of those people. She might spend her days in Mirador, but she lives on the net--going to school, playing games, hanging out, or doing things of more questionable legality with her friends Sahara and Anja. And it's Anja who first gets her hands on Bluescreen--a virtual drug that plugs right into a person's djinni and delivers a massive, nonchemical, completely safe high. But in this city, when something sounds too good to be true, it usually is, and Mari and her friends soon find themselves in the middle of a conspiracy that is much bigger than they ever suspected.
Bluesman: A Novel
by Andre Dubus III“A gentle and winning” historical novel from the author of House of Sand and Fog and a “sympathetic and compassionate chronicler of ordinary lives” (Publishers Weekly).It is the summer of 1967 and Leo Suther is about to turn eighteen. This is the summer that everyone has something to teach Leo. His father warns him that “life can turn on a dime.” Allie, his girlfriend, wants to teach him about love. Her father, the local communist and civil rights organizer, lectures him on politics and carpentry. And Ryder, a family friend, wants to show Leo the magic of the harmonica—harp of the blues.However, when Leo’s life threatens to come unglued, it is his mother’s wisdom he turns to. Though she died before Leo was five, her voice lives on in her diaries and poems, testifying to the strength of her love for her husband and son—a love that can still, years later, offer consolation.“Dubus captures well those small, mundane moments upon which lives really turn, and he captures too the enthusiasms and confusions of adolescence confronting adulthood.” —Library Journal
Bluest Nude: Poems
by Ama CodjoeAma Codjoe’s highly anticipated debut collection brings generous light to the inner dialogues of women as they bathe, create art, make and lose love. Each poem rises with the urgency of a fully awakened sensual life. Codjoe’s poems explore how the archetype of the artist complicates the typical expectations of women: be gazed upon, be silent, be selfless, reproduce. Dialoguing with and through art, Bluest Nude considers alternative ways of holding and constructing the self. From Lorna Simpson to Gwendolyn Brooks to Lynette Yiadom-Boakye, contemporary and ancestral artists populate Bluest Nude in a choreography of Codjoe’s making. Precise and halting, this finely wrought, riveting collection is marked by an acute rendering of highly charged emotional spaces. Purposefully shifting between the role of artist and subject, seer and seen, Codjoe’s poems ask what the act of looking does to a person—public looking, private looking, and that most intimate, singular spectacle of looking at one’s self. What does it mean to see while being seen? In poems that illuminate the tension between the possibilities of openness and and its impediments, Bluest Nude offers vulnerability as a medium to be immersed in and, ultimately, shared as a kind of power: “There are as many walls inside me / as there are bones at the bottom of the sea,” Codjoe writes in the masterful titular poem. “I want to be seen clearly or not at all.” “The end of the world has ended,” Codjoe’s speaker announces, “and desire is still / all I crave.” Startling and seductive in equal measure, this formally ambitious collection represents a powerful, luminous beginning.
Bluestar's Prophecy (Warriors Super Edition #2)
by Erin Hunter Wayne McloughlinDestined for greatness . . .Four Clans of wild cats have shared the forest for generations, thriving in their territories. But tensions are running high, and ThunderClan must assert its strength or risk falling prey to its power-hungry neighbors. Into this time of uncertainty, a kit is born. A prophecy foretells that Bluekit will be as strong as fire, destined to blaze through the ranks of her Clan. But with this prophecy comes the foreshadowing of her destruction by the one enemy she cannot outrun.As Bluekit gains power and eventually earns her leader name, Bluestar, she fights to protect her Clan. But secrets from the past threaten to surface--secrets that may destroy ThunderClan . . . and Bluestar.
Bluestem
by Frances ArringtonJessie and Polly spend all day looking for Mama on the horizon, over the endless waves of grass. But when it is night, and she has still not returned to their soddy, they know she is gone. And with their father helping his brother miles away, they know they must survive alone. They are determined to! Even if it means hiding in the prairie sloughgrass to protect themselves from the greedy and suspicious Smiths, the only neighbors they have. Here in this starkly beautiful novel set on the open prairie in 1879, Frances Arrington reveals the raw pioneers courage and strong humanity of two young sisters who dare to face a new world alone. [From the dust jacket:] "When eleven-year-old Polly and nine-year-old Jessie come back to their prairie soddy and discover Mama just sitting there, rocking and not saying anything, they know it has something to do with her losing the baby in the winter. And they know Papa's not coming back from his brother's farm soon enough to help them. But, sure as they're alive and the prairie is blue, they also know they need to keep going, for Mama, for Papa, and for themselves. Even despite their meddling prairie neighbors, the Smiths! And the sisters do keep going until one day, hiding from the Smiths in the tall sloughgrass by the river, they get lost. Now, how brave are they? How clever? How certain are they that they can survive? In this young and heroic story, set on the open prairie in the 1870s, first- time novelist Frances Arrington reveals the pioneer courage of two young sisters who, armed with their love for each other, dare to face a new world alone. Historical fiction at its best."
Bluestocking Bride
by Elizabeth ThorntonA study in seduction proves irresistible in this charming Regency romance from the USA Today–bestselling author of the Devereux Trilogy. Educated and brilliant, classics scholar Catherine Hartland has yet to meet a man who takes her intellect seriously or views the fairer sex as anything but mere playthings. Certainly the Marquis of Rutherston is no exception. But, as much as her head demands she ignore his bold, sensual gaze, his beautifully sculpted features, and his clear intent to kiss her senseless, have her heart dictating otherwise. Cynical and weary of matchmaking games, the Marquis is stunned by his own reaction to a woman so different from the docile, biddable beauties he much prefers. Catherine might be the only woman in London immune to his considerable charms, but that immunity convinces him she is the only woman he has to have. And as passion makes Catherine a prisoner of her own desires, she knows the time has come to teach this arrogant gentleman a lesson in the true meaning of love. “I consider Elizabeth Thornton a major find.” —Mary Balogh, New York Times–bestselling author of the Westcott Novels “A major, major talent, Ms. Thornton takes her rightful place as a genre superstar.” —RT Book Reviews
Bluestocking Feminism and British-German Cultural Transfer, 1750-1837
by Alessa JohnsBluestocking Feminism and British-German Cultural Transfer, 1750-1837 examines the processes of cultural transfer between Britain and Germany during the Personal Union, the period from 1714 to 1837 when the kings of England were simultaneously Electors of Hanover. While scholars have generally focused on the political and diplomatic implications of the Personal Union, Alessa Johns offers a new perspective by tracing sociocultural repercussions and investigating how, in the period of the American and French Revolutions, Britain and Germany generated distinct discourses of liberty even though they were nonrevolutionary countries. British and German reformists--feminists in particular--used the period's expanded pathways of cultural transfer to generate new discourses as well as to articulate new views of what personal freedom, national character, and international interaction might be. Johns traces four pivotal moments of cultural exchange: the expansion of the book trade, the rage for translation, the effect of revolution on intra-European travel and travel writing, and the impact of transatlantic journeys on visions of reform. Johns reveals the way in which what she terms "bluestocking transnationalism" spawned discourses of liberty and attempts at sociocultural reform during this period of enormous economic development, revolution, and war.
Bluestocking Feminism, Volume 1: Writings of the Bluestocking Circle, 1738-91
by Elizabeth Eger Gary Kelly Jennifer Kelly Judith Hawley Rhoda ZukFeminist scholarship and criticism has retrieved the Bluestocking women from their marginal position in 18th-century literature. This work collects the principal writings of these women, together with a selection of their letters. Each volume is annotated and all texts are edited and reset.
Bluestocking Feminism, Volume 2: Writings of the Bluestocking Circle, 1738-92
by Elizabeth Eger Gary Kelly Jennifer Kelly Judith Hawley Rhoda ZukFeminist scholarship and criticism has retrieved the Bluestocking women from their marginal position in 18th-century literature. This work collects the principal writings of these women, together with a selection of their letters. Each volume is annotated and all texts are edited and reset.
Bluestocking Feminism, Volume 3: Writings of the Bluestocking Circle, 1738-93
by Elizabeth Eger Gary Kelly Jennifer Kelly Judith Hawley Rhoda ZukFeminist scholarship and criticism has retrieved the Bluestocking women from their marginal position in 18th-century literature. This work collects the principal writings of these women, together with a selection of their letters. Each volume is annotated and all texts are edited and reset.
Bluestocking Feminism, Volume 4: Writings of the Bluestocking Circle, 1738-94
by Elizabeth Eger Gary Kelly Jennifer Kelly Judith Hawley Rhoda ZukFeminist scholarship and criticism has retrieved the Bluestocking women from their marginal position in 18th-century literature. This work collects the principal writings of these women, together with a selection of their letters. Each volume is annotated and all texts are edited and reset.
Bluestocking Feminism, Volume 5: Writings of the Bluestocking Circle, 1738-95
by Elizabeth Eger Gary Kelly Jennifer Kelly Judith Hawley Rhoda ZukFeminist scholarship and criticism has retrieved the Bluestocking women from their marginal position in 18th-century literature. This work collects the principal writings of these women, together with a selection of their letters. Each volume is annotated and all texts are edited and reset.
Bluestocking Feminism, Volume 6: Writings of the Bluestocking Circle, 1738-96
by Elizabeth Eger Gary Kelly Jennifer Kelly Judith Hawley Rhoda ZukFeminist scholarship and criticism has retrieved the Bluestocking women from their marginal position in 18th-century literature. This work collects the principal writings of these women, together with a selection of their letters. Each volume is annotated and all texts are edited and reset.
Bluestockings Displayed
by Elizabeth EgerThe conversation parties of the bluestockings, held to debate contemporary ideas in eighteenth-century Britain, were vital in encouraging female artistic achievement. The bluestockings promoted links between learning and virtue in the public imagination, inventing a new kind of informal sociability that combined the life of the senses with that of the mind. This collection of essays, by leading scholars in the fields of literature, history and art history, provides an interdisciplinary treatment of bluestocking culture in eighteenth-century Britain. It is the first academic volume to concentrate on the rich visual and material culture that surrounded and supported the bluestocking project, from formal portraits and sculptures to commercially reproduced prints. By the early twentieth century, the term 'bluestocking' came to signify a dull and dowdy intellectual woman, but the original bluestockings inhabited a world in which brilliance was valued at every level and women were encouraged to shine and even dazzle.
Bluestockings Now!: The Evolution of a Social Role (British Literature in Context in the Long Eighteenth Century)
by Deborah HellerBringing together top specialists in the field, this edited volume challenges the theory that the eighteenth-century British intellectual women known as the Bluestockings were an isolated phenomenon spanning the period from the 1750s through the 1790s. On the contrary, the contributors suggest, the Bluestockings can be conceptualized as belonging to a chain of interconnected networks, taking their origin at a threshold moment in print media and communications development and extending into the present. The collection begins with a definition of the Bluestockings as a social role rather than a fixed group, a movement rather than a static phenomenon, an evolving dynamic reaching into our late-modern era. Essays include a rare transcript of a Bluestocking conversation; new, previously unknown Bluestockings brought to light for the first time; and descriptions of Bluestocking activity in the realms of natural history, arts and crafts, theatre, industry, travel, and international connections. The concluding essay argues that the Blues reimagined and practiced women’s work in ways that adapted to and altered the course of modernity, decisively putting a female imprint on economic, social, and cultural modernization. Demonstrating how the role of the Bluestocking has evolved through different historical configurations yet has structurally remained the same, the collection traces the influence of the Blues on the Romantic Period through the nineteenth century and proposes the reinvention of Bluestocking practice in the present.
Bluestone & Vine (Blue Hollow Falls #2)
by Donna KauffmanPippa MacMillan is a legend on the Irish folk music scene. But when her voice requires a time-out, she’s left wondering how—and where—to find happiness in the silence . . . Seeking answers, Pippa leaves Ireland in favor of a small town in the Blue Ridge Mountains of Virginia. Turns out lovely Blue Hollow Falls is the perfect place to heal—and solitary Seth Brogan is the surprisingly perfect host. After all, Seth is beginning again too: turning his renovated stone barn and beautiful hillside into a vineyard is the start of a whole new life for the former Special Forces soldier. Only Mother Nature keeps thwarting both their plans, leaving Pippa snowbound with unsettling thoughts about how life can take unexpected turns . . . To Pippa’s surprise, she might actually fall for small-town living. She might even fall for Seth, whose quiet strength is a balm for her world-weary soul. But when the music starts once more, will she follow her fortune back to Ireland, or surrender to the call of her heart?