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War Lord (SuperBolan #82)
by Don Pendleton David L. RobbinsWhen a weapon of devastating nuclear potential is stolen, it's up to Mack Bolan to find the culprits and get the weapon back--or destroy it before armageddon!
War Lord: A Novel (Saxon Tales #13)
by Bernard CornwellNEW YORK TIMES BESTSELLER“I gulped it right down. Excellent, as always. . . . Cornwell brings battles to life like no one else.” –George R.R. Martin, Author of Game of ThronesThe final installment in Bernard Cornwell’s bestselling Saxon Tales series, chronicling the epic story of the making of England—the basis for The Last Kingdom, the hit Netflix series.THE FINAL BATTLE AWAITS…The epic conclusion to the globally bestselling historical series. England is under attack. Chaos reigns. Northumbria, the last kingdom, is threatened by armies from all sides, by land and sea – and only one man stands in their way. Torn between loyalty and sworn oaths, the warrior king Lord Uhtred of Bebbanburg faces his greatest ever battle – and prepares for his ultimate fate…“Perhaps the greatest writer of historical adventure novels today” (Washington Post), Bernard Cornwell has dazzled and entertained readers and critics with his prolific string of page-turning bestsellers. Of all his protagonists, however, none is as beloved as Uhtred of Bebbanburg, and this thrilling historical novel continues the saga of his adventures and the turbulent early years of England.
War Machine (Combat-K #1)
by Andy RemicIn a time of post-Singularity and FTL travel, the Helix War has raged across galaxies. When ex-soldier turned private investigator, Keenan, takes on a new case, he must overcome his demons and gather together his old military unit, a group who swore they'd never work together again.
War Made New
by Max BootA monumental, groundbreaking work, now in paperback, that shows how technological and strategic revolutions have transformed the battlefield Combining gripping narrative history with wide-ranging analysis, War Made New focuses on four ?revolutions? in military affairs and describes how inventions ranging from gunpowder to GPS-guided air strikes have remade the field of battle?and shaped the rise and fall of empires. War Made New begins with the Gunpowder Revolution and explains warfare?s evolution from ritualistic, drawn-out engagements to much deadlier events, precipitating the rise of the modern nation-state. He next explores the triumph of steel and steam during the Industrial Revolution, showing how it powered the spread of European colonial empires. Moving into the twentieth century and the Second Industrial Revolution, Boot examines three critical clashes of World War II to illustrate how new technology such as the tank, radio, and airplane ushered in terrifying new forms of warfare and the rise of centralized, and even totalitarian, world powers. Finally, Boot focuses on the Gulf War, the invasion of Afghanistan, and the Iraq War?arguing that even as cutting-edge technologies have made America the greatest military power in world history, advanced communications systems have allowed decentralized, ?irregular? forces to become an increasingly significant threat.
War Made New: Technology, Warfare, and the Course of History, 1500 to Today
by Max BootIn War Made New, acclaimed author Max Boot explores how innovations in warfare mark crucial turning points in modern history, influencing events well beyond the realm of combat. Combining gripping narrative history with wide-ranging analysis, Boot focuses on four "revolutions" in military affairs and describes key battles from each period to explain how inventions ranging from gunpowder to GPS-guided air-strikes have remade the field of battle- and shaped the rise and fall of empires.
War Memoirs of David Lloyd George, Vol. I (War Memoirs of David Lloyd George #1)
by David Lloyd George“Mr. Lloyd George’s War Memoirs constitute a record of unfading historic interest….No one who wishes to be well informed about the Great War should fail to study them.”—Rt. Hon. Winston S. ChurchillA personal account of World War I events, as told from the perspective of David Lloyd George, former Chancellor of the Exchequer (1908-1915), Minister of Munitions (1915-1916), Secretary of State of War (1916) and, towards war end, Prime Minister of the United Kingdom (1916-1922).
War Memoirs of David Lloyd George, Vol. II (War Memoirs of David Lloyd George #2)
by David Lloyd GeorgeA personal account of World War I events, as told from the perspective of David Lloyd George, former Chancellor of the Exchequer (1908-1915), Minister of Munitions (1915-1916), Secretary of State of War (1916) and, towards war end, Prime Minister of the United Kingdom (1916-1922).“Mr. Lloyd George’s War Memoirs constitute a record of unfading historic interest….No one who wishes to be well informed about the Great War should fail to study them.”—Rt. Hon. Winston S. Churchill
War Memories: Commemoration, Recollections, and Writings on War (Human Dimensions in Foreign Policy, Military Studies, and Security Studies)
by Stéphanie A.H. Bélanger Renée DickasonWar Memories explores the patchwork formed by collective memory, public remembrance, private recollection, and the ways in which they form a complex composition of observations, initiatives, and experiences. Offering an international perspective on war commemoration, contributors consider the process of assembling historical facts and subjective experiences to show how these points of view diverge according to various social, cultural, political, and historical perspectives. Encompassing the representations of wars in the English-speaking world over the last hundred years, this collection presents an extensive, yet integrated, reflection on various types of commemoration and interpretations of events. Essays respond to common questions regarding war memory: how and why do we remember war? What does commemoration tell us about the actors in wars? How does commemoration reflect contemporary society’s culture of war? War Memories disseminates current knowledge on the performance, interpretation, and rewriting of facts and events during and after wars, while focusing on how patriotic fervour, resistance, conscientious objection, injury, trauma, and propaganda contribute to the shaping of individual and collective memory. Contributors include Joan Beaumont (Australian National University, Canberra), Gilles Chamerois (University of Brest, France), Subarno Chattarji (University of Delhi, India), Nicole Cloarec (Rennes 1 University, France), Corinne David-Ives (European University of Brittany – Rennes 2, France), Jeffrey Demsky (San Bernardino Valley College, California), Sam Edwards (Manchester Metropolitan University), Georges Fournier (Jean Moulin University, France), Annie Gagiano (University of Stellenbosch, South Africa), David Haigron (Rennes 2 University, France), Judith Keene (University of Sydney, Australia), Melissa King (San Bernardino Valley College, California), Christine Knauer (Eberhard Karls University Tübingen, Germany), Liliane Louvel (University of Poitiers), Michelle P. Moore (Canadian Army Doctrine and Training Centre, Kingston, Ontario), John Mullen (University of Rouen, France), Lorie-Anne Duech-Rainville (Caen University, France), Elizabeth Rechniewski (Australian Research Council Discovery Project), Raphaël Ricaud (University ‘Paris Ouest Nanterre La Défense’, France), Laura Robinson (Royal Military College of Canada), and Isabelle Roblin (Université du Littoral-Côte d’Opale, France).
War Memory and East Asian Conflicts, 1930–1945 (Entangled Memories in the Global South)
by Jennifer Coates Eveline BuchheimThis book explores how narratives, exhibitions, media representations, and cultural heritage sites that communicate memories of conflicts in East Asia between 1930 and 1945 spread, interact, and are re-packaged for post-war audiences across national divisions. The contributors examine individual case studies of grassroots engagement with war memory, and collectively demonstrate the necessity of remaining aware of the researcher as participating in another kind of engagement with war memory. Contributions showcase a number of ways of doing research on war memory, alongside case studies from diverse regions of the world. Taken together, they bring a fresh perspective to scholarship on war memory, which has tended to focus on space, text, exhibition, or personal narrative, rather than bringing these elements into dialogue with one another.
War Narratives and the American National Will in War
by Jeffrey J. KubiakWith the U. S. war in Afghanistan in its twelfth year, axioms regarding the American national will in war not being able to tolerate anything other than quick and costless adventures have been found useless in understanding why the U. S. continues to persist in that endeavor. This book answers complex questions about modern US intervention abroad.
War Narratives in Post-Conflict Societies: Keeping the Past Alive in the former Yugoslavia (Contemporary Security Studies)
by Michal MochtakThis book studies war narratives and their role in the political arenas of post-conflict societies, with a focus on the former Yugoslavia.How do politicians in postwar societies talk about the past war? How do they discursively represent vulnerable social groups created by the conflict? Does the nature of this representation depend on the politicians’ ideology, personal characteristics, or their record of combat service? The book answers these questions by pairing natural language processing tools and large corpora of parliamentary debates collected in three southeast European post-conflict societies (Bosnia-Herzegovina, Croatia, and Serbia). Using the latest advances in computer science, the book explores patterns in the war discourse of the political elites of these countries and discusses how politicians talk about war in terms of common narratives and shared frameworks. Mapping over 20 years of parliamentary debates, the book presents a new perspective on the role of the legacies of war in public space and develops theoretical arguments about reconciliation in post-conflict societies. The wars of the 1990s and the breakup of Yugoslavia have created three totally different settings for remembering the past conflicts in these countries, despite their common history. It is a story of victorious battles (Croatia), past grievances (Bosnia-Herzegovina), and denial (Serbia), showing the different flavors of past wars in various national contexts that are symptomatic of many post-conflict societies in different parts of the world.This book will be of much interest to students of war and conflict studies, southeastern European politics, discourse analysis, and international relations.
War Nerd
by Gary BrecherSelf-described war nerd Gary Brecher knows he's not alone, that there's a legion of fat, lonely Americans, stuck in stupid, paper-pushing desk jobs, who get off on reading about war because they hate their lives. But Brecher writes about war, too. War Nerd collects his most opinionated, enraging, enlightening, and entertaining pieces. Part war commentator, part angry humorist àla Bill Hicks, Brecher inveighs against pieties of all stripes - Liberian generals, Dick Cheney, U.N. peacekeepers, the neo-cons - and the massive incompetence of military powers. A provocative free thinker, he finds much to admire in the most unlikely places, and not always for the most pacifistic reasons: the Tamil Tigers, the Lebanese Hezbollah, the Danes of 1,000 years ago, and so on, across the globe and through the centuries. Crude, scatological, un-P.C., yet deeply informed, Brecher provides a radically different, completely unvarnished perspective on the nature of warfare.
War No More: Library of America #278
by James Carroll Lawrence RosenwaldAn unprecedented gathering of the essential texts of the American antiwar tradition: from the Revolution to the war on terror, over 150 eloquent, provocative voices for peace. An unequalled military superpower responsible for the atomic bomb--involved, since its founding, in wars too numerous to list--the United States has also produced an astonishing antiwar literature. At every turn in our history, from the Revolution to the war on terror, a diverse chorus of voices has questioned and resisted both particular wars and justifications for war in general. They have begged, prayed, demanded, and in some instances suffered heroically to make an alternative case. Can we not imagine and hasten a world, they have asked, in which war is a thing of the barbaric past, and peace will prevail, this time and the next? War No More gathers the essays, letters, speeches, memoirs, poems, stories, and songs of over 150 writers spanning almost three centuries. It offers an unprecedented view of a powerful and perennially relevant American tradition, encompassing five-star generals, theologians, nuclear physicists, folk singers, signers of the declaration, quietists, anarchists, veterans, and Nobel laureates. Some have objected on the basis of conscience, inspired by Christian example or other faiths; some have been animated by parallel struggles against racism, capitalism, or the excessive power of the state; some have been moved by the loss of sons, daughters, or comrades, or their personal experience of war's horror. Collectively, they have confronted the proposition that war is inevitable, a necessary price of prosperity or liberty. Their challenge remains an open one, and their words ought to concern every American.From the Hardcover edition.
War Nurse: The Diary of Kitty Langley, 1939-1940 (My Story)
by Sue ReidThis is the diary of Kitty, an 18-year-old VAD (Voluntary Aid Detachment), during the years of 1939 and 1940. As a nurse working in the military hospitals in the south of England, Kitty sees at close hand the effects of war - notably the casualties of Dunkirk. The diary details the historical events and describes the day to day life of a young VAD in a military hospital in WWII. It's also a story about growing up. She is a girl transposed from a comfortable protected existence into the harsher world of a wartime hospital who begins to learn a bit about life and relationships.
War On Iraq: What Team Bush Doesn't Want You to Know
by William Rivers Pitt Scott RitterIraq and our involvements in the twentieth century.
War Over Kosovo: Politics and Strategy in a Global Age
by Andrew Bacevich Eliot CohenMore than any other episode since the end of the Cold War, the conflict in Kosovo revealed the distinctive attributes of a new American "way of war." In so doing, Kosovo also brought into sharp focus the military, political, and moral dilemmas confronting a liberal democracy intent on wielding preeminent power on a global scale. What are the moral implications posed by waging high-tech warfare for humanitarian purposes? Does the precedent set by intervention of this type point toward peace and stability or toward more war? How well suited are the United States military and American society as a whole to the security challenges of the age of globalization? According to Bacevich and Cohen, gauging the "success" achieved in Kosovo yields important answers to these and related questions. The volume includes a well-crafted historical overview of the war and six essays that place it in a broader context. The contributors explore the conflict's relationship to U.S. grand strategy, the Revolution in Military Affairs, and American civil-military relations, among other topics.Contributors: William A. Arkin, Andrew J. Bacevich, Eliot A. Cohen, Alberto R. Coll, James Kurth, Anatol Lieven, Michael Vickers
War Paint
by Bill GoshenThe men who served with in the 1st Infantry Division with F company, 52nd Infantry, (LRP) later redesignated as Company I, 75th Infantry (Ranger) --engaged in some of the fiercest, bloodiest fighting during the Vietnam War, suffering a greater relative aggregate of casualties that any other LRRP/LRP/ Ranger company. Their base was Lai Khe, within hailing distance of the Vietcong central headquarters, a mile inside Cambodia, with its vast stockpiles of weapons and thousands of transient VC and NVA soldiers. Recondo-qualified Bill Goshen was there, and has written the first account of these battle-hardened soldiers. As the eyes and ears of the Big Red One, the 1st Infantry, these hunter/killer teams of only six men instered deep inside enemy territory had to survive by their wits, or suffer the deadly consequences. Goshen himself barely escaped with his life in a virtual suicide mission that destroyed half his team. His gripping narrative recaptures the raw courage and sacrifice of American soldiers fighting a savage war of survival: men of all colors, from all walks of life, warriors bonded by triumph and tragedy, by life and death. They served proudly in Vietnam, and their stories need to be told.
War Photographs Taken on the Battlefields of the Civil War: A Collection Of Memorable Civil War Images Photographed By Mathew Brady And His Assistants (Lyons Press Ser.)
by Alexander Gardner Mathew B. BradyFought over the course of four years, the Civil War pitted countrymen against countrymen, North versus South, friend against friend, and brother against brother. The photographs within these pages document the war that united America as one.These rare shots were taken in the middle of the battlefield during the earliest days of photography. Selected from a collection of seven thousand original negatives, these historic photos capture nearly every aspect of Civil War life. Among these photos are images of camps sprawling across acres, soldiers at their battlements, firing of heavy artillery, the aftermath of battle, and the terror that these young men faced. See first-hand of Union and Confederate officers strategizing their next moves, and Abraham Lincoln addressing his Union commanders.Originally released from the private collection of Edward Bailey Eaton in 1907, this edition is a must have for any Civil War buff or historian. No collection can be considered complete without these photographs by Matthew Brady and Alexander Gardner, as well as the meticulous passages that put the images in illuminating context.
War Pictures: Cinema, Violence, and Style in Britain, 1939-1945 (World War II: The Global, Human, and Ethical Dimension)
by Kent PuckettIn this original and engaging work, author Kent Puckett looks at how British filmmakers imagined, saw, and sought to represent its war during wartime through film. The Second World War posed unique representational challenges to Britain’s filmmakers. Because of its logistical enormity, the unprecedented scope of its destruction, its conceptual status as total, and the way it affected everyday life through aerial bombing, blackouts, rationing, and the demands of total mobilization, World War II created new, critical opportunities for cinematic representation.Beginning with a close and critical analysis of Britain’s cultural scene, War Pictures examines where the historiography of war, the philosophy of violence, and aesthetics come together. Focusing on three films made in Britain during the second half of the Second World War—Michael Powell and Emeric Pressburger’s The Life and Death of Colonel Blimp (1943), Lawrence Olivier’s Henry V (1944), and David Lean’s Brief Encounter (1945)—Puckett treats these movies as objects of considerable historical interest but also as works that exploit the full resources of cinematic technique to engage with the idea, experience, and political complexity of war. By examining how cinema functioned as propaganda, criticism, and a form of self-analysis, War Pictures reveals how British filmmakers, writers, critics, and politicians understood the nature and consequence of total war as it related to ideas about freedom and security, national character, and the daunting persistence of human violence. While Powell and Pressburger, Olivier, and Lean developed deeply self-conscious wartime films, their specific and strategic use of cinematic eccentricity was an aesthetic response to broader contradictions that characterized the homefront in Britain between 1939 and 1945. This stylistic eccentricity shaped British thinking about war, violence, and commitment as well as both an answer to and an expression of a more general violence.Although War Pictures focuses on a particularly intense moment in time, Puckett uses that particularity to make a larger argument about the pressure that war puts on aesthetic representation, past and present. Through cinema, Britain grappled with the paradoxical notion that, in order to preserve its character, it had not only to fight and to win but also to abandon exactly those old decencies, those “sporting-club rules,” that it sought also to protect.
War Plan Orange
by Edward S. MillerBased on twenty years of research in formerly secret archives, this book reveals for the first time the full significance of War Plan Orange--the U.S. Navy's strategy to defeat Japan, forumulated over the forty years prior to World War II. It recounts the struggles between "thrusting" and "cautionary" schools of strategy, the roles of outspoken leaders such as Dewey, Mahan, King, and MacArthur, and the adaptation of aviation and other technologies to the plan. The book shows that the strategy of Plan Orange was the basis of prewar U.S. naval development in training, ship and aircraft design, and amphibious and tactical thought.War Plan Orange is the recipient of numerous book awards, including the prestigious Theodore and Franklin Roosevelt Naval History Prize.
War Planning 1914
by Holger H. Herwig Richard F. HamiltonThe major European powers drafted war plans before 1914 and executed them in August 1914; none brought the expected victory by Christmas. Why? This tightly focused collection of essays by international experts in military history reassesses the war plans of 1914 in a broad diplomatic, military, and political setting for the first time in three decades. The book analyzes the war plans of Austria-Hungary, France, Germany, Great Britain, Italy, and Russia on the basis of the latest research and explores their demise in the opening months of World War I. Collectively and comparatively, these essays place contingency war planning before 1914 in the different contexts and challenges each state faced as well as into a broad European paradigm. This is the first such undertaking since Paul Kennedy's groundbreaking War Plans of the Great Powers (1979), and the end result is breathtaking in both scope and depth of analysis.
War Plans and Alliances in the Cold War: Threat Perceptions in the East and West (CSS Studies in Security and International Relations)
by Andreas Wenger Vojtech Mastny Sven G. HoltsmarkThis essential new volume reviews the threat perceptions, military doctrines, and war plans of both the NATO alliance and the Warsaw Pact during the Cold War, as well as the position of the neutrals, from the post-Cold War perspective. Based on previously unknown archival evidence from both East and West, the twelve essays in the book focus on the potential European battlefield rather than the strategic competition between the superpowers. They present conclusions about the nature of the Soviet threat that could previously only be speculated about and analyze the interaction between military matters and politics in the alliance management on both sides, with implications for the present crisis of the Western alliance. This new book will be of much interest for students of the Cold War, strategic history and international relations history, as well as all military colleges.
War Play
by Corey MeadA behind-the-scenes look at how the military uses video game technology to train soldiers, treat veterans, and entice new recruits How does the U.S. military train its soldiers for new forms of armed conflict, all within the constraints of diminished defense budgets? Increasingly, the answer is cutting-edge video game technology. Corey Mead shows us training sessions where soldiers undertake multiplayer "missions" that test combat skills, develop unit cohesion, and teach cultural awareness. He immerses himself in 3-D battle simulations so convincing that they leave his heart racing. And he shows how the military, which has shaped American education more than any other force over the last century, fuels the adoption of games as learning tools--and recruitment come-ons. Mead also details how the military uses games to prepare soldiers for their return to the home front and to treat PTSD. Military-funded researchers were closely involved with the computing advances that led to the invention of the Internet. Now, as Mead proves, we are poised at the brink of a similar explosion in game technology. War Play reveals that many of tomorrow's teaching tools, therapies, and entertainments can be found in today's military.
War Poems (Dover Thrift Editions)
by Siegfried SassoonAt the dawn of World War I, Siegfried Sassoon exchanged his pursuits of cricket, fox-hunting, and romantic verse for army life amid the muddy trenches of France. The first English soldier-poet to achieve notoriety as an opponent of the war, he ranks among the conflict's most critical poetic voices. This collection of his epigrammatic and satirical poetry conveys the shocking brutality and pointlessness of the Great War. <P><P> Many of these poems were written in the hospital while Sassoon recovered from wounds he received in battle. Their violence and graphic detail shocked readers, impressing upon them the horrors of trench warfare and the foot soldier's weariness of the never-ending struggle. "The dynamic quality of his war poems," observed the Times Literary Supplement, "was due to the intensity of feeling which underlay their cynicism." More than 80 of Sassoon's moving works are featured in this volume, including "Counter-Attack," "They," "The General," and "Base Details."
War Porn
by Roy Scranton"War porn," n. Videos, images, and narratives featuring graphic violence, often brought back from combat zones, viewed voyeuristically or for emotional gratification. Such media are often presented and circulated without context, though they may be used as evidence of war crimes. War porn is also, in Roy Scranton's searing debut novel, a metaphor for the experience of war in the age of the War on Terror, the fracturing and fragmentation of perspective, time, and self that afflicts soldiers and civilians alike, and the global networks and face-to-face moments that suture our fragmented lives together. In War Porn three lives fit inside one another like nesting dolls: a restless young woman at an end-of-summer barbecue in Utah; an American soldier in occupied Baghdad; and Qasim al-Zabadi, an Iraqi math professor, who faces the US invasion of his country with fear, denial, and perseverance. As War Porn cuts from America to Iraq and back again, as home and hell merge, we come to see America through the eyes of the occupied, even as we see Qasim become a prisoner of the occupation. Through the looking glass of War Porn, Scranton reveals the fragile humanity that connects Americans and Iraqis, torturers and the tortured, victors and their victims.