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The War Plans of the Great Powers: 1880-1914 (Routledge Library Editions: The First World War)
by Paul M. KennedyThe origins of the First World War remain one of the greatest twentieth century historical controversies. In this debate the role of military planning in particular and of militarism in general, are a key focus of attention. Did the military wrest control from the civilians? Were the leaders of Europe eager for a conflict? What military commitments were made between the various alliance blocks? These questions are examined in detail here in eleven essays by distinguished historians and the editor’s introduction provides a focus and draws out the comparative approach to the history of military policies and war plans of the great powers.
War Play
by Corey MeadA behind-the-scenes look at how the military uses video game technology to train soldiers, treat veterans, and entice new recruits How does the U.S. military train its soldiers for new forms of armed conflict, all within the constraints of diminished defense budgets? Increasingly, the answer is cutting-edge video game technology. Corey Mead shows us training sessions where soldiers undertake multiplayer "missions" that test combat skills, develop unit cohesion, and teach cultural awareness. He immerses himself in 3-D battle simulations so convincing that they leave his heart racing. And he shows how the military, which has shaped American education more than any other force over the last century, fuels the adoption of games as learning tools--and recruitment come-ons. Mead also details how the military uses games to prepare soldiers for their return to the home front and to treat PTSD. Military-funded researchers were closely involved with the computing advances that led to the invention of the Internet. Now, as Mead proves, we are poised at the brink of a similar explosion in game technology. War Play reveals that many of tomorrow's teaching tools, therapies, and entertainments can be found in today's military.
War Poems (Dover Thrift Editions)
by Siegfried SassoonAt the dawn of World War I, Siegfried Sassoon exchanged his pursuits of cricket, fox-hunting, and romantic verse for army life amid the muddy trenches of France. The first English soldier-poet to achieve notoriety as an opponent of the war, he ranks among the conflict's most critical poetic voices. This collection of his epigrammatic and satirical poetry conveys the shocking brutality and pointlessness of the Great War. <P><P> Many of these poems were written in the hospital while Sassoon recovered from wounds he received in battle. Their violence and graphic detail shocked readers, impressing upon them the horrors of trench warfare and the foot soldier's weariness of the never-ending struggle. "The dynamic quality of his war poems," observed the Times Literary Supplement, "was due to the intensity of feeling which underlay their cynicism." More than 80 of Sassoon's moving works are featured in this volume, including "Counter-Attack," "They," "The General," and "Base Details."
The War Poems Of Wilfred Owen
by Wilfred Owen'Orpheus, the pagan saint of poets, went through hell and came back singing. In twentieth-century mythology, the singer wears a steel helmet and makes his descent "down some profound dull tunnel" in the stinking mud of the Western Front. For most readers of English poetry, the face under that helmet is that of Wilfred Owen.' Professor Jon Stallworthy, from his Introduction.When Wilfred Owen was killed in the days before the Armistice in 1918, he left behind a shattering, truthful and indelible record of a soldier's experience of the First World War. His greatest war poetry has been collected, edited and introduced here by Professor Jon Stallworthy. This special edition is published to commemorate the end of the hellish war that Owen, though the hard-won truth and terrible beauty of his poetry, has taught us never to forget.
War, Politics and Society in Early Modern China, 900-1795 (Warfare and History)
by Peter LorgeThis comprehensive survey of Chinese military history is the only book in English to span the significant years from 900 – 1795. Peter Lorge questions current theories on China’s relationship to war, and argues that war was the most important tool used by the Chinese in building and maintaining their empire. Emphasizing the relationship between the military and politics, chapters are organised around specific military events and, Lorge argues, the strength of territorial claims and political impact of each dynasty were determined by their military capacity. Ideal as a course adoption text for Asian military studies, this is also valuable for students of Chinese studies, military studies and Chinese history.
War, Politics And Society In Early Modern China 900-1795
by Peter LorgeThis comprehensive survey of Chinese military history is the only book in English to span the significant years from 900 - 1795. Peter Lorge questions current theories on China's relationship to war, and argues that war was the most important tool used by the Chinese in building and maintaining their empire. Emphasizing the relationship between the military and politics, chapters are organised around specific military events and, Lorge argues, the strength of territorial claims and political impact of each dynasty were determined by their military capacity. Ideal as a course adoption text for Asian military studies, this is also valuable for students of Chinese studies, military studies and Chinese history.
War Porn
by Roy Scranton"War porn," n. Videos, images, and narratives featuring graphic violence, often brought back from combat zones, viewed voyeuristically or for emotional gratification. Such media are often presented and circulated without context, though they may be used as evidence of war crimes. War porn is also, in Roy Scranton's searing debut novel, a metaphor for the experience of war in the age of the War on Terror, the fracturing and fragmentation of perspective, time, and self that afflicts soldiers and civilians alike, and the global networks and face-to-face moments that suture our fragmented lives together. In War Porn three lives fit inside one another like nesting dolls: a restless young woman at an end-of-summer barbecue in Utah; an American soldier in occupied Baghdad; and Qasim al-Zabadi, an Iraqi math professor, who faces the US invasion of his country with fear, denial, and perseverance. As War Porn cuts from America to Iraq and back again, as home and hell merge, we come to see America through the eyes of the occupied, even as we see Qasim become a prisoner of the occupation. Through the looking glass of War Porn, Scranton reveals the fragile humanity that connects Americans and Iraqis, torturers and the tortured, victors and their victims.
War Posters: The Historical Role of Wartime Poster Art 1914-1919
by Arthur K. Sabin Martin Hardie"Take up the sword of justice," commands a vengeful, blade-wielding sea goddess, while a ship resembling the Lusitania hovers on the horizon"Keep all Canadians busy. Buy 1918 victory bonds," advises a poster bearing a pair of industrious beavers"Must children die and Mothers plead in vain? Buy more Liberty Bonds," demands a heartrending scene of an overwhelmed woman and her infants"Books wanted for our men in camp and 'over there'--Take your gifts to the public library," proposes an image of a doughboy balancing a stack of volumesStriking poster art, featuring exhortations to support the troops and help the suffering, appeared across Europe and North America during World War I. This compilation presents 80 color and black-and-white posters, issued from 1914 to 1919, that include works by Steinlen, Biró, Paul Nash, and other noted artists. Arranged by the country of issue, they comprise examples from Great Britain, France, Germany and Austria/Hungary, the United States, and elsewhere. In addition, a substantial and informative Introduction details the historical role of wartime posters.
War Powers: The Politics of Constitutional Authority
by Mariah ZeisbergArmed interventions in Libya, Haiti, Iraq, Vietnam, and Korea challenged the US president and Congress with a core question of constitutional interpretation: does the president, or Congress, have constitutional authority to take the country to war? War Powers argues that the Constitution doesn't offer a single legal answer to that question. But its structure and values indicate a vision of a well-functioning constitutional politics, one that enables the branches of government themselves to generate good answers to this question for the circumstances of their own times. Mariah Zeisberg shows that what matters is not that the branches enact the same constitutional settlement for all conditions, but instead how well they bring their distinctive governing capacities to bear on their interpretive work in context. Because the branches legitimately approach constitutional questions in different ways, interpretive conflicts between them can sometimes indicate a successful rather than deficient interpretive politics. Zeisberg argues for a set of distinctive constitutional standards for evaluating the branches and their relationship to one another, and she demonstrates how observers and officials can use those standards to evaluate the branches' constitutional politics. With cases ranging from the Mexican War and World War II to the Cold War, Cuban Missile Crisis, and Iran-Contra scandal, War Powers reinterprets central controversies of war powers scholarship and advances a new way of evaluating the constitutional behavior of officials outside of the judiciary.
War Primer
by Bertolt Brecht John WillettA terrifying series of short poems by one of the world’s leading playwrights, set to images of World War IIIn this singular book written during World War Two, Bertolt Brecht presents a devastating visual and lyrical attack on war under modern capitalism. He takes photographs from newspapers and popular magazines, and adds short lapidary verses to each in a unique attempt to understand the truth of war using mass media. Pictures of catastrophic bombings, propaganda portraits of leading Nazis, scenes of unbearable tragedy on the battlefield — all these images contribute to an anthology of horror, from which Brecht’s perceptions are distilled in poems that are razor-sharp, angry and direct. The result is an outstanding literary memorial to World War Two and one of the most spontaneous, revealing and moving of Brecht’s works.
The War Queens: Extraordinary Women Who Ruled the Battlefield
by Jonathan W. Jordan Emily Anne JordanRecently adapted into the War Queens podcast hosted by authors Emily and Jon Jordan, featuring Game of Thrones star Nathalie Emmanuel. Now available on Apple, Spotify, Audible, and all major listening platforms.&“Masterfully captures the largely forgotten saga of warrior queens through the ages . . . an epic filled with victory, defeat, and legendary women.&” —Patrick K. O&’Donnell, bestselling author of The Indispensables History&’s killer queens come in all colors, ages, and leadership styles. Elizabeth Tudor and Golda Meir played the roles of high-stakes gamblers who studied maps with an unblinking, calculating eye. Angola&’s Queen Njinga was willing to shed (and occasionally drink) blood to establish a stable kingdom in an Africa ravaged by the slave trade. Caterina Sforza defended her Italian holdings with cannon and scimitar, and Indira Gandhi launched a war to solve a refugee crisis. From ancient Persia to modern-day Britain, the daunting thresholds these exceptional women had to cross—and the clever, sometimes violent ways in which they smashed obstacles in their paths—are evoked in vivid detail. The narrative sidles up to these war queens in the most dire, tumultuous moments of their reigns and examines the brilliant methods and maneuvers they each used to defend themselves and their people from enemy forces. Father-daughter duo Jonathan W. and Emily Anne Jordan extoll the extraordinary power and potential of women in history who walked through war&’s kiln and emerged from the other side—some burnished to greatness, others burned to cinders. All of them, legends. &“Reminds us intelligently, entertainingly and powerfully that strong-willed women have always been the equal—and very often the superior—of their male counterparts, even in the field historically most jealously reserved for men: warfare.&” —Andrew Roberts, New York Times–bestselling author &“This book should be required reading for anyone who loves history.&” —James M. Scott, Pulitzer Prize finalist
War, Religion and Empire
by Andrew PhillipsWhat are international orders, how are they destroyed, and how can they be defended in the face of violent challenges? Advancing an innovative realist-constructivist account of international order, Andrew Phillips addresses each of these questions in War, Religion and Empire. Phillips argues that international orders rely equally on shared visions of the good and accepted practices of organized violence to cultivate cooperation and manage conflict between political communities. Considering medieval Christendom's collapse and the East Asian Sinosphere's destruction as primary cases, he further argues that international orders are destroyed as a result of legitimation crises punctuated by the disintegration of prevailing social imaginaries, the break-up of empires, and the rise of disruptive military innovations. He concludes by considering contemporary threats to world order, and the responses that must be taken in the coming decades if a broadly liberal international order is to survive.
War Report: From D-Day to Berlin, as it happened
by VariousThis is WWII history, as it happened. All the horror and excitement of eleven months that changed the world.On D-Day (6 June 1944) a team of BBC reporters, trained and were embedded with British troops, achieved a first in war reporting: they landed side by side with soldiers, in gliders, by parachute, in assault-craft, talking into portable recording machines to ‘tell it as it was’. For eleven months reporters such as Richard Dimbleby, Chester Wilmot and Frank Gillard were in the vanguard, filing over 1,500 dispatches covering the desperate exchanges on the D-Day beaches, the battle for Caen, the advance through Normandy, the liberation of Paris and, finally, the German surrender in 1945. 75 years after the invasion of Normandy, the dispatches of War Report collected here are as visceral and urgent as ever, and provide a remarkable account of Allied efforts to liberate Europe and end the war. With a foreword by John Simpson, War Report is a vital piece of modern history, direct from the front line.
War Reporting for Cowards
by Chris AyresFrom the book: "Captain," I called out. -How dangerous is this going to be?" "Don't worry," he said with a straight face. "People think artillery is boring. But we kill more people than anyone else." Chris Ayres never wanted to be a war correspondent. A small-town boy, a hypochondriac, and a neat freak with an anxiety disorder, he saw journalism as a ticket to lounging by swimming pools in Beverly Hills and sipping martinis at Hollywood celebrity parties. Instead, he keeps finding himself in the wrong place at the wrong time, whether it's a few blocks from the World Trade Center on September 11 or one cubicle over from an anthrax attack at The New York Post. Then, a misunderstanding with his boss sees him transferred from Hollywood to the Middle East, where he is embedded with the Marine Corps on the front line of the Iraq War, headed straight to Baghdad with a super-absorbent camping towel, an electric toothbrush, and only one change of underwear. What follows is the worst (not to mention the first) camping trip of his life. War Reporting for Cowards is the Iraq War through the eyes of a "war virgin." After a crash course on "surviving dangerous countries" where he nearly passes out when learning how to apply a tourniquet, and a gas mask training exercise where he is repeatedly told he is "one very dead media representative," Ayres joins the Long Distance Death Dealers, a battalion of gung-ho Marines who kill more people on the battlefield than anyone else. Donning a bright blue flak jacket and helmet, he quickly makes himself the easiest target in the entire Iraqi desert. Ayres spends the invasion digging "coffin-sized" foxholes, dodging incoming mortars, fumbling for his gas mask, and, at one point, accidentally running into the path of a dozen Republican Guard tanks amid a blinding mud storm. By "bogged down" by the growing insurgency, Ayres realizes not only what the sheer terror of combat feels like, but also the visceral thrill of having won a fight for survival. In the tradition of M*A*S*H and Catch-22, War Reporting for Cowards is by turns extraordinarily honest, heartfelt, and bitterly hilarious. It is destined to become a classic of war reportage.
War Reporting for Cowards: Between Iraq And A Hard Place
by Chris AyresChris Ayres is a small-town boy, a hypochondriac, and a neat freak with an anxiety disorder. Not exactly the picture of a war correspondent. But when his boss asks him if he would like to go to Iraq, he doesn't have the guts to say no. After signing a 1 million dollar life-insurance policy, studying a tutorial on repairing severed limbs, and spending 20 thousand dollars in camping gear (only to find out that his bright yellow tent makes him a sitting duck), Ayres is embedded with a battalion of gung ho Marines who either shun him or threaten him when he files an unfavorable story. As time goes on, though, he begins to understand them (and his inexplicably enthusiastic fellow war reporters) more and more: Each night of terrifying combat brings, in the morning, something more visceral than he has ever experienced - the thrill of having won a fight for survival.In the tradition of MASH, Catch-22, and other classics in which irreverence springs from life in extremis, War Reporting for Cowards tells the story of Iraq in a way that is extraordinarily honest, heartfelt, and bitterly hilarious.
War Representation in British Cinema and Television: From Suez to Thatcher, and Beyond (Britain and the World)
by Kevin M. FlanaganThis book explores alternatives to realist, triumphalist, and heroic representations of war in British film and television. Focusing on the period between the Suez Crisis of 1956 and the Falkland War but offering connections to the moment of Brexit, it argues that the “lost continent” of existential, satirical, simulated, and abstractly traumatic war stories is as central to understanding Britain’s martial history as the mainstream inheritance. The book features case studies that stress the contribution of exiled or expatriate directors and outsider sensibilities, with particular emphasis on Peter Watkins, Joseph Losey, and Richard Lester. At the same time, it demonstrates concerns and stylistic emphases that continue to the present in television series and films by directors such as Lone Scherfig and Christopher Nolan. Encompassing everything from features to government information films, the book explores related trends in the British film industry, popular culture, and film criticism, while offering a sense of how these contexts contribute to historical memory.
War Resistance & Intelligence: Essays in Honour of M.R.D. Foot (Military History Ser.)
by K. G. RobertsonA collection of authoritative and often controversial essays that will hold the attention of even the most informed reader. This fascinating book covers such important and relevant topics as Churchill and the Secret Services, ULTRA codebreaking and Soviet espionage and much more.
War, Science and Terrorism: From Laboratory to Open Conflict
by Dr J RichardsonDescribes the application of research to the evolution of weapons. It shows how natural, engineering, information and environmental sciences are exploited how even social science is applied to recruitment, battlefield and logistical management, and careful preparation of terroristic acts.
War, So Much War
by Mercè Rodoreda Martha Tennent Maruxa RelañoWe first meet its young protagonist, Adrià Guinart, as he is leaving Barcelona out of boredom and a thirst for freedom, embarking on a long journey through the backwaters of a rural land that one can only suppose is Catalonia, accompanied by the interminable, distant rumblings of an indefinable war. <P><P> In vignette-like chapters and with a narrative style imbued with the fantastic, Guinart meets with numerous adventures and peculiar characters who offer him a composite, if surrealistic, view of an impoverished, war-ravaged society and shape his perception of his place in the world.As in Rodoreda's Death in Spring, nature and death play an fundamental role in a narrative that often takes on a phantasmagoric quality and seems to be a meditation on the consequences of moral degradation and the inescapable presence of evil.Mercè Rodoreda (1908-1983) is widely regarded as the most important Catalan writer of the twentieth century. Exiled in France and Switzerland following the Spanish Civil War, Rodoreda began writing the novels and short stories--Twenty-Two Short Stories, The Time of the Doves, Camellia Street, Garden by the Sea--that would eventually make her internationally famous.
War, Sport and the Anzac Tradition (Palgrave Studies in Sport and Politics)
by Kevin BlackburnCommemoration of war is done through sport on Anzac Day to remember Australia's war dead. War, Sport and the Anzac Tradition traces the creation of this sporting tradition at Gallipoli in 1915, and how it has evolved from late Victorian and Edwardian ideas of masculinity extolling prowess on the sports field as fostering prowess on the battlefield.
War, States, and Contention: A Comparative Historical Study
by Sidney TarrowFor the last two decades, Sidney Tarrow has explored "contentious politics"--disruptions of the settled political order caused by social movements. These disruptions range from strikes and street protests to riots and civil disobedience to revolution. In War, States, and Contention, Tarrow shows how such movements sometimes trigger, animate, and guide the course of war and how they sometimes rise during war and in war's wake to change regimes or even overthrow states. Tarrow draws on evidence from historical and contemporary cases, including revolutionary France, the United States from the Civil War to the anti-Vietnam War movement, Italy after World War I, and the United States during the decade following 9/11. In the twenty-first century, movements are becoming transnational, and globalization and internationalization are moving war beyond conflict between states. The radically new phenomenon is not that movements make war against states but that states make war against movements. Tarrow finds this an especially troublesome development in recent U.S. history. He argues that that the United States is in danger of abandoning the devotion to rights it had expanded through two centuries of struggle and that Americans are now institutionalizing as a "new normal" the abuse of rights in the name of national security. He expands this hypothesis to the global level through what he calls "the international state of emergency."
War Stories: The Experiences of Women in the Second World War
by David BoltonAfter listening to his mother-in-law talking about her experiences in the Second World War, David Bolton set out to record the wartime memories of British women before it was too late. Many of those he interviewed were child evacuees, some were single mothers, two were ambulance drivers and another was the girlfriend of an American GI killed on D-Day. Other women remembered their experiences working as a young doctor in a POW camp, in a munitions factory filling shells or as a codebreaker at Bletchley Park.War Stories archives the memories of over fifty women in their own words, supplemented by memoirs and diary entries. All tell their very personal war stories with honesty, humour, an amazing memory for detail and a boldness sometimes bordering on the confessional – perhaps because this was their last chance to describe what it was really like to be female in those extraordinary times.
War Stories: The War Memoir in History and Literature
by Philip DwyerAlthough war memoirs constitute a rich, varied literary form, they are often dismissed by historians as unreliable. This collection of essays is one of the first to explore the modern war memoir, revealing the genre’s surprising capacity for breadth and sophistication while remaining sensitive to the challenges it poses for scholars. Covering conflicts from the Napoleonic era to today, the studies gathered here consider how memoirs have been used to transmit particular views of war even as they have emerged within specific social and political contexts.
War Stories
by Gordon KormanThere are two things Trevor loves more than anything else: playing war-based video games and his great-grandfather Jacob, who is a true-blue, bona fide war hero. At the height of the war, Jacob helped liberate a small French village, and was given a hero's welcome upon his return to America.Now it's decades later, and Jacob wants to retrace the steps he took during the war -- from training to invasion to the village he is said to have saved. Trevor thinks this is the coolest idea ever. But as they get to the village, Trevor discovers there's more to the story than what he's heard his whole life, causing him to wonder about his great-grandfather's heroism, the truth about the battle he fought, and importance of genuine valor.
War Stories: From The Charge Of The Light Brigade To The Battle Of The Bulge And Beyond
by Peter Snow Ann MacMillanA uniquely intimate narrative of ordinary men and women facing the challenges and turmoil of war with acts of great heroism and humanity. A fascinating account of ordinary men and women swept up in the turbulence of conflict, War Stories tells the tales of thirty-four individuals who have pushed the boundaries of love, bravery, suffering, and terror beyond the imaginable. These stories span three centuries and five continents. There is the courage of Edward Seager who survived the Charge of the Light Brigade; the cunning of Krystyna Skarbek, quick-thinking spy and saboteur during the Second World War; the skullduggery of Benedict Arnold, who switched sides in the American War of Independence; and the compassion of Magdalene de Lancey who tenderly nursed her dying husband at Waterloo. Told with vivid narrative energy and full of unexpected insights, War Stories moves effortlessly from tales of spies, escapes, and innovation to uplifting acts of humanity in times of crisis, celebrating men and women whose wartime experiences are beyond compare.