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The Clash on Clash: Interviews and Encounters
by Sean EganThe Clash thought they could change the world. They never did, but they created some of the greatest rock music of all time in the attempt.Clash interviews were mesmerizing. Infused with the messianic spirit of punk, the Clash engaged with the press like no rock group before or since, treating interviews almost as addresses to the nation. Their pronouncements were welcomed but were hardly uncritically reported. The Clash's back pages are voluminous, crackle with controversy, and constitute a snapshot of a uniquely thoughtful and fractious period in modern history. Included in this compendium are the Clash's encounters with the most brilliant music writers of their time, including Lester Bangs, Nick Kent, Mikal Gilmore, Chris Salewicz, Charles Shaar Murray, Mick Farren, Kris Needs, and Lenny Kaye.Whether it be their audience with the (mainly) simpatico likes of punk fanzine Sniffin' Glue, their testy encounters with the correspondents of pious UK weeklies like New Musical Express, Melody Maker, and Sounds, or their friendlier but no less eyebrow-raising conversations with US periodicals like Creem and Rolling Stone, the Clash consistently created copy that lived up to their sobriquet "The Only Band That Matters."
The Clash: The Secret History (The\secret History Of Rock Ser.)
by Alan CrossAlan Cross is the preeminent chronicler of popular music.Here he provides a history of Joe Strummer, Mick Jones, and The Clash.This look at the band—"The Only Band That Matters"—is adapted from the audiobook of the same name.
The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s
by William E Studwell David LonerganThe Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s is chock full of entertaining essays to inform and delight you about an era that shaped our culture and future musical trends. This unique book will surprise and enchant even the most zealous music buff with facts and information on the songs that reflected America’s spirit and captured a nation&’s attention. The Classic Rock and Roll Reader is offbeat, somewhat irreverent, ironic, and ancedotal as it discusses hundreds of rock and non-rock compositions included in rock history era. The songs offer you information on: Rock’s Not So Dull Predecessors (for example, “Bewitched, Bothered, and Bewildered” and “The Cry of the Wild Goose”) The Pioneering Rock Songs (such as “Rock Around the Clock” and “Shake, Rattle, and Roll” ) Older Style Songs Amidst the Rocks (for example, “I Could Have Danced All Night” and “Rocky Mountain High” ) The Megastars and Megagroups (such as “Blue Suede Shoes,” “Respect,” and “Surfin’USA” ) The Best Songs that Never Made No. 1 (for example,“ I Feel Good” and “ Tie a Yellow Ribbon Round the Ole Oak Tree” )The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s also examines the music which preceded early rock, the music which followed early rock, and the numerous non-rock songs which flourished during the classic rock period. A wide spectrum of music is discussed in well over 100 essays on various songs. Musicians, librarians, and the general audience will be taken back to the birth of rock and roll and the various contributing influences. Analyzing each song’s place in rock history and giving some background about the artists, The Classic Rock and Roll Reader offers even the most avid music enthusiast new and unique information in this thorough and interesting guide.
The Classical Music Book: Big Ideas Simply Explained (DK Big Ideas Ser.)
by Dorling Kindersley LimitedLearn about the world’s greatest classical compositions and musical traditions in The Classical Music Book. Part of the fascinating Big Ideas series, this book tackles tricky topics and themes in a simple and easy-to-follow format. Learn about Classic Music in this overview guide to the subject, great for novices looking to find out more and experts wishing to refresh their knowledge alike! The Classical Music Book brings a fresh and vibrant take on the topic through eye-catching graphics and diagrams to immerse yourself in. This captivating book will broaden your understanding of Classical Music, with: - More than 90 pieces of world-famous music - Packed with facts, charts, timelines and graphs to help explain core concepts - A visual approach to big subjects with striking illustrations and graphics throughout - Easy to follow text makes topics accessible for people at any level of understanding The Classical Music Book is a captivating introduction to music theory, crucial composers and the impact of seminal pieces, aimed at adults with an interest in the subject and students wanting to gain more of an overview. Here you’ll discover more than 90 works by famous composers from the early period to the modern day, through exciting text and bold graphics. Your Classical Music Questions, Simply Explained From Mozart to Mendelssohn, this fresh new guide goes beyond your typical music books, offering a comprehensive overview to classical music history and biography. If you thought it was difficult to learn about music theory, The Classical Music Book presents key information in an easy to follow layout. Explore the main ideas underpinning the world’s greatest compositions and musical traditions, and define their importance to the musical canon and into their wider social, cultural, and historical context. The Big Ideas Series With millions of copies sold worldwide, The Classical Music Book is part of the award-winning Big Ideas series from DK. The series uses striking graphics along with engaging writing, making big topics easy to understand.
The Classical Music Book: Big Ideas Simply Explained (DK Big Ideas)
by DKLearn about the world&’s greatest classical compositions and musical traditions in The Classical Music Book.Part of the fascinating Big Ideas series, this book tackles tricky topics and themes in a simple and easy to follow format. Learn about Classic Music in this overview guide to the subject, great for novices looking to find out more and experts wishing to refresh their knowledge alike! The Classical Music Book brings a fresh and vibrant take on the topic through eye-catching graphics and diagrams to immerse yourself in. This captivating book will broaden your understanding of Classical Music, with:- More than 90 pieces of world-famous music - Packed with facts, charts, timelines and graphs to help explain core concepts- A visual approach to big subjects with striking illustrations and graphics throughout- Easy to follow text makes topics accessible for people at any level of understandingThe Classical Music Book is a captivating introduction to music theory, crucial composers and the impact of seminal pieces, aimed at adults with an interest in the subject and students wanting to gain more of an overview. Here you&’ll discover more than 90 works by famous composers from the early period to the modern day, through exciting text and bold graphics.Your Classical Music Questions, Simply ExplainedFrom Mozart to Mendelssohn, this fresh new guide goes beyond your typical music books, offering a comprehensive overview to classical music history and biography. If you thought it was difficult to learn about music theory, The Classical Music Book presents key information in an easy to follow layout. Explore the main ideas underpinning the world&’s greatest compositions and musical traditions, and define their importance to the musical canon and into their wider social, cultural, and historical context.The Big Ideas SeriesWith millions of copies sold worldwide, The Classical Music Book is part of the award-winning Big Ideas series from DK. The series uses striking graphics along with engaging writing, making big topics easy to understand.
The Classical Music Industry (Routledge Research in Creative and Cultural Industries Management)
by Chris Dromey Julia HaferkornThis volume brings together academics, executives and practitioners to provide readers with an extensive and authoritative overview of the classical music industry. The central practices, theories and debates that empower and regulate the industry are explored through the lens of classical music-making, business, and associated spheres such as politics, education, media and copyright. The Classical Music Industry maps the industry’s key networks, principles and practices across such sectors as recording, live, management and marketing: essentially, how the cultural and economic practice of classical music is kept mobile and alive. The book examining pathways to professionalism, traditional and new forms of engagement, and the consequences of related issues—ethics, prestige, gender and class—for anyone aspiring to ‘make it’ in the industry today. This book examines a diverse and fast-changing sector that animates deep feelings. The Classical Music Industry acknowledges debates that have long encircled the sector but today have a fresh face, as the industry adjusts to the new economics of funding, policy-making and retail The first volume of its kind, The Classical Music Industry is a significant point of reference and piece of critical scholarship, written for the benefit of practitioners, music-lovers, students and scholars alike offering a balanced and rigorous account of the manifold ways in which the industry operates.
The Classical Music Lover's Companion to Orchestral Music
by Robert PhilipAn invaluable guide for lovers of classical music designed to enhance their enjoyment of the core orchestral repertoire from 1700 to 1950 Robert Philip, scholar, broadcaster, and musician, has compiled an essential handbook for lovers of classical music, designed to enhance their listening experience to the full. Covering four hundred works by sixty-eight composers from Corelli to Shostakovich, this engaging companion explores and unpacks the most frequently performed works, including symphonies, concertos, overtures, suites, and ballet scores. It offers intriguing details about each piece while avoiding technical terminology that might frustrate the non-specialist reader. Philip identifies key features in each work, as well as subtleties and surprises that await the attentive listener, and he includes enough background and biographical information to illuminate the composer’s intentions. Organized alphabetically from Bach to Webern, this compendium will be indispensable for classical music enthusiasts, whether in the concert hall or enjoying recordings at home.
The Classical Revolution: Thoughts on New Music in the 21st Century Revised and Expanded Edition
by John Borstlap"Rich in discussion-worthy arguments … an important contribution to musical aesthetics." — Die Tonkunst"An excellent and expansive view of where we now are in the larger world of contemporary art music." ― Academic QuestionsThese essays by a prominent composer offer a thought-provoking exploration of a current trend in classical music. Author John Borstlap advocates a departure from the atonal characteristics typical of modern music and a return to more traditional forms. He notes that new classical composers are increasingly successful in the central performance culture because they offer a fresh approach to the problems that persist in contemporary music, where an establishment with outdated ideas still dominates the production, reception, and funding of new music. Borstlap's treatise introduces new composers, reveals instances of institutional biases, and examines issues of cultural identity, musical meaning, and the aesthetics of beauty. In order to offer readers the most up-to-date insights, this edition of TheClassical Revolution has been newly revised and expanded by the author.
The Classical Style: Haydn, Mozart, Beethoven
by Charles RosenThis book treating the three most beloved composers of the Vienna School is considered basic to any study of classical-era music. Drawing on his rich experience and intimate familiarity with the works of these giants, Charles Rosen presents his keen insights in clear and persuasive language.<P><P> Winner of the National Book Award
The Collected Essays of Milton Babbitt
by Joseph N. Straus Andrew Mead Stephen Peles Milton Babbitt Stephen DembskiLike his compositions, Milton Babbitt's writings about music have exerted an extraordinary influence on postwar music and thinking about music. In essays and public addresses spanning fifty years, Babbitt has grappled profoundly with central questions in the composition and apprehension of music. These writings range from personal memoirs and critical reviews to closely reasoned metatheoretical speculations and technical exegesis. In the history of music theory, there has been only a small handful of figures who have produced work of comparable stature. Taken as a whole, Babbitt's writings are not only an invaluable testimony to his thinking--a priceless primary source for the intellectual and cultural history of the second half of the twentieth century--but also a remarkable achievement in their own right. Prior to this collection, Babbitt's writings were scattered through a wide variety of journals, books, and magazines--many hard to find and some unavailable--and often contained typographical errors and editorial corruptions of various kinds. This volume of almost fifty pieces gathers, corrects, and annotates virtually everything of significance that Babbitt has written. The result is complete, authoritative, and fully accessible--the definitive source of Babbitt's influential ideas.
The Collected Works of Alfred B. Sedgwick (Nineteenth-Century American Musical Theater Series #7)
by Michael MecknaFirst Published in 1994. This is volume 7 of a 16-volume series providing comprehensive set of works from a full century of musical theatre in the United States of America. The contents of this volume represent the most ubiquitous, yet probably the least well documented or described forms of musical theatre in the United States during the nineteenth century. Alfred B. Sedgwick, this volume's focus, was one of the most prolific published authors of playlets with music – especially popular with middle-class families whose ancestors had emigrated from the British Isles.
The Collected Works of Jim Morrison: Poetry, Journals, Transcripts, and Lyrics
by Jim MorrisonNEW YORK TIMES BESTSELLERThe definitive anthology of Jim Morrison's writings with rare photographs and numerous handwritten excerpts of unpublished and published poetry and lyrics from his 28 privately held notebooks.You can also hear Jim Morrison’s final poetry recording, now available for the first time, on the CD or digital audio edition of this book, at the Village Recorder in West Los Angeles on his twenty-seventh birthday, December 8, 1970. The audio book also includes performances by Patti Smith, Oliver Ray, Liz Phair, Tom Robbins, and others reading Morrison’s work. Created in collaboration with Jim Morrison’s estate and inspired by a posthumously discovered list entitled “Plan for Book,” The Collected Works of Jim Morrison is an almost 600-page anthology of the writings of the late poet and iconic Doors’ front man. This landmark publication is the definitive opus of Morrison’s creative output—and the book he intended to publish. Throughout, a compelling mix of 160 visual components accompanies the text, which includes numerous excerpts from his 28 privately held notebooks—all written in his own hand and published here for the first time—as well as an array of personal images and commentary on the work by Morrison himself. This oversized, beautifully produced collectible volume contains a wealth of new material—poetry, writings, lyrics, and audio transcripts of Morrison reading his work. Not only the most comprehensive book of Morrison’s work ever published, it is immersive, giving readers insight to the creative process of and offering access to the musings and observations of an artist whom the poet Michael McClure called “one of the finest, clearest spirits of our times.” This remarkable collector’s item includes: Foreword by Tom Robbins; introduction and notes by editor Frank Lisciandro that provide insight to the work; prologue by Anne Morrison ChewningPublished and unpublished work and a vast selection of notebook writings The transcript, the only photographs in existence, and production notes of Morrison’s last poetry recording on his twenty-seventh birthday The Paris notebook, possibly Morrison’s final journal, reproduced at full reading sizeExcerpts from notebooks kept during his 1970 Miami trialThe shooting script and gorgeous color stills from the never-released film HWYComplete published and unpublished song lyrics accompanied by numerous drafts in Morrison’s handEpilogue: “As I Look Back”: a compelling autobiography in poem form Family photographs as well as images of Morrison during his years as a performer
The Color of Sound
by Emily Barth Isler"[A] salient celebration of family, music, and neurodiversity." —starred, Publishers Weekly "A top pick for any middle school collection; a perfect book club pick and a reminder to all that patience and understanding can change lives." —starred, School Library Journal Twelve-year-old Rosie is a musical prodigy whose synesthesia allows her to see music in colors. She’s never told anyone this, though. She already stands out more than enough as a musical “prodigy” who plays better than most adults. Rosie’s mom expects her to become a professional violinist. But this summer, Rosie refuses to play. She wants to have a break. To make friends and discover new hobbies. To find out who she would be if her life didn’t revolve around the violin. So instead of attending a prestigious summer music camp, Rosie goes with her mom to visit her grandparents. Grandma Florence’s health is failing, Grandpa Jack doesn’t talk much, and Rosie’s mom is furious with her for giving up the violin. But Rosie is determined to make the most of her “strike.” And when she meets a girl who seems distinctly familiar, she knows this summer will be unlike any other. With help from a mysterious glitch in time—plus her grandparents, an improv group, and a new instrument—Rosie uncovers secrets that change how she sees her family, herself, and the music that’s always been part of her.
The Come Up: An Oral History of the Rise of Hip-Hop
by Jonathan AbramsThe essential oral history of hip-hop, from its origins on the playgrounds of the Bronx to its reign as the most powerful force in pop culture—from the award-winning journalist behind All the Pieces Matter, the New York Times bestselling oral history of The Wire &“The Come Up is Abrams at his sharpest, at his most observant, at his most insightful.&”—Shea Serrano, #1 New York Times bestselling author of Hip-Hop (And Other Things) The music that would come to be known as hip-hop was born at a party in the Bronx in the summer of 1973. Now, fifty years later, it&’s the most popular music genre in America. Just as jazz did in the first half of the twentieth century, hip-hop and its groundbreaking DJs and artists—nearly all of them people of color from some of America&’s most overlooked communities—pushed the boundaries of music to new frontiers, while transfixing the country&’s youth and reshaping fashion, art, and even language.And yet, the stories of many hip-hop pioneers and their individual contributions in the pre-Internet days of mixtapes and word of mouth are rarely heard—and some are at risk of being lost forever. Now, in The Come Up, the New York Times bestselling author Jonathan Abrams offers the most comprehensive account so far of hip-hop&’s rise, a multi-decade chronicle told in the voices of the people who made it happen. In more than three hundred interviews conducted over three years, Abrams has captured the stories of the DJs, executives, producers, and artists who both witnessed and themselves forged the history of hip-hop. Masterfully combining these voices into a seamless symphonic narrative, Abrams traces how the genre grew out of the resourcefulness of a neglected population in the South Bronx, and from there how it flowed into New York City&’s other boroughs, and beyond—from electrifying live gatherings, then on to radio and vinyl, below to the Mason-Dixon Line, west to Los Angeles through gangster rap and G-funk, and then across generations. Abrams has on record Grandmaster Caz detailing hip-hop&’s infancy, Edward &“Duke Bootee&” Fletcher describing the origins of &“The Message,&” DMC narrating his role in introducing hip-hop to the mainstream, Ice Cube recounting N.W.A&’s breakthrough and breakup, Kool Moe Dee recalling his Grammys boycott, and countless more key players. Throughout, Abrams conveys with singular vividness the drive, the stakes, and the relentless creativity that ignited one of the greatest revolutions in modern music. The Come Up is an exhilarating behind-the-scenes account of how hip-hop came to rule the world—and an essential contribution to music history.
The Comedians of the King: Opéra Comique and the Bourbon Monarchy on the Eve of Revolution
by Julia DoeLyric theater in ancien régime France was an eminently political art, tied to the demands of court spectacle. This was true not only of tragic opera (tragédie lyrique) but also its comic counterpart, opéra comique, a form tracing its roots to the seasonal trade fairs of Paris. While historians have long privileged the genre’s popular origins, opéra comique was brought under the protection of the French crown in 1762, thus consolidating a new venue where national music might be debated and defined. In The Comedians of the King, Julia Doe traces the impact of Bourbon patronage on the development of opéra comique in the turbulent prerevolutionary years. Drawing on both musical and archival evidence, the book presents the history of this understudied genre and unpacks the material structures that supported its rapid evolution at the royally sponsored Comédie-Italienne. Doe demonstrates how comic theater was exploited in, and worked against, the monarchy’s carefully cultivated public image—a negotiation that became especially fraught after the accession of the music-loving queen, Marie Antoinette. The Comedians of the King examines the aesthetic and political tensions that arose when a genre with popular foundations was folded into the Bourbon propaganda machine, and when a group of actors trained at the Parisian fairs became official representatives of the sovereign, or comédiens ordinaires du roi.
The Companion to The Mechanical Muse: The Piano, Pianism and Piano Music, c.1760–1850
by Derek CarewIntended as a supplement to The Mechanical Muse: The Piano, Pianism and Piano Music, c.1760-1850, this Companion provides additional information which, largely for reasons of space but also of continuity, it was not possible or desirable to include in that volume. The book is laid out alphabetically and full biographical entries are provided for all musical figures mentioned, including composers, performers, theoreticians and teachers, as well as piano makers and publishers of music, within the period covered by The Mechanical Muse. There are also entries on figures of importance from outside the period but whose influence is palpably important within it, such as J.S. Bach. As well as biographical information, all these entries contain lists of principal works and a section on further reading so that readers can follow up people and matters of particular interest. Also included in The Companion are entries devoted to particular works and other information of relevance, such as descriptions of musical forms, characteristics of dances and so on, as well as some technical information on music and explanations of technical terms pertaining to keyboard instruments themselves and to ways of playing them. This Companion is not intended to replace existing reference books such as Grove or Musik in Geschichte und Gegenwart, but will be useful for those who desire to know more about a particular topic and do not necessarily have access to more specialist reference works, or time to visit large or specialist libraries. As such it is indispensable to users of The Mechanical Muse.
The Complete ABBA (40th Anniversary Edition)
by Simon SheridanFor four decades ABBA - the combined talents of Agnetha Fältskog, Björn Ulvaeus, Benny Andersson and Anni-Frid Lyngstad - has been a global music phenomenon, clocking up record sales of over 360 million. For the very first time The Complete ABBA compiles all of the Swedish supergroup's singles, albums, TV specials, tours and movies. Beginning with their 1972 debut single People Need Love, the book chronicles the band's incredible story right through to Björn and Benny's triumphant Thank You for the Musictribute concert held in London in 2009, and beyond, to 2012, the band's 40th anniversary. This is all the ABBA you'll ever need!
The Complete Annotated Grateful Dead Lyrics
by David G. DoddCelebrate the fiftieth anniversary of the most popular and enduring band ever: &“Even the most hardcore Deadheads will be impressed by this obsessively complete look at the Grateful Dead&’s lyrics&” (Publishers Weekly).The Complete Annotated Grateful Dead Lyrics is an authoritative text, providing standard versions of all the original songs you thought you knew forwards and backwards. These are some of the best-loved songs in the modern American songbook. They are hummed and spoken among thousands as counterculture code and recorded by musicians of all stripes for their inimitable singability and obscure accessibility. How do they do all this? To provide a context for this formidable body of work, of which his part is primary, Robert Hunter has written a foreword that goes to the heart of the matter. And the annotations on sources provide a gloss on the lyrics, which goes to the roots of Western culture as they are incorporated into them. An avid Grateful Dead concertgoer for more than two decades, David Dodd is a librarian who brings to the work a detective’s love of following a clue as far as it will take him. Including essays by Dead lyricists Robert Hunter and John Perry and Jim Carpenter’s original illustrations, whimsical elements in the lyrics are brought to light, showcasing the American legend that is present in so many songs. A gorgeous keepsake edition of the Dead’s official annotated lyrics, The Complete Annotated Grateful Dead Lyrics is an absolute must-have for the fiftieth anniversary—you won’t think of this cultural icon the same way again. In fact, founding band member Bob Weir said: “This book is great. Now I’ll never have to explain myself.”
The Complete Classical Music Guide (DK Ultimate Guides)
by DKPacked with photographs, composer biographies, analyses of major works, and essential information on every musical genre, style, form, instrument, and ensemble, DK's Complete Classical Music Guide is a portable encyclopedic guide to more than one thousand years of Western classical music. From Bach to Berlioz, Glinka to Gershwin, Stravinsky to Shostakovich, and everyone in between, the Complete Classical Music Guide contains more than three hundred composer profiles, and offers a clear definition of the particular styles and characteristics of seven key eras: Early Music (1000-1600); The Baroque Era (1600-1750); The Classical Era (1750-1820); The Romantic Era (1810-1920); Romantic Opera (1810-1920); National Schools (1830-1950); and Modern Music (1900-). The Complete Classical Music Guide also includes a timeline that charts the evolution of musical styles and forms, instruments, and provides explanations of the building blocks of music — melody, harmony, rhythm, texture, form, tempo, and dynamics. Previously published as Eyewitness Companion: Classical Music, this book has been reformatted and designed and now comes packaged in an exclusive presentation slipcase.
The Complete David Bowie
by Nicholas PeggThe biggest edition yet - expanded and updated with 35,000 words of new material Critically acclaimed in its previous editions, The Complete David Bowie is widely recognized as the foremost source of analysis and information on every facet of Bowie's career. The A-Z of songs and the day-by-day dateline are the most complete ever published. From the 11-year-old's skiffle performance at the 18th Bromley Scouts' Summer Camp in 1958, to the emergence of the legendary lost album Toy in 2011, The Complete David Bowie discusses and dissects every last development in rock's most fascinating career. * The Albums - detailed production history and analysis of every album from 1967 to the present day. * The Songs - hundreds of individual entries reveal the facts and anecdotes behind not just the famous recordings, but also the most obscure of unreleased rarities - from 'Absolute Beginners' to 'Ziggy Stardust', from 'Abdulmajid' to 'Zion'. * The Tours - set-lists and histories of every live show. * The Actor - a complete guide to Bowie's career on stage and screen. * Plus - the videos, the BBC radio sessions, the paintings, the Internet and much more.
The Complete Elegies, The Six Sonatinas: and Other Original Works for Solo Piano (Dover Classical Piano Music)
by Ferruccio BusoniLike Franz Liszt, Ferruccio Busoni (1866-1924) first earned a worldwide reputation as an extraordinary pianist, and only later turned his efforts to composing. Although he is widely known for his virtuoso transcriptions of music by Bach and Liszt, his original piano compositions are today highly regarded for their combination of technical brilliance and innovative ideas.This modestly priced volume brings together the best and most important Busoni original solo piano works: the seven Elegies; the six Sonatinas; the enormous and complex Contrapuntal Fantasy; the Fantasy after J. S. Bach; the Indian Diary (four piano studies on American Indian motifs); and the six Pieces, Op. 33b. Serious pianists and students of piano music will want to have this impressive and important new compilation in their music libraries.
The Complete History of Black Sabbath: What Evil Lurks
by Joel McIverThe definitive history of the band that invented heavy metal—featuring rare photographs, a complete discography and an introduction by Robb Flynn.With its infernal sound and dark lyrics, Black Sabbath has been a force of nature for half a century. Its career spans eleven different line-ups and nineteen studio albums in addition to the twenty-eight solo albums of the original four members.The band began in 1968, playing blues rock on the cover circuit of Birmingham, England. But guitarist Tony Iommi, bassist Geezer Butler, singer Ozzy Osbourne, and drummer Bill Ward would soon define a new genre of music—and make themselves world famous.Joel McIver explores the complete history of Sabbath, from precursor bands to history-making albums and on to the present. With more than 150 photos, a gatefold family tree tracing the development of the band, a complete discography, and a foreword by Machine Head frontman Robb Flynn, this is the must-have book for any Sabbath fan.
The Complete Idiot's Guide Music Dictionary: Music Explained in the Simplest Terms
by Dr. Stanford FelixA musician's vocabulary needs more than Do, Re, Mi... Written in clear, concise, easy-to-understand language, The Complete Idiot's Guide® Music Dictionary covers a multitude of musical aspects indispensable to any musician. Author and music professor Stanford Felix has compiled the most commonly found terms and explains them in a way that even the most novice musician can comprehend. • The only dictionary geared toward the beginner musician • Gives clear, concise definitions of terms, theories, and instruments, as well as important works, musicians, and composers
The Complete Idiot's Guide to Buying a Piano: A Goof-Proof Guide That’s in Tune with Your Needs
by Jennifer B. Flinn Marty C. FlinnTune in and tone down piano-shopping stress. Unfamiliar with manufacturers, manufacturing methods, materials, or price ranges, the piano buyer can still educate himself before making the big investment, saving time, money, and frustration. This is the first book written by salespeople that dispels myths and airs dirty tricks, making it an easy–to–use buyer&’s guide for all the well known, and many of the not–so–well known, piano models. • How to choose from new or used, digital or acoustic, upright, grand, hybrid, or player pianos • Nearly half a million pianos are purchased annually in the United States, with Americans spending nearly $1.7 billion a year on them • Piano technicians and teachers require this accurate information to dispense advice on buying
The Complete Idiot's Guide to Conducting Music: The Fundamentals and More for Conducting Bands, Orchestras, Choirs, and Ensemble
by Michael MillerThe complex art of conducting may look effortless to the casual onlooker, however, it requires a great deal of knowledge and skill. The success of a performance hinges on the director's ability to keep the group playing together and interpreting the music as the composer intended. The Complete Idiot's Guide® to Conducting Music shows student and novice conductors how to lead bands, orchestras, choirs, and other ensembles effectively through sight-reading, rehearsals, and performances.