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Britain's Chinese Eye: Literature, Empire, and Aesthetics in Nineteenth-Century Britain
by Elizabeth Hope ChangThis book traces the intimate connections between Britain and China throughout the nineteenth century and argues for China's central impact on the British visual imagination.
Britain, France and the Gothic, 1764-1820
by Angela WrightIn describing his proto-Gothic fiction, The Castle of Otranto (1764), as a translation, Horace Walpole was deliberately playing on national anxieties concerning the importation of war, fashion and literature from France in the aftermath of the Seven Years' War. In the last decade of the eighteenth century, as Britain went to war again with France, this time in the wake of revolution, the continuing connections between Gothic literature and France through the realms of translation, adaptation and unacknowledged borrowing led to strong suspicions of Gothic literature taking on a subversive role in diminishing British patriotism. Angela Wright explores the development of Gothic literature in Britain in the context of the fraught relationship between Britain and France, offering fresh perspectives on the works of Walpole, Radcliffe, 'Monk' Lewis and their contemporaries.
Britain’s Best Political Cartoons 2018
by Tim Benson____________A blockbuster collection of the year’s funniest political cartoons, featuring the work of Mac, Steve Bell, Peter Brookes and many more . . . 2018 was the year that Brexit got serious, royals got married, football got (briefly) feverish, and Trump got transformed into a giant baby blimp. In Britain’s Best Political Cartoons 2018, our very finest satirists turn their eyes and their pens to all these events and more, offering an incisive and often hilarious tour through a tumultuous twelve months.
Britain’s Best Political Cartoons 2019
by Tim BensonA hilarious companion to the year’s political turmoil, featuring the work of Martin Rowson, Steve Bell, Peter Brookes, Nicola Jennings and many more . . . 2019 was the year of Brexit, obviously. But it was also the year that Donald Trump went haywire over Huawei, Theresa May got bounced by the backstop, Boris Johnson was hoisted into high office, and the country was corralled into a chaotic Christmas election. In Britain’s Best Political Cartoons 2019, our very finest satirists skewer everything from Kremlin collusion to no-deal confusion, offering a riotous ride through the last twelve months. And did we mention Brexit?
Britannia (Eagles of the Empire #14)
by Simon ScarrowSimon Scarrow's veteran Roman soldier heroes face a cunning and relentless enemy in BRITANNIA. Roman Britain, AD 52. The western tribes, inspired by the Druids' hatred of the Romans, prepare to make a stand. But can they match the discipline and courage of the legionaries?Wounded during a skirmish, Centurion Macro remains behind in charge of the fort as Prefect Cato leads an invasion deep into the hills. Cato's mission: to cement Rome's triumph over the natives by crushing the Druid stronghold. But with winter drawing in, the terrain is barely passable through icy rain and snowstorms.When Macro's patrols report that the natives in the vicinity of the garrison are thinning out, a terrible suspicion takes shape in the battle-scarred soldier's mind. Has the acting Governor, Legate Quintatus, underestimated the enemy, his military judgement undermined by ambition? If there is a sophisticated and deadly plan afoot, it's Cato and his men who will pay the price.Includes maps and charts.
Britannia (Eagles of the Empire 14)
by Simon ScarrowIF YOU DON'T KNOW SIMON SCARROW, YOU DON'T KNOW ROME!A Sunday Times bestseller. Shortlisted for the Wilbur Smith Adventure Writing Prize.Simon Scarrow's veteran Roman soldier heroes face a cunning and relentless enemy in BRITANNIA, the unforgettable fourteenth novel in the bestselling Eagles of the Empire series. Roman Britain, AD 52. The western tribes prepare to make a stand. But can they match the discipline and courage of the legionaries?Wounded Centurion Macro remains behind in charge of the fort as Prefect Cato leads an invasion deep into the hills. Cato's mission: to cement Rome's triumph over the natives by crushing the Druid stronghold. But with winter drawing in, the terrain is barely passable through icy rain and snowstorms.When Macro's patrols report that the natives in the vicinity of the garrison are thinning out, a terrible suspicion takes shape in the battle-scarred soldier's mind. Has the acting Governor, Legate Quintatus, underestimated the enemy? If there is a sophisticated and deadly plan afoot, it's Cato and his men who will pay the price...Includes maps, chart and author Q&A.
Britannia (Eagles of the Empire 14)
by Simon ScarrowNow a Sunday Times bestseller!Simon Scarrow's veteran Roman soldier heroes face a cunning and relentless enemy in BRITANNIA. Roman Britain, AD 52. The western tribes, inspired by the Druids' hatred of the Romans, prepare to make a stand. But can they match the discipline and courage of the legionaries?Wounded during a skirmish, Centurion Macro remains behind in charge of the fort as Prefect Cato leads an invasion deep into the hills. Cato's mission: to cement Rome's triumph over the natives by crushing the Druid stronghold. But with winter drawing in, the terrain is barely passable through icy rain and snowstorms.When Macro's patrols report that the natives in the vicinity of the garrison are thinning out, a terrible suspicion takes shape in the battle-scarred soldier's mind. Has the acting Governor, Legate Quintatus, underestimated the enemy, his military judgement undermined by ambition? If there is a sophisticated and deadly plan afoot, it's Cato and his men who will pay the price.Includes maps and charts.(P)2015 Headline Digital
Britannia All at Sea
by Betty NeelsSECOND THOUGHTSIt was love at first sight for Britannia Smith when she met Professor Jake Luitingh van Thien. She even shamelessly followed him to Holland, hoping to see more of him. Britannia succeeded and to her joy, he proposed! But just when all seemed perfect, she met Madeleine de Venz. Madeleine was right for Jake, in every way, and Britannia became utterly convinced that to go ahead with their wedding might ruin Jake's life.
Britannia Mews: A Novel
by Margery SharpA passionate heroine defies the English class system in this novel set in 1875 London—perfect for lovers of Edith Wharton and Downton Abbey. Around the corner from the elegant townhouses on Albion Place is Britannia Mews, a squalid neighborhood where servants and coachmen live. In 1875, it&’s no place for a young girl of fine breeding, but independent-minded Adelaide Culver is fascinated by what goes on there. Years later, Adelaide shocks her family when she falls in love with an impoverished artist and moves into the mews. But violence shatters Adelaide&’s dreams. In a dangerous new world, she must fend for herself—until she meets a charismatic stranger and her life takes a turn she never expected. A novel about social manners and mores reminiscent of Edith Wharton, this story of love, family, and the price one must pay for throwing off the shackles of convention is also a witty and incisive dissection of the &“upstairs, downstairs&” English class system of the last two centuries.
Britannia all at Sea & Her Maverick M.D.: A 2-in-1 Collection (The Betty Neels Collection)
by Betty Neels Teresa SouthwickTheir chemistry is off the charts! But can these two dedicated doctors convince the women in their lives that they’re willing to spend a lifetime proving it? Find out in these two gorgeous romances from Betty Neels and Teresa Southwick.Britannia All at SeaIt’s love at first sight for staff nurse Britannia when Professor Jake Luitingh van Thien visits her hospital. And when the confident yet brooding surgeon goes back to Holland, Britannia follows, ready to accept Jake’s proposal. Until she meets the beautiful, sophisticated woman that would appear to make him a much better wife… Can Jake convince Britannia that it’s her that he can’t—and won’t!—live without?Her Maverick M.D.Nurse Dawn Laramie refuses to fall for a doctor she works with and put her job at risk...AGAIN! But Jonathon Clifton—Rust Creek’s sexy new pediatrician—won’t let her cold shoulder get to him. When these two finally bury the hatchet and become friends, will they be able to resist the wild attraction between them?
Britfield and the Lost Crown
by C. R. StewartBehind the cruel walls of Weatherly Orphanage . . . a rumor spreads and it meant one thing—Tom and Sarah must escape. <p><p> Spending a majority of his life locked up and slaving away, Tom and the other orphans had one thing in common: their parents were gone. When Tom learned that his might still be alive, he must find them . . . Getting out won’t be easy. Nobody has ever escaped. The caretaker, Mr. Speckle and his watchdog, Wind, have keen eyes and tolerate nothing. Best friends Tom and Sarah needed a plan. The risks were frightening. Will they survive? <p><p> You’ll love this wonderful adventure, because the chase is on and the real secret just might save them. Get it now. <p><p> This fast-paced adventure series is transforming literature, education, and literacy while fostering creativity and critical thinking. A timeless classic, Britfield is more than a book, it’s a Movement, bringing encouragement to children and families worldwide. The 7-book series will be followed by 7 extraordinary movies (2023).
British Autobiography in the Seventeenth Century (Routledge Library Editions: Autobiography #1)
by Paul DelanyOriginally published in 1969. In the seventeenth century neither the literary genre nor the term ‘autobiography’ existed but we see in seventeenth-century literature many kinds of autobiographical writings, to which their authors gave such titles as ‘Journal of the Life of Me, Confessions, etc. This work is a study of nearly two hundred of these, published and unpublished, which together represent a very varied group of writings. The book begins with an examination of the rise of autobiography as a genre during the Renaissance. It discusses seventeenth-century autobiographical writings under two main headings – ‘religious’, where the autobiographies are grouped according to the denomination of their writer, and ‘secular’, where a wide variety of writings is examined, including accounts of travel and of military and political life, as well as more personal accounts. Autobiographies by women are treated separately, and the author shows that they in general have a deeper revelation of sentiments and more subtle self-analyses than is found in comparable works by men. Sources and influences are recorded and also the essential historical details of each work. This book gives a critical analysis of the autobiographies as literary works and suggests relationships between them and the culture and society of their time. Review of the original publication: "…a contribution to cultural history which is of quite exceptional merit. Its subject is of great intrinsic interest and manifest importance and Professor Delany has treated it with exemplary thoroughness, lucidity, and intelligence." Lionel Trilling
British Avant-Garde Theatre
by Claire WardenThis book explores an under-researched body of work from the early decades of the twentieth century, connecting plays, performances and practitioners together in dynamic dialogues. Moving across national, generational and social borders, the book reads experiments in Britain during this period alongside theatrical innovations overseas.
British Boarding Houses in Interwar Women's Literature: Alternative domestic spaces
by Terri MullhollandEmbraced for the dramatic opportunities afforded by a house full of strangers, the British boarding house emerged as a setting for novels published during the interwar period by a diverse range of women writers from Stella Gibbons to Virginia Woolf. To use the single room in the boarding house or bedsit, Terri Mullholland argues, is to foreground a particular experience. While the single room represents the freedoms of independent living available to women in the early twentieth century, it also marks the precariousness of unmarried women’s lives. By placing their characters in this transient space, women writers could explore women's changing social roles and complex experiences – amateur prostitution, lesbian relationships, extra-marital affairs, and abortion – outside traditional domestic narrative concerns. Mullholland presents new readings of works by canonical and non-canonical writers, including Stella Gibbons, Winifred Holtby, Storm Jameson, Rosamond Lehmann, Dorothy Richardson, Jean Rhys, and Virginia Woolf. A hybrid of the modernist and realist domestic fiction written and read by women, the literature of the single room merges modernism's interest in interior psychological states with the realism of precisely documented exterior spaces, offering a new mode of engagement with the two forms of interiority.
British Bulldog (Mirabelle Bevan #4)
by Sara Sheridan1954, Brighton, London and ParisWhen Mirabelle receives a bequest from a lately deceased wartime acquaintance she is mystified - she hardly knew the man but it is not long before she realises that he certainly knew her. She is drawn back to re-examine her memories of WWII and is shocked to find that other people's experiences do not chime with her own and more importantly, with what she knows of her erstwhile lover, Jack Duggan. Following the trail to the threads of what's left of the resistance movement in Paris, Mirabelle is forced to face secrets she didn't even know that she had.
British Colonial Realism in Africa
by Deborah Shapple SpillmanHow are objects central to the formation of individuals, their communities, and their liberties? What role do objects play as they move between societies and their different systems of value as commodities, as charms, as gifts, as trophies, or as curses? Nineteenth-century British authors attempting to transport narrative realism to the colonies confronted such questions directly and indirectly as they struggled to represent competing forms of material investment that characterized colonial and postcolonial life in Africa. Reading works by authors from Joseph Conrad and Mary Kingsley to Anna Howarth and Olive Schreiner against nineteenth-century African essays, folklore, visual arts, and recorded testimonies, this new study considers how conflicts over the material world impacted literary realism in colonial Africa. These conflicts highlight tensions between Victorian and African perceptions of objects and practices of exchange, while directing our attention toward alternate histories and stories yet to be told.
British Covid Fictions: Reading Pandemic Politics
by Hywel DixThis is the first book-length study of Covid fictions in Britain. It argues that although it was common to see the Covid-19 pandemic as a state of exception, that is, as a unique emergency for which there was no precedent, it is misleading to treat the experience of the pandemic in Britain in isolation because the state’s political and rhetorical responses to it were less out of keeping with already existing social and political structures than might have been expected. This means that there was a strong continuity between the dominant political ideology before the outbreak of Coronavirus and that which pervaded it, an ideology that can best be described as neoliberal political and economic thought. Through its analysis of Covid fictions, the book explores ways in which writers used their work to critique the dominant ideology while also at times remaining entrapped within it precisely because it was the dominant ideology.
British Culture of the Post-War: An Introduction to Literature and Society 1945-1999
by Alan Sinfield Alistair DaviesFrom Angus Wilson to Pat Barker and Salman Rushdie, British Culture of the Post-War is an ideal starting point for those studying cultural developments in Britain of recent years. Chapters on individual people and art forms give a clear and concise overview of the progression of different genres. They also discuss the wider issues of Britain's relationship with America and Europe, and the idea of Britishness.Each section is introduced with a short discussion of the major historical events of the period. Read as a whole, British Culture of the Postwar will give students a comprehensive introduction to this turbulent and exciting period, and a greater understanding of the cultural production arising from it.
British Decolonisation and the Female Middlebrow Novel
by Anne WetheriltBritish Decolonisation and the Female Middlebrow Novel offers the first detailed discussion of middlebrow fiction by women writers who personally witnessed the dismantling of the British Empire, the intensification of the Cold War, and the domestic tensions following the arrival of thousands of migrants from Britain&’s former colonies. Studying selected novels by Cecilie Leslie, Elspeth Huxley, Mary McMinnies, Han Suyin and Kamala Markandaya, this study demonstrates that women&’s middlebrow writing reveals a much deeper engagement with the politics and economics of decolonisation than is usually ascribed to the genre. As Anne Wetherilt argues, by transcending the politics of domesticity, the female middlebrow registers a critique of both Britain&’s colonial history and mainstream conceptions of decolonisation as a well-managed transition from empire to commonwealth. As such, the middlebrow novel of the immediate post-war decades takes us back to a place where the end of empire was imagined rather than denied, and the ambiguities of British colonial politics exposed, rather than repressed.
British Detective Fiction 1891–1901: The Successors to Sherlock Holmes (Crime Files)
by Clare ClarkeThis book examines the developments in British serial detective fiction which took place in the seven years when Sherlock Holmes was dead. In December 1893, at the height of Sherlock’s popularity with the Strand Magazine’s worldwide readership, Arthur Conan Doyle killed off his detective. At the time, he firmly believed that Holmes would not be resurrected. This book introduces and showcases a range of Sherlock’s most fascinating successors, exploring the ways in which a huge range of popular magazines and newspapers clamoured to ensnare Sherlock’s bereft fans. The book’s case-study format examines a range of detective series-- created by L.T. Meade; C.L. Pirkis; Arthur Morrison; Fergus Hume; Richard Marsh; Kate and Vernon Hesketh-Prichard— that filled the pages of a variety of periodicals, from plush monthly magazines to cheap newspapers, in the years while Sherlock was dead. Readers will be introduced to an array of detectives—professional and amateur, male and female, old and young; among them a pawn-shop worker, a scientist, a British aristocrat, a ghost-hunter. The study of these series shows that there was life after Sherlock and proves that there is much to learn about the development of the detective genre from the successors to Sherlock Holmes.“In this brilliant, incisive study of late Victorian detective fiction, Clarke emphatically shows us there is life beyond Sherlock Holmes. Rich in contextual detail and with her customary eye for the intricacies of publishing history, Clarke’s wonderfully accessible book brings to the fore a collection of hitherto neglected writers simultaneously made possible but pushed to the margins by Conan Doyle’s most famous creation.” — Andrew Pepper,, Senior Lecturer in English and American Literature, Queen's University, Belfast Professor Clarke's superb new book, British Detective : The Successors to Sherlock Holmes, is required reading for anyone interested in Victorian crime and detective fiction. Building on her award-winning first monograph, Late-Victorian Crime Fiction in the Shadows of Sherlock, Dr. Clarke further explores the history of serial detective fiction published after the "death" of Conan Doyle's famous detective in 1893. This is a path-breaking book that advances scholarship in the field of late-Victorian detective fiction while at the same time introducing non-specialist readers to a treasure trove of stories that indeed rival the Sherlock Holmes series in their ability to puzzle and entertain the most discerning reader. — Alexis Easley, Professor of English, University of St.Paul, Minnesota
British Drama of the Industrial Revolution
by Frederick BurwickBetween the advent of the French Revolution and the short-lived success of the Chartist Movement, overworked and underpaid labourers struggled to achieve solidarity and collective bargaining. That history has been told in numerous accounts of the age, but never before has it been told in terms of the theatre of the period. To understand the play lists of a theatre, it is crucial to examine the community which that theatre serves. In the labouring-class communities of London and the provinces, the performances were adapted to suit the local audiences, whether weavers, or miners, or field workers. Examining the conditions and characteristics of representative provincial theatres from the 1790s to 1830s, Frederick Burwick argues that the meaning of a play changes with every change in the performance location. As contributing factors in that change, Burwick attends to local political and cultural circumstances as well as to theatrical activities and developments elsewhere.
British Empire and the Literature of Rebellion: Revolting Bodies, Laboring Subjects
by Sheshalatha ReddyThis book examines imperial and nationalist discourses surrounding three contemporaneous and unsuccessful mid-nineteenth-century colonial uprisings against the British Empire: the Sepoy Rebellion (1857) in India, the Morant Bay Rebellion (1865) in Jamaica, and the Fenian Rebellion (1867) in Ireland. In reading these three mid-century rebellions as flashpoints for the varying yet parallel attempts by imperialist colonialists, nationalists, and socialists to transform the oppressed colonized worker (the subjected laborer) into one whose identity is created and limited by labor (a laboring subject), this book also tracks varying modes of resistance to those attempts in all three colonies. In drawing from a range of historical, literary, and visual sources outside the borders of the Anglophone literary canon, this book contends that these texts not only serve as points of engagements with the rebellions but also constitute an archive of oppression and resistance.
British Encounters with Ottoman Minorities in the Early Seventeenth Century: ‘Slaves’ of the Sultan (Early Modern Cultural Studies 1500–1700)
by Eva Johanna HolmbergBritish travellers regarded all inhabitants of the seventeenth-century Ottoman empire as ‘slaves of the sultan’, yet they also made fine distinctions between them. This book provides the first historical account of how British travellers understood the non-Muslim peoples they encountered in Ottoman lands, and of how they perceived and described them in the mediating shadow of the Turks. In doing so it changes our perceptions of the European encounter with the Ottomans by exploring the complex identities of the subjects of the Ottoman empire in the English imagination, de-centering the image of the ‘Terrible Turk’ and Islam.
British Enlightenment Theatre: Dramatizing Difference
by Bridget OrrIn this ground-breaking work, Bridget Orr shows that popular eighteenth-century theatre was about much more than fashion, manners and party politics. Using the theatre as a means of circulating and publicizing radical Enlightenment ideas, many plays made passionate arguments for religious and cultural toleration, and voiced protests against imperial invasion and forced conversion of indigenous peoples by colonial Europeans. Irish and labouring-class dramatists wrote plays, often set in the countryside, attacking social and political hierarchy in Britain itself. Another crucial but as yet unexplored aspect of early eighteenth-century theatre is its connection to freemasonry. Freemasons were pervasive as actors, managers, prompters, scene-painters, dancers and musicians, with their own lodges, benefit performances and particular audiences. In addition to promoting the Enlightened agenda of toleration and cosmopolitanism, freemason dramatists invented the new genre of domestic tragedy, a genre that criticized the effects of commercial and colonial capitalism.
British Experimental Women’s Fiction, 1945—1975: Slipping Through the Labels
by Andrew Radford Hannah Van HoveThis book scrutinizes a range of relatively overlooked post-WWII British women writers who sought to demonstrate that narrative prose fiction offered rich possibilities for aesthetic innovation. What unites all the primary authors in this volume is a commitment to challenging the tenets of British mimetic realism as a literary and historical phenomenon. This collection reassesses how British female novelists operated in relation to transnational vanguard networking clusters, debates and tendencies, both political and artistic. The chapters collected in this volume enquire, for example, whether there is something fundamentally different (or politically dissident) about female experimental procedures and perspectives. This book also investigates the processes of canon formation, asking why, in one way or another, these authors have been sidelined or misconstrued by recent scholarship. Ultimately, it seeks to refine a new research archive on mid-century British fiction by female novelists at least as diverse as recent and longer established work in the domain of modernist studies.