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Bang Your Head: The Rise and Fall of Heavy Metal
by David KonowLike an episode of VH1's Behind the Music on steroids, BANG YOUR HEAD is an epic history of every band and every performer that has proudly worn the Heavy Metal badge. Whether headbanging is your guilty pleasure or you firmly believe that this much-maligned genre has never received the respect it deserves, BANG YOUR HEAD is a must-read that pays homage to a music that's impossible to ignore, especially when being blasted through a sixteen-inch woofer. Charting the genesis of early metal with bands like Black Sabbath and Iron Maiden; the rise of metal to the top of the Billboard charts and heavy MTV rotation featuring the likes of Def Leppard and Metallica; hitting its critical peak with bands like Guns N' Roses; disgrace during the "hair metal" '80s; and a demise fueled by the explosion of the Seattle grunge scene and the "alternative" revolution, BANG YOUR HEAD is as funny as it is informative and proves once and for all that there is more to metal than sin, sex, and spandex. To write this exhaustive history, David Konow spent three years interviewing the bands, wives, girlfriends, ex-wives, groupies, managers, record company execs, and anyone who was or is a part of the metal scene, including many of the band guys often better known for their escapades and bad behavior than for their musicianship. Nothing is left unsaid in this jaw-dropping, funny, and entertaining chronicle of power ballads, outrageous outfits, big hair, bigger egos, and testosterone-drenched debauchery.
Bangtan Remixed: A Critical BTS Reader
by Patty Ahn et al.Bangtan Remixed delves into the cultural impact of celebrated K-Pop boy band BTS, exploring their history, aesthetics, fan culture, and capitalist moment. The collection’s contributors—who include artists, scholars, journalists, activists, and fans—approach BTS through inventive and wide-ranging transnational perspectives. From tracing BTS’s hip hop genealogy to analyzing how the band’s mid-2020 album reflects the COVID-19 pandemic to demonstrating how Baroque art history influences BTS’s music videos, the contributors investigate BTS’s aesthetic heritage. They also explore the political and technological dimensions of BTS’s popularity with essays on K-Pop and BTS’s fan culture as frontiers of digital technology, the complex relationship between BTS and Blackness, the impact of anti-Asian racism on BTS’s fandom, and the challenges BTS poses to conservative norms of gender and sexuality. Bangtan Remixed shows how one band can inspire millions of fans and provide a broad range of insights into contemporary social and political life.Contributors. Andrea Acosta, Patty Ahn, Carolina Alves, Inez Amihan Anderson, Allison Anne Gray Atis, Kaina “Kai” Bernal, Mutlu Binark, Jheanelle Brown, Sophia Cai, Michelle Cho, Mariam Elba, Ameena Fareeda, Vernadette Vicuña Gonzalez, Rosanna Hall, Dal Yong Jin, JIN Youngsun, Despina Kakoudaki, Yuni Kartika, Alptekin Keskin, Rachel Kuo, Marci Kwon, Courtney Lazore, Regina Yung Lee, S. Heijin Lee, Wonseok Lee, Amanda Lovely, Melody Lynch-Kimery, Maria Mison, Noel Sajid I. Murad, Sara Murphy, UyenThi Tran Myhre, Rani Neutill, Johnny Huy Nguyễn, Mimi Thi Nguyen, Karlina Octaviany, Nykeah Parham, Stefania Piccialli, Raymond San Diego, Hannah Ruth L. Sison, Prerna Subramanian, Havannah Tran, Andrew Ty, Gracelynne West, Yutian Wong, Jaclyn Zhou
Banjo For Dummies
by Bill EvansPlay your way to banjo-playing expertiseTraditionally associated with country, folk, and bluegrass music, the banjo is accessible to anyone with the patience and willpower to learn it. This second edition of Banjo For Dummies does the rest of the work for you with updated practice lessons, teaching techniques, and step-by-step examples. With this guide, you will learn tips and techniques for selecting the right instruments and accessories, how to develop correct hand position and posture, and how to tune, care for, and make simple repairs to the instrument. An updated multimedia component features companion audio tracks and complementary video lessons that cement the concepts readers gain during their reading.Written by Bill Evans, an accomplished five-string banjo player, teacher, writer, and historianIncludes access to "how-to" videos on Dummies.comIdeal for anyone who wants to learn to play this classic instrumentFor musicians hoping to lend their art an edge or interested learners looking to pick up a unique skill, Banjo For Dummies is a must-have, straightforward guide to success.
Banjo For Dummies: Book + Online Video and Audio Instruction
by Bill EvansStart from scratch on the five-string banjo Learn how to make your right and left hands work together Explore bluegrass and old-time banjo styles Join the banjo revolution! Thanks to its prevalence in folk and bluegrass, the banjo is almost the very essence of Americana. And now a new generation of musicians from the country, pop, and jazz worlds have made the sound of the banjo new again. This book is for anyone who wants to pay their respects to tradition as well as those who want to create the next chart-topper ... or both! Packed with the essentials you need to know—from top techniques to choosing the right instrument—you'll learn, and be able to show off, just why the banjo is never out of style! Inside... Tackle the basics with chords and simple picking patterns Explore historic, traditional, and modern styles Get connected with the banjo world Go beyond the book with online lessons
Banjo Roots and Branches (Music in American Life #442)
by Robert B WinansThe story of the banjo's journey from Africa to the western hemisphere blends music, history, and a union of cultures. In Banjo Roots and Branches, Robert B. Winans presents cutting-edge scholarship that covers the instrument's West African origins and its adaptations and circulation in the Caribbean and United States. The contributors provide detailed ethnographic and technical research on gourd lutes and ekonting in Africa and the banza in Haiti while also investigating tuning practices and regional playing styles. Other essays place the instrument within the context of slavery, tell the stories of black banjoists, and shed light on the banjo's introduction into the African- and Anglo-American folk milieus. Wide-ranging and illustrated with twenty color images, Banjo Roots and Branches offers a wealth of new information to scholars of African American and folk musics as well as the worldwide community of banjo aficionados. Contributors: Greg C. Adams, Nick Bamber, Jim Dalton, George R. Gibson, Chuck Levy, Shlomo Pestcoe, Pete Ross, Tony Thomas, Saskia Willaert, and Robert B. Winans.
Banjo of Destiny
by Cary FaganNominee for the 2012 Silver Birch Express Award in the Ontario Library Association's Forest of Reading Program. Jeremiah Birnbaum is stinking rich. He lives in a house with nine bathrooms, a games room, an exercise room, an indoor pool, a hot tub, a movie theater, a bowling alley and a tennis court. His parents, a former hotdog vendor and window cleaner who made it big in dental floss, make sure Jeremiah goes to the very best private school, and that he takes lessons in all the things he will need to know how to do as an accomplished and impressive young man: etiquette lessons, ballroom dancing, watercolor painting. And, of course, classical piano. Jeremiah complies, because he wants to please his parents. But one day, by chance, he hears the captivating strains of a different kind of music -- the strums, plucks and rhythms of a banjo. It is music that stirs something in Jeremiah's dutiful little soul, and he is suddenly obsessed. And when his parents forbid him to play one, he decides to learn anyway -- even if he has to make the instrument himself.
Banjo on the Mountain: Wade Mainer's First Hundred Years (American Made Music Series)
by Dick SpottswoodWade Mainer (b. 1907) is believed to be the longest-lived country entertainer ever. His banjo lessons began in childhood and he played informally into his adult years, when he joined his brother, fiddler J. E. Mainer (1898–1971), in Mainer's Mountaineers. Music became their ticket out of the cotton mills in 1934. At the time, country styles were swiftly evolving from community-based performance into mass-market broadcast via radio, records, and the silver screen. Mainer's Mountaineers attracted radio sponsors and touring opportunities, allowing the brothers to become full-time musicians. Eventually Wade Mainer formed his own band, the Sons of the Mountaineers. His success secured a permanent place for the fiddle and banjo sound in country music, sustained that sound's popularity throughout the 1930s, and created the foundation upon which Bill Monroe and his disciples would spread bluegrass music in the 1940s. Banjo on the Mountain features Wade's own words and recollections from a lifetime in music and an exciting career that included a command performance at the White House for President Franklin D. Roosevelt and a key role in The Old Chisholm Trail, a 1944 BBC-sponsored radio play for American troops and embattled English civilians. The volume is rich in photographs and documents, thanks to Wade and Julia Mainer's careful custodianship of letters, professional photos and family snapshots, posters, songbooks, flyers, and other priceless curios.
Bansuri - Textbook of Arts class 4 - NCERT-25
by National Council of Educational Research and TrainingBansuri: Textbook of Arts for Grade 4 is an engaging and interdisciplinary arts education textbook that introduces students to Visual Arts, Music, Theatre, and Dance through interactive activities and a unifying narrative based on the Panchatantra story "The Hare and the Lion." Aligned with the National Education Policy 2020 and the NCF-SE 2023, the book encourages creativity, self-expression, collaboration, and cultural appreciation. Designed with a hands-on, story-based approach, it nurtures students’ imagination and emotional intelligence while fostering critical thinking and inclusivity in a joyful, pressure-free learning environment.
Bansuri-1 Textbook for Arts class 3 - NCERT-25
by National Council of Educational Research and Training"Bansuri–1" is an arts textbook designed for Class 3 students under the National Education Policy (NEP) 2020 and the National Curriculum Framework for School Education (NCF-SE) 2023. The book introduces children to four major art forms—Music, Visual Arts, Dance, and Theatre—through interactive activities that encourage creativity, self-expression, and cultural appreciation. It emphasizes experiential learning, allowing students to explore artistic traditions through singing, drawing, acting, and movement. The textbook incorporates inclusive classroom practices, integrates digital learning via QR codes, and encourages community participation by involving local artists and families. By fostering artistic skills, self-awareness, and an appreciation of India’s rich cultural heritage, Bansuri – I aims to develop well-rounded individuals equipped with creative and critical thinking abilities.
Bansuri-1 Textbook for Arts class 3 - NCERT-25: बाँसुरी-1 कक्षा 3 कला की पाठ्यपुस्तक - एन सी ई आर टी-२५
by National Council of Educational Research and Training"बांसुरी – I" कक्षा 3 के लिए बनाया गया एक कला पाठ्यपुस्तक है, जो राष्ट्रीय शिक्षा नीति (NEP) 2020 और राष्ट्रीय पाठ्यचर्या रूपरेखा (NCF-SE) 2023 के तहत विकसित की गई है। यह पुस्तक चार प्रमुख कला रूपों—संगीत, दृश्य कला, नृत्य और रंगमंच—से बच्चों को परिचित कराती है। इसमें इंटरैक्टिव गतिविधियों के माध्यम से रचनात्मकता, आत्म-अभिव्यक्ति और सांस्कृतिक समझ को बढ़ावा दिया गया है। पाठ्यपुस्तक अनुभवात्मक शिक्षण पर बल देती है, जिससे छात्र गायन, चित्रकारी, अभिनय और शारीरिक गतिविधियों के माध्यम से कलात्मक परंपराओं की खोज कर सकें। यह समावेशी कक्षा पद्धतियों को अपनाती है, डिजिटल शिक्षा को क्यूआर कोड के माध्यम से एकीकृत करती है, और स्थानीय कलाकारों व परिवारों की भागीदारी को प्रोत्साहित करती है। बांसुरी – I न केवल कलात्मक कौशल विकसित करने में सहायक है, बल्कि यह आत्म-जागरूकता और भारत की समृद्ध सांस्कृतिक विरासत की सराहना करने की भावना भी जागृत करती है, जिससे बच्चे रचनात्मक और आलोचनात्मक सोचने की क्षमता से सुसज्जित हो सकें।
Bar Yarns and Manic-Depressive Mixtapes: Jim Walsh on Music from Minneapolis to the Outer Limits
by Jim WalshBar Yarns and Manic Depressive Mix Tapes distills thirty delirious, jam-packed years of some of the best music writing ever to come out of the Twin Cities. As a writer and musician, the ever-curious Jim Walsh has lived a life immersed in music, and it all makes its way into his columns and feature articles, interviews and reviews, including personal essays on life, love, music, family, death, and, yes, the manic-depressive highs and lows that come with being an obsessive music lover and listener. From Minneapolis&’s own Prince to such far-flung acts as David Bowie, the Waterboys, Lucinda Williams, Parliament-Funkadelic, L7, the Rolling Stones, the Ramones, U2, Hank Williams, Britney Spears, Elvis Presley and Nirvana, Walsh&’s work treats us to a chorus of the voices and sounds that have made the music scene over the past three decades. The big names are here, from Rosanne Cash to Bruce Springsteen to Bob Marley and Jackson Browne, but so are those a little shy of superstardom, like the Tin Star Sisters and Uncle Tupelo, Son Volt, the Gear Daddies, Semisonic, and The Belfast Cowboys. The book is also a tour (de force) of the Twin Cities' most celebrated music venues past and present, from the Prom Ballroom to Paisley Park to Duffy's. When Walsh isn't celebrating the sheer magic of live music or dreaming to tunes blasting from the car console, he might be surveying the scene with the Hamm's Bear at Grumpy's or the Double Deuce or singing the last night at the Uptown Bar blues. Whether he's dishing dirt with Yoko Ono or digging the Replacements' roots, giving an old rocker a spin or offering a mic to the latest upstart, Jim Walsh reminds us that in the land of a thousand lakes there are a thousand dances, and the music never dies.Capturing the pure notes and character of the sound of the Twin Cities and beyond, with a keen eye for trends and the telling detail, his book truly is a mix tape of thirty years of unforgettable music.
Barakah Beats
by Maleeha SiddiquiJulie and the Phantoms meets Amina's Voice! This is a sweet, powerful, and joyous novel about a Muslim girl who finds her voice on her own terms... by joining her school's most popular band.This book is perfect for fans of The First Rule of Punk or Save Me a Seat.Twelve-year-old Nimra Sharif has spent her whole life in Islamic school, but now it's time to go to "real school."Nimra's nervous, but as long as she has Jenna, her best friend who already goes to the public school, she figures she can take on just about anything.Unfortunately, middle school is hard. The teachers are mean, the schedule is confusing, and Jenna starts giving hijab-wearing Nimra the cold shoulder around the other kids.Desperate to fit in and get back in Jenna's good graces, Nimra accepts an unlikely invitation to join the school's popular 8th grade boy band, Barakah Beats. The only problem is, Nimra was taught that music isn't allowed in Islam, and she knows her parents would be disappointed if they found out. So she devises a simple plan: join the band, win Jenna back, then quietly drop out before her parents find out.But dropping out of the band proves harder than expected. Not only is her plan to get Jenna back working, but Nimra really likes hanging out with the band—they value her contributions and respect how important her faith is to her. Then Barakah Beats signs up for a talent show to benefit refugees, and Nimra's lies start to unravel. With the show only a few weeks away and Jenna's friendship hanging in the balance, Nimra has to decide whether to betray her bandmates—or herself.
Barbershops, Bullets, and Ballads: An Annotated Anthology of Underappreciated American Musical Jewels, 1865-1918
by William E Studwell Bruce R SchuenemanThrough Barbershops, Bullets, and Ballads: An Annotated Anthology of Underappreciated American Musical Jewels, 1865--1918, you will discover older musical gems written during a half-century period of geographical, economic, political, and cultural expansion in the United States. Due to the fact that our collective American consciousness is rapidly developing cultural amnesia about or indifference to many of these older songs, the authors felt that a scholarly anthology needed to be produced before another century and millennium overwhelmed us. With Barbershops, Bullets, and Ballads, you will discover academic composers such as Arthur Foote, George Chadwick, and Amy Beach and find annotations outlining the history of the songs as well as the actual words and music.Barbershops, Bullets, and Ballads reveals to you such underappreciated songs as: “Above in Her Chamber,” with music by Julius Eichberg and lyrics by poet Celia Thaxter “In the Evening by the Moonlight,” with music and lyrics by James A. Bland “My Wild Irish Rose,” with music and lyrics by Chauncey Olcott “Cheyenne,” by lyricist Harry H. Williams and composer Egbert Van Alstyne “Come, Josephine in My Flying Machine,” with music by Fred Fisher and lyrics by Alfred BryanIn Barbershops, Bullets, and Ballads, you will find sections containing historical notes of featured songs in chronological order. Through this remarkable collection, you will discover an anthology of popular music of the bygone “golden age” of song and take a pleasurable voyage back to a time that is long gone.
Barbie: I can be A Rock Star
by Mary Man-Kong Jiyoung AnBarbie decides to enter the big talent competition. Unfortunately, so does her biggest rival: her "frenemy," Raquelle! Barbie is very nervous--but with a little help from her friends, she rocks the house! This full-color storybook comes with over 50 rockin' stickers!From the Trade Paperback edition.
Barbra Streisand: Redefining Beauty, Femininity, and Power
by Neal GablerBarbra Streisand has been called the "most successful...talented performer of her generation" by Vanity Fair, and her voice, said pianist Glenn Gould, is "one of the natural wonders of the age." Streisand scaled the heights of entertainment--from a popular vocalist to a first-rank Broadway star in Funny Girl to an Oscar-winning actress to a producer and director. But she has also become a cultural icon who has transcended show business. To achieve her success, Brooklyn-born Streisand had to overcome tremendous odds, not the least of which was her Jewishness. Dismissed, insulted, even reviled when she embarked on a show business career for acting too Jewish and looking too Jewish, she brilliantly converted her Jewishness into a metaphor for outsiderness that would eventually make her the avenger for anyone who felt marginalized and powerless. Â Neal Gabler examines Streisand's life and career through this prism of otherness--a Jew in a gentile world, a self-proclaimed homely girl in a world of glamour, a kooky girl in a world of convention--and shows how central it was to Streisand's triumph as one of the voices of her age.
Barbra Streisand: The Music The Albums The Singles
by Matt HoweOn February 25, 1963, Columbia Records released The Barbra Streisand Album. The first song was "Cry Me a River," and with that a star was born. Barbra Joan Streisand had a zany personality backed by a talent that Stephen Sondheim once described as "one of the two or three best voices in the world of singing songs," adding "It's not just her voice but her intensity, her passion and control." Harold Arlen, another of her favorite composers, commented, "This young lady . . . has a stunning future."With all-male rock groups like the Beatles, the Beach Boys, and the Four Seasons ruling the charts, no one expected a twenty-year-old female singer from Brooklyn to not just hit No. 1, but repeat that accomplishment every decade that followed all the way to the next millennium and become the best-selling female recording artist of all time. Now, for the first time ever, comes the definitive book on the extensive recording career of this towering cultural icon, the Funny Girl considered by many to be the most talented singer of her generation.Barbra Streisand: The Albums, The Singles, The Music takes readers on a journey through every album, soundtrack, and single Streisand has released over the past sixty years. Our guide on this musical tour is Matt Howe, who has run Barbra Archives, the definitive Streisand-themed website, since 2003. He also has assisted Team Stresiand on liner notes on her Release Me album series. Besides analysis of every studio, live concert, and official compilation release, the book contains over three hundred FULL-COLOR photos from the albums, press kits, and Streisand herself. Also included are features on both Streisand's signature songs ("People," "You Don't Bring Me Flowers," "Evergreen," "The Way We Were," and "Don't Rain on My Parade") and on her longtime collaborators (Sondheim, Marty Erlichman, Alan and Marilyn Bergman, and others.) No gossip. No dirt. Just a deep dive into over seventy albums from The Greatest Star.This an oversized hardback book with full-color illustrations, printed on premium paper.
Barbra: The Way She Is
by Christopher AndersenThe #1 New York Times bestselling biographer presents “a scandalicious new bio packed with fresh dirt on the world’s most reclusive diva” (New York Post).She is a one-name legend, a global icon. Yet most of what we know about Barbra Joan Streisand is the stuff of caricature: the Brooklyn girl turned Grammy–winning singer and Oscar–winning actress; a skinflint and a philanthropist; a connoisseur and a barbarian. Even to her legions of fans, the real Streisand has always remained tantalizingly unknowable. Until now. In Barbra, acclaimed biographer Christopher Andersen taps into important, eyewitness sources to paint a startling portrait of the artist . . . and the woman. The many revelations include:Surprising new details about her wedding and marriage to James Brolin.New information about her many failed love affairs, including her never-before-revealed relationships with Prince Charles and Princess Diana’s doomed lover Dodi Fayed—as well as Warren Beatty, Ryan O’Neal, former Canadian prime minister Pierre Trudeau, Steve McQueen, Richard Gere, Kris Kristofferson, Don Johnson, Jon Voight, Andre Agassi, Peter Jennings, and more . . .An inside account of what happened between Streisand and Bill Clinton in the White House, their relationship today, and how Hillary feels about Barbra.Revealing behind the scenes details from her classic movies and historic recording sessionsNew insights into Barbra’s relationship with her only child, Jason.
Bare Bones: I'm Not Lonely If You're Reading This Book
by Bobby BonesThe #1 New York Times–bestselling memoir from The Voice of Country Radio, host of one of the most listened-to drive time morning radio shows in the nation.Growing up poor in Mountain Pine, Arkansas, with a young, addicted mom, Bobby Estell fell in love with country music. Abandoned by his father at the age of five, Bobby saw the radio as his way out—a dream that came true in college when he went on air at the Henderson State University campus station broadcasting as Bobby Bones, while simultaneously starting The Bobby Bones Show at 105.nine KLAZ. Bobby’s passions were pop, country music, and comedy, and he blended the three to become a tastemaker in the country music industry, heard by millions daily. Bobby broke the format of standard country radio, mixing country and pop with entertainment news and information, and has interviewed some of the biggest names in the business, including Luke Bryan, Taylor Swift, Blake Shelton, Tim McGraw, Lady Antebellum, and Jason Aldean.Yet despite the glamour, fame, and money, Bobby has never forgotten his roots, the mom and grandmother who raised him, the work ethic he embraced which saved him and encouraged him to explore the world, and the good values that shaped him. In this funny, poignant memoir told in Bobby’s distinctive patter, he takes fans on a tour of his road to radio. Bobby doesn’t shy away from the curves he continues to navigate—including his obsessive-compulsive disorder—on his journey to find the happiness of a healthy family.Funny and tender, raw and honest, Bare Bones is pure Bobby Bones—surprising, entertaining, inspiring, and authentic.
Barefaced Lies and Boogie-Woogie Boasts
by Harriet Vyner Jools HollandJools Holland has had a fascinating life. From playing on bomb sites as a boy in the East End, to skiving off school and then selling millions of records with Squeeze, the first twenty years of his life were eventful, chaotic and colourful. Then came The Tube with Paula Yates, the seminal live music programme that propelled him to fame. Over the following three decades, Jools succeeded in placing himself at the epicentre of a global community comprising just about anybody who is anybody in music. Through Later with Jools Holland, the longest-running music programme on television, he has given British TV debuts to countless now world famous bands. Packed with hilarious anecdotes written in Holland’s own inimitable style and laced with quirky insights and deliciously acute detail, this autobiography by one of Britain’s most gifted and debonaire musicians is not just for music fans, but for anyone who is looking for something several cuts above the conventional showbiz memoir.
Barefoot in Babylon: The Creation of the Woodstock Music Festival, 1969
by Bob Spitz"Mr. Spitz feeds us every riveting detail of the chaos that underscored the festival. It makes for some out-a-sight reading, man." The New York Times Book Review Celebrating its 45th anniversary in 2014, the Woodstock Music Festival defined a generation. Yet, there was much more than peace and love driving that long weekend the summer of 1969. In Barefoot in Babylon, journalist and New York Times bestselling author Bob Spitz gives readers a behind-the-scenes look at the making of Woodstock, from its inception and the incredible musicians that performed to its scandals and the darker side of the peace movement. With a new introduction, as well as maps, set lists, and a breakdown of all the personalities involved, Barefoot in Babylon is a must-read for anyone who was there--or wishes they were.
Barenaked Ladies: Public Stunts, Private Stories
by Paul MyersWant to know more about this Canadian quintet? It's all here, from the births of five Barenaked babies to the triumph of band member Kevin over leukemia.
Baring Unbearable Sensualities: Hip Hop Dance, Bodies, Race, and Power
by Rosemarie A. RobertsShort Listed for the 2022 de la Torre Bueno© First Book AwardShort Listed for the 2022 Oscar G. Brockett Book Prize for Dance ResearchBaring Unbearable Sensualities brings together a bold methodology, an interdisciplinary perspective and a rich array of primary sources to deepen and complicate mainstream understandings of Hip Hop dance, an Afro-diasporic dance form, which have generally reduced the style to a set of techniques divorced from social contexts. Drawing on close observation and interviews with Hip Hop pioneers and their students, Rosemarie A. Roberts proposes that Hip Hop dance is a collective and sentient process of resisting oppressive manifestations of race and power. Roberts argues that the experiences of marginalized Black and Brown bodies materialize in and through Hip Hop dance from the streets of urban centers to contemporary worldwide expressions. A companion web site contains over 30 video clips referenced in the text.Publication of this book is funded by the Beatrice Fox Auerbach Foundation Fund at the Hartford Foundation for Public Giving.
Barn Dances and Jamborees Across Kentucky (Music Ser.)
by J. D. WilkesKentuckians have been wearing out shoe leather at informal jamborees since the state was settled over two hundred years ago. Tadpole's Dew Drop Inn played host to some fifteen hundred musical shindigs in its time as a mecca of Marshall County music. A Rosine barn dance gave bluegrass founder Bill Monroe his start, and another fosters new musical talent at its weekly get-togethers. Clawhammer banjo players, Appalachian cloggers and square dance callers from Possum Trot to Rabbit Hash celebrate the unique musical culture of Kentucky. Join Grammy-nominated soundtrack artist J.D. Wilkes as he waltzes around the Bluegrass, looking for oprys, socials, porch pickins and barn dances in every holler.
Baronial Patronage of Music in Early Modern Rome
by Valerio MorucciThis is the first dedicated study of the musical patronage of Roman baronial families in the sixteenth and early seventeenth centuries. Patronage – the support of a person or institution and their work by a patron – in Renaissance society was the basis of a complex network of familial and political relationships between clients and patrons, whose ideas, values, and norms of behavior were shared with the collective. Bringing to light new archival documentation, this book examines the intricate network of patronage interrelationships in Rome. Unlike other Italian cities where political control was monocentric and exercised by single rulers, sources of patronage in Rome comprised a multiplicity of courts and potential patrons, which included the pope, high prelates, nobles and foreign diplomats. Morucci uses archival records, and the correspondence of the Orsini and Colonna families in particular, to investigate the local activity and circulation of musicians and the cultivation of music within the broader civic network of Roman aristocratic families over the period. The author also shows that the familial union of the Medici and Orsini families established a bidirectional network for artistic exchange outside of the Eternal City, and that the Orsini-Colonna circle represented a musical bridge between Naples, Rome, and Florence.
Baroque Counterpoint: Revised and Expanded Edition
by Peter Schubert Christoph NeidhoferThe classic text on Baroque Counterpoint, enlarged and revised, drawing from the master composers of the era.This book teaches Baroque compositional techniques through writing and improvisation exercises and analysis of repertoire examples. It provides readers with a historical outlook by focusing largely on principles taught in treatises from the period 1680–1780. This expanded edition includes new sections with keyboard exercises that provide training in Partimento performance as it was practiced at the time, helping students master Baroque style from the inside. While the focus of the book is on fugue, it also treats chorale preludes, stylized dances, inventions, and trio sonatas. The volume is divided into two parts-basic and advanced- which could be taught in a two-semester sequence. There are various options to introduce material from Part II into Part I for a one-semester course.